Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Publication date from unverified data from local card catalog record., Text following imprint: where political and other caricatures are daily pub., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... wher [sic] political and other caricatuers are daily publishing, the largest collections in England., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Unknown etcher only identified by use of a device: A slanted anchor., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image; letter "i" in "waist" scored through and a small letter "e" etched at end of word., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily publishing., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark.
Publisher:
Pub. March 2d [?] 1829 by T. McLean, 26 Haymarket ...
Title from text above image., Print signed with artist's device below artist's initials: A spur., Text below image: "Cineri doloso.", Reissue of no. 14317 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 30, 1821, by G. Humphrey., Temporary local subject terms: The Grand Tour., and Watermark: 1834.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily publishing., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily pub., and Reference to print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 72.
"A section of the deck of a small sailing vessel, seen from outside; cockneyfied passengers, depicted with a sailor's contempt, hang over the rail in misery or walk on deck. The helmsman (left) stands impassively in profile to the right."--British Museum online catalogue
Description:
Title from text below image., Date of publication supplied by cataloger., Reproduction of an etching by George Cruikshank, after a drawing by Frederick Marryat; Cruikshank's "etched by G.C." signature and Marryat's artist's device (an anchor tilted diagonally) are reproduced and legible beneath the design, as is the original imprint "London, Pubd. June 5th, 1824, by G. Humphrey, 24 St. James's Street.", Orignal etching was presumably an early state of a plate more widely published with the title "To Calais." For the state following the title change, which has the same G. Humphrey imprint and lists the same publication date, see no. 14719 in the Catalogue of prints and drawings in the British Museum, v. 10. The plate retained this latter title when it was reissued in: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., A companion print entitled "From the West Indies" has the same signatures and imprint statement as the original etching; see no. 14718 in the Catalogue of prints and drawings in the British Museum, v. 10., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 2036., and Cf. Reid, G.W. Descriptive catalogue of the works of George Cruikshank, 1249.
Publisher:
publisher not identified
Subject (Topic):
Passengers, Decks (Ships), Motion sickness, Hats, and Smoking
"A section of the deck of a small sailing vessel, seen from outside; cockneyfied passengers, depicted with a sailor's contempt, hang over the rail in misery or walk on deck. The helmsman (left) stands impassively in profile to the right."--British Museum online catalogue
Description:
Title etched below image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Seasickness.
Publisher:
Pubd. June 5th, 1824, by G. Humphrey, 24 St. James's Street
"A section of the deck of a small sailing vessel, seen from outside; cockneyfied passengers, depicted with a sailor's contempt, hang over the rail in misery or walk on deck. The helmsman (left) stands impassively in profile to the right."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Reissue, with new imprint statement. For an earlier state published 5 June 1824 by G. Humphrey, see no. 14719 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835].
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily publishing., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark.
Title from caption below image., Print signed using an unidentified artist's device: A stout man wearing a hat., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Kite -- Boys -- Trousers., and Watermark: 1829.
"George IV, a crutch under his left arm, takes Wellington's left arm, looking up at him with a pleased smile, which Wellington returns. He says: This is not the only time that you have Lent me a helping hand!! The Duke answers: Proud to be Your ----tys Staff. The King, plainly dressed but with the Garter ribbon and star, has a much swathed gouty leg supported in a sling from the neck. Wellington wears uniform, with orders, white satin breeches, and pumps; on his garter the word Honi is conspicuous. On a table (right) are decanters labelled Brandy and Whiskey."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., Text below title: A friend in need is a friend indeed., and Matted to: 47 x 34 cm.
Publisher:
Pub. by McLean, 26 Haymarket, London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Gout, Crutches, Military uniforms, British, and Alcoholic beverages
Title from caption below image., Print signed using an unidentified artist's device: A quadrisected circle with a dot in each quadrant., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
The Duke of Wellington stands before the King who sits on his throne, his right foot resting on a footstool. Dressed in uniform and standing very erect, Wellington holds out a large cross-hilted sword at an angle between himself and the King. From his plumed cocked hat, which he holds behind him, hangs a piece of paper with the words "Military commission to throw dust in John Bull's eyes." Projecting from his back pockets, are two papers labelled "Church patronage" and "Army patronage." A lady, Lady Conyngham, is seen peaking between the curtains behind the throne of the puzzled-looking King. The crown is on a table behind Wellington
Alternative Title:
Throne in danger
Description:
Title etched above image., Figure of a man with an open umbrella is one of artist's devices used by William Heath., and Below design: "There is a power before the throne & a power behind the throne -- greater than the throne itself."
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of Paul Prys caricatuers, none are original without McLeans name., Sheet trimmed within plate mark., Temporary local subject terms: Popery -- Reference to Constitution -- Ornate staves -- Personification of Hibernia -- Emblems -- Pope's triple crown., and Numbered in ms. at top of sheet: 170.
Publisher:
Pub. June 5th, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, and Eldon, John Scott, Earl of, 1751-1838
Title from caption below image., Print signed using an imitation of William Heath's device: A man with an umbrella., Imprint continues: ... (sole publisher of P. Prys caricatures)., Date of publication from British Museum catalogue., Sheet trimmed to plate mark., and Watermark: Not bleached.
Title etched below image., Print signed using an imitation of William Heath's device: A man with an umbrella., Sheet trimmed within plate mark., Copy of a print by William Heath that was published by T. McLean in April 1829. See no. 15732 in the Catalogue of prints and drawings in the British Museum, v. 11., and Matted to: 45 x 32 cm.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Four lines of text below title: If the common soft or tub soap made into a moderate strong lather ..., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text within image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Artist identified by George., Plate numbered in upper right corner: Plate 8., Cf. Later state published by Thomas McClean in 1835; no. 14089 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Temporary local subject terms: Sailors -- Ships -- Storms.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms:
Publisher:
Pub. by T. McLean 26 Haymarket caricature daily publishing
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Sheet trimmed within plate mark., Imprint continues: ... where political and other caricatuers are daily pub., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Text above image: Spies to see the nakedness of the land are come., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Fantastic scene at a London street corner which abuts on open country, the roadway deep in mud. A coach and pair advances left to right; the coachman has laid down reins and whip to read the Times through spectacles, the footman standing behind is deep in a book. A ragged but monocled street-sweeper on stilts sweeps towards a small child half-submerged in mud, and a lady in a monstrous hat who picks her way through the slough. On the foreground pavement a butcher and a dustman play chess, holding the board between them. One sits on a great joint of beef, the other on a bag; a dog runs off with a bullock's heart. A ragged ballad-singer plays a guitar, screeching operatically; her small child holds up a parasol. Two climbing boys with misshapen legs argue with each other, one uses a handkerchief. Two servants in livery walk arm-in-arm, one smoking a huge pipe (like the footman in BM Satires No. 15779). An apple-woman seated against a lamp-post reads Byron, while a boy sneaks an apple. The lamp-post is topped by a flaming sun, presumably of gas. A dust-cart is drawn by two asses tandem, with a postilion on the leader; the dustman, seated on his load (instead of walking with it) plays a 'cello. On the opposite pavement are three tiny street musicians: a fashionably dressed woman sings from a sheet of music to the accompaniment of a harpist and flautist with music-stand. In the background is steam-traffic: (1) a steam carriage for two with three wheels, a tall smoking funnel, and a pendent coal-scuttle, all but the last much as 'Mr D. Gordon's New Steam Coach, illustrated and described', Observer, 30 Dec, 1827. (2) A large steam lorry on which soldiers with bayoneted muskets sit in rows. A small carriage with a steersman and two passengers is drawn by a kite (a kite-drawn carriage was displayed in Regent's Park, Jan. 1828, described by Pückler-Muskau, Tour in England, 1948, p. 218). Behind is a narrow channel crossed by a suspension bridge linking Dover to Calais; another branch of the Channel is crossed by The . . . Tunnel (oddly drawn), the top of which collapses under the impact of a ship, so that water pours down. An aerial battleship supported by two balloons attacks three ships immediately below; they sink under a rain of flame and cannon-balls. There are also an ordinary balloon, a flying-machine drawn by wild geese, and an aerial vessel which collides with the moon. The foreground buildings are one vast shop-window and the adjacent house; over the window: Business of this Shop on a larger scale than any other house in London. The window is filled with draperies and ladies' huge hats (cf. BM Satires No. 15628). A lady, with a giant hat, pin-point waist, and vast sleeves, stares in. The adjoining house of the same height is three stories high, the principal floor with street-door, bow-windows, balconies, and awning is at the top; passengers are being hauled up to it by a man using a windlass to hoist chairs up a vertical chute from the street."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Sheet trimmed within plate mark., and Watermark: J. Whatman.
Publisher:
Pub. Jany. 23 1828 by G. Humphrey St. James's Street
Subject (Topic):
Balloons (Aircraft), Carriages & coaches, City & town life, Steam, Storefronts, and Street vendors
Title from caption below image., Print signed using unidentified artist's device: A man with a broom., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text in center of design., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily pub., Design split into upper and lower halves, with title and image captions in between., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A satire on the Duke's pressure on the King to accept Emancipation. Wellington stands in profile to the right, dressed as the driver of a mail-coach, holding his whip and (as way-bill) a paper resembling the 'Gazette', headed 'Bill' [i.e. for Catholic Relief]. His (gloved) left hand touches the broad brim of his hat. He wears a triple-caped greatcoat, tight at the waist, over tightly strapped white trousers, and is smart and erect
Description:
Title etched below image., Plate signed using an imitation of William Heath's device: A man with an umbrella., A close copy, apparently by 'Sharpshooter' (i.e. John Phillips), of a print by William Heath. See British Museum catalogue., and Mounted on gray wove paper: 43.4 x 29.7 cm.
Publisher:
Pub. by E. King, Chancery-Lane
Subject (Geographic):
Great Britain.
Subject (Name):
George V, King of Great Britain, 1865-1936. and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Coach drivers, Newspapers, and Whips
A satire on the Duke's pressure on the King to accept Emancipation. "Wellington stands in profile to the right, dressed as the driver of a mail-coach, holding his whip and (as way-bill) a paper resembling the 'Gazette', headed 'Bill' [i.e. for Catholic Relief]. His (gloved) left hand touches the broad brim of his hat. He wears a triple-caped greatcoat, tight at the waist, over tightly strapped white trousers, and is smart and erect, in contrast with his rival, see British Museum satires no. 15736"--British Museum online catalogue
Description:
Title etched below image., Plate signed using William Heath's device: A man with an umbrella., For a close copy published by E. King, see no. 15731A in the British Museum catalogue., and Watermark: J. Whatman 1829.
Publisher:
Pub. April 1829 by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830. and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Coach drivers, Newspapers, and Whips
"An elderly, sharp-featured virago, with skinny neck and muscular arms, sits directed to the right, furiously kicking and shaking her left fist at the old-fashioned looking-glass which stands on a muslin-covered dressing-table. The glass has been shattered by the curling-tongs which she holds in her right hand, and a broken hand-mirror lies on the floor. She wears old-fashioned stays laced over a petticoat, but her head-dress is complete; two tall feathers, with flowers and striped ribbon drapery, poised on unconvincing curls. On the dressing-table are fragments of mirror, large comb, tiny hair-brush, &c., bottles labelled 'Milk of Roses' and 'Olimpian Dew'. A bottle of 'Circassian Bloom' lies on the floor. The tall window is partly covered by a curtain hanging in festoons from above. Behind the chair is a shallow wooden tub."--British Museum online catalogue
Description:
Title etched below image., Print signed using an unidentified artist's device: A Strassburg lily., Sheet trimmed within plate mark., and Companion print to: Looking glass in favour.
Publisher:
Pubd. Jany. 1st, 1805 by S.W. Fores, No. 50 Piccadilly
Title from text below image., Print signed in lower left with an artist's device reminiscent of William Heath's "Paul Pry" figure., Text above image: Come on, bucks have at ye all!!, Not in the Catalogue of prints and drawings in the British Museum., and Matted to 46 x 32 cm.
Publisher:
Pubd. June 19th, 1829, by G. Tregear, Cheapside, London
Title from text above image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of P. Prys caricatures., and Text below image: "The kindly dew drops form [sic] the higher tree, and wets the little plants that nestle underneath. Spencer [sic]. "Our gayness and our gear are all besmirch'd. Shak.
Publisher:
Pub. June 30, 1829, by T. McLean, 26 Haymarket ...
"A man, thin, elderly, and bald, leans back despairingly in an arm-chair by the fire, grimacing with upturned eyes, and holding a (useless) medicine-bottle. He is tormented by six little demons; one bores into his skull with an auger, another with a bit. A third raises a mallet to strike a wedge into the skull. One sits on his victim's shoulder, holding a music-book and bawling into his ear, another blows a trumpet against his cheek. A sixth runs up his arm to bring a red-hot poker into action."--British Museum online catalogue, description of an earlier state
Alternative Title:
Headache
Description:
Title etched below image., Print signed using Frederick Marryat's device: a slanted anchor., Reissue, with new imprint statement. For an earlier state published 12 February 1819 by G. Humphrey, see no. 13439 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., and Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835].
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Topic):
Pain, Headache, Devil, Demons, Fireplaces, and Hand tools
"A man, thin, elderly, and bald, leans back despairingly in an arm-chair by the fire, grimacing with upturned eyes, and holding a (useless) medicine-bottle. He is tormented by six little demons; one bores into his skull with an auger, another with a bit. A third raises a mallet to strike a wedge into the skull. One sits on his victim's shoulder, holding a music-book and bawling into his ear, another blows a trumpet against his cheek. A sixth runs up his arm to bring a red-hot poker into action."--British Museum online catalogue
Alternative Title:
Headache
Description:
Title etched below image., Print signed using Frederick Marryat's device: a slanted anchor., and 1 print : etching with stipple, hand-colored ; plate mark 20.8 x 25.5 cm.
Publisher:
Pubd. Feby. 12th, 1819, by G. Humphrey, 27 St. James's Street
Subject (Topic):
Pain, Headache, Devil, Demons, Fireplaces, and Hand tools
"A man, thin, elderly, and bald, leans back despairingly in an arm-chair by the fire, grimacing with upturned eyes, and holding a (useless) medicine-bottle. He is tormented by six little demons; one bores into his skull with an auger, another with a bit. A third raises a mallet to strike a wedge into the skull. One sits on his victim's shoulder, holding a music-book and bawling into his ear, another blows a trumpet against his cheek. A sixth runs up his arm to bring a red-hot poker into action."--British Museum online catalogue
Alternative Title:
Headache
Description:
Title etched below image. and Print signed using Frederick Marryat's device: a slanted anchor.
Publisher:
Pubd. Feby. 12th, 1819, by G. Humphrey, 27 St. James's Street
Subject (Topic):
Pain, Headache, Devil, Demons, Fireplaces, and Hand tools
"Lady Conyngham stands directed to the left, feet apart, dressed as in British Museum satires no. 15720; she amusingly combines the ultra-feminine with masculine attributes and stance. She is immensely fat and wide with small cherubic features and curls; under her left arm is a cocked blunderbuss. She wears a wide-brimmed hat, a neckcloth fastened with a jewelled crown, a coach-guard's greatcoat, wide open over her tight-waisted dress. A pouch hangs from her shoulder and two coach-horns from her left arm. Above her head: 'I says to our Governor says I--keep your eye on them ere Leaders George'; i.e. on Lyndhurst and Scarlett, see British Museum satires nos. 15720, 15850. Cf. British Museum satires no. 15716."--British Museum online catalogue
Description:
Title etched below image., Plate signed using William Heath's device: A man with an umbrella., and Publisher's advertisement below imprint: Caricatuer [sic] daily pub.
Publisher:
Pub. April 28, 1829, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, George IV, King of Great Britain, 1762-1830., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Scarlett, James, Sir, 1769-1844.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1828.
Title from text in center of design., Print signed using an imitation of William Heath's device: A man with an umbrella., Printmaker tentatively identified as Sharpshooter = John Phillips. See British Museum catalogue., Imprint continues: ... (sole publisher of Paul Prys caricatures)., Design divided into upper and lower halves by the title, imprint, artist's device, and inscriptions., Text alongside artist's device: The park last evening presented the most frightful, at the same time a most ludicrous, scene owing to the atmosphere's sudden change of temperature ..., and Text above image: A peep at Hop-tons. The sleeves are "all in all we shall ne'er look upon their like again."
Publisher:
Published August 1829 by S. Gans, 15 Southampton Street, Strand ...
Title from caption below image., Print signed using an unidentified artist's device: A quadrisected circle with a dot in each quadrant., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1829.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Text below title: This is all very well for the folks in the front seats., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A dancing-master in profile to the left, playing his kit, faces a little girl, who stands firmly, her feet in the first position, heels back to back, toes pointing almost at r. angles with her profile. His feet are also in the first position, as are those of a little boy in the doorway (right), one hand on the handle, bowing, or stooping, low. The room is boarded and bare."--British Museum online catalogue
Alternative Title:
1st Position and First position
Description:
Title from caption below image., Publication date from British Museum catalogue., A symbol or monogram comprised of an elaborate double 'X' precedes Cruikshank's signature., and Publication date erased from sheet.
Title etched below image., Print signed using Frederick Marryat's device: a slanted anchor., Artist identified by British Museum catalogue., Temporary local Medical Library subject terms: Stomach disorders -- Cholic., and 1 print : etching, hand-colored ; plate mark 209 x 258 mm.
Publisher:
Pubd. Feby. 12, 1819, by G. Humphrey, 27 St. James's St.
Subject (Topic):
Pain, Stomach aches, Demons, Devil, Sofas, Spears, and Ropes
"An elderly woman, lean, old-fashioned, and spinsterish, sits on a settee, shrieking and contorted with pain. A rope is wound tightly round her waist, the ends held by vicious little demons (left and right), who tug with all their might. Four others attack her with spear, trident, needle, and knife. On the wall (right) is a picture of a fat, disreputable-looking woman drinking, bottle in hand, by a bedroom fire."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Print signed using Frederick Marryat's device: a slanted anchor., Reissue, with new imprint statement etched above the old one that has been mostly burnished out. For an earlier state published 12 February 1819 by G. Humphrey, see no. 13438 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Year "1835" in imprint has been scored through but is still legible., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., and Temporary local Medical Library subject terms: Cholic.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Topic):
Pain, Stomach aches, Demons, Devil, Sofas, Spears, and Ropes
Title etched below image., Print signed using Frederick Marryat's device: a slanted anchor., Artist identified by British Museum catalogue., and Temporary local Medical Library subject terms: Stomach disorders -- Cholic.
Publisher:
Pubd. Feby. 12, 1819, by G. Humphrey, 27 St. James's St.
Subject (Topic):
Pain, Stomach aches, Demons, Devil, Sofas, Spears, and Ropes
Title from caption below image., Print signed using an unidentified artist's device: A quadrisected circle with a dot in each quadrant., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Peel stands directed to the left holding a dome-shaped wire cage containing rats; his left hand is on his hip. He wears a small battered hat, once a topper, a collar and stock, patched greatcoat with sheepskin collar and many pockets; loose boots to the calf. A document projects from his coat-tail pocket. Above his head: 'I turns my hand to any thing now I ketches Rats like winking.'"--British Museum online catalogue
Description:
Title etched below image., Plate signed in bottom left-hand corner using William Heath's device: A man with an umbrella., and Cf. Heath, W. The man wot drives the sovereign, which shows Wellington as a coach driver, also publisher in 1829 by MacLean.
Publisher:
Pub. April 1829 by T. McFat, 26 Straw-market [i.e. T. McLean, 26 Haymarket]
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830. and Peel, Robert, 1788-1850
Subject (Topic):
Catholic emancipation, Animal traps, Newspapers, and Ratcatchers
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Reference to print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 71., and Watermark: 1827[?].
The Duke of Wellington flys in a cloudy sky on a large quill pen, holding a pair of reins which are attached to the tip of the pen. From the tip hangs a scroll which reads "Bill for the relief of Roman Catholics." The point of the pen strikes George IV's eye; he stands in profile on the far right and exclaims "Oh, my eye the fellow has blinded me." Wellington looks over his shoulder at a bird with the head of Grey who flies after him from the left, beneath the pen's feather. Grey calls, "I say you Old Soldier you have stole one of my feathers! Hollo'a stop thief."
Alternative Title:
Borrowed plume
Description:
Title etched below image., The artist's signature is an imitation of W. Heath's Paul Pry Esq., but this figure is obese and leans on a cudgel. Cf. British Museum catalogue., and Window mounted to 26 x 35 cm.
Publisher:
Pubd. 1829 by S. Gans, Southampton Street, Strand
Subject (Geographic):
British
Subject (Name):
George IV, King of Great Britain, 1762-1830, Grey, Charles Grey, Earl, 1764-1845, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Anti-Catholicism, Military uniforms, and Pens
Three gentleman (former military?) stand on the sidewalk outside a London club conversing. One wears a patch on his eye and carries a talking stick; another one has a peg leg. The man on the left carries a walking stick and wears spurs on his boots
Description:
Title from caption below image., Print signed using an unidentified artist's device: A quadrisected circle with a dot in each quadrant., Last digit of the date etched over., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by G. Humphrey, 24 St. James's Street
Subject (Geographic):
England and London.
Subject (Topic):
Clubs, Conversation, Eye patches, Peg legs, and Staffs (Sticks)
"Wellington, in uniform, stands in profile to the left, with sword erect. He has enormous ass's ears, and to his back the body and hindlegs of an ass are attached. With his left hand he holds a Chancellor of the Exchequer's gown over the ass's back. Above, and behind his head: I should be mad--or worse, than mad--to think of taking the office of P---- e M---- r."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from the British Museum catalogue., and Matted to: 45 x 31 cm.
Publisher:
Pub by T. McLean, 26 Haymarket
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Military uniforms, British, Donkeys, Daggers & swords, and Robes
"O'Connell (unrecognizable) marches jauntily to a door on the extreme right, over which is a board inscribed 'St Ste[phens] To Trespassers Men-Traps--Constantly Set--Beware'; he is followed by an Irish mob, yelling and flourishing shillelaghs. He wears barrister's wig and gown with a mitre-shaped cap decorated with a cross, shamrock, and bells (emblem of folly). Under his right arm is a large book inscribed '1 & 2'; his left hand rests on a stout stick. His gown is held up by a ragamuffin and the procession is headed by a bloated priest who holds up on a bludgeon a placard: 'Unconditional Emancipation O C For Ever'; this is surmounted with shamrock. The crowd are evidently from St. Giles and similar Irish slums in London; two carry hods, emblem of the Irish builder's labourer or hodman. On the extreme left in the foreground is an Irish basket-woman, holding her basket, smoking a short pipe; she shouts 'Stop wid ye now--are ye goin to lave the ladies behind--ye blackguards.' She is barefooted, very ragged, and wears a soldier's jacket (cf. British Museum Satires No. 15721). See British Museum Satires No. 15759, &c."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from British Museum catalogue., Publisher's advertisement following imprint: ... wher [sic] political and other caricaturs [sic] are daily pub., Sheet trimmed within plate mark., and Matted to: 31 x 46 cm.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
O'Connell, Daniel, 1775-1847 and St. Stephen's Chapel (Westminster, London, England),
"The Devil (right), in the foreground and much larger than the other figures, stands Asmodeus-like on a house-top (cf. British Museum Satires No. 16160), overturning with a long pole a dinner-table and upsetting the guests who fall on clouds of Dust. He is a grotesque muscular creature with goat's legs, barbed wings and tail, and looks round with a triumphant grin at the spectator. The guests are also assailed by harpies, little winged men, whose bodies terminate in barbed and scaly tails. One of these (Corder), holding a long bill which rises into the air above him, assails a man (Roach) mounted on a cockroach and holding up a book inscribed Parish Acct; he is The Grand Carver mounted on his Cockroach.; from the cockroach's antennae hang two big keys, and it emits a tail-blast inscribed We are of the Select, against his assailant. The latter holds out a paper inscribed Majority 7 and says am I not the Elect. Another harpy holding out a constable's staff flies menacingly towards the cockroach, saying, By St Thomas I cheque this. Roach exclaims: I tell you it's all a farce so we have taken the liberty to Cribb the Books Keep the Keys tight Cockey. A third harpy threatens the feast with a pair of spurred cavalry boots, saying you will Do-Well to give in, showing he is T. W. Dow (a boot-maker of York Street, Covent Garden. P.O. London Directory, 1822), see British Museum Satires No. 15528. A fourth has seized a paunchy Vestryman by the nose; the victim screams Oh my Nose--Rose Water rose water--oh oh oh-- From the table fall birds, hare, tureen, decanter, pineapple, &c. The dust forms a background, and is inscribed Dust for the Eyes of the Parishioners; looming through it is the façade of St. Paul's, Covent Garden. The bill held by Corder is headed Dinners. The items are Richardson £8-5, Hodgson & Gan £47-11-0, wine 5. 3. 0. Hodgson & Gan[n] Venison feast 30. 3- 6--Dinner on auditing Accounts £11- 4- 0, Hodg & Gann Ditto £40 4-0, Richardson Visitation Din . . £22. 7. 6, Joys St Thomas Day Dinner £20-10-0---&c &c."--British Museum online catalogue
Alternative Title:
Cruel radical harpies destroying a feast
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Text beside artist's device, meant to be words spoken by the man with an umbrella?: They seem to be introding [sic] here., Date of publication from the British Museum catalogue., Imprint continues: ... where political & other charicatuers [sic] are daily brought out., Sheet trimmed within plate mark., and Text above image: "now by St. Paul's the work goes bravely on -.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
St. Paul's Church (Covent Garden, London, England)
"George III, standing in front of the throne, extends his right. hand to Portland, who stoops to kiss it, proffering a 'List of the New Ministry Duk ...'. The King looks angrily over his left. shoulder at the old Ministry who are in flight, derisively raising the skirt of his coat. Two labels float from his mouth: 'Approach my Lords & Gentlemen & Kiss my Hand -' and, 'as for You my Lords & Gentlemen you may Kiss - '. Grenville scurries es off stooping, his peer's mantle looped over his arm, leaving coat-tails and posteriors exposed; he says: "This comes of getting into bad Company." Howick, as he hurries off with his Catholic Bill, looks behind him at the King, saying, "I thought we should have cramed it down his throat." Moira, in uniform, stares in consternation. Petty and Erskine, both in their robes, escape together, much alarmed. Behind them, Sheridan slinks off, dressed as Harlequin, see BMSat 9916. The others are Sidmouth, in profile to the left., as is Temple on the extreme right.; between them is the spectacled face of Buckingham, saying, "Aye Aye the Doctor [cf. BMSat 9849] advised him not to swallow it." These fugitives are adapted from BMSat 10709. On the left., behind Portland, (?) Hawkesbury stoops, his lips pursed as if ready to kiss. Behind him is Castlereagh, then Perceval in a barrister's wig. A fifth profile appears on the extreme left. Beside the King is a stool on which are a large book (the Bible, as in BMSat 10709), sceptre, and a document, 'Coronation Oath', on which stands the crown. On the back of the heavily canopied throne 'G III R' surmounted by a crown."--British Museum online catalogue
Description:
Title from caption etched below image. Preceding the title is a hand contemptuously snapping fingers and thumb., Printmaker from British Museum catalogue., Preceding title an artists' device symbolizes the act of a hand snapping fingers and thumb., 1 print on laid paper : etching, hand-colored ; sheet 25 x 34 cm, mounted to 30 x 38 cm., Sheet trimmed within plate mark., Watermark., and Ms. annotations on mount identify figures in the print.
Publisher:
Pubd. April 2d, 1807 by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Canning, George, 1770-1827, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Lansdowne, William Petty, Marquis of, 1737-1805, and Perceval, Spencer, 1762-1812
"George III, standing in front of the throne, extends his right. hand to Portland, who stoops to kiss it, proffering a 'List of the New Ministry Duk ...'. The King looks angrily over his left. shoulder at the old Ministry who are in flight, derisively raising the skirt of his coat. Two labels float from his mouth: 'Approach my Lords & Gentlemen & Kiss my Hand -' and, 'as for You my Lords & Gentlemen you may Kiss - '. Grenville scurries es off stooping, his peer's mantle looped over his arm, leaving coat-tails and posteriors exposed; he says: "This comes of getting into bad Company." Howick, as he hurries off with his Catholic Bill, looks behind him at the King, saying, "I thought we should have cramed it down his throat." Moira, in uniform, stares in consternation. Petty and Erskine, both in their robes, escape together, much alarmed. Behind them, Sheridan slinks off, dressed as Harlequin, see BMSat 9916. The others are Sidmouth, in profile to the left., as is Temple on the extreme right.; between them is the spectacled face of Buckingham, saying, "Aye Aye the Doctor [cf. BMSat 9849] advised him not to swallow it." These fugitives are adapted from BMSat 10709. On the left., behind Portland, (?) Hawkesbury stoops, his lips pursed as if ready to kiss. Behind him is Castlereagh, then Perceval in a barrister's wig. A fifth profile appears on the extreme left. Beside the King is a stool on which are a large book (the Bible, as in BMSat 10709), sceptre, and a document, 'Coronation Oath', on which stands the crown. On the back of the heavily canopied throne 'G III R' surmounted by a crown."--British Museum online catalogue
Description:
Title from caption etched below image. Preceding the title is a hand contemptuously snapping fingers and thumb., Printmaker from British Museum catalogue., Preceding title an artists' device symbolizes the act of a hand snapping fingers and thumb., Watermark: A Stace., and Mounted to 33 x 42 cm.; ms. annotations on mount identify some figures in the print.
Publisher:
Pubd. April 2d, 1807 by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Canning, George, 1770-1827, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Lansdowne, William Petty, Marquis of, 1737-1805, and Perceval, Spencer, 1762-1812
"A provincial evening party; all the guests are elderly, plain, and unfashionable. Those in the foreground sit in an irregular semicircle. Three men laugh together on the left, one makes a gesture which jerks a woman's tea-cup from her hand; she scowls at him with fury. The scalding tea pours over the leg of her neighbour on the right who flourishes his cane, knocking off the wig of a man who stands behind. This man throws up his arms, his cup and saucer fly into the air, the tea pouring on to the head of the man with the cane. The man losing his wig is struck in the face by a spurt of tea from the mouth of a man on the right, trying to restrain his laughter at the sequence of accidents, and unaware that his own skimpy pigtail is burning in a candle. These last two stand behind the semicircle. Behind it (left) four people are playing cards. In the centre two men stand facing each other in profile, much amused."--British Museum online catalogue
Alternative Title:
Game of consequences just begun
Description:
Title etched below image., Print signed using Brownlow North's device: A compass pointing north., Artist identified by British Museum catalogue., and Cf. British Museum catalogue no. 9822 for description of state without imprint.
Publisher:
Pub'd. May 11th, 1801 by S.W. Fores, 50 Piccadilly corner of Sackville St.
"Above the design: '"Take heed, have open eyes; for thieves do foot abroad [sic]. Shakespeare' ['Merry Wives', II. i] 'Render unto Seizer those things which are Seizers.' A bishop (right), wearing apron and shovel-hat, brandy-faced and scowling, walks to the right, using a cane. Dodging behind are Wellington and Peel as ragged pickpockets. The Duke wears a cap, a dilapidated military coat, and old white trousers; twitching a handkerchief from the bishop's coat-tail pocket he says: 'I say Bob-I'll have a dash at the Parsons now.' Peel, dressed as the "Cad" of BM Satires No. 15734, &c, says: 'Odd Rat 'em-I'm afeard on 'em.' The bishop claps his hand over his breeches pocket and scowls; he says: 'Two very suspicious looking fellows-dodging me about-I hope they are not going to pick my pocket.'"--British Museum online catalogue and A bishop wearing an apron walks to the right. Behind him Wellington and Peel dressed as pickpockets pull a handkerchief from his pocket
Description:
Title etched below image., The figure with hat and cane is a device of Paul Pry, pseudonym of William Heath., and Publisher's advertisement following imprint: "Sole publisher of Paul Pry caricatures."
Publisher:
Pub June 2d, 1829, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Peel, Robert, 1788-1850
Title from caption below image., Title from dialogue in Shakespeare's The taming of the shrew: Tailor "The sleeves curiously cut." Petruchio "Ay, there's the villainy.", Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of P-Prys caricatures, none are original without this publication., Text following title: Vide Skakspeare., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. June 30, 1829, by T. McLean, 26 Haymarket ...
Title from caption above and below image., Publication date from unverified data from local card catalog record., Description based on imperfect impression; sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title etched below image., Signed by Brownlow North using an artist's device: compass pointing north., Printmaker identified from another print by Brownlow North signed with the same device ., One line of text below title: While your master is saying grace, take the chairs from behind the company and go out., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Interiors: dining room -- Art: pictures -- Domestic service: manservants -- Table settings -- Literature: Jonathan Swift (667-1745), Direction to Servants.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., and Imprint continues: ... where political & other caricatuers are daily publishing.
"The King's giraffe hangs limply from a sling which is suspended from a cross-beam supported on two uprights. George IV and Lady Conyngham push hard at a windlass to hoist up their pet. He has thrown off his coat and rolled up his shirt-sleeves; tight breeches define spherical posteriors. She looks up sentimentally at the animal, whose forelegs are swathed in stockings, with the feet in large shoes stamped with a crown. Beside it is an open chest of stoppered spirit bottles. A background of trees and grass indicates Windsor Park."--British Museum online catalogue
Description:
Title etched above image., Plate signed in bottom left corner using William Heath's device [image of Paul Pry]: A man with an umbrella., Date of publication from British Museum catalogue., Publisher's advertisement following imprint: ... where political and other caricature are dialy [sic] pub., Sheet trimmed within plate mark on left side., To the left of the small image of Paul Pry: I supose [sic] we shall have to pay for stuffing him next., and Text below image: Little hope is now entertaind. of the recovery of the giraffe - since the last attack he is unable to rise without the assistance of slings - every attention is paid him but tis fear'd without effect. Morning papers.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Title etched below image., Publication date from unverified data from local card catalog record., Description based on imperfect impression; sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Umbrellas -- Male costume: coats, 1823 -- Turks -- Russia -- Russo-Turkish War -- Newspapers: "The Times."
"A cock with the head of Wellington stands tied to a peg, on a round board, supported on a low post (right). A short truculent-looking woman in a man's patched coat, with a bundle of sticks under her arm, stands beside the bird, which is undamaged and in fine feather; she invites its enemies to throw: 'Shy away he's a real good un.' An angry cleric, in shovel hat and apron, stands with a bundle of sticks under his arm; he says : 'I'll have every tenth throw.' "Paul Pry", one hand resting on his umbrella, stoops forward, about to throw a stick topped by a little figure of Wellington as a coachman, touching his hat, as in British Museum Satires No. 15731; his face is hidden by his raised arm. Behind him, three men confer conspiratorially, each with a stick, inscribed respectively 'Chronicle', 'Times', 'Herald'. In the foreground on the extreme left Cumberland, in hussar uniform, is in conversation with Eldon, who points over his shoulder with his thumb, and exclaims 'Lost my Stick!!!'."--British Museum online catalogue
Description:
Title etched below image., Possibly by Robert Seymour; see British Museum catalogue., and Date of publication from the British Museum catalogue.
Publisher:
publisher not identified
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Ernest Augustus, King of Hanover, 1771-1851, and Eldon, John Scott, Earl of, 1751-1838
Shewing a good figure of a horse and Showing a good figure of a horse
Description:
Title from item., Sheet trimmed within plate mark., Print signed using Brownlow North's device: A compass pointing north., Artist identified in the British Museum catalogue., Reduced copy of a print published by S.W. Fores in 1801., Part of a series of reduced copies of prints published by Fores in 1806 and etched primarily by Charles Williams., Printmaker based on other prints from the series., Date and place of publication extrapolated from other prints in the series., and Watermark.
Title etched below image., Print signed using Brownlow North's device: A compass pointing north., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J Whatman 1824., and Later printing.
"Burdett (right) and Brougham (left) as chairmen, carry (left to right) a bottomless sedan-chair enclosing O'Connell, who is forced to walk rapidly, looking from the window towards Brougham to say 'Mighty like a walk this after all'. He wears barrister's wig and gown. The chair is surmounted by shamrock and is inscribed 'M.P.' The chairmen wear livery coats; Burdett is bareheaded, and wears his usual top-boots and breeches; Brougham wears barrister's wig and bands with a battered hat."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Publisher's announcement following imprint: ... sole publisher of P. Prys caricatuers [sic]., Sheet trimmed within plate mark., Matted to: 30.1 x 41 cm., and Watermark: on matte only.
Publisher:
Pub. May 1829 by T. McLean, 26 Haymarket ...
Subject (Name):
O'Connell, Daniel, 1775-1847, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Burdett, Francis, 1770-1844
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Sheet trimmed within plate mark., Imprint continues: ... where political and other caricatuers are daily publishing., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1828.
"The Duchess of St. Albans, immensely fat, florid, and bejewelled, and a stout elderly naval officer wearing loose wide trousers, and apparently doing hornpipe steps, his hands on his hips, dance side by side with rollicking abandon. The others of the set: one man and two ladies on the left and one lady and two men on the right dance rigidly erect, and watch the central pair with hauteur; the men are dandies, the women slim and fashionable. The duchess has a swirling paradise-plume in her towering loops of hair, above tossing ringlets."--British Museum online catalogue
Alternative Title:
Run neighbours, run, St. Albans is quadrilling it
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., British Museum curator's note: The naval officer is (unconvincingly) identified by E. Hawkins as Sir George Warrender (1782-1849), a Huskissonite M.P. who was never in the navy; he was a Lord of the Admiralty 1812-22; he appears, in back view, in a "Sketch of a Ball at Almack's, 1815" (Gronow, 'Reminiscences', 1892, ii, frontispiece). Perhaps Lord Amelius Beauclerk (1771-1806), her husband's uncle. Cf. 'Croker Papers', 1884, ii. 200., and Watermark: 1827.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Geographic):
England
Subject (Name):
St. Albans, Harriot Mellon, Duchess of, 1777?-1837, Beauclerk, Amelius, 1771-1846, and Warrender, George, 1782-1849
Subject (Topic):
Clothing & dress, Dandies, British, Obesity, Balls (Parties), and Dance
"Young woman dressed in her ballgown half-reclines on a settee in her bedroom while her elderly maid yawns with tiredness."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A figure of Paul Pry., Date of publication from the British Museum online catalogue, registration no.: 1995,0930.40., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., and Watermarked paper: J. Whatman Turkey Mill.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Topic):
Ball dresses, Bedrooms, Couches, Yawning, Candles, Dogs, and Women domestics
A haggard old woman carelessly mixing a recipe for corns on the fire in her sordid bedroom. As well as being cluttered with potions, the room contains an assortment of squabbling pets; on the wall hangs a painting depicting the attempted seduction of Susanna by the elders. The lettering below image, a recipe in verse, begins: "Take tacamahacca, an ounce & a half, a pound of good suet, from the skin of a calf, 3 barbicued apples, a ha'p'orth of pears, 3 dragon flies pounded, the ear wax of bears, a small peice of cheese, a little gum copal, some putrified salt with some essence of opal ..."
Description:
Title etched below image, as the heading to the recipe in verse., Print signed using Frederick Marryat's device: an anchor titled diagonally., For a later state lacking the recipe below image and with the new title "Mixing a recipe for corns", see no. 14443 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., "January 12th, 1467. Copied from the Black Letter"--Beneath recipe in verse., and Temporary local Medical Library subject terms: Corns.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
House furnishings, Costume, Medicine bottles, Pets, Painting, Panaceas, Foot, Diseases, Birdcages, Cats, Dogs, Feet, Fireplaces, Medicine, and Single women
A Cardinal-Legate with attendant clergy gives absolution to Lyndhurst, Peel, and Wellington who kneel before a throne on a dais, their hands in prayer. Lyndhurst has the Purse of the Great Seal under his knees and the mace on the floor beside him. Attendant clergy include two obese monks or friars, one of whom holds a candle, the other a grotesque image of the Virgin. Also in attendance is a Jesuit who holds a triple cross and claps a rosary and a thin, sly-looking priest who also holds a candle
Description:
Title etched below image., The figure with hat and cane is a device of Paul Pry, pseudonym of William Heath., Publication date from British Museum catalogue., and "Pl. 2"--Upper right corner.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Geographic):
England
Subject (Name):
Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Church of England
Subject (Topic):
Relations, Catholic Church, Catholic Emancipation, Cardinals, Monks, Podiums, and Priests
An obese John Bull depicted as a yokel in a smock, claps his hands to egg on a terrier with the head of Eldon who holds a rat with the head of Wellington in his teeth. John Bull says, "Thats right Old Boy, give it em what they thougth you had lost all your teeth. Give it' em Scott & lot." Other rats with human heads scurry away in terror, one with the head of Peel (?) has been flung into the air. John Bull stands in the doorway to the barn. The Church spire in the distance behind him is propped up by two beams, one of which is labelled: Prop
Alternative Title:
Iohn Bulls famous old dog Billy astonishing the varment and John Bulls famous old dog Billy astonishing the vermin
Description:
Title etched below image., A figure of 'Paul Pry' is an artist's device used by William Heath., Date of publication from the British Museum catalogue., Imperfect; sheet trimmed within plate mark resulting in partial loss of imprint., Printseller's announcement following publication statement: Political & other caricatures daily pub., 1 print : etching on wove paper, hand-colored ; plate mark 26 x 37.3 cm, on sheet 29.3 x 43.2 cm., and Laid in James Sayers's Folio album of 144 caricatures.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
John Bull (Symbolic character), Catholic emancipation, Hunting dogs, and Rats
An obese John Bull depicted as a yokel in a smock, claps his hands to egg on a terrier with the head of Eldon who holds a rat with the head of Wellington in his teeth. John Bull says, "Thats right Old Boy, give it em what they thougth you had lost all your teeth. Give it' em Scott & lot." Other rats with human heads scurry away in terror, one with the head of Peel (?) has been flung into the air. John Bull stands in the doorway to the barn. The Church spire in the distance behind him is propped up by two beams, one of which is labelled: Prop
Alternative Title:
Iohn Bulls famous old dog Billy astonishing the varment and John Bulls famous old dog Billy astonishing the vermin
Description:
Title etched below image., A figure of 'Paul Pry' is an artist's device used by William Heath., Date of publication from the British Museum catalogue., Imperfect; sheet trimmed within plate mark resulting in partial loss of imprint., Printseller's announcement following publication statement: Political & other caricatures daily pub., and The date of imprint '1829' has been written in mss.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
John Bull (Symbolic character), Catholic emancipation, Hunting dogs, and Rats
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1827.
Publisher:
Pub. by T. McLean 26 Haymarket where political & other caricatuers are daily pub
"An ancient Gothic church in the middle distance stands on a grassy hill inscribed 'Protestant Ascendency'; under the hill (left) is a cave, 'Cave of Catholic Ascendency', in which are barrels of 'Gun . Pow[der]'. A fat bare-footed friar walks away from the cave towards the picture-plane, carrying a lighted candle, and slyly laying a train of powder on the road to the cave. Standing round the church is a crowd of country people, listening to a parson who holds out to them a 'Petition to Parliament'. They are unconscious, not only that the ground beneath them is mined, but that men (right) are tugging at a rope looped round the steeple, which is about to crash. The rope-pullers are in the foreground (right); at the extreme end is Wellington with his back to the church, straining hard. Next is Peel, wearing an orange waistcoat (cf. British Museum Satires No. 15690) badly stained by the rope; Brougham, a broom-girl dressed as in British Museum Satires No. 14769, is next, with Mackintosh in Highland costume beside him. In front of them is Burdett, very tall and thin, holding up his hat and shouting 'Down with it--never mind the People' [see British Museum Satires No. 16058]. In front is O'Connell, in wig and gown, shouting, 'By St Patrick I've got the Rope over at Last.' Behind these principals are more men, tugging at a second rope. On a green field topping a cliff behind the church-breakers is Eldon wearing a smock and guiding a plough; he turns to shout to the petitioners by the church, who will be crushed by the falling tower: 'Look to your selves People.' Along the horizon (left) is a Papist procession with lighted tapers, the Host, crosses, a grotesque Pope, and figures under a canopy. It approaches St. Paul's whose dome rises above the sky-line. On the extreme right is the Monument (see British Museum satires no. 15688, &c.) in flames."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., and Imprint continues: ... where political & other caricatuers are daily publishing.
Publisher:
Pub. March 19, 1829, by T. McLean, 26 Haymarket ...
Subject (Geographic):
Great Britain.
Subject (Name):
St. Paul's Cathedral (London, England),, Leo XII, Pope, 1760-1829., Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Mackintosh, James, Sir, 1765-1832, Burdett, Francis, 1770-1844, O'Connell, Daniel, 1775-1847, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Catholic emancipation, Churches, Caves, Crowds, Monks, and Vandalism
"George IV, with a swathed and gouty leg, stands in front of the throne, supported by Lady Conyngham and a crutch, his arm round her shoulder. Peel stands partly hidden by a curtain and immediately behind Wellington, his mouthpiece; he speaks into a speaking-trumpet, the stem of which passes from Wellington's ear to his mouth from which the trumpet projects. From this mouthpiece issue the words: I feel happy in being allowed thro any medium, however degrading to communicate my expressions of sincere devotion TO-- The King interrupts him: PLACE--hat will do Arthur, always keep between me and that fellow -- he rings such a peil in our Ears. Lady Conyngham turns to the King, pointing to the trumpet: This is a contrivance of my own -- I hate the sight of him & now your M-y can keep him at a distance. She wears a towering coiffure of loops of hair decorated with flowers. Beside Peel: To join with Christian Jew or Turk In doing any dirty Work."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Questionable publication date from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 174.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
"Amateur musicians, the design based on 'Ars-Musica', BMSat 9586, altered, and much elaborated. Four ugly and elderly men grouped round a young woman who sits, full face, at a square piano lit by a guttering candle. She lifts her hands to thump, with grim determination. A 'cellist is on her right, a vast gouty leg thrust forward, a violinist on her left. Behind her are two flautists. Behind (left), a young officer and a girl flirt, hand in hand. In the background (right) are visitors: two military officers shake hands, one bowing so that his sword lifts up the petticoats of a fat lady walking off to the right. A dog howls with one paw on a music-book."--British Museum online catalogue
Description:
Title etched below image., Print signed using Brownlow North's device: A compass pointing north., and Temporary local subject terms: Carpets -- Musicians -- Flautist -- Violinist -- Cellist -- Piano -- Flute -- Violin -- Pianist -- Cello.
Publisher:
Publish'd May 15th, 1801, by H. Humphrey, No. 27 St. James's Street
Title from captions below images., Print signed using William Heath's device: A man with an umbrella., Design consists of three panels, each individually titled., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuer are daily publishing., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily publis[hin]g., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A boarding party on the deck of a French ship engaged in a furious mêlée. Mr. B. lunges forward, piercing an officer through the heart with his sword. A burly sailor stretches over his head to strike aside a spear which a Frenchman is about to plunge into the boy. Men are partly hidden by smoke; cannon-balls are in the air, dead or dying men on the ground. Frenchmen use muskets, English sailors axes and swords. Below: '"the pulse's maddening play That thrills the wanderer of the trackless way That for it self can woo the approaching fight And turn what some deem danger to delight No dread of death, if with us die our foes Save that it seems e'en duller than repose," Byron."--British Museum online catalogue
Description:
Title from text above image., Print signed using Frederick Marryat's device: an anchor tilted diagonally., Artist identified in the British Museum catalogue., Two columns of verse below image: "the pulse's maddening play that thrills the wanderer of the trackless way ... Byron., Plate numbered in upper right corner: P. 5., and Earlier state. For 1835 reissue by Thomas McClean cf. no. 14094 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. by G Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Topic):
Naval warfare, Ships, French, Sailors, and British
Title from text above image., Print signed using Frederick Marryat's device: an anchor slanted diagonally., Artist identified in the British Museum catalogue., Earlier state. For reissue published by Thomas McClean in 1835 cf. no. 14092 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Temporary local subject terms: Sailors -- Ships., and Watermark: J Whatman 1821.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark.
"Three stages of a dandy: [1] He sits in an arm-chair, in a flowered dressing-gown, reading the 'Literary Gazette' [Jerdan's weekly review], and negligently dangling a coffee-cup. His whiskers, like his hair, are in curl-papers. [2] He stands full-face, smoking a small cigar and holding a riding-switch. A small top-hat is poised on flowing curls which mingle with his whiskers; his contour is feminine, with long tight-waisted double-breasted coat over very wide trousers. [3] In tail-coat and tight pantaloons he sits, playing a guitar and singing loudly. His hair is more tightly curled than in [2]. In all three his sleeves are tight but puffed on the shoulder. His flat pumps have large ribbon bows."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from British Museum catalogue., and Watermark: J. Whatman Turkey Mill 1827.
"Two designs, side by side, each with a second title in the upper border: [1] 'Scene, in the Island of Jersey.' Wellington, in uniform, sits on a sofa beside Lady Jersey, addressing her, hand on heart: 'And will your Ladyship ever remain cruel, & insensible to emotions which You alone can excite?' She holds a cross attached to a rosary, and looks at him over her shoulder, aloof, but coyly persuasive: 'Oh you flatterer! Every body knows your devotion to Woods & Forests: therefor don't talk to me of Love, false man! my heart bleeds only for my persecuted friends of the true Church in Ireland. You are the only man in Christendom who is able to emancipate them. Grant me this favor, dearest! most illustrious hero and then perhaps--I could - - - -'. She wears a large hat of puffed-out silk over short ringlets; her dress has huge gigot sleeves. [2] 'Scene in the Duchy of Lancaster.' Mrs. Arbuthnot, pretty, décolletée, and jewelled, sits on a sofa with her back to the door, her right hand on her heart. Wellington, cloaked, booted, and spurred, stands in the doorway. She: 'Was that his knock? or is the false man a Jesuit in Love too?--Oh no although he spends his mornings in her boudoir--he loves her not--she cannot touch his cold heart--she too cares not for him but to serve her politics--& for that she assails his vanit--his weak side, on which I first attacked him--yes! his vanity! his passions!--these are the points for me to work at!--heart he has none.' The 'PP' of the signature points to an inscription in the upper margin: 'I'm sorry to intrude, but some dirty Rogue--has lately been copying my Caricatuers--robbing us of our Ideas & Just profit--may I ask of my Friends not to purchase unless they see the Publisher T McLeans name at the Bottom all others are Copies--P Pry.' (Cf. BM Satires No. 15933.)"--British Museum online catalogue
Description:
Title from caption below images., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from British Museum catalogue., Design consists of two images side by side, each individually titled., Text above image entitled Morning: Scene in the island of Jersey., Text above image entitled Nigth [sic]: Scene in the Duchy of Lancaster., The man with an umbrella in the signature points to an inscription in the upper margin: I'm sorry to intrude, but some dirty rogue has lately been copying my caricatuers, robbing us of our ideas & just profit. May I ask of my friends not to purchase unless they see the publisher T. McLeans name at the bottom, all others are copies. P. Pry., Sheet trimmed within plate mark on three edges., and Numbered in ms. at top of sheet: 234.
Publisher:
Pub. by T. McLean, 26 Haymarket-caricatuers daily pub
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Arbuthnot, Harriet, 1793-1834, and Jersey, Sarah Sophia, Countess.
Subject (Topic):
Candlesticks, Lighting, Military uniforms, and British
"An elderly, spinsterish, and ugly woman, three-quarter length, holds in her left hand a spy-glass (or microscope) which touches the circumference of a large circle, representing a magnified drop of water, filled with grotesque and horrifying aquatic creatures, from the quasi-whale to mere specks. She turns aside in disgust, looking towards the picture-plane, and dropping a full tea-cup. The Paul Pry of the signature raises his hat to a tiny pump, saying, Glad to see you hope to meet you in every Parish through London."--British Museum
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily published the largest collection of any house in town., Questionable date of publication from British Museum catalogue., Sheet trimmed to plate mark., and Text above image begins: Microcosm dedicated to the London Water Companies ...
Title from text above image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily publishing., Text below image: Keep outside. Oh dear it is so dirty. Keep off I say., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"A Thames wherry passes close to the wall of a riverside tavern, and is about to go under a high timber bridge. The two oarsmen have immense artificial-looking whiskers and curled hair, cf. British Museum satires no. 15962, no hats, and wear striped shirts, open at the neck, nautical in cut. They row a lady who sits erect in a grotesquely huge hat, with wide brim, high jam-pot crown, and towering ribbons. They row badly and carelessly. In waterside arbours spectators drink and smoke. On the extreme left steps lead to the water, and two more amateur oarsmen, looking like buccaneers, stand, while a boatman in waders holds the bow of a boat. Behind are urban houses."--British Museum online catalogue
Alternative Title:
Above bridge. No. 1
Description:
Title etched below image., Series title etched above image. No more published?, Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pub. by T. McLean, 26 Haymarket, London
Subject (Geographic):
London (England) and England
Subject (Topic):
Social life and customs, Clothing & dress, Hats, Boats, Bridges, Pipes (Smoking), Restaurants, Smoking, Taverns (Inns), and Waiters
"A crowded interior. An old maid, grotesquely lean, spectacled, and hideous, sits in an arm-chair beside her fire (left) on which a concoction in a saucepan boils over, surrounded by fierce flames. This she stirs with a spoon but turns to the right to pore over the recipe, which is in her left hand. One bare foot with deformed toes rests on a stool beside which are a spike-toed high-heeled shoe and a stocking. A table beside her and the floor below it are crowded with bottles, jars, and medicaments, with a pestle and mortar and a lighted candle. The candle sets fire to her cap, and the flame reaches a little bird-cage hanging from the ceiling. A cat walks under her petticoats; a tiny lap-dog lies in a cushioned band-box lid at her feet. A second cat claws towards a mouse which runs up the pole of a perch on which stands, a draggled and angry cockatoo. A pug-dog also looks up at the bird. Against the wall is a stuffed cat in a glass case; above it is a burlesque picture of Susanna and the Elders. A neat curtained bed is on the right. The chimney-piece is decorated with Diana (burlesqued) urging on the hounds to seize Actæon. On it are three peacock's feathers, bottles, spills, a shell, a Chinese mandarin, &c. The fireplace is lined with pictorial Dutch tiles."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Print signed using Frederick Marryat's device: an anchor titled diagonally., Reissue, with new imprint statement, of a print first published as the heading to a broadside entitled "Recipe for corns". For an earlier state published 4 December 1822 by G. Humphrey, see no. 14443 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., Plate from: Cruikshankiana. London : Published by Thomas M'Lean, 26, Haymarket, [1835]., and Temporary local Medical Library subject terms: Corns.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
House furnishings, Costume, Medicine bottles, Pets, Painting, Foot, Diseases, Birdcages, Cats, Dogs, Feet, Fireplaces, Medicine, and Single women
"A crowded interior. An old maid, grotesquely lean, spectacled, and hideous, sits in an arm-chair beside her fire (left) on which a concoction in a saucepan boils over, surrounded by fierce flames. This she stirs with a spoon but turns to the right to pore over the recipe, which is in her left hand. One bare foot with deformed toes rests on a stool beside which are a spike-toed high-heeled shoe and a stocking. A table beside her and the floor below it are crowded with bottles, jars, and medicaments, with a pestle and mortar and a lighted candle. The candle sets fire to her cap, and the flame reaches a little bird-cage hanging from the ceiling. A cat walks under her petticoats; a tiny lap-dog lies in a cushioned band-box lid at her feet. A second cat claws towards a mouse which runs up the pole of a perch on which stands, a draggled and angry cockatoo. A pug-dog also looks up at the bird. Against the wall is a stuffed cat in a glass case; above it is a burlesque picture of Susanna and the Elders. A neat curtained bed is on the right. The chimney-piece is decorated with Diana (burlesqued) urging on the hounds to seize Actæon. On it are three peacock's feathers, bottles, spills, a shell, a Chinese mandarin, &c. The fireplace is lined with pictorial Dutch tiles."--British Museum online catalogue
Description:
Title from caption below image., Print signed using Frederick Marryat's device: an anchor titled diagonally., Artist identified in British Museum catalogue., and Watermark.
Publisher:
Pub. by G. Humphrey, 27 St. James's St.
Subject (Topic):
Foot, Diseases, Birdcages, Cats, Dogs, Feet, Fireplaces, Medicine, Pets, and Single women
A stereotyped image of an old maid who wears a cap and sits very upright in a high-back chair as she reads a newspaper, The Morning Herald. She has a large, hooked nose and wears spectacles, her lips pursed with disapproval at what she reads. She has a cat in her lap and a parrot sits on the chair back; her feet rest on the fire grate before the stove on which sits a kettle. In the foreground on a carpet and a rug beside her are three dogs. On the table beside her are a box of snuff and back-scratcher. A folding screen forms the background. On the mantel are a pair of statuettes of a woman with a spear and a dog leaping at her side (presumably Diana) and a taxidermized cat in a glass case. The picture on the wall above these objects further amplify the subject
Alternative Title:
Misanthropy
Description:
Title from caption below image ; the second "s" in "Miss" and the second "n" in "Ann" are lightly crossed out, suggesting the word "misanthropy.", Print signed using William Heath's device: A man with an umbrella., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26, Haymarket
Subject (Topic):
Misanthropy, Single women, Newspapers, Kettles, Parrots, Snuff, Dogs, Cats, and Taxidermy
A stereotyped image of an old maid who wears a cap and sits very upright in a high-back chair as she reads a newspaper, The Morning Herald. She has a large, hooked nose and wears spectacles, her lips pursed with disapproval at what she reads. She has a cat in her lap and a parrot sits on the chair back; her feet rest on the fire grate before the stove on which sits a kettle. In the foreground on a carpet and a rug beside her are three dogs. On the table beside her are a box of snuff and back-scratcher. A folding screen forms the background. On the mantel are a pair of statuettes of a woman with a spear and a dog leaping at her side (presumably Diana) and a taxidermized cat in a glass case. The picture on the wall above these objects further amplify the subject
Alternative Title:
Misanthropy
Description:
Title from caption below image ; the second "s" in "Miss" and the second "n" in "Ann" are lightly crossed out, suggesting the word "misanthropy.", Print signed using William Heath's device: A man with an umbrella., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26, Haymarket
Subject (Topic):
Misanthropy, Single women, Newspapers, Kettles, Parrots, Snuff, Dogs, Cats, and Taxidermy
New mode of fighting a duel with weapons of female invention
Description:
Title engraved below image., Sheet trimmed within plate mark., Text in upper left and right corners of plate burnished from this state., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Headdresses -- Duels -- Horns.
Title from caption below image., Print signed with artist's device below artist's initials: A spur., Two lines of text above image: "Nec te tua plurima xxxx. Labentem pietas, nec Apollinis infula texit.", Reissue of no. 14316 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 30, 1821, by G. Humphrey., and Temporary local subject terms: The Grand Tour -- Mountains -- Hiking -- Hikers -- Asses.
Title from caption above image., Print signed using Frederick Marryat's device: an anchor slanted diagonally., Artist identified in the British Museum catalogue., Plate numbered in upper right corner: Plate 2., Four lines of verse below image: A cavern lies unknown to cheering day where one small taper lends a feeble ray ..., Later state dated 1821. For earlier state with 1820 publication date cf. no. 14091 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10 / Mary Dorothy George., and Temporary local subject terms.
Fantastical depiction of advancing technology that includes all manner of steam-powered or aerial contraptions, domestic appliances, tunnels to the North Pole and South America, and a circulating library
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication based on that assigned to the companion print. See no. 15779 in the Catalogue of prints and drawings in the British Museum, v. 11., Imprint continues: ... where political and other caricatues are daily pub. ..., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., and Mounted on old album paper. Manuscript date "1828" in ink following title.
"A complicated design, foreground, middle distance, and sky filled with incidents, chiefly on applications of steam. In the foreground is a street-vendor's table spread with a white cloth and heaped with pine-apples, &c; beside it sits an elegant young woman reading a book, 'Sentimen ...', while a little boy holds over her a large pagoda-like umbrella, heavily fringed. A dustman gnaws a pine-apple, while his vis-à-vis, eating an ice, says "Vont you take a hice Joe." Beside it (left) is the tombstone of the 'Select Vestry', decorated with glass, knife and fork, and topped by a weeping cherub's head. On the right a steam-horse on a low-wheeled platform, on which are the necessary pipes, &c, careers forwards and to the right; the driver, dressed as a jockey, holds a steering-bar set in the creature's head; smoke pours from its nostrils; a huge smoking chimney, placarded 'The Steam Horse VELOCITY No Stopage on the Road', ascends from the tail. Behind the steersman sit four passengers: a lady in a riding-habit, a barrister in wig and gown, a well-dressed man, an Irish haymaker smoking a pipe. On the left is a little steam trolley beside which walks a woman crying 'Delicate Viends [sic] for your Quadrupeds'; on it is a basket of coal placarded 'Prime Cats Meat'. On the extreme left a footman in livery smoking a giant pipe (as in British Museum Satires No. 15604t) hands a letter to a flying postman, supported on webbed wings, who rings his bell, and has a pouch: "Two Penny Post". A man drives a lady in a light three-wheeled chair, worked by bellows and a propeller. A street-seller of 'Mutton Broth' walks before his huge steaming pan which rests on a wheeled platform with a funnel. A massive old-fashioned country wagon has a steam funnel and a steersman: "London & Bath in Six Hours". On the extreme right are adjacent open sheds; one contains a complicated mechanism where a top-boot is being brushed by steam; the owner sits on his portmanteau, waiting for them, while he puffs a cigar and reads the 'Gazette de France'. This is placarded 'Royal Patent Boot Cleaning Engine'; above: 'Puras Deus, Non Plenas, Adspicit Manus' [God regards only pure hands, not full ones]. The other is smaller and contains an engine to which is attached a huge razor, operating on the Duchess of St. Albans and placarded 'The St Al-ns New Steam Razor Patronized by her Grace' [cf. British Museum Satires No. 15654, &c.]. In the middle distance (left) are buildings. The Marble Arch (see British Museum Satires No. 15850), topped by a gibbet, which is placarded 'Designed to Elevate the Architects'; a man, smoking a cigar, kneels to adjust the noose. Behind is the east front of the Palace, with scaffolding and figures: on the dome, "the ball in the cup", see British Museum Satires No. 15669, a figure holds a trident, on the right a monstrous bird and a giraffe see British Museum Satires No. 15425). Next the arch is a 'Model for a new Church approved by the Mommitte [sic] of Taste': a fantastic neo-Gothic hybrid with a dome, topped by pillars supporting a platform, from which hangs a big bell, and on which squats a giant mandarin, with a clock-face on its belly, holding up two fingers and a lantern. The roof of the church is flat, covered with tombs, and edged with spikes for the protection of a cemetery, which is placarded 'This Church Yard is perfectly Safe' [see British Museum Satires No. 15777]; a coffin is being hauled up by a crane, apparently worked by steam. A smaller adjacent building (left) seemingly houses a furnace and steam-engine and is inscribed 'Kitchen'. The church abuts (right) on 'Greenwich Hill'; on this rests one end of a huge tube: 'Grand Vacuum Tube-Company Direct to Bengal' (a development of the Edinburgh-London tube of British Museum Satires No. 15075); this, receding in perspective, bridges an ocean, the other end resting on 'Bengal', where a tiny passenger steps out and clasps a welcoming Indian by the hand. Passengers on Greenwich Hill are about to enter the tube, where the back of a coach appears; a turbaned conductor shouts 'Now whos for Bengal'. An aperture or window in the tube shows passengers seated on an open coach or wheeled platform as in British Museum Satires No. 15075; women passengers wear monstrous hats. From the Bengal plain (right) a hill ascends on which rests the end of a bridge: 'Companys Suspension Bridge-To Cape Town'; a massive pier rising from the ocean contains a building: 'Restorateur' [sic]. On the water dividing England from India is a lady in a car harnessed to swans, as in British Museum Satires No. 11405 by Gillray. A big canopied passenger boat is drawn by a team of eight dolphins; the driver shouts 'Come up there'. On a plateau behind Greenwich Hill is a wheeled steam-engine, like a giant watering-can with spout fore and aft gushing water: this is 'Mc Adams Newly Invented to lay the Dust he makes' [cf. British Museum Satires No. 15365]. On the sky-line a demoniac figure fires a mortar from which a blast slants across the sky inscribed 'Quick Conveyance for Irish Emigrants': tiny figures, one with a rake, are shot into the air to fall headlong. Aerial travel is represented (1) by a platform supported at each corner by a balloon on which are soldiers and artillery (reminiscent of the French invasion fantasies of 1797 and 1803, see British Museum Satires Nos. 9220, 10029); (2) by an airship in the form of a whale-like monster with webbed wings, placarded 'For New South Wales'; raffish passengers of both sexes are seen through a window below which are the words 'with Convicts'. (3) A lady (right) sits between two propellers, steering a frail little machine drawn by a big kite (cf. British Museum Satires No. 15604!). On the left is a massive collection of cloud-borne castles, on which tiny builders are at work; placarded: 'Scheme for the Payment of the National Debt'."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark., One line of quoted text above image: "Lord how this world improves as we grow older.", 1 print : etching ; sheet 28.5 x 40.6 cm, Printed on wove paper; hand-colored., Mounted on old album paper with a collage of prints and a drawing on the back of one page and newspaper clippings mounted on the back of the other page., and Sheet trimmed within plate mark. Manuscript date "1828" in ink following title.
Publisher:
Pub. by T. McLean, 26 Haymarket, London
Subject (Topic):
Steam, Airships, Steam automobiles, Pneumatic tubes, and Garbage collecting
"A complicated design, foreground, middle distance, and sky filled with incidents, chiefly on applications of steam. In the foreground is a street-vendor's table spread with a white cloth and heaped with pine-apples, &c; beside it sits an elegant young woman reading a book, 'Sentimen ...', while a little boy holds over her a large pagoda-like umbrella, heavily fringed. A dustman gnaws a pine-apple, while his vis-à-vis, eating an ice, says "Vont you take a hice Joe." Beside it (left) is the tombstone of the 'Select Vestry', decorated with glass, knife and fork, and topped by a weeping cherub's head. On the right a steam-horse on a low-wheeled platform, on which are the necessary pipes, &c, careers forwards and to the right; the driver, dressed as a jockey, holds a steering-bar set in the creature's head; smoke pours from its nostrils; a huge smoking chimney, placarded 'The Steam Horse VELOCITY No Stopage on the Road', ascends from the tail. Behind the steersman sit four passengers: a lady in a riding-habit, a barrister in wig and gown, a well-dressed man, an Irish haymaker smoking a pipe. On the left is a little steam trolley beside which walks a woman crying 'Delicate Viends [sic] for your Quadrupeds'; on it is a basket of coal placarded 'Prime Cats Meat'. On the extreme left a footman in livery smoking a giant pipe (as in British Museum Satires No. 15604t) hands a letter to a flying postman, supported on webbed wings, who rings his bell, and has a pouch: "Two Penny Post". A man drives a lady in a light three-wheeled chair, worked by bellows and a propeller. A street-seller of 'Mutton Broth' walks before his huge steaming pan which rests on a wheeled platform with a funnel. A massive old-fashioned country wagon has a steam funnel and a steersman: "London & Bath in Six Hours". On the extreme right are adjacent open sheds; one contains a complicated mechanism where a top-boot is being brushed by steam; the owner sits on his portmanteau, waiting for them, while he puffs a cigar and reads the 'Gazette de France'. This is placarded 'Royal Patent Boot Cleaning Engine'; above: 'Puras Deus, Non Plenas, Adspicit Manus' [God regards only pure hands, not full ones]. The other is smaller and contains an engine to which is attached a huge razor, operating on the Duchess of St. Albans and placarded 'The St Al-ns New Steam Razor Patronized by her Grace' [cf. British Museum Satires No. 15654, &c.]. In the middle distance (left) are buildings. The Marble Arch (see British Museum Satires No. 15850), topped by a gibbet, which is placarded 'Designed to Elevate the Architects'; a man, smoking a cigar, kneels to adjust the noose. Behind is the east front of the Palace, with scaffolding and figures: on the dome, "the ball in the cup", see British Museum Satires No. 15669, a figure holds a trident, on the right a monstrous bird and a giraffe see British Museum Satires No. 15425). Next the arch is a 'Model for a new Church approved by the Mommitte [sic] of Taste': a fantastic neo-Gothic hybrid with a dome, topped by pillars supporting a platform, from which hangs a big bell, and on which squats a giant mandarin, with a clock-face on its belly, holding up two fingers and a lantern. The roof of the church is flat, covered with tombs, and edged with spikes for the protection of a cemetery, which is placarded 'This Church Yard is perfectly Safe' [see British Museum Satires No. 15777]; a coffin is being hauled up by a crane, apparently worked by steam. A smaller adjacent building (left) seemingly houses a furnace and steam-engine and is inscribed 'Kitchen'. The church abuts (right) on 'Greenwich Hill'; on this rests one end of a huge tube: 'Grand Vacuum Tube-Company Direct to Bengal' (a development of the Edinburgh-London tube of British Museum Satires No. 15075); this, receding in perspective, bridges an ocean, the other end resting on 'Bengal', where a tiny passenger steps out and clasps a welcoming Indian by the hand. Passengers on Greenwich Hill are about to enter the tube, where the back of a coach appears; a turbaned conductor shouts 'Now whos for Bengal'. An aperture or window in the tube shows passengers seated on an open coach or wheeled platform as in British Museum Satires No. 15075; women passengers wear monstrous hats. From the Bengal plain (right) a hill ascends on which rests the end of a bridge: 'Companys Suspension Bridge-To Cape Town'; a massive pier rising from the ocean contains a building: 'Restorateur' [sic]. On the water dividing England from India is a lady in a car harnessed to swans, as in British Museum Satires No. 11405 by Gillray. A big canopied passenger boat is drawn by a team of eight dolphins; the driver shouts 'Come up there'. On a plateau behind Greenwich Hill is a wheeled steam-engine, like a giant watering-can with spout fore and aft gushing water: this is 'Mc Adams Newly Invented to lay the Dust he makes' [cf. British Museum Satires No. 15365]. On the sky-line a demoniac figure fires a mortar from which a blast slants across the sky inscribed 'Quick Conveyance for Irish Emigrants': tiny figures, one with a rake, are shot into the air to fall headlong. Aerial travel is represented (1) by a platform supported at each corner by a balloon on which are soldiers and artillery (reminiscent of the French invasion fantasies of 1797 and 1803, see British Museum Satires Nos. 9220, 10029); (2) by an airship in the form of a whale-like monster with webbed wings, placarded 'For New South Wales'; raffish passengers of both sexes are seen through a window below which are the words 'with Convicts'. (3) A lady (right) sits between two propellers, steering a frail little machine drawn by a big kite (cf. British Museum Satires No. 15604!). On the left is a massive collection of cloud-borne castles, on which tiny builders are at work; placarded: 'Scheme for the Payment of the National Debt'."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark., and One line of quoted text above image: "Lord how this world improves as we grow older."
Publisher:
Pub. by T. McLean, 26 Haymarket, London
Subject (Topic):
Steam, Airships, Steam automobiles, Pneumatic tubes, and Garbage collecting