Manuscript on paper of a pietistic, mystical text in prose and verse, illustrated by a great variety of illustrations cut from manuscripts of smaller dimensions (plus some prints), and pasted in. These illustrations include the "Python" illuminated drawing which has been reproduced in color, a series of "alchemical processes depicted symbolically taking place within flasks", as well as many other pictorial elements drawn from a variety of sources
Description:
In German, Low-German, Latin, and Hebrew., Script: Written by a single hand in dark brown and pale red inks in a loose and flowing cursive, often with Fraktur elements, frequently placing capital letters in the midst of words, sometimes in red; with some inserted leaves and additional matter by another, perhaps slightly later hand, and with pasted-in leaves, usually with illustrations, partly taken from older manuscripts, and partly (apparently) by the compiler., Watermarks: The inserted leaves of paper with a large fleur-de-lys watermark, unidentified; the thinner paper used for most of the volumes with unidentified watermark in folds., With additions in German and Dutch., Bound in 2 volumes., and Binding: Uniformly bound in eighteenth- or nineteenth-century marbled boards, red leather backs with three bands, each volume with modern brown calf title labels gold-stamped "ALCHYMICAL MANUSCRIPT," speckled edges.
Subject (Topic):
Alchemy, Illumination of books and manuscripts, and Pietism
Manuscript on paper of a pietistic, mystical text in prose and verse, illustrated by a great variety of illustrations cut from manuscripts of smaller dimensions (plus some prints), and pasted in. These illustrations include the "Python" illuminated drawing which has been reproduced in color, a series of "alchemical processes depicted symbolically taking place within flasks", as well as many other pictorial elements drawn from a variety of sources
Description:
In German, Low-German, Latin, and Hebrew., Script: Written by a single hand in dark brown and pale red inks in a loose and flowing cursive, often with Fraktur elements, frequently placing capital letters in the midst of words, sometimes in red; with some inserted leaves and additional matter by another, perhaps slightly later hand, and with pasted-in leaves, usually with illustrations, partly taken from older manuscripts, and partly (apparently) by the compiler., Watermarks: The inserted leaves of paper with a large fleur-de-lys watermark, unidentified; the thinner paper used for most of the volumes with unidentified watermark in folds., With additions in German and Dutch., Bound in 2 volumes., and Binding: Uniformly bound in eighteenth- or nineteenth-century marbled boards, red leather backs with three bands, each volume with modern brown calf title labels gold-stamped "ALCHYMICAL MANUSCRIPT," speckled edges.
Subject (Topic):
Alchemy, Illumination of books and manuscripts, and Pietism
Manuscript on paper in two parts. Part I (late 15th century): 1) John of Rupescissa, De consideratione quinte essentie. 2) Aqua solempnissima, atque mirabilis. Part II (copied in 1775): 3) George Ripley (?), Touchant le grand magistere des sages, translated from English into French
Description:
In Latin and French., Script: Part I: Written by a single hand in a semigothic cursive. Part II: Written in a cursive hand sloping to the right., Part I: Headings in red., and Binding: Nineteenth century, English. Tan buckram boards, brown morocco back and corners, flat backstrip with gold-stamped title, plain edges.
In English., Script: Written in a careful cursive hand sloping slightly to the right in a single column 170 x 110 mm without bordering lines or ruling. the text has been partly corrected by another hand and with significant marginalia throughout by this hand in inks of different hues., Watermarks: Paper watermarked with a crowned coat of arms, probably a Dutch paper not certainly identified., Binding: English binding of diced brown Russia leather, a border of gilt dots around the edges of the covers, inside and out, the backstrip in compartments similarly treated, original title label on second compartment from top gold-lettered: "Anonimo Manuscritto di un Vero Adepto." Plain edges. Hinges and corners repaired., Tome 1: 1 smaller leaf 220 x 140 mm inserted after first leaf of index., and Tome 2: 1 smaller leaf 190 x 112 mm inserted after page 157.
Manuscript on paper of an alchemical text containing an excellent copy of the poem beginning "Unter den sieben Planeten bin ich Sol genannt ..." with associated prose commentaries, as first seen in MS 94. Decorated with a fine frontispiece and elegant head- and tailpieces all drawn in a copperplate style, as well as a series of pen-and-wash drawings depicting alchemical processes emblematically within circles, often surmounted by crosses
Description:
In German and Latin., Script: Calligraphically written in brown inks in a delicate Fraktur with some words or passages in cursive and with title pages in red and brown in elaborate gothic scripts., Watermarks: Written throughout on paper with a "PRO PATRIA" watermark, similar to Heawood 3696-3718, but countermarked with letters "CMH" (? in folds and uncertain)., and Binding: Original or contemporary binding of brown calf, the sides with a blind-impressed border of small tools, partly covered by a single gold rule, the back in six compartments decorated with gold-stamped small tools in a floral pattern, the second compartment from the top stamped directly with "BUCH DER WEISH" and the next compartment below with "MS." Edges peckled red over gilding.
Manuscript on paper of an alchemy in verse with an extended prose commentary
Description:
In German and Latin., Script: Calligraphically written by a single hand in an elegant German Fraktur, the Latin passages in cursive, both sloping to the right., Watermarks: Fine Dutch paper watermarked with a cartouche with the inscription "C. & [?] HONIG" below, comparable to Heawood 3347 (1724-1726), but judged to be somewhat later., and Binding: Original German binding of mottled dark brown calf, sides plain, back in compartments with gold tooling imitative of French work, citron morocco title label with gold lettering in gothic characters, "Das geheime Buch der Weisheit," and blind impression in the compartment below of a second label now missing, lettered "1. 2. 3. 4." Red edges: pastedown and facing side of flyleaves at front and back marbled in red.
Vol. 2 has title: Donum Dei Samuelis Baruch ... welcher erlernet das grosse Geheimniss des grossen Meisters Tubalkains aus dessen Tabell, gefunden von Abrahamo Eliazare, dem Juden. I. N. U. CXI.
Būnī, Aḥmad ibn ʻAlī, -1225 بوني، أحمد بن علي، -1225
Call Number:
Hartford Seminary Arabic MSS 93
Image Count:
700
Abstract:
Shams al-maʻārif wa-laṭāʼif al-ʻawārif (also called "Shams al-maʻārif al-kubrá" to distinguish it from the author's two other smaller treatises: al-wusṭa "the middle one" and al-ṣughrá "the little one"), a treatise on magic, alchemy, astrology, devination, Islamic occultism, the name of God and the magical use of the Arabic alphabet by Abū al-ʻAbbās Aḥmad ibn ʻAlī al-Būnī (d. 1225), a famous sufi scholar from the city of Būnah (Bône) now ʻAnnābah (Annaba, Algeria), died in Cairo, Egypt. Name of copyist and place of copying are not mentioned; the date of copying is mentioned enigmatically in the 12th century H (18th century M).
Alternative Title:
Shams al-maʻārif al-kubrá and شمس المعارف الكبرى
Description:
In Arabic., Incipit: "Bismillāh al-Raḥmān al-Raḥīm wa-ṣallá Allāh ʻalá Sayyidinā wa-Mawlānā Muḥammad wa-ṣaḥbihi wa-sallam. al-Ḥamdu lillāh alladhī aḥāṭa bi-kull shayʼ ʻilman wa-ʻallam al-insān mā lam yaʻlam wa-ashhadu an lā ilāh illā Allāh waḥdah lā sharīka lah wa-ashhadu anna Muḥammadan rasūl Allāh ṣallá Allāh ʻalayhi wa-sallam, shahida Allāh an lā ilāh illā huwa shahādat azal, fa-min nūr hādhihi al-shahādah ightaraf al-muṣṭafūn ʻilman, fa-ifham dhālika. Wa-al-tartīb al-abadī fī al-shahādatayn al-muttaṣilatayn bi-al-malāʼikah al-kirām wa-ulī al-ʻilm fa-hādhihi shahādat al-abad, fa-man fahima sirra hātayn al-shahādatayn shāhada al-malakūtayn ...", 20 x 29 cm; written surface: 14 x 22 cm, ca. 30 lines per page., Bound., In fair naskh script, on yellowish paper; keywords and markings in red; some notes and corrections on the margins; magic squares and illustrations; text within double red frames; catchwords., Includes table of contents at the beginning of the manuscript: "al-Faṣl al-awwal fī al-ḥurūf al-muʻjamah wa-mā yatarattabu fīhā min al-asrār wa-al-iḍmārāt. al-Faṣl al-thānī fī al-kasr wa-al-basṭ wa-tartīb al-aʻmāl min al-awqāt wa-al-sāʻāt. al-Faṣl al-thālith fī aḥkām manāzil al-qamar al-thamāniyah wa-ʻishrīn al-falakīyah ...", and Colophon: "... Wa-Allāh asʼalu an yulhima li-fahm mā ramaznāh wa-kashf mā satarnāh akh ṣadīq wa-khill ḥaqq [i.e. akhan ṣadīqan wa-khillan ḥaqqan]. Wa-fī hādhā al-qadr kifāyah li-man waffaqahu Allāh taʻālá wa-lā ḥawla wa-lā qūwata illā billāh al-ʻAlī al-ʻAẓīm wa-ṣallá Allāh ʻalá Sayyidinā Muḥammad wa-ṣaḥbihi ajmaʻīn wa-jamīʻ al-anbiyāʼ wa-al-mursalīn wa-al-ḥamdu lillāh Rabb al-ʻĀlamīn. al-Tārīkh: Fī niṣf awwal min khums thālith min thulth awwal min niṣf thānī min suds thālith min niṣf awwal min khums thānī min ʻushr awwal min qarn thānī ʻashar min hijrat khayr al-bashar ṣallá Allāh ʻalayhi wa-sallama taslīman kathīran. Tamma wa-kamula."
Subject (Name):
Būnī, Aḥmad ibn ʻAlī, -1225.
Subject (Topic):
Alchemy, Arabic alphabet, Astrology, Divination, God (Islam), Name, Islamic magic, Islamic occultism, and Magic