Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Publication date from unverified data from local card catalog record., Text following imprint: where political and other caricatures are daily pub., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... wher [sic] political and other caricatuers are daily publishing, the largest collections in England., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Unknown etcher only identified by use of a device: A slanted anchor., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image; letter "i" in "waist" scored through and a small letter "e" etched at end of word., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily publishing., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark.
Publisher:
Pub. March 2d [?] 1829 by T. McLean, 26 Haymarket ...
Title from text above image., Print signed with artist's device below artist's initials: A spur., Text below image: "Cineri doloso.", Reissue of no. 14317 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 30, 1821, by G. Humphrey., Temporary local subject terms: The Grand Tour., and Watermark: 1834.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily publishing., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily pub., and Reference to print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 72.
"A section of the deck of a small sailing vessel, seen from outside; cockneyfied passengers, depicted with a sailor's contempt, hang over the rail in misery or walk on deck. The helmsman (left) stands impassively in profile to the right."--British Museum online catalogue
Description:
Title from text below image., Date of publication supplied by cataloger., Reproduction of an etching by George Cruikshank, after a drawing by Frederick Marryat; Cruikshank's "etched by G.C." signature and Marryat's artist's device (an anchor tilted diagonally) are reproduced and legible beneath the design, as is the original imprint "London, Pubd. June 5th, 1824, by G. Humphrey, 24 St. James's Street.", Orignal etching was presumably an early state of a plate more widely published with the title "To Calais." For the state following the title change, which has the same G. Humphrey imprint and lists the same publication date, see no. 14719 in the Catalogue of prints and drawings in the British Museum, v. 10. The plate retained this latter title when it was reissued in: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., A companion print entitled "From the West Indies" has the same signatures and imprint statement as the original etching; see no. 14718 in the Catalogue of prints and drawings in the British Museum, v. 10., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 2036., and Cf. Reid, G.W. Descriptive catalogue of the works of George Cruikshank, 1249.
Publisher:
publisher not identified
Subject (Topic):
Passengers, Decks (Ships), Motion sickness, Hats, and Smoking
"A section of the deck of a small sailing vessel, seen from outside; cockneyfied passengers, depicted with a sailor's contempt, hang over the rail in misery or walk on deck. The helmsman (left) stands impassively in profile to the right."--British Museum online catalogue
Description:
Title etched below image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Seasickness.
Publisher:
Pubd. June 5th, 1824, by G. Humphrey, 24 St. James's Street
"A section of the deck of a small sailing vessel, seen from outside; cockneyfied passengers, depicted with a sailor's contempt, hang over the rail in misery or walk on deck. The helmsman (left) stands impassively in profile to the right."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Reissue, with new imprint statement. For an earlier state published 5 June 1824 by G. Humphrey, see no. 14719 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835].
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily publishing., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark.
Title from caption below image., Print signed using an unidentified artist's device: A stout man wearing a hat., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Kite -- Boys -- Trousers., and Watermark: 1829.
"George IV, a crutch under his left arm, takes Wellington's left arm, looking up at him with a pleased smile, which Wellington returns. He says: This is not the only time that you have Lent me a helping hand!! The Duke answers: Proud to be Your ----tys Staff. The King, plainly dressed but with the Garter ribbon and star, has a much swathed gouty leg supported in a sling from the neck. Wellington wears uniform, with orders, white satin breeches, and pumps; on his garter the word Honi is conspicuous. On a table (right) are decanters labelled Brandy and Whiskey."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., Text below title: A friend in need is a friend indeed., and Matted to: 47 x 34 cm.
Publisher:
Pub. by McLean, 26 Haymarket, London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Gout, Crutches, Military uniforms, British, and Alcoholic beverages
Title from caption below image., Print signed using an unidentified artist's device: A quadrisected circle with a dot in each quadrant., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
The Duke of Wellington stands before the King who sits on his throne, his right foot resting on a footstool. Dressed in uniform and standing very erect, Wellington holds out a large cross-hilted sword at an angle between himself and the King. From his plumed cocked hat, which he holds behind him, hangs a piece of paper with the words "Military commission to throw dust in John Bull's eyes." Projecting from his back pockets, are two papers labelled "Church patronage" and "Army patronage." A lady, Lady Conyngham, is seen peaking between the curtains behind the throne of the puzzled-looking King. The crown is on a table behind Wellington
Alternative Title:
Throne in danger
Description:
Title etched above image., Figure of a man with an open umbrella is one of artist's devices used by William Heath., and Below design: "There is a power before the throne & a power behind the throne -- greater than the throne itself."
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of Paul Prys caricatuers, none are original without McLeans name., Sheet trimmed within plate mark., Temporary local subject terms: Popery -- Reference to Constitution -- Ornate staves -- Personification of Hibernia -- Emblems -- Pope's triple crown., and Numbered in ms. at top of sheet: 170.
Publisher:
Pub. June 5th, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, and Eldon, John Scott, Earl of, 1751-1838
Title from caption below image., Print signed using an imitation of William Heath's device: A man with an umbrella., Imprint continues: ... (sole publisher of P. Prys caricatures)., Date of publication from British Museum catalogue., Sheet trimmed to plate mark., and Watermark: Not bleached.
Title etched below image., Print signed using an imitation of William Heath's device: A man with an umbrella., Sheet trimmed within plate mark., Copy of a print by William Heath that was published by T. McLean in April 1829. See no. 15732 in the Catalogue of prints and drawings in the British Museum, v. 11., and Matted to: 45 x 32 cm.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Four lines of text below title: If the common soft or tub soap made into a moderate strong lather ..., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text within image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Artist identified by George., Plate numbered in upper right corner: Plate 8., Cf. Later state published by Thomas McClean in 1835; no. 14089 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Temporary local subject terms: Sailors -- Ships -- Storms.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms:
Publisher:
Pub. by T. McLean 26 Haymarket caricature daily publishing
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Sheet trimmed within plate mark., Imprint continues: ... where political and other caricatuers are daily pub., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Text above image: Spies to see the nakedness of the land are come., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Fantastic scene at a London street corner which abuts on open country, the roadway deep in mud. A coach and pair advances left to right; the coachman has laid down reins and whip to read the Times through spectacles, the footman standing behind is deep in a book. A ragged but monocled street-sweeper on stilts sweeps towards a small child half-submerged in mud, and a lady in a monstrous hat who picks her way through the slough. On the foreground pavement a butcher and a dustman play chess, holding the board between them. One sits on a great joint of beef, the other on a bag; a dog runs off with a bullock's heart. A ragged ballad-singer plays a guitar, screeching operatically; her small child holds up a parasol. Two climbing boys with misshapen legs argue with each other, one uses a handkerchief. Two servants in livery walk arm-in-arm, one smoking a huge pipe (like the footman in BM Satires No. 15779). An apple-woman seated against a lamp-post reads Byron, while a boy sneaks an apple. The lamp-post is topped by a flaming sun, presumably of gas. A dust-cart is drawn by two asses tandem, with a postilion on the leader; the dustman, seated on his load (instead of walking with it) plays a 'cello. On the opposite pavement are three tiny street musicians: a fashionably dressed woman sings from a sheet of music to the accompaniment of a harpist and flautist with music-stand. In the background is steam-traffic: (1) a steam carriage for two with three wheels, a tall smoking funnel, and a pendent coal-scuttle, all but the last much as 'Mr D. Gordon's New Steam Coach, illustrated and described', Observer, 30 Dec, 1827. (2) A large steam lorry on which soldiers with bayoneted muskets sit in rows. A small carriage with a steersman and two passengers is drawn by a kite (a kite-drawn carriage was displayed in Regent's Park, Jan. 1828, described by Pückler-Muskau, Tour in England, 1948, p. 218). Behind is a narrow channel crossed by a suspension bridge linking Dover to Calais; another branch of the Channel is crossed by The . . . Tunnel (oddly drawn), the top of which collapses under the impact of a ship, so that water pours down. An aerial battleship supported by two balloons attacks three ships immediately below; they sink under a rain of flame and cannon-balls. There are also an ordinary balloon, a flying-machine drawn by wild geese, and an aerial vessel which collides with the moon. The foreground buildings are one vast shop-window and the adjacent house; over the window: Business of this Shop on a larger scale than any other house in London. The window is filled with draperies and ladies' huge hats (cf. BM Satires No. 15628). A lady, with a giant hat, pin-point waist, and vast sleeves, stares in. The adjoining house of the same height is three stories high, the principal floor with street-door, bow-windows, balconies, and awning is at the top; passengers are being hauled up to it by a man using a windlass to hoist chairs up a vertical chute from the street."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Sheet trimmed within plate mark., and Watermark: J. Whatman.
Publisher:
Pub. Jany. 23 1828 by G. Humphrey St. James's Street
Subject (Topic):
Balloons (Aircraft), Carriages & coaches, City & town life, Steam, Storefronts, and Street vendors
Title from caption below image., Print signed using unidentified artist's device: A man with a broom., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text in center of design., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily pub., Design split into upper and lower halves, with title and image captions in between., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A satire on the Duke's pressure on the King to accept Emancipation. Wellington stands in profile to the right, dressed as the driver of a mail-coach, holding his whip and (as way-bill) a paper resembling the 'Gazette', headed 'Bill' [i.e. for Catholic Relief]. His (gloved) left hand touches the broad brim of his hat. He wears a triple-caped greatcoat, tight at the waist, over tightly strapped white trousers, and is smart and erect
Description:
Title etched below image., Plate signed using an imitation of William Heath's device: A man with an umbrella., A close copy, apparently by 'Sharpshooter' (i.e. John Phillips), of a print by William Heath. See British Museum catalogue., and Mounted on gray wove paper: 43.4 x 29.7 cm.
Publisher:
Pub. by E. King, Chancery-Lane
Subject (Geographic):
Great Britain.
Subject (Name):
George V, King of Great Britain, 1865-1936. and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Coach drivers, Newspapers, and Whips
A satire on the Duke's pressure on the King to accept Emancipation. "Wellington stands in profile to the right, dressed as the driver of a mail-coach, holding his whip and (as way-bill) a paper resembling the 'Gazette', headed 'Bill' [i.e. for Catholic Relief]. His (gloved) left hand touches the broad brim of his hat. He wears a triple-caped greatcoat, tight at the waist, over tightly strapped white trousers, and is smart and erect, in contrast with his rival, see British Museum satires no. 15736"--British Museum online catalogue
Description:
Title etched below image., Plate signed using William Heath's device: A man with an umbrella., For a close copy published by E. King, see no. 15731A in the British Museum catalogue., and Watermark: J. Whatman 1829.
Publisher:
Pub. April 1829 by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830. and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Coach drivers, Newspapers, and Whips
"An elderly, sharp-featured virago, with skinny neck and muscular arms, sits directed to the right, furiously kicking and shaking her left fist at the old-fashioned looking-glass which stands on a muslin-covered dressing-table. The glass has been shattered by the curling-tongs which she holds in her right hand, and a broken hand-mirror lies on the floor. She wears old-fashioned stays laced over a petticoat, but her head-dress is complete; two tall feathers, with flowers and striped ribbon drapery, poised on unconvincing curls. On the dressing-table are fragments of mirror, large comb, tiny hair-brush, &c., bottles labelled 'Milk of Roses' and 'Olimpian Dew'. A bottle of 'Circassian Bloom' lies on the floor. The tall window is partly covered by a curtain hanging in festoons from above. Behind the chair is a shallow wooden tub."--British Museum online catalogue
Description:
Title etched below image., Print signed using an unidentified artist's device: A Strassburg lily., Sheet trimmed within plate mark., and Companion print to: Looking glass in favour.
Publisher:
Pubd. Jany. 1st, 1805 by S.W. Fores, No. 50 Piccadilly
Title from text below image., Print signed in lower left with an artist's device reminiscent of William Heath's "Paul Pry" figure., Text above image: Come on, bucks have at ye all!!, Not in the Catalogue of prints and drawings in the British Museum., and Matted to 46 x 32 cm.
Publisher:
Pubd. June 19th, 1829, by G. Tregear, Cheapside, London
Title from text above image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of P. Prys caricatures., and Text below image: "The kindly dew drops form [sic] the higher tree, and wets the little plants that nestle underneath. Spencer [sic]. "Our gayness and our gear are all besmirch'd. Shak.
Publisher:
Pub. June 30, 1829, by T. McLean, 26 Haymarket ...
"A man, thin, elderly, and bald, leans back despairingly in an arm-chair by the fire, grimacing with upturned eyes, and holding a (useless) medicine-bottle. He is tormented by six little demons; one bores into his skull with an auger, another with a bit. A third raises a mallet to strike a wedge into the skull. One sits on his victim's shoulder, holding a music-book and bawling into his ear, another blows a trumpet against his cheek. A sixth runs up his arm to bring a red-hot poker into action."--British Museum online catalogue, description of an earlier state
Alternative Title:
Headache
Description:
Title etched below image., Print signed using Frederick Marryat's device: a slanted anchor., Reissue, with new imprint statement. For an earlier state published 12 February 1819 by G. Humphrey, see no. 13439 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., and Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835].
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Topic):
Pain, Headache, Devil, Demons, Fireplaces, and Hand tools
"A man, thin, elderly, and bald, leans back despairingly in an arm-chair by the fire, grimacing with upturned eyes, and holding a (useless) medicine-bottle. He is tormented by six little demons; one bores into his skull with an auger, another with a bit. A third raises a mallet to strike a wedge into the skull. One sits on his victim's shoulder, holding a music-book and bawling into his ear, another blows a trumpet against his cheek. A sixth runs up his arm to bring a red-hot poker into action."--British Museum online catalogue
Alternative Title:
Headache
Description:
Title etched below image., Print signed using Frederick Marryat's device: a slanted anchor., and 1 print : etching with stipple, hand-colored ; plate mark 20.8 x 25.5 cm.
Publisher:
Pubd. Feby. 12th, 1819, by G. Humphrey, 27 St. James's Street
Subject (Topic):
Pain, Headache, Devil, Demons, Fireplaces, and Hand tools
"A man, thin, elderly, and bald, leans back despairingly in an arm-chair by the fire, grimacing with upturned eyes, and holding a (useless) medicine-bottle. He is tormented by six little demons; one bores into his skull with an auger, another with a bit. A third raises a mallet to strike a wedge into the skull. One sits on his victim's shoulder, holding a music-book and bawling into his ear, another blows a trumpet against his cheek. A sixth runs up his arm to bring a red-hot poker into action."--British Museum online catalogue
Alternative Title:
Headache
Description:
Title etched below image. and Print signed using Frederick Marryat's device: a slanted anchor.
Publisher:
Pubd. Feby. 12th, 1819, by G. Humphrey, 27 St. James's Street
Subject (Topic):
Pain, Headache, Devil, Demons, Fireplaces, and Hand tools
"Lady Conyngham stands directed to the left, feet apart, dressed as in British Museum satires no. 15720; she amusingly combines the ultra-feminine with masculine attributes and stance. She is immensely fat and wide with small cherubic features and curls; under her left arm is a cocked blunderbuss. She wears a wide-brimmed hat, a neckcloth fastened with a jewelled crown, a coach-guard's greatcoat, wide open over her tight-waisted dress. A pouch hangs from her shoulder and two coach-horns from her left arm. Above her head: 'I says to our Governor says I--keep your eye on them ere Leaders George'; i.e. on Lyndhurst and Scarlett, see British Museum satires nos. 15720, 15850. Cf. British Museum satires no. 15716."--British Museum online catalogue
Description:
Title etched below image., Plate signed using William Heath's device: A man with an umbrella., and Publisher's advertisement below imprint: Caricatuer [sic] daily pub.
Publisher:
Pub. April 28, 1829, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, George IV, King of Great Britain, 1762-1830., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Scarlett, James, Sir, 1769-1844.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1828.
Title from text in center of design., Print signed using an imitation of William Heath's device: A man with an umbrella., Printmaker tentatively identified as Sharpshooter = John Phillips. See British Museum catalogue., Imprint continues: ... (sole publisher of Paul Prys caricatures)., Design divided into upper and lower halves by the title, imprint, artist's device, and inscriptions., Text alongside artist's device: The park last evening presented the most frightful, at the same time a most ludicrous, scene owing to the atmosphere's sudden change of temperature ..., and Text above image: A peep at Hop-tons. The sleeves are "all in all we shall ne'er look upon their like again."
Publisher:
Published August 1829 by S. Gans, 15 Southampton Street, Strand ...
Title from caption below image., Print signed using an unidentified artist's device: A quadrisected circle with a dot in each quadrant., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1829.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Text below title: This is all very well for the folks in the front seats., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A dancing-master in profile to the left, playing his kit, faces a little girl, who stands firmly, her feet in the first position, heels back to back, toes pointing almost at r. angles with her profile. His feet are also in the first position, as are those of a little boy in the doorway (right), one hand on the handle, bowing, or stooping, low. The room is boarded and bare."--British Museum online catalogue
Alternative Title:
1st Position and First position
Description:
Title from caption below image., Publication date from British Museum catalogue., A symbol or monogram comprised of an elaborate double 'X' precedes Cruikshank's signature., and Publication date erased from sheet.
Title etched below image., Print signed using Frederick Marryat's device: a slanted anchor., Artist identified by British Museum catalogue., Temporary local Medical Library subject terms: Stomach disorders -- Cholic., and 1 print : etching, hand-colored ; plate mark 209 x 258 mm.
Publisher:
Pubd. Feby. 12, 1819, by G. Humphrey, 27 St. James's St.
Subject (Topic):
Pain, Stomach aches, Demons, Devil, Sofas, Spears, and Ropes
"An elderly woman, lean, old-fashioned, and spinsterish, sits on a settee, shrieking and contorted with pain. A rope is wound tightly round her waist, the ends held by vicious little demons (left and right), who tug with all their might. Four others attack her with spear, trident, needle, and knife. On the wall (right) is a picture of a fat, disreputable-looking woman drinking, bottle in hand, by a bedroom fire."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Print signed using Frederick Marryat's device: a slanted anchor., Reissue, with new imprint statement etched above the old one that has been mostly burnished out. For an earlier state published 12 February 1819 by G. Humphrey, see no. 13438 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Year "1835" in imprint has been scored through but is still legible., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., and Temporary local Medical Library subject terms: Cholic.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Topic):
Pain, Stomach aches, Demons, Devil, Sofas, Spears, and Ropes
Title etched below image., Print signed using Frederick Marryat's device: a slanted anchor., Artist identified by British Museum catalogue., and Temporary local Medical Library subject terms: Stomach disorders -- Cholic.
Publisher:
Pubd. Feby. 12, 1819, by G. Humphrey, 27 St. James's St.
Subject (Topic):
Pain, Stomach aches, Demons, Devil, Sofas, Spears, and Ropes
Title from caption below image., Print signed using an unidentified artist's device: A quadrisected circle with a dot in each quadrant., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Peel stands directed to the left holding a dome-shaped wire cage containing rats; his left hand is on his hip. He wears a small battered hat, once a topper, a collar and stock, patched greatcoat with sheepskin collar and many pockets; loose boots to the calf. A document projects from his coat-tail pocket. Above his head: 'I turns my hand to any thing now I ketches Rats like winking.'"--British Museum online catalogue
Description:
Title etched below image., Plate signed in bottom left-hand corner using William Heath's device: A man with an umbrella., and Cf. Heath, W. The man wot drives the sovereign, which shows Wellington as a coach driver, also publisher in 1829 by MacLean.
Publisher:
Pub. April 1829 by T. McFat, 26 Straw-market [i.e. T. McLean, 26 Haymarket]
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830. and Peel, Robert, 1788-1850
Subject (Topic):
Catholic emancipation, Animal traps, Newspapers, and Ratcatchers
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Reference to print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 71., and Watermark: 1827[?].
The Duke of Wellington flys in a cloudy sky on a large quill pen, holding a pair of reins which are attached to the tip of the pen. From the tip hangs a scroll which reads "Bill for the relief of Roman Catholics." The point of the pen strikes George IV's eye; he stands in profile on the far right and exclaims "Oh, my eye the fellow has blinded me." Wellington looks over his shoulder at a bird with the head of Grey who flies after him from the left, beneath the pen's feather. Grey calls, "I say you Old Soldier you have stole one of my feathers! Hollo'a stop thief."
Alternative Title:
Borrowed plume
Description:
Title etched below image., The artist's signature is an imitation of W. Heath's Paul Pry Esq., but this figure is obese and leans on a cudgel. Cf. British Museum catalogue., and Window mounted to 26 x 35 cm.
Publisher:
Pubd. 1829 by S. Gans, Southampton Street, Strand
Subject (Geographic):
British
Subject (Name):
George IV, King of Great Britain, 1762-1830, Grey, Charles Grey, Earl, 1764-1845, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Anti-Catholicism, Military uniforms, and Pens
Three gentleman (former military?) stand on the sidewalk outside a London club conversing. One wears a patch on his eye and carries a talking stick; another one has a peg leg. The man on the left carries a walking stick and wears spurs on his boots
Description:
Title from caption below image., Print signed using an unidentified artist's device: A quadrisected circle with a dot in each quadrant., Last digit of the date etched over., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by G. Humphrey, 24 St. James's Street
Subject (Geographic):
England and London.
Subject (Topic):
Clubs, Conversation, Eye patches, Peg legs, and Staffs (Sticks)
"Wellington, in uniform, stands in profile to the left, with sword erect. He has enormous ass's ears, and to his back the body and hindlegs of an ass are attached. With his left hand he holds a Chancellor of the Exchequer's gown over the ass's back. Above, and behind his head: I should be mad--or worse, than mad--to think of taking the office of P---- e M---- r."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from the British Museum catalogue., and Matted to: 45 x 31 cm.
Publisher:
Pub by T. McLean, 26 Haymarket
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Military uniforms, British, Donkeys, Daggers & swords, and Robes
"O'Connell (unrecognizable) marches jauntily to a door on the extreme right, over which is a board inscribed 'St Ste[phens] To Trespassers Men-Traps--Constantly Set--Beware'; he is followed by an Irish mob, yelling and flourishing shillelaghs. He wears barrister's wig and gown with a mitre-shaped cap decorated with a cross, shamrock, and bells (emblem of folly). Under his right arm is a large book inscribed '1 & 2'; his left hand rests on a stout stick. His gown is held up by a ragamuffin and the procession is headed by a bloated priest who holds up on a bludgeon a placard: 'Unconditional Emancipation O C For Ever'; this is surmounted with shamrock. The crowd are evidently from St. Giles and similar Irish slums in London; two carry hods, emblem of the Irish builder's labourer or hodman. On the extreme left in the foreground is an Irish basket-woman, holding her basket, smoking a short pipe; she shouts 'Stop wid ye now--are ye goin to lave the ladies behind--ye blackguards.' She is barefooted, very ragged, and wears a soldier's jacket (cf. British Museum Satires No. 15721). See British Museum Satires No. 15759, &c."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from British Museum catalogue., Publisher's advertisement following imprint: ... wher [sic] political and other caricaturs [sic] are daily pub., Sheet trimmed within plate mark., and Matted to: 31 x 46 cm.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
O'Connell, Daniel, 1775-1847 and St. Stephen's Chapel (Westminster, London, England),
"The Devil (right), in the foreground and much larger than the other figures, stands Asmodeus-like on a house-top (cf. British Museum Satires No. 16160), overturning with a long pole a dinner-table and upsetting the guests who fall on clouds of Dust. He is a grotesque muscular creature with goat's legs, barbed wings and tail, and looks round with a triumphant grin at the spectator. The guests are also assailed by harpies, little winged men, whose bodies terminate in barbed and scaly tails. One of these (Corder), holding a long bill which rises into the air above him, assails a man (Roach) mounted on a cockroach and holding up a book inscribed Parish Acct; he is The Grand Carver mounted on his Cockroach.; from the cockroach's antennae hang two big keys, and it emits a tail-blast inscribed We are of the Select, against his assailant. The latter holds out a paper inscribed Majority 7 and says am I not the Elect. Another harpy holding out a constable's staff flies menacingly towards the cockroach, saying, By St Thomas I cheque this. Roach exclaims: I tell you it's all a farce so we have taken the liberty to Cribb the Books Keep the Keys tight Cockey. A third harpy threatens the feast with a pair of spurred cavalry boots, saying you will Do-Well to give in, showing he is T. W. Dow (a boot-maker of York Street, Covent Garden. P.O. London Directory, 1822), see British Museum Satires No. 15528. A fourth has seized a paunchy Vestryman by the nose; the victim screams Oh my Nose--Rose Water rose water--oh oh oh-- From the table fall birds, hare, tureen, decanter, pineapple, &c. The dust forms a background, and is inscribed Dust for the Eyes of the Parishioners; looming through it is the façade of St. Paul's, Covent Garden. The bill held by Corder is headed Dinners. The items are Richardson £8-5, Hodgson & Gan £47-11-0, wine 5. 3. 0. Hodgson & Gan[n] Venison feast 30. 3- 6--Dinner on auditing Accounts £11- 4- 0, Hodg & Gann Ditto £40 4-0, Richardson Visitation Din . . £22. 7. 6, Joys St Thomas Day Dinner £20-10-0---&c &c."--British Museum online catalogue
Alternative Title:
Cruel radical harpies destroying a feast
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Text beside artist's device, meant to be words spoken by the man with an umbrella?: They seem to be introding [sic] here., Date of publication from the British Museum catalogue., Imprint continues: ... where political & other charicatuers [sic] are daily brought out., Sheet trimmed within plate mark., and Text above image: "now by St. Paul's the work goes bravely on -.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
St. Paul's Church (Covent Garden, London, England)
"George III, standing in front of the throne, extends his right. hand to Portland, who stoops to kiss it, proffering a 'List of the New Ministry Duk ...'. The King looks angrily over his left. shoulder at the old Ministry who are in flight, derisively raising the skirt of his coat. Two labels float from his mouth: 'Approach my Lords & Gentlemen & Kiss my Hand -' and, 'as for You my Lords & Gentlemen you may Kiss - '. Grenville scurries es off stooping, his peer's mantle looped over his arm, leaving coat-tails and posteriors exposed; he says: "This comes of getting into bad Company." Howick, as he hurries off with his Catholic Bill, looks behind him at the King, saying, "I thought we should have cramed it down his throat." Moira, in uniform, stares in consternation. Petty and Erskine, both in their robes, escape together, much alarmed. Behind them, Sheridan slinks off, dressed as Harlequin, see BMSat 9916. The others are Sidmouth, in profile to the left., as is Temple on the extreme right.; between them is the spectacled face of Buckingham, saying, "Aye Aye the Doctor [cf. BMSat 9849] advised him not to swallow it." These fugitives are adapted from BMSat 10709. On the left., behind Portland, (?) Hawkesbury stoops, his lips pursed as if ready to kiss. Behind him is Castlereagh, then Perceval in a barrister's wig. A fifth profile appears on the extreme left. Beside the King is a stool on which are a large book (the Bible, as in BMSat 10709), sceptre, and a document, 'Coronation Oath', on which stands the crown. On the back of the heavily canopied throne 'G III R' surmounted by a crown."--British Museum online catalogue
Description:
Title from caption etched below image. Preceding the title is a hand contemptuously snapping fingers and thumb., Printmaker from British Museum catalogue., Preceding title an artists' device symbolizes the act of a hand snapping fingers and thumb., 1 print on laid paper : etching, hand-colored ; sheet 25 x 34 cm, mounted to 30 x 38 cm., Sheet trimmed within plate mark., Watermark., and Ms. annotations on mount identify figures in the print.
Publisher:
Pubd. April 2d, 1807 by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Canning, George, 1770-1827, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Lansdowne, William Petty, Marquis of, 1737-1805, and Perceval, Spencer, 1762-1812
"George III, standing in front of the throne, extends his right. hand to Portland, who stoops to kiss it, proffering a 'List of the New Ministry Duk ...'. The King looks angrily over his left. shoulder at the old Ministry who are in flight, derisively raising the skirt of his coat. Two labels float from his mouth: 'Approach my Lords & Gentlemen & Kiss my Hand -' and, 'as for You my Lords & Gentlemen you may Kiss - '. Grenville scurries es off stooping, his peer's mantle looped over his arm, leaving coat-tails and posteriors exposed; he says: "This comes of getting into bad Company." Howick, as he hurries off with his Catholic Bill, looks behind him at the King, saying, "I thought we should have cramed it down his throat." Moira, in uniform, stares in consternation. Petty and Erskine, both in their robes, escape together, much alarmed. Behind them, Sheridan slinks off, dressed as Harlequin, see BMSat 9916. The others are Sidmouth, in profile to the left., as is Temple on the extreme right.; between them is the spectacled face of Buckingham, saying, "Aye Aye the Doctor [cf. BMSat 9849] advised him not to swallow it." These fugitives are adapted from BMSat 10709. On the left., behind Portland, (?) Hawkesbury stoops, his lips pursed as if ready to kiss. Behind him is Castlereagh, then Perceval in a barrister's wig. A fifth profile appears on the extreme left. Beside the King is a stool on which are a large book (the Bible, as in BMSat 10709), sceptre, and a document, 'Coronation Oath', on which stands the crown. On the back of the heavily canopied throne 'G III R' surmounted by a crown."--British Museum online catalogue
Description:
Title from caption etched below image. Preceding the title is a hand contemptuously snapping fingers and thumb., Printmaker from British Museum catalogue., Preceding title an artists' device symbolizes the act of a hand snapping fingers and thumb., Watermark: A Stace., and Mounted to 33 x 42 cm.; ms. annotations on mount identify some figures in the print.
Publisher:
Pubd. April 2d, 1807 by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Canning, George, 1770-1827, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Lansdowne, William Petty, Marquis of, 1737-1805, and Perceval, Spencer, 1762-1812
"A provincial evening party; all the guests are elderly, plain, and unfashionable. Those in the foreground sit in an irregular semicircle. Three men laugh together on the left, one makes a gesture which jerks a woman's tea-cup from her hand; she scowls at him with fury. The scalding tea pours over the leg of her neighbour on the right who flourishes his cane, knocking off the wig of a man who stands behind. This man throws up his arms, his cup and saucer fly into the air, the tea pouring on to the head of the man with the cane. The man losing his wig is struck in the face by a spurt of tea from the mouth of a man on the right, trying to restrain his laughter at the sequence of accidents, and unaware that his own skimpy pigtail is burning in a candle. These last two stand behind the semicircle. Behind it (left) four people are playing cards. In the centre two men stand facing each other in profile, much amused."--British Museum online catalogue
Alternative Title:
Game of consequences just begun
Description:
Title etched below image., Print signed using Brownlow North's device: A compass pointing north., Artist identified by British Museum catalogue., and Cf. British Museum catalogue no. 9822 for description of state without imprint.
Publisher:
Pub'd. May 11th, 1801 by S.W. Fores, 50 Piccadilly corner of Sackville St.
"Above the design: '"Take heed, have open eyes; for thieves do foot abroad [sic]. Shakespeare' ['Merry Wives', II. i] 'Render unto Seizer those things which are Seizers.' A bishop (right), wearing apron and shovel-hat, brandy-faced and scowling, walks to the right, using a cane. Dodging behind are Wellington and Peel as ragged pickpockets. The Duke wears a cap, a dilapidated military coat, and old white trousers; twitching a handkerchief from the bishop's coat-tail pocket he says: 'I say Bob-I'll have a dash at the Parsons now.' Peel, dressed as the "Cad" of BM Satires No. 15734, &c, says: 'Odd Rat 'em-I'm afeard on 'em.' The bishop claps his hand over his breeches pocket and scowls; he says: 'Two very suspicious looking fellows-dodging me about-I hope they are not going to pick my pocket.'"--British Museum online catalogue and A bishop wearing an apron walks to the right. Behind him Wellington and Peel dressed as pickpockets pull a handkerchief from his pocket
Description:
Title etched below image., The figure with hat and cane is a device of Paul Pry, pseudonym of William Heath., and Publisher's advertisement following imprint: "Sole publisher of Paul Pry caricatures."
Publisher:
Pub June 2d, 1829, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Peel, Robert, 1788-1850
Title from caption below image., Title from dialogue in Shakespeare's The taming of the shrew: Tailor "The sleeves curiously cut." Petruchio "Ay, there's the villainy.", Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of P-Prys caricatures, none are original without this publication., Text following title: Vide Skakspeare., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. June 30, 1829, by T. McLean, 26 Haymarket ...
Title from caption above and below image., Publication date from unverified data from local card catalog record., Description based on imperfect impression; sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title etched below image., Signed by Brownlow North using an artist's device: compass pointing north., Printmaker identified from another print by Brownlow North signed with the same device ., One line of text below title: While your master is saying grace, take the chairs from behind the company and go out., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Interiors: dining room -- Art: pictures -- Domestic service: manservants -- Table settings -- Literature: Jonathan Swift (667-1745), Direction to Servants.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., and Imprint continues: ... where political & other caricatuers are daily publishing.
"The King's giraffe hangs limply from a sling which is suspended from a cross-beam supported on two uprights. George IV and Lady Conyngham push hard at a windlass to hoist up their pet. He has thrown off his coat and rolled up his shirt-sleeves; tight breeches define spherical posteriors. She looks up sentimentally at the animal, whose forelegs are swathed in stockings, with the feet in large shoes stamped with a crown. Beside it is an open chest of stoppered spirit bottles. A background of trees and grass indicates Windsor Park."--British Museum online catalogue
Description:
Title etched above image., Plate signed in bottom left corner using William Heath's device [image of Paul Pry]: A man with an umbrella., Date of publication from British Museum catalogue., Publisher's advertisement following imprint: ... where political and other caricature are dialy [sic] pub., Sheet trimmed within plate mark on left side., To the left of the small image of Paul Pry: I supose [sic] we shall have to pay for stuffing him next., and Text below image: Little hope is now entertaind. of the recovery of the giraffe - since the last attack he is unable to rise without the assistance of slings - every attention is paid him but tis fear'd without effect. Morning papers.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861