Manuscript on parchment of Lucan, Bellum civile, with scholia. Preceded by Epitaphium Lucani, 4 lines only.
Description:
Binding: Nineteenth century. Light brown pigskin, blind-tooled, with brass fastenings., Decorative initials, red or blue, 12- to 4-line, with simple designs in opposite color, for each book. Rubrics added sporadically. Plan of Brindisi appears in the margin of f. 15v (II.610) to illustrate Caesar's siege of the city; on f. 47v is a schematic circular drawing of Paulus in the center, surrounded by Pelion, Ossa, Otrix, Pindus and Olympus., Rubbing, staining, trimming of leaves, and worm holes result in some loss of text and scholia., and Script: Main text written above and below top line in a small early gothic bookhand by two scribes. Scribe 1) ff. 1r-37r; Scribe 2) ff. 37v-91v. First letter of each verse written to left of text between double rulings or on middle of three rulings; right-hand margin justified. Scholia, primarily at beginning of codex, written in a contemporary hand.
Book belonged to a member of the family von der Ecken, prominent in Trier from the 15th to the 17th century; perhaps she was a member of a Trier convent. and Manuscript on parchment (ff. 56v-57r palimpsest?) of a Psalter; with Hours of the Virgin, use unidentified.
Alternative Title:
Diss boich is Marien Van Der ie [?] genant Erlenbach
Description:
Binding: Sixteenth century. Resewn on four tawed, slit straps. Wooden boards chamfered and indented. Edges gilt. The spine is square and now lined with cloth. Covered in dark brown calf, blind-stamped with portraits of saints (one of whom may be Rochus) and fleurons in concentric panels (?); very little of the earlier cover remaining. Clasp-and-catch fastening, the catch on the upper board, the brown leather straps attached through metal plates to the lower. Rebacked with one half of the leather on the boards replaced with old leather from another book. Catches and clasps wanting. Upper sewing supports broken., Initials for text divisions, 11-line (f. 115r: Ps. 101) and 7-line (f. 22r: Ps. 26, f. 40r: Ps. 38, f. 93r: Ps. 80, f. 112v: Ps. 97, f. 133r: Ps. 109), gold, with symmetrical gold tendril ornament, occasionally with dragon-head terminals, against green and mauve panelled grounds covered with dense red cross-hatching set in red and mauve frames. 7- to 2-line initials for other Psalms, red or green with red and/or green flourishes. 1-line initials for verses, alternating red and green. Headings in red and/or green throughout., and Script: Written by a single scribe in well formed late caroline minuscule, above the top line. Marginal notes, some with neumes above them (e.g. ff. 63v, 65r), in several later hands have been partially lost due to trimming.
Manuscript on parchment (poor quality), composed of two distinct parts. Part I: Thomas Aquinas, Super Metaphysicam. Part II: Thomas Aquinas, Super de causis.
Description:
Binding: 14th-15th centuries, Spain. Original sewing on five tawed skin, double supports laced into beech boards. Plain, wound natural color endbands. Single parchment leaf (front) and bifolium (rear), from what appear to be two different Hebrew Bible manuscripts, serve as pastedowns and spine-lining; they have been cut out around the sewing supports. Yellow edges. Covered in what was originally blue tawed skin (now faded) with two fastenings, the catches on the lower board and the straps attached with star-headed nails. Traces of title (?) scratched onto skin of upper board., Part I: One illuminated initial, rubbed, f. 1r: blue with white highlights on dark red ground with white highlights; terminals of ground extend up and down as modest border in blue, dark red and gold. Flourished initials of various sizes, styles and quality: blue with red penwork designs, red with blue, red with purple (ff. 75r-119r) and red and blue divided with penwork in purple (e.g., f. 88v); some flourished initials with border extensions (e.g., f. 110v). Running headlines in red and blue; paragraph marks alternate red and blue. Traces of guide letters for decorator. Part II: Spaces for decorative initials remain unfilled., and Script: Part I (ff. 1-120): Written by a single scribe in small gothic book hand. Part II (ff. 121-132): Written in a less accomplished gothic script than that in Part I.
Subject (Name):
Aristotle and Thomas,--Aquinas, Saint,--1225?-1274
Manuscript, on parchment, of the books of the Bible from Proverbs through the Apocalypse.
Description:
Binding: modern goatskin., Decoration: red and blue penwork initials., Ex libris Ronald A. Coates; Eric Millar; Brian S. Cron. From the collection of Toshiyuki Takamiya, 2013-., Layout: double columns of 49 lines., Script: small gothic script., and With an Oxford pledge note for the Selton Loan Chest dated 1469 and the mark of the stationer John More. There is also a note by M. Paris, possibly Master Thomas Paris of Oriel College.
Subject (Name):
Coates, Ronald A.--Autograph., Cron, Brian S.--Ownership., Millar, Eric George--Bookplate., Oriel College., and University of Oxford.
Manuscript on parchment of William of Tournai, Flores Bernardi. Text supplied on f. 10v in the second half of the 15th century. With excerpts from St. Bernard (?) on the Virgin Mary.
Manuscript on parchment of Petrus de Tarentasia (Pope Innocent V), In quartum librum Sententiarum Petri Lombardi. Copied from a stationer's exemplar secundum pecias. With Distinctiones on the scholastic and monastic life, entered in a later highly abbreviated script; and Anonymous commentary on the Psalms.
Description:
Binding: Sixteenth century, Germany or Italy (?). Resewn (early) on three tawed skin slit straps laced through tunnels in the edge of beech boards to channels on the outside and pegged; channels filled with glue. A pink, green and white, five core endband is sewn through a leather lining on a tawed skin core laced into the boards and pegged. Covered in brick red sheepskin with corner tongues; blind-tooled with an X and sparse use of oak-leaf edging tool. Two truncated diamond catches on lower board, the upper board cut in for the red fabric clasp straps which were attached with star-headed nails. Corner fittings and six-petalled central medallion. Traces of title, in ink, on spine. Spine of the bookblock partially eaten by rodents., Script: Written in small gothic bookhand; arts. 2 and 4 in less formal scripts., and Two historiated initials, 7- and 4-line. Folio 1r: mauve initial with white filigree on blue ground with white filigree, edged in gold, showing a man drawing water from a well, against gold ground, illustrating the Biblical passage "Haurietis aquas...." Serifs, ending in heart-shaped red leaves, on blue and red cusped grounds, with gold balls, extending along the inner margin to form a partial bar border. Perched on the top of the initial is a small bird, grey with red wings. Folio 1v: blue initial with white shading against dark red ground with white filigree. Ascender blue against dark red ground, extending along text column to form a partial bar border. The initial shows the good Samaritan riding on a donkey, against gold ground. Numerous flourished initials, 4- to 3-line, alternate red and blue with penwork designs in the opposite color. Running headlines in red and blue. Paragraph marks alternate red and blue. Guide letters for decorator visible beneath initials.
Subject (Name):
Innocent--V,--Pope,--ca. 1224-1276 and Peter Lombard,--Bishop of Paris,--ca. 1100-1160
Manuscript fragment on parchment of Petrus Cantor (c. 1130-1197), Commentum in libros Proverbiorum, Ecclesiastes, Sapientiae et Ecclesiastici.
Description:
Binding: Unbound., Many leaves are badly soiled., Red underlining of biblical passages. 2-line flourished initials with extensions in the margin or in the intercolumnar space; they are in red and blue on ff. in quire I, in red only in quires II-III (two flourished initials on f. 1v are also executed only in red); two initials of that type are missing, ff. 11r and 16r. Larger initials at the beginning of the commentary of new Bible books: 4-line littera duplex "B(eatus)" on f. 4r, Prologue to Ecclesiastes; 3-line "Q(uecumque)" on f. 8v, Prologue to Wisdom; 11-line "S(ummi)" and 6-line "O(mnis)", both red on beige background, on f. 15r, Prologue and text of Ecclesiasticus., and Script: Copied by one hand in early Gothica Textualis. Running headlines in flourished majuscules alternately red and blue; they stop after f. 6.
Manuscript on parchment, composed in three parts. Part I consists of short aphorisms, prayers, recipes, etc. added in the 15th century; and the recopied Prologue to Part II. Part II: Gautier de Chatillon, Alexandreis, with Bks. I-VIII.307 (ff. 1-70) written by a 13th-century scribe and the remainder of the text (Part III) copied in the 15th century. Followed by short texts in Latin and Middle English similar to those in Part I.
Description:
Binding: Fifteenth century, England. Covered first with thin, white tawed skin, second with a tawed skin chemise, third with heavy tawed skin originally sewn to the chemise. One fastening, the catch on the lower board, the upper one cut in for the strap which is wanting. Sewn on three supports attached to oak boards and pegged with wedges set at an angle. The spine is back beveled. Later additions include title, in ink, near head of upper board: "Gesta Alexandri Magni M.S." Repaired at head and tail of spine; rebacked., Loss of considerable text from f. 56 to end due to severe rodent damage., Part I: At the beginning of art. 6, text begins with blue 3-line initial with red herringbone penwork designs and the additional letters R and N, in blue, whose significance is unclear. Part II: Divided initial red and black with simple penwork designs in one or both colors for major text divisions; plain red initials elsewhere. First letter of each verse separated from text between bounding lines and stroked with red; paragraph marks in black. T-O map of the world, f. 7v. Part III: Decorative initials similar to those in Part I., Purchased from C.A. Stonehill in 1959 by Thomas E. Marston., and Script: Part I (ff. i recto-iv verso): Written by several cursive hands of a decidedly English character. Part II (ff. 1-70): Written in early gothic bookhand, above top line. Part III (ff. 71-88): Written in well-formed English cursive script. Texts in art. 8 in a variety of cursive hands.
Subject (Name):
Alexander,--the Great,--356-323 B.C and Walter,--of Châtillon,--fl. 1170-1180
Manuscript on parchment of Pierre de Peckham, La lumiere as lais. All of Books I and VI, and part of Books II and V are missing.
Description:
Binding: Thirteenth century, England. Original wound, caught up sewing with heavy thread, on four tawed skin, slit straps laced through tunnels in the edge to channels on the outside of oak boards and wedged. The natural color endbands are sewn on leather cores which are laid in grooves on the outside of the boards and pegged. The spine is back bevelled. Covered in tawed skin, originally white, but now dark brown on the outside. The turn-ins of the upper board are serrated. Two strap-and-pin fastenings, the pins (traces only) on the lower board, the upper one cut in for the fabric-reinforced leather straps. Some sewing supports broken, one board detached, and some covering leather and straps wanting., Many leaves stained, damaged, but with little loss of text, except on bottom of f. 1 and top of f. 36, which are torn with loss of text., Plain initials, 3- to 2-line, alternate red and blue for each chapter. Headings in red. Guide letters for decorator., Purchased from H. P. Kraus in 1959 by Thomas E. Marston., and Script: Written in gothic bookhand, below top line.