From the Collection: Yale University. Department of Manuscripts and Archives
Published / Created:
1960 March
Call Number:
MS 650
Container / Volume:
Box 7, folder 766
Image Count:
1
Description:
Images compiled on contact sheet are unrelated to one another. Bottom images numbered 4-5 show the stage of the CTC Congress held in Havana in November of 1959, further documented in Contact Book VII. Middle images show a stage surrounded by a large crowd in what was then called the Palacio Deportivo, now called la Ciudad Deportiva. The table that appears in the middle of the stage features a drape with lettering that reads "Conferencia Latinoamericana." Frame 35 shows Vilma Espín sitting on a panel with unidentified participants as they listen to a speaker reading from a paper and standing before a microphone to the left. See also Print 53.
From the Collection: Yale University. Department of Manuscripts and Archives
Published / Created:
1960 March
Call Number:
MS 650
Container / Volume:
Box 7, folder 767
Image Count:
1
Description:
Print features faraway shots taken of the central speakers dais during the Conferencia Latinoamericana, held in the Palacio Deportivo of Havana. Frame 35 shows Vilma Espín sitting to the far-left of the central table and listening as an unidentified speaker standing to the left of the table reads from a prepared text he holds before him. See also Prints 53, 54 and 59.
From the Collection: Yale University. Department of Manuscripts and Archives
Published / Created:
1957 and 1960
Call Number:
MS 650
Container / Volume:
Box 7, folder 771
Image Count:
1
Description:
Printed images taken from several different contact sheets. The bottom row of images, showing Raúl Castro and Felipe Guerra Matos, are duplicates of shots that appear in Print 14 of Contact Book I. Top row of images shows three unidentified women sitting on a couch in what appears to be a waiting room, also pictured in Print 53; one is black and very elegantly dressed. The middle row of images shows Raúl Castro standing in the doorway of a peasant hut, with his back to the camera.