The Osborn collection of 12 fragments of illuminated manuscripts from the 14th to the 16th century
Image Count:
2
Resource Type:
Archives or Manuscripts
Description:
f. 1r-v Antiphona. Cruci, corone spinee, clavisque dire, lancee ... per que corone gaudia perpetua speramus. Versus. Adoramus te Christe ... Oremus. Quesumus omnipotens Deus, ut qui sacratissima nostre redemptionis insignia temporaliter veneramur, per hec indesinenter muniti eternitatis gloriam consequamur. Per. De sancto Eustachio antiphona., On parchment., This small luxurious book of devotion seems to be organized according to the liturgical year, the Exaltation of the Cross being celebrated on 14 September, the martyr Eustace on 20 September., and Yellow heightening of the majuscules. One 2-line flourished initial, gold with blue flourishes, and on f. 1r one square miniature (5 lines) in a golden frame representing the Instruments of the Passion, accompanied by a full rinceaux border with a gold and pink bar in the inner margin. In the upper right and the two lower corners flowers and plants grow on a circular grassy patch of earth. The spiralling tendrils between them carry gold balls and vine leaves and flowers.
The Osborn collection of 12 fragments of illuminated manuscripts from the 14th to the 16th century
Image Count:
4
Resource Type:
Archives or Manuscripts
Abstract:
The decoration consists of 1- or 2-line initials in paint and liquid gold and a three-margin-outer border on f. 1r. On the same page two rectangular pictures (10 lines high, framed in gold and black ink placed in the text area, representing (1) St. Anthony holding a book and (2) St. Claude as a bishop, blessing.
Description:
Presented by James M. Osborn in memory of William R. Coats.
Manuscript on parchment of Biondo Flavio, Italia Illustrata with the dedicatory preface to Pope Nicolas V (d. 1455).
Description:
Binding: Eighteenth century, England. Red goatskin gold-tooled, with the crest of Charles Chauncy on the sides. Gilt edges. Rebacked. The fine quality of the endleaves and leather, and the tool used on the edges of the boards and the turn-ins are similar to those in Marston MS 102 and Beinecke MS 497, both probably bound by Richard Wier, active in London and France in the 1770s; d. 1792)., Elaborately illuminated title page with historiated initial, 10-line, mauve with silver filigree against gold ground, edged in black, with a portrait of the author, seated and holding a book, against a hilly landscape and blue sky. Partial border of white vine-stem ornament against a predominantly gold ground with blue, green, and red patches with white and pale yellow dots in inner and upper margins, terminating in dense penwork scrolls with gold dots. In outer and lower margin, border of stylized flowers and foliage in red, purple, green, and blue, surrounded by dense penwork scrolls punctuated by gold dots. In center of lower margin, wreathed medallion with unidentified arms, supported by two purple winged putti outlined in blue and wearing red necklaces. 14 illuminated initials, 9- to 6-line, gold, on blue, green, and red ground with white vine-stem ornament, sometimes extending into the margins. Headings, running titles, and marginalia in red., and Script: Written in fine humanistic bookhand, below top line, by a single scribe who also wrote the running titles (epigraphic majuscules) and marginalia, in red.
Subject (Geographic):
Italy--Description and travel
Subject (Topic):
Geography, Medieval, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library