[Erica Van Horn]., An edition of 100. No. [blank]--Colophon., BEIN Zab V3115 +993S: No. 87., Book covers are held together by white ribbon ties., Cover title., and Text is printed onto end papers.
BEIN 2009 Folio 68: Autograph of artist., Erica Van Horn, 1985., Erica Van Horn, onlay, November 1985--In ms. on final panel., Laid in portfolio., and One sheet constructed of three sheets glued together and folded, accordion style (36 x 324 cm., folded to 36 x 36).
Envelope interior installations: p. [2]. Envelope interior publications: p. [3]., Erica Van Horn., Place of publication from p. [4]., The patterning of the inside of an envelope must have begun as an attempt to hide what was within ... That these conceits are still designed and made, emblems of material and tactility, at this point in the electronic age, is a cause of much surprise and wonder. The collecting, cutting-open and exposure of these contents has become almost a life' work--P. [2]., and Wrapper title.
BEIN Zab V3115 +979A 12: Stamped numbers on envelopes are: 166, 179, 300. The first two have the author's autograph, the third one does not. In box with ms. title: Assorted cards / Erica Van Horn., Each round pinback button is printed with the pattern of a different envelope interior and is housed in a clear, 6 x 7 cm. zip lock bag. Each bag includes a small card (5 x 5 cm.) with the title and author's name printed on recto and a unique, stamped number and author's autograph on verso., and Erica Van Horn.
Cover title; in ms., Erica Van Horn, 1986--In ms., back cover., Four paintings, each depicting a container on the top of a wood-grained table (a wash basin and jug, a canister, a teapot, a carafe)., and On boards, in accordion fold format.
Deep blue-green envelope containing two folded cards; printed in black on front cover; publication date taken from most recent card., Erica Van Horn., First card: dated 1993, printed in Docking, Norfolk, England; A paint peeling from a table wood grained [by the author] in 1991 which peeled in the early winter of 1993., Second card: dated 2004, printed in Ballybeg Grange, Clonmel, Tipperary, Ireland; A birch bark peeling from a tree at Chestnut Pond, New Hampshire in 1988 layered in a drawer and forgotten until the spring of 2004 in Tipperary., and Title from envelope
U.S.W. (Dresden, Germany), Und so weiter, Undsoweiter, and USW
Description:
Began in 1984; ceased in 1987., Each volume contains text and original artworks by various artists, many signed and numbered., and Numbers V, VI, IX, in case made by Thomas Günther with 2 original photographs of Micha Brendel, include autographs of contributors.
U.S.W. (Dresden, Germany), Und so weiter, Undsoweiter, and USW
Description:
Began in 1984; ceased in 1987., Each volume contains text and original artworks by various artists, many signed and numbered., and Numbers V, VI, IX, in case made by Thomas Günther with 2 original photographs of Micha Brendel, include autographs of contributors.