Bible. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Binding: Sixteenth-century. Blind-tooled brown calf over thin wooden boards, decorated with rolls. Rebacked. Remnants of two clasps fixed to the rear cover. On the spine two labels, the upper one with the gold-tooled title in Gothic, nineteenth century: Biblia sacra cum interpretationibus Hebraicorum nomine [sic] in fine; the lower one with gold-tooled inscription in Roman type MS.P. On the first fly-leaf (f. Iv) a list of Biblical Kings., Bookplate of James William Ellsworth. Collection of Col. Richard Gimbel. Gift of Mrs. Richard Gimbel, 1971., Cataloged from microfilm by Albert Derolez., Manuscript on parchment containing 1) List of Epistle and Gospel readings (incipit and explicit) for the liturgical year. 2) Survey of the subdivisions of the Bible. 3) Bible text. 4) Interpretationes nominum Hebraicorum. Thin parchment, many leaves and the lower outer corners of all leaves damaged by moist. Two folios are missing between ff. 184 and 185, two folios between ff. 282 and 283, one folio between ff. 295 and 296, all with loss of text. There is no good explanation for the complicated quire structure of this manuscript, except that art. 4 is a separate codicological unit. The first quire, made from goatskin and containing articles 1-2, is a 14th-century addition and the handwriting looks Italian. The rare marginal notes appear most in the first quires, are written in Italian Gothica Cursiva and seem generally to be of a grammatical nature. The manuscript, copied in France in the beginning of the fourteenth century, was consequently later in Italy. Written in very small Northern Gothica Textualis., Red headings and red heigthening of the majuscules. Alternately red and blue pain initials (1 line) in art. 4. Alternately red and blue flourished initials (2 lines) with long marginal extensions. Beautiful larger flourished initials in the same colours with very developed penwork, in which both colours are sometimes combined, at the beginning of the various books and sections. On f. 1r large littera duplex and on f. 8r (beginning of Genesis) large initial I with very fine penwork, both the full height of the text area and in the same colours. Running titles in red and blue., and Shailor, The Medieval Book, 40.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval -- Connecticut -- New Haven
Art. 1 is decorated with red plain initials, more or less small decorated initials in various colours and large initials. Art. 3 has a title in mixed Capitalis/Uncialis. The part of art. 4 copied by hand B has some highlighting in yellow, red or green and plain initials; the part copied by hand C has a few plain initials; the 12th-century part copied by hand D has red headings with instructions in small script written in the outer margins, plain or flourished Romanesque initials and an explicit in decorated mixed Capitalis/Uncialis. Art. 5 is undecorated apart from its title and the opening initial. There are effaced drawings in the lower margins of some leaves in art. 1., Binding: Twentieth-century. Reddish brown morocco over cardboard, by Riviere and Son. Spine with five raised bands and gold-tooled inscription S. GREGORII DIALOGI. SAEC. X., Cataloged from microfilm by Albert Derolez., Gift of Mr. and Mrs. Hans P. Kraus in memory of Edwin J. Beinecke, 1975., Gregory the Great, Dialogi. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on parchment of varying quality, some parts very bad (quire IX), with irregular edges. Contains 1) Gregory the Great (Gregorius Magnus), Dialogi, Books I-III. Starts incomplete I, 3, 2 and ends incomplete III, 24, 3 followed by the title of III, 25. Between ff. 13 and 14 a page is missing which contained Dialogi I, 9, 8-13. 2) Sulpicius Severus, Sermo de transitu sancti Martini = Epistula III, 16-21. The beginning is missing. 3) Unidentified sermon for the feast of a Confessor in the Common of the Saints, containing 7 (?) Lessons. Above the line a twelfth-century hand has repeatedly identified the saint with St. Aderaldus archdeacon of Troyes (d. beginning of the 11th cent.). 4) Gregory the Great (Gregorius Magnus), Dialogi, Book IV. 5) Vita S. Symeonis Stylitae. There are more than five scribes: A (Carolingian script with very imperfect word separation, s. X2); B (large and bold Carolingian script, s. X2); C (smaller Carolingian script, very close to B, or same hand); D (Praegothica, s. XII); E (various hands writing Praegothica and succeeding each other at irregular intervals)., and T. E. Marston, A Manuscript of the Dialogues of Saint Gregory the Great, Gazette, 50 (1976), pp. 15-18.
Subject (Name):
Catholic Church, I, Pope, Gregory, ca. 540-604, and Severus, Sulpicius
Subject (Topic):
Christian literature, Latin (Medieval and modern), Dialogues, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons
Manuscript on parchment, composed of two parts. Part I (ff. 1-44): Ovid, Heroides I-XIV; XVI-XXI (line 12). Part II (ff. 46-82): Ovid, Epistolae ex Ponto, I.1-IV.16. For the first eight letters, a brief introductory paragraph, written by the same scribe as the text, appears in outer margin.
Description:
Binding: Fifteenth-century. Caught up sewing on four double, tawed supports. Covers wanting., Cataloged from microfilm by Albert Derolez., Cite as: Ovid, Heroides. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Decorative initials, 4-line, body split red and blue, with neat penwork flourishes, in red (ff. 1r, 46r); plain initials, 3- to 2-line, alternate red and blue for each letter throughout text; first letter of each verse placed on middle ruling of three vertical bounding lines., Early modern provenance unknown. Belonged to Martin Bodmer, from whom it was acquired by H. P. Kraus. Purchased from Kraus in 1970 with the Edwin J. Beinecke Fund., and Manuscript on parchment composed of two parts of similar agenda format that were bound together by the 15th century when notes were added to the parchment pastedowns, now the flyleaves. Part I written in Rheims in 1303 (see colophon, art. 1); Part II was written by the same scribe in a contemporary period. Part I: ff. 1-44, 39 lines of verse. 1) Ovid, Heroides I-XIV; XVI-XXI (line 12). Part II: ff. 46-82, 45 lines of verse. 2) Ovid, Epistolae ex Ponto, I.1-IV.16. Letter 2 of Book I divided into two sections at lines 68-69. For the first eight letters, a brief introductory paragraph, written by the same scribe as the text, appears in outer margin. Stains in upper margin result in some loss of text. Written by one scribe whose hand is characterized by an unusually tall double compartment a.
Subject (Name):
Ovid, 43 B.C.-17 or 18 A.D
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Latin literature, and Manuscripts, Medieval -- Connecticut -- New Haven
128r: Signature of Jannette Brongnart, Binding: Modern limp vellum with two pairs of white leather ties. The preceding 19th-century binding is preserved: dark brown leather over cardboard, both covers framed with blind-tooled fillets; spine with four raised bands and gold-tooled title: HEURES DE SENLIS; gilt edges., Cataloged from microfilm by Albert Derolez., Cite as: Hours, Undetermined Use, with French Calendar. General Collection, Beinecke Rare Book and Manuscript Library, Yale University., Manuscript on parchment. Written by a single scribe in Gothica Cursiva Formata (Bastarda) in two sizes. The ascenders on the top line often have calligraphic extensions., Red headings. Heightening of the majuscules in yellow. All initials (1- or 2-lines) are on a rectangular background and are executed in paint and liquid gold. At the opening of the various Hours there are 4-line initials of the same type, always accompanied by full acanthus borders and an arch-topped miniature. The borders are framed in gold and may also contain leaves, flowers, fruit, birds., and Senlis use according to the inscription on the binding, but this use is not documented. The saints in the Calendar and in the Litany point to Northern France and Hainault.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval -- Connecticut -- New Haven