The fishwives stalls are in the foreground with the masts of ship vessels behind, and among them one tall smoking funnel. The market buildings are on the right. The foreground is more crowded than in other Billingsgate prints. The chief feature is an irate woman seated on an upturned tub beside her stall, berating a lady in a riding-habit who holds a huge fish's head. Beside the latter is another lady, disconcerted. Two liveried servants are amond the crowd. Lady Caroline Lamb and a young marchioness, both 'in disguise', go to the market to hear the traditional language of the fishwives, this Lady Caroline provokes by disparaging a fish. On the left is a fashionably dressed young man, resembling R.C. On the left, a drunken woman sits with her glass raised. From British Museum catalogue
Alternative Title:
Visit to Billingsgate
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. by Sherwood, Jones & Co.
Subject (Geographic):
Billingsgate Ward (London, England)
Subject (Name):
Cruikshank, Robert, 1789-1856 and Lamb, Caroline, Lady, 1785-1828
Subject (Topic):
Crowds, Fishmongers, Intoxication, Riding habits, Servants, Shipsfood v., and Street vendors
Title from text below image., Seven lines of text printed in letterpress below plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Naval uniforms: seamen -- Ships: main deck -- Card-playing -- Dancing: reel -- Musical instrument: fiddle.
Three gentleman sit in a row boat fishing. As the man on the right tumbles off his chair into the river as waves hit their small boat, he accidently hooks his companion in the nose. A third man (left) looks on in horror as the man in the middle cries out in pain. Their dog has also fallen in the river from where he looks on the scene
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered in upper right corner: No. 2., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : aquatint and etching on laid paper, hand-colored ; plate mark 20.2 x 25 cm, on sheet 25.5 x 31.6 cm., and With border lines added in pen and ink. Stamped in blue ink on verso: PRINTED IN GREAT BRITAIN.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Topic):
Boats, Fishing, Fishing & hunting gear, Accidents, and Dogs
Three gentleman sit in a row boat fishing. As the man on the right tumbles off his chair into the river as waves hit their small boat, he accidently hooks his companion in the nose. A third man (left) looks on in horror as the man in the middle cries out in pain. Their dog has also fallen in the river from where he looks on the scene
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered in upper right corner: No. 2., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Topic):
Boats, Fishing, Fishing & hunting gear, Accidents, and Dogs
"Scene outside the closed iron gate of Covent Garden Theatre. A smartly dressed man swaggers tipsily and jovially along, both arms raised; clutching his arm is a dejected companion in a drunken torpor, fashionably dressed, and wearing a blue cloak lined with red over his evening suit. In the foreground (right) a well-dressed man reclines against a step, drunk and jovial, a battered top-hat on the pavement beside him. An old watchman stoops to lift him up. Behind them a fourth toper is jovially attempting to fight a watchman holding lantern and rattle, while a brother-watchman raises his staff. On the left a fat John Bullish fellow tries to waltz with a pretty little courtesan, while a second girl picks his pocket and holds up in triumph a watch and seals. Both are smartly dressed, wearing big feathered hats. Behind them an old bawd walks along taking by the arm a seedy rake. On the wall are playbills both headed Theatre Royal Covent Garden, [1] Tomorrow Night The Blue Devils [1798] Love's Labour Lost [2] The Road to Ruin [1792, see BM Satires 8074] Fortune's Frolic [1799]."--British Musem online catalogue
Alternative Title:
Amorous, clamorous, uproarious and glorious
Description:
Title from caption below image., Publication date from British Museum catalogue., Quote below title: All coming from a public dinner., Sheet trimmed within plate mark., and Watermark: J. Whatman.
"An undergraduate leans from a bow window holding a rope attached to a basket containing a gaily dressed courtesan. In its descent it has knocked down the Proctor, who sits on the pavement, the woman falling on top of him. A 'bull-dog' with a constable's staff flashes a lantern on the window and on the woman; another stands just behind. An undergraduate watches from roudnd the corner of the building (right); a well-dressed couple hurry down the side street, looking back with interest."--British Museum catalogue
Alternative Title:
Oxford bull-dogs detecting brazen smugglers
Description:
Title from caption below image., Plate from: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., and Sheet trimmed within plate mark.
"Blackmantle stands with a trunk marked 'B.B.' at his feet as he gazes at the inscription scrawled on the ceinling of a bare and dilapidated room. An old college scout bows obsequiously, holding out a long paper headed 'A list of necessaries'. A hideous old bed-maker raises a cloud of dust with her broom. Two dandified men, one in cap and gown, stare in quizzically from outside the door (right). On the left is a pile of broken furniture, books, &c., with a box inscribed 'C. Rattle Esqr.'; a college cap is spiked on the leg of a broken chair with bellows (inscribed RC), Latin grammer, lexicon. A torn map of Oxford sags from the wall, with a print of a pugilist (Tom Cribb). A cupboard door is broken from its hinges; on it a target is painted, spattered with bullet marks. in the grate is a bust of Cicero, upside down".--British Museum catalogue
Description:
Title from caption below image., Plate from: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., and Sheet trimmed within plate mark.
"A sketch/ tracing related to Reid 1262: 'Going It!' A view of Rotten Row; a fashionably dressed man on horseback is kissing the hand of a lady who is walking by the rail near which two dogs are fighting and beyond them a horseman and a horsewoman with a glass to her eye."--British Museum online catalogue
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Title from caption below image., Date of publication from unverified data from local card catalog record., Plate numbered in upper right corner: No. 4., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Sheet trimmed within plate mark., Temporary local subject terms: Street scenes -- Royal couple -- Royal carriage -- Williams Library -- Display windows -- Pedestrians., and Ms. '6' over last digit in etched publication date.
A scene outside a fashionable row house, a horse falters and upsets the carriage that he is pulling as pedestrians look on with alarm
Description:
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by Sherwood, Jones & Co.
Subject (Name):
Fishmongers Hall (London, England),
Subject (Topic):
Accidents, Carriages & coaches, City & town life, Dogs, Horses, and Pedestrians
Unexpected visit from the Bishop and his chaplains
Description:
Title from caption below image., Print published in 1824. Middle two digits in year in imprint statement reversed on plate. Cf. British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Pistols -- Parties -- Eating and drinking -- Parlors.
Title from caption below image., Title continues: ... "Where shall I lunch" thought of the wine sale hesitated to face being too well known there, having often been spoken at, but it bein a last resource & conscious that "we must not stint" ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
In a courtyard of Christ Church (Oxford), undergraduates in cap and gown dance around a bonfire, fueled by doors, chairs, and tables carried from the surrounding buildings. Other students pull at ropes to drag a statute of Mercury towards the flames. From the windows on either side of the gateway students throw objects including a globe and a chamber pot, while another blows a trumpet. Groups of students dance wildly as they drink and riot
Alternative Title:
Burning the oaks, a scene in Tom Quadrangle
Description:
Title from caption below image. and Sheet trimmed within plate mark.
"Three revellers are lighted home by a watchman who walks beside them holding his lantern and looking sideways at them with quizzical contempt. A tall fashionably dressed and dishevelled man walks between two young women, also fashionably dressed; one holding a large muff takes his right arm; the other wears his bell-shaped top-hat, while he wears, back to front, her large feathered bonnet. They are lit from a street lamp, part of the post of which is on the extreme left in the foreground, while dawn lightens the dark sky. A large shuttered window in a corner house forms a background."--British Museum online catalogue
Description:
Title from caption below image., Printmaker, artist, place, date, and name of publisher from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 32 x 24 cm.
"A similar scene to BM Satires 14721, with awkward, exhibitionist, and dandified riders in place of carriages; one pedestrian, a lady, is in the foreground (right). Legs are thrust forward, toes turned out, down, or up. A man gallops holding one rein and an eye-glass with studied negligence, his left hand in his trouser pocket. Beside him is a lady, turning in her saddle to look through an eye-glass; a long green veil streams from her bell-shaped top-hat. A horse falls on its head, the falling man is taking snuff. Two dogs fight in the foreground. There are heavy clouds."--British Museum online catalogue
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Place of sculls Tom Echo receiving sentance of rustication, Golgotha, or, the place of skulls Tom Echo receiving sentence of rustication, and Golgotha, or, the place of sculls Tom Echo receiving sentance of rustication
Description:
Title from caption below image., Sheet trimmed within plate mark., and Temporary local subject terms: Academics -- Students -- Punishment -- Universities.
"Three men sit at a table absorbed in an oyster feast, while Richard Martin (M----n), sensing cruelty to oysters, enters, followed by a constable with his staff (left). Papers hang from his pocket: M . . . . s Bill to prevent Cruelty to Animals, and a book projects: Gullivers Travels--A Voyage to . . . Ho[uyhnhnms]. Martin points imperiously to the table, the constable makes a wry face. A lean elderly man (Dr K----r) sits with his back to the door on a piano-stool on which are sheets of music. At his feet is a paper: The Oyster crossed in Love as sung by Messs Sinclair & Gamon at Covent Garden O gentle Swain yr Knife [refrain] Nor Wound a Heart so soft as mine. Dr E----y, wearing tartan, stands over a tub of Natives, opening oysters. The third man's face is concealed. On the table, besides oyster-shells, &c, are a candle burnt low and a large jug of Hot Milk. The walls are covered with shelves. On one set (left), inscribed Larder of Death, are druggist's jars, &c. These include Opium, Oxalic Acid, Calomel, with a box of Gamboge. The other, inscribed Good Living, are laden with food: a pie, a chain of sausages, a sirloin, jar of Cherry Bounce, round of beef, a Scots Haggis, a hare, a bird. There is also (left) a high shelf of books."--British Museum online catalogue
Description:
Title etched below image., Plate to No. VI of: The family oracle of health, economy, medicine, and goodliving. London : Walker [etc.], 1824-1829., Three of the figures are identified with etched text beneath lower border of image: [left to right] M-n; Dr. K-n; Dr. E-y., Temporary local Medical Library subject terms: Dr. Eady., and 1 print : etching and aquatint ; image and inscription 12.5 x 19.2 cm.
Publisher:
Published by J. Walker
Subject (Name):
Martin, Richard, 1754-1834 and Kitchiner, William, 1775?-1827
"Three men sit at a table absorbed in an oyster feast, while Richard Martin (M----n), sensing cruelty to oysters, enters, followed by a constable with his staff (left). Papers hang from his pocket: M . . . . s Bill to prevent Cruelty to Animals, and a book projects: Gullivers Travels--A Voyage to . . . Ho[uyhnhnms]. Martin points imperiously to the table, the constable makes a wry face. A lean elderly man (Dr K----r) sits with his back to the door on a piano-stool on which are sheets of music. At his feet is a paper: The Oyster crossed in Love as sung by Messs Sinclair & Gamon at Covent Garden O gentle Swain yr Knife [refrain] Nor Wound a Heart so soft as mine. Dr E----y, wearing tartan, stands over a tub of Natives, opening oysters. The third man's face is concealed. On the table, besides oyster-shells, &c, are a candle burnt low and a large jug of Hot Milk. The walls are covered with shelves. On one set (left), inscribed Larder of Death, are druggist's jars, &c. These include Opium, Oxalic Acid, Calomel, with a box of Gamboge. The other, inscribed Good Living, are laden with food: a pie, a chain of sausages, a sirloin, jar of Cherry Bounce, round of beef, a Scots Haggis, a hare, a bird. There is also (left) a high shelf of books."--British Museum online catalogue
Description:
Title etched below image., Plate to No. VI of: The family oracle of health, economy, medicine, and goodliving. London : Walker [etc.], 1824-1829., Three of the figures are identified with etched text beneath lower border of image: [left to right] M-n; Dr. K-n; Dr. E-y., and Temporary local Medical Library subject terms: Dr. Eady.
Publisher:
Published by J. Walker
Subject (Name):
Martin, Richard, 1754-1834 and Kitchiner, William, 1775?-1827
"Three men sit at a table absorbed in an oyster feast, while Richard Martin ..., sensing cruelty to oysters, enters, followed by a constable with his staff (left). Papers hang from his pocket: M . . . . s Bill to prevent Cruelty to Animals, and a book projects: Gullivers Travels--A Voyage to . . . Ho[uyhnhnms]. Martin points imperiously to the table, the constable makes a wry face. A lean elderly man ... sits with his back to the door on a piano-stool on which are sheets of music. At his feet is a paper: The Oyster crossed in Love as sung by Messs Sinclair & Gamon at Covent Garden O gentle Swain yr Knife [refrain] Nor Wound a Heart so soft as mine. Dr E----y, wearing tartan, stands over a tub of Natives, opening oysters. The third man's face is concealed. On the table, besides oyster-shells, &c, are a candle burnt low and a large jug of Hot Milk. The walls are covered with shelves. On one set (left), inscribed Larder of Death, are druggist's jars, &c. These include Opium, Oxalic Acid, Calomel, with a box of Gamboge. The other, inscribed Good Living, are laden with food: a pie, a chain of sausages, a sirloin, jar of Cherry Bounce, round of beef, a Scots Haggis, a hare, a bird. There is also (left) a high shelf of books."--British Museum online catalogue, description of a different state or version
Description:
Title etched below image., Different state or version, with variations in the text below image, of a plate to No. VI of The family oracle of health, economy, medicine, and goodliving (London : Walker [etc.], 1824-1829). Cf. No. 14696 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Three of the figures are identified with etched text beneath lower border of image: [left to right] Martin; Dr. Kitchener; Dr. E-y., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 301., Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 1265, 5259., and Temporary local Medical Library subject terms: Dr. Eady.
Publisher:
Published by J. Walker
Subject (Name):
Martin, Richard, 1754-1834 and Kitchiner, William, 1775?-1827
The quadrangle at Tattersalls (1823) is filled with groups of betting men, 'the greater part ... are portraits' (p. xx). The three men on the extreme left are Mr. Tanfield, Lord Sefton, and Colonel Hylton Jolliffe. In the extreme right corner is Sir L. Skeffington; near him, but not identifiable, is John Gully the ex-pugilist. A Jew sells wares from a basket-tray. Over the doorway: Houses must not be taken away without being paid for
Alternative Title:
Heroes of the turf paying & receiving at Tattersals and Heroes of the turf paying and receiving at Tattersals
Description:
Title from caption below image., Sheet trimmed within plate mark., and For published state see, no. 14944 in: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Published March 1, 1824 by Sherwood, Jones, & Co.
Subject (Geographic):
Great Britain.
Subject (Name):
Gully, John, 1783-1863., Skeffington, Lumley St. George, Sir, 1771-1850., and Tattersalls (Firm)
Subject (Topic):
Jews, Horse buyers, Horse trading, Crowds, and Street vendors
"A similar scene to BM Satires 12349, but more calamitous and in a larger cabin. Through the roof-light of the cabin passengers under umbrellas are seen on deck. A sailor stands on a table to hand up a bucket, spilling the contents disastrously, to another who leans through the aperture, dropping a mop on a woman below. Tables tilt violently, upsetting those seated at them. A ham, a sucking-pig, a German sausage, a bottle of wine, &c, slide or crash to the floor. A man holds up a bottle of Spruce [beer], so that its exploding contents strike the face of a falling woman. There are many other incidents. Passengers lie in the two tiers of berths or struggle from them; others sit on lateral benches or sleep on the floor."--British Museum online catalogue
Description:
Title from caption below image. and Temporary local subject terms: Ships -- Storms -- Sleeping berths -- Ships, Interirors -- Passengers.
Publisher:
Pubd. June 15th 1824 by G. Humphrey 27 St. James's St. London
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered in upper right corner: No. 3., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Sheet trimmed within plate mark., Temporary local subject terms: Eating and drinking -- Wine -- Flurtations -- Couples., and Watermark: J Whatman Turkey Mill.
A promenade under trees, with college buildings forming a background. Ladies walk arm-in-arm with undergraduates; four dons walk alone. Four of the foreground figures are adapted from Dighton portraits of 1808. On the extreme left stands Dr. Kett ... Near him stands 'A Noble Student of Oxford' (Lord Nugent) ... and extending a hand to Dr. John Smith ... In the centre is Dr. Jackson (Dean of Christ Church d. 1819) ..."--British Museum catalogue
Description:
Title from caption below image., Plate from: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., Sheet trimmed within plate mark., Watermark., and An ms. '6' was written over the last inscribed digit in the year of publication: 1824.
Publisher:
Pubd. by Sherwood, Jones, & Co.
Subject (Name):
Jackson, Cyril, 1746-1819, Kett, Henry, 1761-1825, and Nugent, George Nugent Grenville, Baron, 1788-1850
Title etched below image., Date of publication from unverified data in local card catalog record., Plate numbered in upper right corner: No. 6., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A scene beside a river: In the foreground two men who had been fishing have been pulled into the river by the rope attached to a ferry that is crossing to the other side when the horse that is pulling it bolts down stream. A third man is about to fall into the water as well as a fourth companion chases the runaway horse and his owner
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., Plate numbered in upper right corner: No. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : aquatint and etching on laid paper, hand-colored ; plate mark 20.1 x 25.4 cm, on sheet 25.8 x 31.2 cm., Watermark: Abbey Mills., and With border lines added in pen and ink. Stamped on verso in blue ink: PRINTED IN GREAT BRITAIN. With remains of former backing.
A scene beside a river: In the foreground two men who had been fishing have been pulled into the river by the rope attached to a ferry that is crossing to the other side when the horse that is pulling it bolts down stream. A third man is about to fall into the water as well as a fourth companion chases the runaway horse and his owner
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., Plate numbered in upper right corner: No. 1., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Sheet trimmed within plate mark., Temporary local subject terms: Parties., and Watermark [trimmed partially]: J Whatman Turkey Mill.
"Scene on the steps of a London club. A Life Guards officer with moustache and whiskers stares at two exotic-looking civilians who appear arm-in-arm, walking (right to left) along the pavement, both moustached and with whiskers of incredible length and luxuriance. These are worn with wide turn-down collars, one with a loosely knotted tie, the other with his tie passed through a ring, a contrast with the tightly curled whiskers and high stock of the officer. A Guards officer in a high bearskin, without moustache but with bushier whiskers than those of the cavalry officer, stands on the steps, stretching and yawning, his back to the whiskered civilians. Through the open sash-windows two whiskered civilians are seen, one raises a side of his collar, to which the whiskers seem to be attached; the other pompously caresses an immense whisker. A man of French appearance, whiskered and moustached, standing on the steps, gapes at the two pedestrians, whose whiskers have something of the lion's mane. This is stressed by a poster behind them headed by a picture of a lion: Nero is to be Seen . . . On a second poster is a bear: Bears' Grease for the Growth of Whiskers. Two bees make for the tawny whiskers of the taller pedestrian, who holds a riding-whip and is followed by a poodle with shaggy ears and shoulders. A woman in a bonnet and shawl (right) gapes in amazement. A little chimney-sweeper laughs."--British Museum online catalogue
Description:
Title from caption below image., Publication date from British Museum catalogue., Quote below title: "They look not like the inhabitants o' the earth and yet are on't"., Sheet trimmed within plate mark., and Watermark: J. Whatman.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Topic):
Beards, Broadsides, Chimney sweeps, City & town life, Clubs, and Dogs
The wide street, lit by a full moon, is filled by a wild fight between undergraduates and their supporters (for whom gowns had been obtained by looting a tailor's shop) and 'bargees, and the butchers, and labourers'. A stage-coach, Old Fly, crowded inside and out, is wedged in the crowd, the outside passengers are assailed by a man in a gown. A woman empties a pot from an upper window; a lantern, hats, &c., fly through the air."--British Museum catalogue
Alternative Title:
Battle of the togati & the town raff in the High Street Oxford, Battle of the togati and the town raff in the High Street Oxford, and Town and gown
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. by Sherwood, Jones, & Co.
Subject (Name):
University of Oxford
Subject (Topic):
Students, Butchers, Crowds, Fights, Occupations, Stagecoaches, and Tailors
