Manuscript, on parchment, incomplete, containing the remains of a book of hours, probably Use of Rome. All illuminations have been excised and there are few complete sections except for the Penitential Psalms (63r-75v) and the Office of the Dead (82r-112v). These texts are followed by two prayers to Saint Lazarus in Latin (113v- 115r ). Folios 115v-116v contain a personal narrative in French by Sister Collette d'Oisellet of the Hospice of Beaune, the owner of the volume. She describes being miraculously healed from paralysis in 1497 at Autun cathedral through the relics of Saint Lazarus; an annotation records her decision to remain at the Hospice of Beaune to care for the poor. Her account is followed by two additional prayers, also in French
Description:
In Latin and Middle French., Ownership inscription of Sister Alix de Besançon on 116v., Nineteenth-century printed bookseller description, annotated in pen, affixed to 116r., Bookseller description available., Script: gothica textura (Book of Hours); bâtarde (personal narrative and final prayers)., Layout: single column, 14-16 lines (Book of Hours)., Decoration: rubricated. Many small decorated initials, gilt; some two-line initials, also gilt. Some line-filler decorated bars. Many ivy leaf borders with gold leaves and colored blossoms. All leaves that might have contained illuminations appear to have been excised from the volume., and Binding: modern amateur binding of reddish velvet over pasteboard. Needlepoint flowers and leaves on both covers; the embroidered word "Heures" on the front cover.
Subject (Geographic):
France., France, Connecticut, New Haven., and Autun (France)
Subject (Name):
Oisellet, Collette d'., Lazarus, Saint (Poor man from the Gospel of Luke), Cathedral of Saint-Lazare (Autun, France), Hospices civils de Beaune., and Catholic Church
Subject (Topic):
Relics, Books of hours, Manuscripts, Medieval, Miracles, Nuns, Women, Religious aspects, Catholic Church, and Religious life and customs
Manuscript fragment, on parchment, from an illuminated Book of Hours. It contains the opening of the Commendation of Souls, a series of psalms often found after the Office of the Dead in English or English-marketed books of hours
Description:
In Latin., Layout: single column of 17 lines., Script: gothic., and Decoration: historiated initial "B" with a miniature of two souls borne to heaven by two angels, gilt; wide decorated border of blue and green acanthus with flowers and fruits, gilt.
Subject (Geographic):
Belgium, Bruges, Connecticut, New Haven., and Bruges (Belgium)
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment, on parchment, decorated, from a book of hours, containing text possibly from the Hours of the Virgin Mary
Alternative Title:
Book of hours
Description:
In Latin., Script: gothica textura., Decoration: rubricated. Recto contains two two-line decorated initials and a spiky floral border. Verso contains one small decorated initial., and Contemporary annotation (textural addition?) in margin of verso, partially effaced.
Illuminated manuscript on parchment of a book of hours, Franciscan Use, created for a clergyman. Contains 1) Calendar, ff. 1r-12v; 2) Mass of the Virgin, ff. 13r-15v; 3) Gospel extracts, ff. 15v-19v; 4) "Obsecro te," "O intemerata," and other prayers, ff.19v-28v; 5) Office of the Dead, use of Rome, ff. 29r-61v; 6) Fifteen Gradual Psalms, ff. 61v-70r; 7) Hours of the Virgin, ff. 70r-121v; 8) Hours of the Cross, ff. 121v-127v; 9) Hours of the Spirit, ff. 127v-132v; 10) Office of the Dead, ff. 132v-134r; 11) Seven Penitential Psalms and Litany, ff. 134r-153r; 12) Preparation for the Mass, ff. 153r-164v. Items 5-6 belong after f. 132v; text on f. 29r continues from f.133v and Bound with contemporary illuminated manuscript on parchment containing 13) Benedictions, ff. 165r-173v; 14) Pontifical ordos, ff. 173v-180. Benedictions open with 3-line historiated initial. Rubrication. 2-line initials excised at f. 166 and f. 179
Description:
In Latin., Title devised by cataloger., Layout: single columns of 17-19 lines., Script: gothica textualis., Decoration: Forty historiated initials of approximately 6 lines. Inhabited full borders. Rubrication., Binding: nineteenth-century full brown calf. Covers framed with gilt and blind ornament; spine gilt and lettered. Spine title: Missale., and Bookseller description available.
Subject (Geographic):
France., Connecticut, and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, Latin, and Manuscripts, Medieval
Illuminated manuscript on parchment of a book of hours, use of Sarum, incomplete. May have been produced for a Scottish patron. Contains 1) Prayers in Latin and Middle Scots, f1r-5v; 2) Hours of the Virgin, use of Sarum, with Hours of the Cross and of the Holy Spirit intermixed, f6r-30r; 3) Prayers, including Seven Joys of the Virgin, O intemerata, and Obsecro te, f30v-42v; 4) Seven Penitential Psalms and Litany, f43r-55v
Description:
In Latin; rubrics in Middle Scots., Script: gothic bookhand., Decoration: 5 column-width miniatures, some illuminated; 4-6 line initials with illuminated full borders; 2-line blue initials with red penwork; 1-line initials in alternating red and blue. Rubricated., Layout: single columns of 22 lines., Secundo folio: tuo., Binding: modern limp vellum. Spine title: "Horae ad Usum Sarum" and "MS.", Some annotations in Middle Scots in 15th-century hand., Some full and partial leaves removed throughout., and Bookseller description available.
BEIN Mzd45 H6 1509: Hand-ruled and rubricated throughout; capitals supplies in gold on red and blue backgrounds. Hand-colored illustrations are: the printer's device on page [1], the skeleton and surrounding figures on page [2], full-page illustration of Bathsheba and David, full-page illustration of Mary surrounded by emblems (partially reconstructed when original text was removed and replaced with ms. insert?), and 18 small illustrations throughout., BEIN Mzd45 H6 1509: Imperfect: comprising 70 leaves (numbered in pencil), with lacunae after leaves 5, 6, 9, 12, 13, 17, 19, 20, 23, 30, 37, 51, 54. Text of leaves 59-60 and 65-66 has been cut out and manuscript text inlaid within the borders instead. The signatures appear to have been erased throughout., BEIN Mzd45 H6 1509: Printed on vellum. Bound in morocco with gilt tooling and edges; emblematical clasp. Dealer's description on front paste-down., BEIN 1971 439: Rubricated. Printed on vellum. Illustration of the Annunciation (page [25]) completely hand-colored. Armorial bookplate of Clarence Sweet Bement. Ownership inscription of Baron de Jean Haussonville. Contemporary manuscript annotations in several hands on the final pages, indicating events occurring in specific years. Brown blind-tooled leather binding., Signatures: A-L⁸ M⁴., Title from title-page on page [1], which bears Gilles Hardouyn's printer's device - all within an architectural frame. The device is repeated on page [184]., Imprint from colophon on page [184]: "Les presentes heures a lusaige de Ro[m]me tout au long sans rien requerir. Ont este acheuees a paris le huitiesme iour de Mars. Lan mil cinq ce[n]s et neuf. Par Gilet Hardouyn Imprimeur demourant au bout du pont au change a lenseige de la Rose desoub[-]z de la belle ymage"., Almanac on page [3] covers years 1508-1520, in French., In a Gothic type., Illustrated throughout with 19 full page illustrations, and several smaller cuts within the text., With a decorative border (primarily historiated or architectural) to every page., "R" (for Rome) on first four leaves of each quire, in a line with the signature., Initial spaces., and Collation and signatures given according to P. Lacombe, Livres d'Heures imprimés au XVe et au XVIe siècle, 199.
BEIN Mzd45 H6 1509: Hand-ruled and rubricated throughout; capitals supplies in gold on red and blue backgrounds. Hand-colored illustrations are: the printer's device on page [1], the skeleton and surrounding figures on page [2], full-page illustration of Bathsheba and David, full-page illustration of Mary surrounded by emblems (partially reconstructed when original text was removed and replaced with ms. insert?), and 18 small illustrations throughout., BEIN Mzd45 H6 1509: Imperfect: comprising 70 leaves (numbered in pencil), with lacunae after leaves 5, 6, 9, 12, 13, 17, 19, 20, 23, 30, 37, 51, 54. Text of leaves 59-60 and 65-66 has been cut out and manuscript text inlaid within the borders instead. The signatures appear to have been erased throughout., BEIN Mzd45 H6 1509: Printed on vellum. Bound in morocco with gilt tooling and edges; emblematical clasp. Dealer's description on front paste-down., BEIN 1971 439: Rubricated. Printed on vellum. Illustration of the Annunciation (page [25]) completely hand-colored. Armorial bookplate of Clarence Sweet Bement. Ownership inscription of Baron de Jean Haussonville. Contemporary manuscript annotations in several hands on the final pages, indicating events occurring in specific years. Brown blind-tooled leather binding., Signatures: A-L⁸ M⁴., Title from title-page on page [1], which bears Gilles Hardouyn's printer's device - all within an architectural frame. The device is repeated on page [184]., Imprint from colophon on page [184]: "Les presentes heures a lusaige de Ro[m]me tout au long sans rien requerir. Ont este acheuees a paris le huitiesme iour de Mars. Lan mil cinq ce[n]s et neuf. Par Gilet Hardouyn Imprimeur demourant au bout du pont au change a lenseige de la Rose desoub[-]z de la belle ymage"., Almanac on page [3] covers years 1508-1520, in French., In a Gothic type., Illustrated throughout with 19 full page illustrations, and several smaller cuts within the text., With a decorative border (primarily historiated or architectural) to every page., "R" (for Rome) on first four leaves of each quire, in a line with the signature., Initial spaces., and Collation and signatures given according to P. Lacombe, Livres d'Heures imprimés au XVe et au XVIe siècle, 199.
