"Nicholas I, in uniform with plumed cocked hat, rides (right to left) a gigantic Russian eagle, his sword raised to slash. The eagle holds in one of its beaks a round wicker coop which it drops over a turkey crouching on a grassy slope (left). From each predatory beak a cloud issues, inscribed WAR in large elaborate letters. The heraldic bird is very much alive, one claw clutching a sceptre, the other an orb. The Tsar stands in his stirrups; his saddle is superimposed on the shield on the bird's breast on which is a mounted knight in armour with visor down and sword raised. To the shield are appended eagles and other emblems. Far below (right) is a snow-covered plain where tiny Cossacks gallop with levelled spears, chasing Turks, The sky is filled with flame and smoke from blazing buildings. On the left from among the smoke emerges the dark silhouette of a profile bust of Napoleon; he says: Europe look well to this beware of the Kelmuc [sic]."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 219.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
Nicholas I, Emperor of Russia, 1796-1855 and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Russo-Turkish War, 1828-1829, Cages, Ceremonial objects, Daggers & swords, Eagles, Poultry houses, Scepters, and Turkeys
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily publishing., Text preceding title: 1729 ; text following title: 1829., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from captions below images., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other prints are daily pub., Design consists of three panels, each individually titled below and numbered above, left to right 3, 2, 1., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Wellington and Peel, portrayed as the notorious murderers Burke and Hare, pin down an old woman (Mrs. Docherty of the trial) who struggles as they suffocate her. A Jesuit priest enters the room on the right holding a crucifix
Description:
Title from item., Caption at top: Hark! the Doctor Knoxcks [sic], she is almost done and ready for you. Vide Old Play., A figure of 'Paul Pry' is an artist's device used by Wiliam Heath., and In lower border: Sole publisher of P. Prys caricatures.
Publisher:
Pub. March 1829, by S. Gans, 15 Southampton Street, Strand, London
Subject (Name):
Burke, William, 1792-1829., Hare, William, 1792?-1870?, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Great Britain, Homicides, and Clergy
Wellington as the character Caleb Quotem from George Colman's "The review, or, The wags of Windsor" stands full-face in an old-fashion attire, holding a whip in one hand and a large Grenadier's bearskin in the other. From his mouth and scrolling above his hear is a long descriptive list satirizing his character and career
Description:
Title from caption etched below image., Print signed using William Heath's device: A man with an umbrella., Paul Pry is the pseudonym of William Heath., Sheet trimmed within plate mark., and Publisher's statement continues: "... sole publisher of P. Prys caricatures none are original without S. Gans' name."
Publisher:
Pub. June 1st, 1829 by S. Gans 15 Southampton St. Strand ...
"Eldon as a street-beggar kneels on both knees on straw placed on paving-stones, wearing a cap resembling those worn by butchers and the rags of a Chancellor's gown over tattered breeches. He supports himself by a staff, and holds out his short powdered wig. Beside him (left) lies an empty and dilapidated bag inscribed The Old Bagg [cf. British Museum Satires No. 12883]. He looks down with a gloomy scowl, and from his closed lips rise the words: Pity the sorrows of a poor old man [cf. British Museum Satires Nos. 13991, 16236]--vide beggars petition, Tricked out of Work by a Soldier. Round his neck is tied a placard reaching below the waist, and inscribed: Pity a poor Old Man out of Place, at the age of 78 [76], and though extremely anxious, for employment, disappointed in, all his expectations of procuring the Same. His pension is only 4.000 P A [cf. British Museum Satires No. 10714] and not a Dinner has been dressed in his house within the memory of man! He has a wife to support, and a Son to provide for, who holds only Eight Appointments! Beside him an emaciated dog stands on its hindlegs holding a begging-dish, with a piteous expression."--British Museum online catalogue
Alternative Title:
To a benevolent public
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum catalogue., and Sheet trimmed within plate mark on right and left sides.
An old woman in patched-up clothes with her harp huddles in a doorway. The satire contrasts the life of a street singer with the sweet lyrics of the popular ballad by Thomas Moore
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum online catalogue, registration no.: 1985,0119.318., Sheet trimmed within plate mark., One line of quoted text beneath title: "Sleep, gentle sleep, Nature's soft nurse., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. by T. McLean, 26 Haymarket, London
Subject (Name):
Moore, Thomas, 1779-1852.
Subject (Topic):
Street musicians, Harps, Older people, Poor persons, Women, and Doors & doorways
"After the title: "--Thus they, in lowliest plight, repentant bow--Mil[ton]. The Pope sits in a Gothic chair whose back is at an angle with the picture plane: Wellington, in profile to the right, kneels at his feet, supporting the Pope's right foot, and fervently kisses his toe (as in BM Satires No. 15665). He wears civilian dress, but a plumed cocked hat lies beside him. Peel (left) stands behind, eagerly waiting his turn, his hands together as if in prayer. Each holds a rosary. The Pope, who has a red and vulturine nose, wears a tall tiara."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily pub., Approximate date of publication from British Museum catalogue., Text following title: "Thus they, in lowliest plight, repentant bow-Mil[t]on., Sheet trimmed to plate mark leaving thread margins., Watermark: J. Whatman 1829., and Numbered in ms. at top of sheet: 192.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Peel, Robert, 1788-1850
Authors of the Catholic Reform Bill, Wellington and Peel are dressed in tall conical caps and tied to the back of chair carried by Eldon. A fat bishop, probably Howley, walks behind, carrying the legs of the chair, as the head of Cumberland with gapping mouth appears behind him. A fat John Bull character looks on the scene from the left foreground. The group is met on the right by an angry Irish ragamuffin wearing a barrister's wig and waving his fist and a shillelagh, suggesting that he is O'Connell
Alternative Title:
Don't you remember the fifth of November
Description:
Title etched below image., Lower right corner, device of Paul Pry, pseudonym of William Heath : a figure with hat and cane., Publication date from British Museum catalogue., and Publisher's advertisement following imprint: Political & other caricatuers [sic] daily pub.
Publisher:
Pub by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Howley, William, 1766-1848, O'Connell, Daniel, 1775-1847, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Politics and government, and John Bull (Symbolic character)
"Lyndhurst stands beside a dressing-table (left), in shirt-sleeves, wearing his Chancellor's wig. He puts one hand into the arm-hole of a coat which a footman in livery holds out, saying, 'Your Lordship's Coat is become very threadbare for you know you turned it only last year--& it has been turned before that: so I much doubt if it will bear turning any more-- Can't you afford to buy a new one now her Ladyship earns her own Expenses?-- Doodle pays all her bills and gives her every thing she can wish for.' Lyndhurst: 'Alas! she'll get no more out of Doodle! he has quite kicked her off--She is just now gone to Cumberland to try after a service there which perhaps may enable me to keep still sitting on Wool, if I can but turn this Coat once more & look decent.' On a settee (right) are the mace, Purse of the Great Seal, and the Chancellor's gown."--British Museum online catalogue
Description:
Title etched below image. and Print signed using William Heath's device: A man with an umbrella.
Publisher:
Pub. March 24, 1829, by T. McLean, 26 Haymarket
Subject (Name):
Lyndhurst, John Singleton Copley, Baron, 1772-1863, Lyndhurst, Sarah Garay, Lady, 1795-1834., and Dudley, John William Ward, Earl of, 1781-1833.
Subject (Topic):
Dressing tables, Mirrors, Servants, Wigs, Coats, Ceremonial maces, and Robes