Metamorphoses. Italian, Apvlegio volgare, Apulegio volgare, Apulegio, and Apvlegio
Description:
BEIN 2011 1469: Unidentified ownership stamp on title page. Book label of Renzo Bonfiglioli. Stamp: A. Lauria, Paris. Buckram wrappers with gilt lettering on spine. Author and title wriiten in ink on bottom edge. Few scattered corrections (pencil) and chapter divisions (ink) in later hand(s)., Signatures: A-N⁸ (N8 blank)., Imprint from colophon., Translation of Apuleius' Asinus aureus or Metamorphoses., Title within ornamental border; 32 woodcut illustrations throughout ; printer's device(?) on p. [206]., and Sander 487 records "tradocto" instead of "tradotto" in title.
Publisher:
Per io Nicolo Daristotele da Ferrara, & Vincenzo de Polo da Venetia mio co[m]pagno regna[n]te lo inclito principe Leonardo Lauredano
Genealogical table starting with Guerin or Warin de Waldegrave, a Norman through to John Waldegrave, third son born Nov. 27, 1756
Description:
Title from item., Plates numbered '233' and '234' respectively, in upper right corner of plates., Plate engraved for volume 1 of: Segar, William. Baronagium genealogicum. London, 1764., Plates numbered '232', 233' and '234' attached to one another. With manuscript annotations, newspaper clippings, and scraps with manuscript notes pasted on or tipped in, in multiple hands., and For further information, consult library staff.
Genealogical table starting with Guerin or Warin de Waldegrave, a Norman through to John Waldegrave, third son born Nov. 27, 1756
Description:
Title from item., Plates numbered '233' and '234' respectively, in upper right corner of plates., Plate engraved for volume 1 of: Segar, William. Baronagium genealogicum. London, 1764., Plates numbered '232', 233' and '234' attached to one another. With manuscript annotations, newspaper clippings, and scraps with manuscript notes pasted on or tipped in, in multiple hands., and For further information, consult library staff.
Genealogical table starting with Guerin or Warin de Waldegrave, a Norman through to John Waldegrave, third son born Nov. 27, 1756
Description:
Title from item., Plates numbered '233' and '234' respectively, in upper right corner of plates., Plate engraved for volume 1 of: Segar, William. Baronagium genealogicum. London, 1764., Plates numbered '232', 233' and '234' attached to one another. With manuscript annotations, newspaper clippings, and scraps with manuscript notes pasted on or tipped in, in multiple hands., and For further information, consult library staff.
Genealogical table starting with Guerin or Warin de Waldegrave, a Norman through to John Waldegrave, third son born Nov. 27, 1756
Description:
Title from item., Plates numbered '233' and '234' respectively, in upper right corner of plates., Plate engraved for volume 1 of: Segar, William. Baronagium genealogicum. London, 1764., Plates numbered '232', 233' and '234' attached to one another. With manuscript annotations, newspaper clippings, and scraps with manuscript notes pasted on or tipped in, in multiple hands., and For further information, consult library staff.
Genealogical table starting with Guerin or Warin de Waldegrave, a Norman through to John Waldegrave, third son born Nov. 27, 1756
Description:
Title from item., Plates numbered '233' and '234' respectively, in upper right corner of plates., Plate engraved for volume 1 of: Segar, William. Baronagium genealogicum. London, 1764., Plates numbered '232', 233' and '234' attached to one another. With manuscript annotations, newspaper clippings, and scraps with manuscript notes pasted on or tipped in, in multiple hands., and For further information, consult library staff.
The figure of the miserable footboy who attends the "Old Maid", copied from William Hogarth's Morning from The four times of the day series; he wears a hat and carries a large prayer book under his right arm. Shivering and gritting his teeth as he walks, he tucks his left hand in the breast of his coat. The background consists of a few scratches for clouds and puddles
Description:
Title devised from British Museum catalogue., Letters 'H' in artist's name and letter P in 'pinx' linked., Publication date from British Museum catalogue., Sheet trimmed within plate mark., and Bowditch's ms. annotations on the mounting sheet below image; mounted to 32 x 40 cm.
The figure of the miserable footboy who attends the "Old Maid", copied from William Hogarth's Morning from The four times of the day series; he wears a hat and carries a large prayer book under his right arm. Shivering and gritting his teeth as he walks, he tucks his left hand in the breast of his coat. The background consists of a few scratches for clouds and puddles
Description:
Title devised from British Museum catalogue., Letters 'H' in artist's name and letter P in 'pinx' linked., Publication date from British Museum catalogue., Sheet trimmed within plate mark., With the title written above the image in Steevens's hand: Three spurrious., Also a note in Steevens's hand discussing the three prints on this page pasted down at top of page., Formerly cataloged with the title: The half-starved boy., and On page 89 in volume 1. Trimmed to plate mark 215 x 511 mm.
SH Contents C442 no. 1 Framed, shelved in LFS Bin 41
Image Count:
1
Abstract:
Copy of a portrait of Sir John Perrot, for Horace Walpole at Strawberry Hill
Alternative Title:
Sir John Perrot, Lord Deputy of Ireland
Description:
Title from note in Horace Walpole's hand, written in ink on the back of the frame: Sr. John Perrot, Lord Deputy of Ireland., Attributed to Chambars by Walpole in the Vertue notebooks. See Walpole Society, 1937-38, xxvi, p.62., Possibly commissioned circa 1763. See Walpole's letter to Bishop Lyttleton, 16 October 1762. See 1983 Yale edition of Horace Walpole's correspondence, v. 43, p. 384n., The original on which this drawing is based was used by Valentine Green for his mezzotint print published in Jany. 1, 1776, from a copy made by George Powle. See Catalogue of engraved British portraits, v. iii, p. 453., and Thomas Chambars, (ca. 1724-1789), English artist.
Anonymous. By William Combe., The Diabo-lady has separate title-page with same imprint., In this edition, there is a comma after "diaboliad" in the title and the "D" of "London" is above the "LI" of "Dublin" in the imprint., With a half-title., and Signatures: A-F⁸ [G]1.
