Manuscript fragment on parchment of an unidentified text.
Description:
Decoration: alternating red and blue initials., Script: written in a late pregothic script., and These fragments, which appear to be from the same manuscript, are contained in Zi 6058 (Francesco Filelfo, Vita di S. Giovanni Battista), in which the fragments are used as front and back end papers and pastedowns.
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven., Medieval and Renaissance Manuscript Fragments in Beinecke Library., and Medieval and Renaissance Manuscripts in Beinecke Library.
Great Britain--Religious life and customs--17th century. and Ireland--History--1660-1690.
Subject (Name):
Church of England--Controversial literature., Church of England--Doctrines., Parker, Samuel,--1640-1688., Rawstorne, Edward--Autograph., Thomson, James,--1700-1748., and Tyrconnel, Richard Talbot,--Earl of,--1630-1691.
Subject (Topic):
English poetry--17th century., Epitaphs., Religious poetry, English., and Satirical verse, English.
James Marshall Osborn collection of poetry manuscripts
Container / Volume:
Box VI | Folder P.B. VI / 106-110
Image Count:
2
Abstract:
The collection consists of manuscript copies of several thousand individual English poems, dating from the sixteenth through the nineteenth centuries. The majority of the items date from between 1650 and 1800.
Santillana, Iñigo López de Mendoza, marqués de, 1398-1458
Published / Created:
[between 1550 and 1600]
Call Number:
Beinecke MS 489
Image Count:
3
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on paper, composed of two segments, formerly separate books. Part I: 1) Letter from Inigo Lopez de Mendoza, Marques de Santillana (1398-1458), to his nephew Pedro de Mendoza, Senor de almacan. Santillana promises to send a copy of his own sonnets, some proverbs, and sayings of the philosophers and of Seneca which Mendoza had requested, and discusses a translation of a letter of Seneca sent to him by Mendoza. 2) Reply of Mendoza to Santillana, about Santillana’s Sonnets. Artt. 3-25: sonnets by Santillana. Part II: 26) Pseudo-Seneca, Proverbia, Castilian tr. perhaps by Pedro Diaz de Toledo (d. 1499), Counsellor to Juan II of Castile, Chaplain to the Marques de Santillana, and later first bishop of Malaga. Each proverb is followed by an explanatory text. 27) Dichos de filosofos, in 29 parts, mostly lists: 4 things a king should do, 3 sorts of friends, etc. 28) Tacitus, Annales 14.52-56, in an unidentified Castilian translation.
Description:
unidentified Latin manuscript glued in as spine
Subject (Name):
Santillana, Iñigo López de Mendoza, marqués de, 1398-1458 and Tacitus, Cornelius
Manuscript on paper of Jerome, Epistolae, etc., translated into Italian by Ser Nicolaus Berti Martini de Gentiluzis de Sanctogeminiano, a notary in Florence (ca. 1388-1468). With Ps.-Augustine, Epistula ad Cyrillum, concerning the death of St. Jerome.
Description:
Binding: ca. 1500, Florence. Sewn on three tawed skin, slit straps attached to oak boards, with brown and natural color endbands (later additions?) sewn on tawed skin cores laid in grooves on the outside of the boards. Covered in orange/brown sheepskin neatly blind-tooled with rope interlace in concentric frames. Spine: double fillets at head and tail and outlining the supports on the spine; fine diapering with double fillets in the panels. Four flower-shaped catches on the lower board, two wanting. Remains of vellum label (worm eaten) on the spine and pieces of string used as place marks. Off-set impressions of medieval liturgical manuscript on front and back pastedowns. Orange edges. Sticky from excessive oiling., One illuminated initial, f. 4r, 6-line, gold, filled with red and blue penwork in geometric patterns. The penwork extends the whole length of the text column to form a partial border, terminating in the upper and lower margins in a scroll of blue penwork with small flowers, heart-shaped leaves and red dots. Numerous penwork initials of good quality, 5- to 2-line, alternate in red and blue with purple and red penwork respectively, often extending into the margins. Headings in red. Majuscules and display script touched with yellow., Script: Written by a single scribe in a small upright gothic script with both notarial and humanistic influence, above top line., and Watermarks: similar to Piccard Schere III.710, Briquet Chapeau 3387; unidentified eagle.