Manuscript on paper (rough, brown; trimmed; no watermarks) of the Life of Josephus, which was perhaps an appendage to his Antiquitates. This codex appears to be one of the earliest surviving authorities for the autobiography of Josephus.
Description:
Binding: 17th-18th centuries (?). Rebound in brick-red leather, blind-tooled with a rope interlace with small dots in the border and a floreate cross in the center., Crude headpiece on f. 1r, with title and small initials in red., Script: Written by a single scribe in well-spaced minuscule; a second scribe added four lines on f. 32v, partly damaged and undeciphered., and The upper and lower portions of the manuscript are waterstained. Most folios have been repaired; the final leaf is badly mutilated with much damage to the text.
Manuscript fragment on parchment of an unidentified text.
Description:
Decoration: alternating red and blue initials., Script: written in a late pregothic script., and These fragments, which appear to be from the same manuscript, are contained in Zi 6058 (Francesco Filelfo, Vita di S. Giovanni Battista), in which the fragments are used as front and back end papers and pastedowns.
Manuscript fragment on parchment of Bernardo of Parma's gloss on the Decretals of Gregory IX, including sections over liber III.
Description:
Decoration: running heads, initials, and rubrics in red; some contemporary marginal commentary., Script: written in a heavily abbreviated gothic script., and These fragments, which appear to be from the same manuscript, are contained in Zi +156 (Bernhard von Breydenbach, Prefatio in opus transmarine...), in which the fragments are used as front and back endpapers.
Manuscript, on vellum, in a single hand, of a portion of Bracton's treatise on English law.
Description:
A fuller description of the contents is found in Baker and Taussig, Catalogue (London: 2007), pp. 13-14., Annotated on f. 1 in the hand of Sir Thomas Phillipps: H. Bracton De Legibus Angliæ. From Sir G. P. Turner's Library. Phillipps MS 3097., Binding: nineteenth-century full russia, blind-stamped. Gilt title on spine: Bracton De Legibus Angliæ., Decoration: headings, paragraph marks, and running titles in red or blue; two-line initials throughout in red and blue; two large initials in red and blue., In Latin; one lengthy marginal annotation in Law French., Layout: double columns, 32 lines., Part of the Anthony Taussig Collection of English Legal Manuscripts (OSB MSS 184). Taussig catalog number: MS 82.12.7 (number 19 in main catalog numbering)., Previously owned by Sir Gregory Osborne Page Turner; Phillipps MS 3097; William Carr; W. J. Carr. Purchased from Anthony Taussig on the Hazel M. Osborn and the James Marshall and Marie-Louise Osborn Funds, 2012., Script: Gothic Textura., Some early marginalia. Lengthy annotation in Law French (ff. 182v-183) concerning a dictum by "Denam" (probably John or William de Denum)., and Title from incipit.
Manuscript on parchment of text of Ezra and Nehemiah. With Glossa ordinaria, both in margins and between lines of text.
Description:
Binding: 19th-20th centuries. Plain vellum wrapper., Lower half of f. 62 repaired with contemporary (?) parchment., and Script: Written in two sizes of neat French minuscule by a single scribe; text written either above or below top line and gloss below top line.
Manuscript on parchment (trimmed) of 1) Bible in the usual order with some prologues and later additions. 2) Index of Hebrew names generally attributed to Stephen Langton. 3) List of readings for year, beginning with the first Sunday in Advent through Monday after Easter. 4) Another list of readings from the first Sunday in Advent (f. 427r) through the 25th Sunday after Trinity, for the dedication of a church, for the sanctorale from Andrew through Cecilia, for the common of saints and for Trinity, Holy Spirit, Holy Cross, Virgin Mary, and the dead. and Manuscript on parchment (trimmed).
Description:
Binding: Nineteenth century. Red, straight-grained goatskin, gold-tooled., Collection of Cornelius Vanderbilt (MS 190); bequeathed to Yale in his memory by his daughter Gladys Moore Vanderbilt, Countess Laszlo Szechenyi in 1966., Rectangular pieces cut out of lower margin, ff. 266-69; no loss of text., Script: Written in small gothic textura; a few corrections added in a tiny neat cursive hand. Marginal notes in several cursive hands of 14th-15th centuries., and The historiated initials, 11- to 6-line (not including ascenders or descenders), are pink and blue, with dragons, against pink and blue grounds with gold dots and triplets of white dots. Initials for prologues 6- to 4-line (without ascenders or descenders), as above, filled with intertwining vines, blossoms, dragons, occasionally birds or fish; 4- to 1-line initials, red or blue with blue and red penwork. Headings, chapter numbers, red and blue alternating letters with blue and red penwork. Capitals stroked in red. Some rubrics missing.
Ambrose, Saint, Bishop of Milan, d. 397 Peter, of Poitiers, ca. 1130-1205 Petrus, Comestor, 12th cent
Published / Created:
[between 1200 and 1210; 1300 and 1350]
Call Number:
Marston MS 220
Image Count:
11
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment composed of two distinct parts. Part I (13th century): 1) Petrus Comestor, Historia scholastica. 2) Petrus Pictaviensis, Historia actuum apostolorum. 3) Unidentified text about Titus and Vespasian. Part II (14th century): 4) Augustinus Hibernicus, De mirabilibus sacrae scripturae, in the long recension. 5) Extracts from Ambrose, Exameron.
Description:
Binding: 18th-19th centuries, England. Brown calf, gold-tooled. Striped turn-ins., From the estate of Wilfred M. Voynich. Purchased in 1959 from H. P. Kraus by Thomas E. Marston., Part I: Two illuminated initials in parallel positions on f. 1r, beginning mid-page and extending almost to the bottom of the leaf. The first initial composed of a gold trellis edged in black with heads of a grotesque devouring the trellis at top and bottom, and foliage designs in green and white scrolling around the body of the initial against pink interior with white highlight and gold balls. The whole on a rectangular ground tapering to a point at bottom, with white designs. The second initial, somewhat narrower and less ambitious in design, gold edged in black with blue interior and thin white design in center and two rosettes, one at top, the other at bottom, and a third stylized floral motif in center, all on a pink ground in the same shape as the first initial. Also on f. 1r, 7-line initial divided red and blue with interior foliage designs in green and white on parchment ground, and red and blue penwork designs around exterior of letter. For major text divisions, fine medium blue and/or red initials, 9- to 6-line, with intricate penwork flourishes in red and blue, each accompanied by several lines of oversize letters for the first few words of text, with letters either in one color with designs in the other or alternating red and blue. Small penwork initials, red or blue with modest design in the opposite color, throughout. Headings, running headlines and vertical lines within text columns, in red. Remains of instructions to rubricator (some perpendicular to text in gutter) and guide letters for decorator., Part II: One gold initial, 4-line, with purple penwork designs on f. 194r. Blue initials with red penwork, 9- to 2-line, throughout. Headings and initial strokes added, in brown and red, unsophisticated drawings of birds, animals, leaves and grotesques in upper and lower margins., and Script: Part I (ff. 1-173): Written in neat gothic bookhand, above top line; glosses added by a variety of hands, some exhibiting anglicana features. Part II (ff. 174-197): Written in gothic bookhand with some marginalia by contemporary and later hands.
4, XII, s. XII^^4, and XIII [ca. 1175-1200, 12th-13th centuries]
Call Number:
Beinecke MS 315
Image Count:
10
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment composed of three distinct parts. Part I (ff. 1-64): Honorius of Autun, Gemma animae. Part II (ff. 65-80): Pseudo-Hugh of St. Victor, Speculum de mysteriis ecclesiae. Part III (ff. 81-122): Jean Beleth, Summa.
Description:
Binding: Nineteenth century. Vellum case with a black label, gold-tooled, and arms of Athelstan Riley on covers. Bound by John R. Hering, London, active 1817-35., Part I: Initials, 12- to 2-line, red, green, blue, with exuberant designs in contrasting colors that often extend full length of folio, some trimmed. Headings in red. Part II: Decorative initials, 8- to 2-line, alternate red and blue, with designs in contrasting colors; plain initials, 1-line, some with simple ornamentation, in red or blue throughout. Heading in red. Guide-letters in inner margin. Part III: Simple initials, a few with designs. Paragraphs marks in red and/or black. Guide-letters in outer and inner margins; notes to rubricator perpendicular to written space in gutter and outer margin. Headings in red., and Script: Each part written by a different scribe, all in early gothic bookhand.
Manuscript on parchment (thick, good quality), composed of four parts. Although all four parts may be roughly contemporary in execution, they apparently were not assembled together as a "missal" until the 15th century, at which point the manuscript was annotated and cross-referenced from beginning to end; it is possible that only the lectionary and sacramentary in Part IV were originally intended to be used together.
Description:
Binding: Nineteenth century, England. Quarter bound in brown calf, blind-tooled, over wooden board. Metal fittings at the head and tail of the leather and two fastenings., Elegant repairs to parchment sewn with blue and chartreuse thread (e.g., f. 27). Most of the leaves of Part III have been repaired., Part I: KL monograms, in red, embellished with knobs. Part II: Eleven large initials, 12- to 6-line, drawn in red and/or brown ink against geometric grounds of blue and lime-green washes. The initials are constructed of dragons and other fantastic animals, or of stylized foliage inhabited by biting beasts and birds. Plain initials in blue, red or lime-green, some with blue and/or red penwork designs, others with knobs. Major headings in majuscules with letters alternating red, black, and sometimes lime green; other headings in red. Instructions to rubricator perpendicular to text. Part III: The decoration of the Canon of the Mass consists of a 3/4-page miniature of the crucifixion, f. 60r, framed with a narrow border of olive green, red and blue with white filigree. Christ is shown hanging from a Y-shaped Astkreuz flanked by Mary and St. John, against gold ground. The gold ground is largely rubbed and the figures are partly restored (lower part of St. John's robe has been reworked, and flaked paint on the cross and Christ's loin cloth replaced). Marginal illustration of what appears to be a kneeling Augustinian canon dressed in white and red robes, adjoining the Te igitur (f. 60v). Three illuminated initials, ff. 58r, 59v, 60v, for the Canon of the Mass, 7- to 5-line, pale mauve with stylized scrolls and green foliage against gold ground edged in blue with white filigree. Vere dignum initials, 3-line, alternate in red and blue with penwork in either blue or red. Part IV: Pen-and-ink initials, 7- to 4-line, of a similar design as in Part II, but lacking the vitality; drawn in brown and/or red ink with stylized foliage and palmettes sometimes touched with blue or red against blue, red and/or lime-green ground. Smaller initials, 4-line, red, blue or green with red and/or green penwork design. Plain initials in red. Headings in red. Instructions for rubricator perpendicular to text., and Script: Part I (ff. 2-8): Text of calendar written in gothic bookhand by a single scribe; many later additions in several hands. Part II (ff. 9-56): Written in gothic bookhand, with additions in several different hands in less formal styles of writing. Musical notation consists of Austrian adiastematic neumes in the same ink as the text. Part III (ff. 57-64): Written in large liturgical gothic bookhand. Part IV (ff. 65-276): Written in gothic bookhand; several layers of marginalia added in less formal hands.