The "n" in Hancock has been inserted in manuscript. Mounted in pt. 3 of J. Sanderson's Biography of the signers of the Declaration of Independence. Philadelphia, 1865 on fold. l. following 2d p.l.
Since no author's name is given in this ms., it is difficult to establish whether this play is by Onofrio Gilberto di Solofra (printed in Naples, 1653) which as Belloni states in his Il Seicento (p. 290) has thus far been unprocurable; or whether it is by Andrea Perrucci, a poet from Palermo, and a translator of Spanish comedies, who published a Convitato di Pietra in 1678, reprinted 1684, and perhaps later. The first Italian imitator of Tirso's Burlador is supposed to be Giacinto Andrea Cicognini (1606-1660); his Convitato di Pietra like our ms. also contains some Uscene buffonesche, but the comic characters have different names. At any rate, this ms. is important in regard to the literary vicissitudes of the Don Juan legend in Italy.
BEIN 1978 +S3 1: No. 45 of 55 works bound together with binder's title: Leisure hour library., Caption title., By Charlotte M. Brame., Text in three columns., "The ancient miner's story / by Will Carleton": p. 15., and Advertising matter on p. 16.
BEIN JWJ -V3 C674 In1: Stamp: Masonic Temple, Chicago., For medium voice and piano., "Sung with great success by Bob Cole ... in 'A trip to Coontown.'", First line of text: In South Africa, there a colony lies, called Dahomey., Title p. illustration includes photographic port. of Bob Cole., and Advertisements on p. [2] (1st count) and p. [1-3] at end.
Publisher:
Howley, Haviland & Co.
Subject (Geographic):
Benin
Subject (Topic):
Songs (Medium voice) with piano, Popular music, and Black people
Manuscript fragment on parchment of St. Augustine, In Iohannis Evangelium (Tractus cxxiv), wherein the numbers given to the tractates are one less than those given in the edition (which is perhaps the result of scribal error or perhaps reflective of alternative content within this manuscript).
Description:
In Latin., Script: written in Caroline minuscule; annotations added by modern hands., and Decoration: 4-line initial "I," in orange with foliate ornamentation, beginning Tractus 36; 2-line initial "A" in a similar style; 1-line initials in brown uncials; rubrics in orange rustic capitals; punctuation consisting of the punctus, punctus elevatus, punctus versus, punctus interrogativus, and the punctus flexus.
Manuscript fragment on parchment of Augustine's In Iohannis evangelium tractatus
Description:
In Latin., Script: written in late Caroline script, similar to that written at Schaffhausen in manuscripts dated around 1100., and Decoration: inelegant 9-line initial "D" on the verso in rough gold with silver bands, outlined in red and with red in the center; the initial is on an orange, green, and blue ground. In the middle of the initial there is an eagle in gold and silver, with red dots, which holds a vine with flowers in his beak; 1-line initials in brown rustic capitals; scribal guidewords preserved in margin; heading written in red minuscule; punctuated with the punctus, punctus elevatus, and punctus interrogativus.
Manuscript fragment on parchment of Augustine's In Iohannis evangelium tractatus
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: 1-line initials are in brown uncials; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation by the first hand.