Manuscript on parchment, in several hands, containing the Usuard Martyrology, with many added marginal obituary notices of Beauvais Cathedral from the twelfth through the early fourteenth centuries.
Description:
Binding: white leather over beveled boards. Spine title in a later hand: Martyrolog. d'alia Obituarium..., Decoration: Rubricated. Four large ornamental initials in red penwork, including scrollwork, geometric knotwork and animal masks., Endleaves reused from other manuscripts and contain notes and pen trials. Last endleaf contains polyphonic music on a five-line stave., Purchased from Richard A. Linenthal (Sotheby's London sale, 2013 July 2, lot 51) on the Edwin J. Beinecke Book Fund, 2013., and Rubricated.
Subject (Geographic):
Beauvais (France)
Subject (Name):
Cathédrale Saint-Pierre (Beauvais, France) and Usuard, -876 or 877
Manuscript, in several hands, of the Martyrology of Usuard, with a tabulated martyrology arranged according to the calendar, with numerous added obituary notices for St. Nicholas, Beauvais.
Description:
Binding: later medieval brown leather over beveled boards; some damage to upper board where a chain has been removed., Decoration: rubricated., Purchased from Richard A. Linenthal (Sotheby's London sale, 2013 July 2, lot 51) on the Edwin J. Beinecke Book Fund, 2013., and Script: main text in early gothic. Additional obituaries in a variety of book and cursive scripts.
Subject (Geographic):
Beauvais (France)
Subject (Name):
Cathédrale Saint-Pierre (Beauvais, France) and Usuard, -876 or 877
William, of Saint-Thierry, Abbot of Saint-Thierry, ca. 1085-1148?
Published / Created:
[between 1200 and 1250] and ca. 1200
Call Number:
Beinecke MS 828
Image Count:
73
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of Guillelmus de Sancto Theoderico (William of St. Thierry, c. 1080-1148), Epistola ad fratres de Monte Dei (De vita solitaria), without the Preface. The letter is addressed to the monks of the Charterhouse of Montdieu in the diocese of Reims. With an index of the chapters of art. 1.
Alternative Title:
Frater Bruno
Description:
Binding: Twentieth century. Yellow velvet over rounded wooden boards. The former cover consists of a 17th-century document on parchment with text on the inner side, largely illegible due to the remnants of paste on its surface, issued by “Frater Bruno [d'Affringues, 1600-1631], ... totius ordinis Cartusiensis generalis minister”. The former binding contained also three fragments of a 13th-century manuscript on parchment, containing liturgical directions. These are now kept apart with the former cover and a former parchment flyleaf., Red heightening of the majuscules, but layout and decoration lack uniformity. (1) Up to f. 12r inclusively the chapters start in the middle of a line and are preceded by a red paragraph mark; the corresponding chapter number is written by another hand at the same height in one of the side margins, and the chapter heading is added by the same hand in one of the margins and connected to the beginning of the chapter by a reference mark or by a connecting line. (2) From f. 12v up to at least f. 22v the chapters open at the left margin with a 1- or 2-line red plain initial and the corresponding heading and chapter number are copied in red by a contemporary hand in the open space on the preceding line; instructions for these are provided by the scribe (B) in small handwriting alongside the upper or lower edges. (3) Starting f. 23v for the final chapters 40-42 we see the type of layout and decoration as described under (1). On f. 1r a large and narrow “shaped inset” littera duplex in red and green initial F in red and green (8/16 ll.). with extremely developed penwork in the same colours and green extensions in the left margin., Script: Copied by two scribes writing a heavily abbreviated early Gothica Textualis Libraria with simplified letter forms: hand A (ff. 1r-10r, line 5) is rather bold and uses single-compartment a and straight s in all positions; hand B (ff. 10r, line 6-26v) is slightly less careful, there is more variety in the shape of a, and final s is either round or straight., and The lower edges of ff. 2, 7 and 11 are irregular; the lower outer corners of ff. 18, 23 and 24 are defective.
Subject (Geographic):
Reims (France)
Subject (Name):
William,--of Saint-Thierry, Abbot of Saint-Thierry,--ca. 1085-1148?
Manuscript on parchment of Lucan, Bellum civile, with scholia. Preceded by Epitaphium Lucani, 4 lines only.
Description:
Binding: Nineteenth century. Light brown pigskin, blind-tooled, with brass fastenings., Decorative initials, red or blue, 12- to 4-line, with simple designs in opposite color, for each book. Rubrics added sporadically. Plan of Brindisi appears in the margin of f. 15v (II.610) to illustrate Caesar's siege of the city; on f. 47v is a schematic circular drawing of Paulus in the center, surrounded by Pelion, Ossa, Otrix, Pindus and Olympus., Rubbing, staining, trimming of leaves, and worm holes result in some loss of text and scholia., and Script: Main text written above and below top line in a small early gothic bookhand by two scribes. Scribe 1) ff. 1r-37r; Scribe 2) ff. 37v-91v. First letter of each verse written to left of text between double rulings or on middle of three rulings; right-hand margin justified. Scholia, primarily at beginning of codex, written in a contemporary hand.
Book belonged to a member of the family von der Ecken, prominent in Trier from the 15th to the 17th century; perhaps she was a member of a Trier convent. and Manuscript on parchment (ff. 56v-57r palimpsest?) of a Psalter; with Hours of the Virgin, use unidentified.
Alternative Title:
Diss boich is Marien Van Der ie [?] genant Erlenbach
Description:
Binding: Sixteenth century. Resewn on four tawed, slit straps. Wooden boards chamfered and indented. Edges gilt. The spine is square and now lined with cloth. Covered in dark brown calf, blind-stamped with portraits of saints (one of whom may be Rochus) and fleurons in concentric panels (?); very little of the earlier cover remaining. Clasp-and-catch fastening, the catch on the upper board, the brown leather straps attached through metal plates to the lower. Rebacked with one half of the leather on the boards replaced with old leather from another book. Catches and clasps wanting. Upper sewing supports broken., Initials for text divisions, 11-line (f. 115r: Ps. 101) and 7-line (f. 22r: Ps. 26, f. 40r: Ps. 38, f. 93r: Ps. 80, f. 112v: Ps. 97, f. 133r: Ps. 109), gold, with symmetrical gold tendril ornament, occasionally with dragon-head terminals, against green and mauve panelled grounds covered with dense red cross-hatching set in red and mauve frames. 7- to 2-line initials for other Psalms, red or green with red and/or green flourishes. 1-line initials for verses, alternating red and green. Headings in red and/or green throughout., and Script: Written by a single scribe in well formed late caroline minuscule, above the top line. Marginal notes, some with neumes above them (e.g. ff. 63v, 65r), in several later hands have been partially lost due to trimming.
Manuscript on parchment (poor quality), composed of two distinct parts. Part I: Thomas Aquinas, Super Metaphysicam. Part II: Thomas Aquinas, Super de causis.
Description:
Binding: 14th-15th centuries, Spain. Original sewing on five tawed skin, double supports laced into beech boards. Plain, wound natural color endbands. Single parchment leaf (front) and bifolium (rear), from what appear to be two different Hebrew Bible manuscripts, serve as pastedowns and spine-lining; they have been cut out around the sewing supports. Yellow edges. Covered in what was originally blue tawed skin (now faded) with two fastenings, the catches on the lower board and the straps attached with star-headed nails. Traces of title (?) scratched onto skin of upper board., Part I: One illuminated initial, rubbed, f. 1r: blue with white highlights on dark red ground with white highlights; terminals of ground extend up and down as modest border in blue, dark red and gold. Flourished initials of various sizes, styles and quality: blue with red penwork designs, red with blue, red with purple (ff. 75r-119r) and red and blue divided with penwork in purple (e.g., f. 88v); some flourished initials with border extensions (e.g., f. 110v). Running headlines in red and blue; paragraph marks alternate red and blue. Traces of guide letters for decorator. Part II: Spaces for decorative initials remain unfilled., and Script: Part I (ff. 1-120): Written by a single scribe in small gothic book hand. Part II (ff. 121-132): Written in a less accomplished gothic script than that in Part I.
Subject (Name):
Aristotle and Thomas,--Aquinas, Saint,--1225?-1274
Manuscript on parchment of William of Tournai, Flores Bernardi. Text supplied on f. 10v in the second half of the 15th century. With excerpts from St. Bernard (?) on the Virgin Mary.
Manuscript on parchment of Petrus de Tarentasia (Pope Innocent V), In quartum librum Sententiarum Petri Lombardi. Copied from a stationer's exemplar secundum pecias. With Distinctiones on the scholastic and monastic life, entered in a later highly abbreviated script; and Anonymous commentary on the Psalms.
Description:
Binding: Sixteenth century, Germany or Italy (?). Resewn (early) on three tawed skin slit straps laced through tunnels in the edge of beech boards to channels on the outside and pegged; channels filled with glue. A pink, green and white, five core endband is sewn through a leather lining on a tawed skin core laced into the boards and pegged. Covered in brick red sheepskin with corner tongues; blind-tooled with an X and sparse use of oak-leaf edging tool. Two truncated diamond catches on lower board, the upper board cut in for the red fabric clasp straps which were attached with star-headed nails. Corner fittings and six-petalled central medallion. Traces of title, in ink, on spine. Spine of the bookblock partially eaten by rodents., Script: Written in small gothic bookhand; arts. 2 and 4 in less formal scripts., and Two historiated initials, 7- and 4-line. Folio 1r: mauve initial with white filigree on blue ground with white filigree, edged in gold, showing a man drawing water from a well, against gold ground, illustrating the Biblical passage "Haurietis aquas...." Serifs, ending in heart-shaped red leaves, on blue and red cusped grounds, with gold balls, extending along the inner margin to form a partial bar border. Perched on the top of the initial is a small bird, grey with red wings. Folio 1v: blue initial with white shading against dark red ground with white filigree. Ascender blue against dark red ground, extending along text column to form a partial bar border. The initial shows the good Samaritan riding on a donkey, against gold ground. Numerous flourished initials, 4- to 3-line, alternate red and blue with penwork designs in the opposite color. Running headlines in red and blue. Paragraph marks alternate red and blue. Guide letters for decorator visible beneath initials.
Subject (Name):
Innocent--V,--Pope,--ca. 1224-1276 and Peter Lombard,--Bishop of Paris,--ca. 1100-1160
Manuscript fragment on parchment of Petrus Cantor (c. 1130-1197), Commentum in libros Proverbiorum, Ecclesiastes, Sapientiae et Ecclesiastici.
Description:
Binding: Unbound., Many leaves are badly soiled., Red underlining of biblical passages. 2-line flourished initials with extensions in the margin or in the intercolumnar space; they are in red and blue on ff. in quire I, in red only in quires II-III (two flourished initials on f. 1v are also executed only in red); two initials of that type are missing, ff. 11r and 16r. Larger initials at the beginning of the commentary of new Bible books: 4-line littera duplex "B(eatus)" on f. 4r, Prologue to Ecclesiastes; 3-line "Q(uecumque)" on f. 8v, Prologue to Wisdom; 11-line "S(ummi)" and 6-line "O(mnis)", both red on beige background, on f. 15r, Prologue and text of Ecclesiasticus., and Script: Copied by one hand in early Gothica Textualis. Running headlines in flourished majuscules alternately red and blue; they stop after f. 6.
Manuscript on parchment, composed in three parts. Part I consists of short aphorisms, prayers, recipes, etc. added in the 15th century; and the recopied Prologue to Part II. Part II: Gautier de Chatillon, Alexandreis, with Bks. I-VIII.307 (ff. 1-70) written by a 13th-century scribe and the remainder of the text (Part III) copied in the 15th century. Followed by short texts in Latin and Middle English similar to those in Part I.
Description:
Binding: Fifteenth century, England. Covered first with thin, white tawed skin, second with a tawed skin chemise, third with heavy tawed skin originally sewn to the chemise. One fastening, the catch on the lower board, the upper one cut in for the strap which is wanting. Sewn on three supports attached to oak boards and pegged with wedges set at an angle. The spine is back beveled. Later additions include title, in ink, near head of upper board: "Gesta Alexandri Magni M.S." Repaired at head and tail of spine; rebacked., Loss of considerable text from f. 56 to end due to severe rodent damage., Part I: At the beginning of art. 6, text begins with blue 3-line initial with red herringbone penwork designs and the additional letters R and N, in blue, whose significance is unclear. Part II: Divided initial red and black with simple penwork designs in one or both colors for major text divisions; plain red initials elsewhere. First letter of each verse separated from text between bounding lines and stroked with red; paragraph marks in black. T-O map of the world, f. 7v. Part III: Decorative initials similar to those in Part I., Purchased from C.A. Stonehill in 1959 by Thomas E. Marston., and Script: Part I (ff. i recto-iv verso): Written by several cursive hands of a decidedly English character. Part II (ff. 1-70): Written in early gothic bookhand, above top line. Part III (ff. 71-88): Written in well-formed English cursive script. Texts in art. 8 in a variety of cursive hands.
Subject (Name):
Alexander,--the Great,--356-323 B.C and Walter,--of Châtillon,--fl. 1170-1180