Shewing a good figure of a horse and Showing a good figure of a horse
Description:
Title from item., Sheet trimmed within plate mark., Print signed using Brownlow North's device: A compass pointing north., Artist identified in the British Museum catalogue., Reduced copy of a print published by S.W. Fores in 1801., Part of a series of reduced copies of prints published by Fores in 1806 and etched primarily by Charles Williams., Printmaker based on other prints from the series., Date and place of publication extrapolated from other prints in the series., and Watermark.
"George III, standing in front of the throne, extends his right. hand to Portland, who stoops to kiss it, proffering a 'List of the New Ministry Duk ...'. The King looks angrily over his left. shoulder at the old Ministry who are in flight, derisively raising the skirt of his coat. Two labels float from his mouth: 'Approach my Lords & Gentlemen & Kiss my Hand -' and, 'as for You my Lords & Gentlemen you may Kiss - '. Grenville scurries es off stooping, his peer's mantle looped over his arm, leaving coat-tails and posteriors exposed; he says: "This comes of getting into bad Company." Howick, as he hurries off with his Catholic Bill, looks behind him at the King, saying, "I thought we should have cramed it down his throat." Moira, in uniform, stares in consternation. Petty and Erskine, both in their robes, escape together, much alarmed. Behind them, Sheridan slinks off, dressed as Harlequin, see BMSat 9916. The others are Sidmouth, in profile to the left., as is Temple on the extreme right.; between them is the spectacled face of Buckingham, saying, "Aye Aye the Doctor [cf. BMSat 9849] advised him not to swallow it." These fugitives are adapted from BMSat 10709. On the left., behind Portland, (?) Hawkesbury stoops, his lips pursed as if ready to kiss. Behind him is Castlereagh, then Perceval in a barrister's wig. A fifth profile appears on the extreme left. Beside the King is a stool on which are a large book (the Bible, as in BMSat 10709), sceptre, and a document, 'Coronation Oath', on which stands the crown. On the back of the heavily canopied throne 'G III R' surmounted by a crown."--British Museum online catalogue
Description:
Title from caption etched below image. Preceding the title is a hand contemptuously snapping fingers and thumb., Printmaker from British Museum catalogue., Preceding title an artists' device symbolizes the act of a hand snapping fingers and thumb., Watermark: A Stace., and Mounted to 33 x 42 cm.; ms. annotations on mount identify some figures in the print.
Publisher:
Pubd. April 2d, 1807 by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Canning, George, 1770-1827, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Lansdowne, William Petty, Marquis of, 1737-1805, and Perceval, Spencer, 1762-1812
"George III, standing in front of the throne, extends his right. hand to Portland, who stoops to kiss it, proffering a 'List of the New Ministry Duk ...'. The King looks angrily over his left. shoulder at the old Ministry who are in flight, derisively raising the skirt of his coat. Two labels float from his mouth: 'Approach my Lords & Gentlemen & Kiss my Hand -' and, 'as for You my Lords & Gentlemen you may Kiss - '. Grenville scurries es off stooping, his peer's mantle looped over his arm, leaving coat-tails and posteriors exposed; he says: "This comes of getting into bad Company." Howick, as he hurries off with his Catholic Bill, looks behind him at the King, saying, "I thought we should have cramed it down his throat." Moira, in uniform, stares in consternation. Petty and Erskine, both in their robes, escape together, much alarmed. Behind them, Sheridan slinks off, dressed as Harlequin, see BMSat 9916. The others are Sidmouth, in profile to the left., as is Temple on the extreme right.; between them is the spectacled face of Buckingham, saying, "Aye Aye the Doctor [cf. BMSat 9849] advised him not to swallow it." These fugitives are adapted from BMSat 10709. On the left., behind Portland, (?) Hawkesbury stoops, his lips pursed as if ready to kiss. Behind him is Castlereagh, then Perceval in a barrister's wig. A fifth profile appears on the extreme left. Beside the King is a stool on which are a large book (the Bible, as in BMSat 10709), sceptre, and a document, 'Coronation Oath', on which stands the crown. On the back of the heavily canopied throne 'G III R' surmounted by a crown."--British Museum online catalogue
Description:
Title from caption etched below image. Preceding the title is a hand contemptuously snapping fingers and thumb., Printmaker from British Museum catalogue., Preceding title an artists' device symbolizes the act of a hand snapping fingers and thumb., 1 print on laid paper : etching, hand-colored ; sheet 25 x 34 cm, mounted to 30 x 38 cm., Sheet trimmed within plate mark., Watermark., and Ms. annotations on mount identify figures in the print.
Publisher:
Pubd. April 2d, 1807 by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Canning, George, 1770-1827, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sidmouth, Henry Addington, Viscount, 1757-1844, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Lansdowne, William Petty, Marquis of, 1737-1805, and Perceval, Spencer, 1762-1812
Title from caption below image., Print signed using unidentified artist's device: A man with a broom., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Wellington in civilian dress stands between two fat bishops wearing mitres pulling each by an ear as they vomit huge streams of gold coins into a large wooden tub that is labeled: Receptacle for the poor curates, repairs of churches, and support of paupers. A spout from the tub funnels coins into a smaller tub from which a man shovels coins into money bags which are labelled: For curates, Repairs of Churches, Support of Paupers. Two thin curates walk away with bags labelled 'Poor curates' as one says, "Thanks to the Powers that has relieved our Wants." From the cherub's horn blow the words: "See the conquering hero comes."
Description:
Title from item., Figure of a sharpshooter is the device of John Phillips., In the subtitle " ... or The tithes in danger" the word 'tithes' has been etched in over the word 'Church' which has been scored through with several etched lines., and Signed by the printmaker using an artist's device: a figure of sharpshooter in the imitation of the 'Paul Pry' signature.
Title from caption below image., Print signed using an imitation of William Heath's device: A man with an umbrella., Printmaker tentatively identified as Sharpshooter = John Phillips. See British Museum catalogue., Imprint continues: ... (sole publisher of P. Prys caricatures)., and Watermark: 1829.
Publisher:
Pub. July 1829 by S. Gans, 15 Southampton Street, Strand ...
Title from text in center of design., Print signed using an imitation of William Heath's device: A man with an umbrella., Printmaker tentatively identified as Sharpshooter = John Phillips. See British Museum catalogue., Imprint continues: ... (sole publisher of Paul Prys caricatures)., Design divided into upper and lower halves by the title, imprint, artist's device, and inscriptions., Text alongside artist's device: The park last evening presented the most frightful, at the same time a most ludicrous, scene owing to the atmosphere's sudden change of temperature ..., and Text above image: A peep at Hop-tons. The sleeves are "all in all we shall ne'er look upon their like again."
Publisher:
Published August 1829 by S. Gans, 15 Southampton Street, Strand ...
A satire on the Duke's pressure on the King to accept Emancipation. Wellington stands in profile to the right, dressed as the driver of a mail-coach, holding his whip and (as way-bill) a paper resembling the 'Gazette', headed 'Bill' [i.e. for Catholic Relief]. His (gloved) left hand touches the broad brim of his hat. He wears a triple-caped greatcoat, tight at the waist, over tightly strapped white trousers, and is smart and erect
Description:
Title etched below image., Plate signed using an imitation of William Heath's device: A man with an umbrella., A close copy, apparently by 'Sharpshooter' (i.e. John Phillips), of a print by William Heath. See British Museum catalogue., and Mounted on gray wove paper: 43.4 x 29.7 cm.
Publisher:
Pub. by E. King, Chancery-Lane
Subject (Geographic):
Great Britain.
Subject (Name):
George V, King of Great Britain, 1865-1936. and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Coach drivers, Newspapers, and Whips
Title from item., Signed by Brownlow North using his artist's device: compass pointing to the north., Printmaker and publisher identified by George., and Temporary local subject terms: Dances: Scotch reel -- Dancing -- Pets: performing dogs -- Lighting: chandeliers -- Furnishings: window curtains.
"After the title: 'fully accow [crossed out and replaced with a 'u'] --tred the Hero lay.' Above the design: 'Review--PI 2.' Wellington, sword in hand, falls from his horse, his white trousers crashing into a patch of cow-dung. He wears (in place of his field-marshal's cocked hat) a bearskin so enormous that it may well have overbalanced him. His horse stands beside him, pawing the ground. Behind (right) a group of mounted officers watch the accident. On the left two privates in huge bearskins stand at attention."--British Museum online catalogue
Alternative Title:
Oh what a falling off was there
Description:
Title from caption below image., The "w" in "accow-tred" in subtitle is scored through and a "u" etched above it., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of P. Pry caricatuers., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 211.
Publisher:
Pub. May 29, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Daggers & swords, Hides & skins, Horses, Military officers, British, and Military uniforms
Title from text above image; title lacks closing quotation marks., Print signed using William Heath's device: A man with a top hat., Imprint continues: ... where political & other caricatuers are daily published., Text below image: If fashions various laws you would obey, the petticoat abridge: the ankle full display. July 1828., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image; title lacks closing quotation marks., Print signed using William Heath's device: A man with an umbrella., Text following title, in parentheses: Vide Shaks. Much ado about nothing., Speech bubble next to artist's device reads: Ah if one could but see., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark.
"The freeholder, a ragged Irish peasant, stands full-face, between a bloated priest (left) and a fashionably dressed young man; both tug at his coat-collar. The obese priest, who wears robes, with a large cross from neck to knee, holds up a print of the Devil smoking a pipe, in the bowl of which sits a tortured man; he says: Vote for your Priest or see this picture of your Soul in the next world. The other points behind him to an eviction scene, saying, Vote for your Landlord or see the real consequence in this World. In the background is a cluster of mud huts placarded Wanted Protestant Tenants for these Cabins. Men chase away a ragged family in one direction, and a pig in the other. Freeholder: Sure I'm bother'd [cf. BM Satires No. 8141] hadent I better be after voten for both your honors id would make the thing asier aney how. In one hand is his shillelagh, in the other his hat with a tobacco-pipe thrust in it."--British Museum online catalogue
Alternative Title:
Forty shilling freeholders only expedient for the salvation of body and soul
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily published., Questionable date of publication from British Museum catalogue., Sheet trimmed to plate mark., and Numbered in ms. at top of sheet: 193.
Publisher:
Pub. by T. McLean 26 Haymarket ...
Subject (Geographic):
Ireland.
Subject (Topic):
Devil, Peasants, Pipes (Smoking), Poverty, Priests, and Staffs (Sticks)
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... political & other caricatuers daily pub., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1827.
Publisher:
Pub. Marc[h] 2d 1829 by T. McLean, 26 Haymarket ...
"Wellington's head, in profile to the right, projects from a huge spurred boot, showing the upper part of his embroidered collar. He wears an enormous field-marshal's cocked hat. He has a satisfied smile, the eyes turned towards the spectator. On each point of the large star-shaped spur is a letter, to indicate some of his many orders: K.G. C.H. G G. C.B. Behind is Horse Guards Parade; a sentry stands in front of a cannon; men are drilling in the background."--British Museum online catalogue
Alternative Title:
Head of the army
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., and Date of publication from British Museum catalogue.
"An inverted wine-glass (claret shape), partly fluted, represents a woman; the bowl is a bell-shaped petticoat, the stem a pinched waist and bodice; the wide base forms the brim of her plateau-hat on which stands a cork with a metal rim and upstanding ring to form the narrow jam-pot crown (cf. BM Satires No. 15466). On the base (or brim) are bunches of grapes from which hang trails of vine leaves. Tied symmetrically to the stem are two pears, representing inflated sleeves, the stalks serving for wrists and hands. Below the design six lines of verse
Alternative Title:
Desert-imitation of modern fashion! and Dessert-imitation of modern fashion!
Description:
Title from text above image., Print signed using a varient of William Heath's device: A man with a raised glass rather than an umbrella. Also with the lines in a speech balloon: What have we got here by Jove what we are all fond of a Lass & à Glass my service to you Gents tis but a frail fair after all., Questionable publication date from British Museum catalogue., and Six lines of verse below image: Turn a tumbler up side down, The foot for a hat and a cork for the crown, Some grapes for trimming, will give an air, And as for Sleeves have ready a pear, When join'd to gather tis sure to tell, A picture true, of a modern belle.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Text below title: D-n me she's a black one., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A satire on the formation of a Tory Ministry by Wellington in 1828. Wellington is shown in the uniform of a Life Guards officer riding his charger over little men made of large wigs -- judges' wigs, barristers' wigs, bag-wigs -- as they flee in confusion. One clings to the strap around Wellington's arm, crying "Hold tight Huskey" (Huskisson). George IV stands in the background, hands on his hips, laughing at the scene
Alternative Title:
Kick up among the wigs
Description:
Title from caption below image., Date of publication from British Museum catalogue., Print signed using William Heath's device: A man with an umbrella., and Paul Pry is the pseudonym of William Heath.
Publisher:
Pub. by Tho. McLean, 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, Huskisson, W. 1770-1830 (William),, and Whig Party (Great Britain)
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily publishing., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Gordon, Sharon. Bookworms. At home. Spanish ; pl. 2.
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are daily publishing., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Eldon stands with his shirt-sleeves rolled up, carrying a great stack of petitions under each arm. On his head is a porter's knot made of a pair of green bags (emblem of 'Old Bags', see British Museum Satires No. 12883); on this rests a third pile of bulky parchments. Round his right leg is an unfastened garter inscribed '. . . d Expects Every Man will do' [his duty]. He puffs; sweat streams down his forehead; he says: 'Hard work this--got plenty more to bring down yet--.' The petitions are inscribed 'Petition' [five times]; 'against Concession' [twice]; 'Petition against'; '30.000 Inhabitants'; 'Humbly Sheweth'; 'Petition against Concession--' [twice] '3.00 Inhabitants'; '4000 of the . . .'; 'signed by 130.000 Men Women & Children ; 60,000 Respectable Inhabitants'."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Matted to: 40 x 30.5 cm.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Petitions, Bags, Head-carrying, and Lifting & carrying
Four monkeys in human dress form a quartet and give a concert, one singing, the others plating a piano, guitar and flute
Alternative Title:
Little music
Description:
Title etched above image., Print signed using William Heath's device: A man with an umbrella., Date of publication from dealer's description., Sheet trimmed within plate mark., One line of quoted text below image: "What softer sounds are these salute the ear, as if the center of all sweets met here? Ben Johnson., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Topic):
Monkeys, Musicians, Musical instruments, and Animals in human situations
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of P. Pry caricatuers., Text above image: Bless me Clara, what do I see. Oh-fy-fy. Lor Aunt, why its only my bustle got round in front., Sheet trimmed to plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1828.
"George IV as the 'Great Babe' lies asleep in his cradle rocked by Lady Conyngham, while Wellington, seated before a pier-glass, places the crown on his own head. The glass reflects the dark emaciated features of British Museum Satires No. 15520. The Duke wears a uniform with boots and sword. On a table below the glass the sceptre and orb lie on a cushion. Lady Conyngham, with a towering coiffure as in British Museum Satires No. 15508, croons: Oh slumber my darling | The time may soon come | When thy rest may be broken | By Trumpet & Drum [the last three words in large letters]. The infant sucks a thumb; a gouty foot projects from the coverlet. On the floor is a line of toys: a sailing boat on wheels, a model of Buckingham Palace reconstructed by Nash as in British Museum Satires No. 15668, a giraffe (see British Museum Satires No. 15425), a Life Guard on a toy horse, a Foot-Guard, a dismantled or unfinished ship resting on a prostrate toy soldier. A napkin on a towel-horse (right) indicates a nursery."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: the character Paul Pry, a man with an umbrella., Date of publication from British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pub. by T. McLean, 26 Haymarket, London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Nurseries (Rooms & spaces), Cradles, Toys, Military uniforms, British, Daggers & swords, Boots, and Scepters
"The Duke (left) and Duchess of St. Albans stand facing each other; the little Duke staggering under an ornamental basket which supports a side of bacon, inscribed Best Wiltshire. The Duchess holds on her shoulder a cutter in which are seated six oarsmen with oars held erect, and a helmsman. The Duke is dressed as Grand Falconer (see British Museum Satires No. 15596) and wears a hood with bells indicating both a fool's cap and the hood and bells of falconry. Two speeches float from his head: [1] "In love connubial, formed to live and last, This gift records a blissful twelvemonth past We claim, then boldly claim the flitch Dunmow First of the blest, who keep the marriag Vow". [2] I thought the flitch to small a present on this auspicious day so I have brought the Gammon with it Love. The Duchess answers: Thanks for your Bacon Duke well have you Saved it - and in return accept of this small Testimony of my affection. She wears Court dress, coronet, and feathers. The boatmen wear yellow and green liveries, and on the prow is a falcon's head; the back of the seat in the stern is decorated with a falcon perched on a melon resting on a heap of sovereigns. In the foreground are spectators: on the left the Dukes of Cumberland (wearing his hat) and Sussex stand together with Prince Leopold behind them; on the right is Sir Francis Burdett (son-in-law of Coutts), very thin, surprised, and displeased. In the background are other spectators, their heads concealed by the boat, and on the right a group of singers, some in Tyrolean costume, with (?) Braham and Miss Stephens; they sing: a boat a boat."--British Museum online catalogue
Alternative Title:
Scene in the honeymoon and Conjugal felicity
Description:
Title etched below image., Print signed using William Heath's device: character of Paul Pry, a man with an umbrella., Date of publication from British Museum catalogue., Imprint continues: ... where political and other caricatuers are dialy [sic] pub. the largest assortment of any house in town., and Sheet trimmed to plate mark.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
St. Albans, William Beauclerk, Duke of, 1801-1849, St. Albans, Harriot Mellon, Duchess of, 1777?-1837, Ernest Augustus, King of Hanover, 1771-1851, Augustus Frederick, Prince, Duke of Sussex, 1773-1843, Léopold I, King of the Belgians, 1790-1865, Burdett, Francis, 1770-1844, Braham, John, 1774-1856, and Stephens, Catherine, 1794-1882
Subject (Topic):
Marriage, Spouses, Baskets, Bacon, Boats, Rowers, and Spectators
"A pugilistic encounter between two old market-women who are Eldon (left) and Wellington (right). Eldon is much the stouter and more purposeful, facing his enemy grimly and aggressively. He has a basket of oranges (emblem of the Orange Lodges) beside him, and wears a flat wide-brimmed hat. Wellington wears a soldier's coat over his skirt and apron (as beggar-women or basket-women often did, cf. (e.g.) BM Satires No. 15763). His profile is apprehensive, his hands loosely closed and on the defensive. Each has a bottle-holder; that of Eldon is John Bull, a stout yokel who puts his hand on his principal's bulging posterior, saying, 'Welldone--old Mother Baggs--you have got the best bottom after all. see what it is to have a good Constitution--give it her--she has'ent got the Mounshears to deal with now.' Wellington's supporter is a bare-legged Irish ragamuffin with a pipe thrust in his little hat. He capers excitedly, putting a hand on Wellington's back to push him forward, saying, 'Murder ye ould cat kape your fists Tight--or you'I let the Ould Orange-Woman bate ye clane.' In the background is a freely sketched crowd of spectators, women of St. Giles or Billingsgate. Two only are characterized: a fat woman with parson's wig and bands, with a basket of 'Oxford Sauce' on her head, looks over her shoulder at a handsome young virago (Peel), who is shouting at her, to say: 'Come give us none of your Jaw--Mother peel'."--British Museum online catalogue
Alternative Title:
Sketch of the row in Parliament Street
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political & other caricatuers are dail [sic] publishing., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local subject terms: Market-women -- Fruit -- Emblems -- Orange Lodges -- Male costume: Soldier's coat -- Peasants -- Irish ragamuffin -- Pipes -- Markets., and Numbered in ms. at top of sheet: 185.
Publisher:
Pub. by T. McLean, 26 Haymarket ...
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Peel, Robert, 1788-1850
Startling interogation, Startling interrogation, and New panorama
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where complete sets of P-Pry caricatuers may be had., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Wellington sits behind a small cloth-covered table flanked by eight other representations of himself, as depicted in recent caricatures, apparently all by W. Heath. The arrangement is evidently that of Charles Mathews' 'At Homes', see British Museum Satires No. 14714, &c., Wellington, like Mathews, being in propria persona at the table. In this guise he wears the robes (indistinguishable from Coronation robes) and collar of the Garter and the order of the Golden Fleece and a (crown-like) ducal coronet; his head is turned in profile to the right. Immediately below him, the head and hands of another Wellington, who is crouching on the floor, project from the tablecloth; he grasps a royal crown, and wears a cap coloured blue and resembling a tam-o'-shanter, but perhaps intended for a coronet. The other Wellingtons, all standing (left to right): [1] A mute as in British Museum Satires No. 15501, in profile to the right. [2] A Grenadier, full-face and rigidly at attention, much as in British Museum Satires No. 15768, but without the musket. [3] A ratcatcher stooping to the left and touching his hat, the cage in his left hand (cf. British Museum Satires No. 15806). [4] Aged and cloaked, wearing spectacles, with bowed head, he clasps a cross in both hands. [5] The old woman in a soldier's coat of British Museum Satires No. 15721, facing, and apparently in angry altercation with, the seated Wellington. [6] The coachman of British Museum Satires No. 15731, in profile to the left, holding shaft and lash of his whip as if they were the reins of a four-in-hand which he is driving. [7] Wellington in uniform, directed to the left, wearing his plumed cocked hat and holding up with a furtive expression a sword with a damaged blade in a dilapidated scabbard. [8] A mummy-case with an aperture to show Wellington's head with the forefingers compressing his mouth; below the aperture is the word 'Mum'. (Apparently from a satire on Wellington's silence as to his intentions on Catholic Relief until the eve of the opening of Parliament, see British Museum Satires No. 15659.) There is a background of curtains. Cf. British Museum Satires No. 15787."--British Museum online catalogue
Alternative Title:
All the world's a stage &c. S-
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Publisher's annnouncement following imprint: ... sole publisher of P. Pry caricatures, none are original without T. McLeans name as publisher., Sheet trimmed to plate mark., and Watermark: J. Whatman Turkey Mill 1828.
Publisher:
Pub. June 15, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Mathews, Charles, 1776-1835.
Subject (Topic):
Tables, Robes, Crowns, Military uniforms, Daggers & swords, Coach drivers, Sarcophagi, and Draperies
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Indecipherable text following artist's signature., Imprint continues: ... where political and other caricatuers are daily pub., the largest collection of any house., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.