A companion to Plate I, the firefighters have become gardeners and the water flows onto the trees in pots that surround the statue of Henry VIII, royal steams of benevolence. Lord Bute is the head gardener
Alternative Title:
Pl. 2
Description:
Title etched below image., Date, publisher, and state as described by Paulson., Ms. note in pencil in Steevens's hand above print: Plate II. Ms. note beneath image: Times, Plate 2; proof taken during the life-time of Hogarth., Ms. note in ink on square of paper mounted below in Steevens's hand: This second part of The times (for and impression of which the late Lord Exeter paid Mrs. Hogarth ten guineas, the money to be returned if she published the plate) is every way inferior to the first. Since the death of Mrs. Hogarth, it is become the property of the Boydells., and On page 193 in volume 2.
Publisher:
Wm. Hogarth
Subject (Name):
Henry VIII, King of England, 1491-1547 and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, and Gardens
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the young woman sleeping in the lower right, fan in one hand and a book open to "... of Matrimony" about to slip from her fingers. An angel supports a banner that reads "et mon droit".
Description:
Title and state from Paulson., "Price one shilling.", Ms. pencil note in Steevens hand above print: 3d Impression., and On page 81 in volume 1. Sheet trimmed to: 263 x 207 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the young woman sleeping in the lower right, fan in one hand and a book open to "... of Matrimony" about to slip from her fingers. An angel supports a banner that reads "et mon droit".
Description:
Title and state from Paulson., "Price one shilling.", and 1 print : etching and engraving on laid paper ; plate mark 263 x 207 mm, on sheet 330 x 245 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the young woman sleeping in the lower right, fan in one hand and a book open to "... of Matrimony" about to slip from her fingers. An angel supports a banner that reads "et mon droit".
Description:
Title and state from Paulson., "Price one shilling.", and Imperfect, lower right corner of image ripped and 'touched' by hand; sheet trimmed to 268 x 210 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Clergy, Lust, Preaching, Religion, Religious services, and Sleeping
Plate 34. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Paul before Felix, showing St. Paul on trial before Felix, governor of Caesarea; the Saint to right, Felix and two priests on a dais, one sitting, asleep, beside the governor, two clerks in front of the bench at which St Paul stands, a figure with the Roman standard and a scroll to left, a soldier to right and two figures carrying fascae either side of the dais ..."--British Museum online catalogue
Alternative Title:
And as he reasoned of righteousness, temperance, and judgment to come, Felix trembled
Description:
Title, publisher and state from Paulson., Added title from caption below image., Quotation from Acts 24-25 engraved below image: And as he reasoned of righteousness, temperance, and Judgment to come, Felix trembled., Text below quotation: From the original painting in Lincoln's Inn Hall painted by Wm. Hogarth., State with quotation from Warton, printmaker's name, and date of publication eliminated., Copy of Hogarth's print of the same title, with fewer figures and distinquished because it is not the reverse of the original painting., 1 print : etching and engraving on laid paper ; plate mark 42.1 x 52.6 cm, on sheet 46 x 59 cm., and Plate 34 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Paul, the Apostle, Saint,
Subject (Topic):
Biblical events, Judicial proceedings, and Parables
Plate 34. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Paul before Felix, showing St. Paul on trial before Felix, governor of Caesarea; the Saint to right, Felix and two priests on a dais, one sitting, asleep, beside the governor, two clerks in front of the bench at which St Paul stands, a figure with the Roman standard and a scroll to left, a soldier to right and two figures carrying fascae either side of the dais ..."--British Museum online catalogue
Alternative Title:
And as he reasoned of righteousness, temperance, and judgment to come, Felix trembled
Description:
Title, publisher and state from Paulson., Added title from caption below image., Quotation from Acts 24-25 engraved below image: And as he reasoned of righteousness, temperance, and Judgment to come, Felix trembled., Text below quotation: From the original painting in Lincoln's Inn Hall painted by Wm. Hogarth., State with quotation from Warton, printmaker's name, and date of publication eliminated., Copy of Hogarth's print of the same title, with fewer figures and distinquished because it is not the reverse of the original painting., Ms. note in pencil in Steevens's hand: See Mr. Nichols's book, 3d edit. p. 323., and On page 160 in volume 2. Sheet trimmed to: 42 x 52.3 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Paul, the Apostle, Saint,
Subject (Topic):
Biblical events, Judicial proceedings, and Parables
Plate 34. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Paul before Felix, showing St. Paul on trial before Felix, governor of Caesarea; the Saint to right, Felix and two priests on a dais, one sitting, asleep, beside the governor, two clerks in front of the bench at which St Paul stands, a figure with the Roman standard and a scroll to left, a soldier to right and two figures carrying fascae either side of the dais ..."--British Museum online catalogue
Alternative Title:
And as he reasoned of righteousness, temperance, and judgment to come, Felix trembled
Description:
Title, publisher and state from Paulson., Added title from caption below image., Quotation from Acts 24-25 engraved below image: And as he reasoned of righteousness, temperance, and Judgment to come, Felix trembled., Text below quotation: From the original painting in Lincoln's Inn Hall painted by Wm. Hogarth., State with quotation from Warton, printmaker's name, and date of publication eliminated., and Copy of Hogarth's print of the same title, with fewer figures and distinquished because it is not the reverse of the original painting.
Publisher:
Wm. Hogarth
Subject (Name):
Paul, the Apostle, Saint,
Subject (Topic):
Biblical events, Judicial proceedings, and Parables
"The marriage of Henry VII, the crowned king in his ermine-lined robes of state over a heraldric tabard holding his sceptre and accompanied by the bishop to the right and Elizabeth of York in an embroidered floral gown accompanied by a bearded priest in long robes to the left, the ornamented arches of the cathedral above them and the interior view stretching away into the distance."--British Museum online catalogue, description of a later state
Alternative Title:
Marriage of Henry VII and Marriage of Henry the Seventh
Description:
Title from published state of the plate., Artist from statement of responsibility on published state: John Mabuse p., Early (proof?) state, before title and artist's name added to plate. Cf. British Museum online catalogue, registration no.: 1868,0822.6094., Publication information from that of the volume in which a later state of the plate appeared., A later state of this plate was published in: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., Sheet trimmed to plate mark., Engraved after the painting hung by Horace Walpole in the Gallery at Strawberry Hill., Mounted on page 107 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and Title "Marriage of Henry 7th" and statement of responsibility "J. Mabuse pinx." added by Horace Walpole in brown ink below image.
Publisher:
Strawberry Hill Press
Subject (Name):
Henry VII, King of England, 1457-1509,, Elizabeth, Queen, consort of Henry VII, King of England, 1465-1503,, and Strawberry Hill (Twickenham, London, England)
Oval portrait of Henry Fielding; half length, profile to left. Finished state used as the frontispiece to Murphy's edition of 'The Works of Henry Fielding'.
Description:
Title, state, artist, date, and printmaker from Paulson., Sheet trimmed., Ms. note in pencil in Steevens's hand beneath image: Proof given by Basire to Hogarth., Ms. note in pencil in Steevens's above print: See Nichols's book 3d. edit. p. 385., and On page 194 in volume 2.
"Moro fortress under bombardment from three warships; return fire landing wide."--British Museum online catalogue
Alternative Title:
Perspective view of His Majesty's Ship Dragon commanded by him, Cambridge Wm. Godfrey ...
Description:
Title engraved below image., Engraved after a painting by Serres made after an on-the-spot drawing by Philip Orsbridge, whose name is wrongly given here as "P.O.R. Sbridge"., "Plate 8"--Lower right corner., Sheet trimmed to plate mark on all but bottom edge., and Plate also issued with eleven other plates and four pages of text as part of: Britannia's triumph in the year 1762 : being a series of capital prints representing the operations of His Majesty's fleet and army employed in the attack and conquest of the Havannah, under the brave Admiral Pocock, Lord Albemarle, etc., etc. ... London : J. Bowles, 1766.
A view of Havana harbor, with the HMS Orford at anchor, centre, other warships lying heads to sea; cannon and provisions being manhandled ashore. The beach is filled with troops and tents
Alternative Title:
Perspective view of landing the cannon, bombs, provisions, and water, for the army, June 30th between 6 and 7, in the evening ...
Description:
Title engraved below image., Engraved after a painting by Serres based on a drawing made on the spot by Philip Orsbridge, whose name is engraved here "P.O.R. Sbridge"., Plate also issued with eleven other plates and four pages of text as part of: Britannia's triumph in the year 1762 : being a series of capital prints representing the operations of His Majesty's fleet and army employed in the attack and conquest of the Havannah, under the brave Admiral Pocock, Lord Albemarle, etc., etc. ... London : J. Bowles, 1766., and "Plate 7"--Lower right corner.
Publisher:
J. Bowles?
Subject (Geographic):
Cuba. and Havana (Cuba)
Subject (Name):
Great Britain. Royal Navy
Subject (Topic):
History, Seven Years' War, 1756-1763, Campaigns, Harbors, Naval warfare, Warships, and British
Plate 71. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A defense of the unpopular ministry of John Stuart, third Earl of Bute, Hogarth takes off from a print published in August 1762 "John Bull's House sett in Flames". He depicts a London street scene in which the half the buildlings are in flames as the political factions either stir the flames or are battling to extinguish them. The fire is the Seven Years' War and the houses, Germany and France; the two men clasping hands are France and Spain who had recently joined in the fight against England
Description:
Title etched below image., Second state as described by Paulson, with 'HERMIONE' and the door and doorway to the house with the burning globe have been darkened with added seriese of diagonal lines. For other changes to the design, see Paulson., Sheet trimmed within plate mar., 1 print : etching and engraving on laid paper ; plate mark 24.6 x 30.5 cm, on sheet 28.5 x 36.9 cm., Mounted on leaf 59 x 46 cm., and Plate 71 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Henry VIII, King of England, 1491-1547
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, Fires, Fire fighting, Firefighting equipment, and Signs (Notices)
A defense of the unpopular ministry of John Stuart, third Earl of Bute, Hogarth takes off from a print published in August 1762 "John Bull's House sett in Flames". He depicts a London street scene in which the half the buildlings are in flames as the political factions either stir the flames or are battling to extinguish them. The fire is the Seven Years' War and the houses, Germany and France; the two men clasping hands are France and Spain who had recently joined in the fight against England
Description:
Title devised by cataloger., Series title etched below image., Third state as described by Paulson, with the figure of Henry VIII transformed into a portrait of William Pitt., Ms. note in pencil in Steevens's hand above print: 3d impression., and Formerly on page 193 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778 and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, Fires, Fire fighting, Firefighting equipment, and Signs (Notices)
Plate 71. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A defense of the unpopular ministry of John Stuart, third Earl of Bute, Hogarth takes off from a print published in August 1762 "John Bull's House sett in Flames". He depicts a London street scene in which the half the buildlings are in flames as the political factions either stir the flames or are battling to extinguish them. The fire is the Seven Years' War and the houses, Germany and France; the two men clasping hands are France and Spain who had recently joined in the fight against England
Description:
Title etched below image., Second state as described by Paulson, with 'HERMIONE' and the door and doorway to the house with the burning globe have been darkened with added seriese of diagonal lines. For other changes to the design, see Paulson., Sheet trimmed within plate mar., Ms. note in pencil in Steevens's hand above print: 2d impression., and On page 192 in volume 2.
Publisher:
Wm. Hogarth
Subject (Name):
Henry VIII, King of England, 1491-1547
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, Fires, Fire fighting, Firefighting equipment, and Signs (Notices)
A defense of the unpopular ministry of John Stuart, third Earl of Bute, Hogarth takes off from a print published in August 1762 "John Bull's House sett in Flames". He depicts a London street scene in which the half the buildlings are in flames as the political factions either stir the flames or are battling to extinguish them. The fire is the Seven Years' War and the houses, Germany and France; the two men clasping hands are France and Spain who had recently joined in the fight against England
Description:
Title etched below image., First state as described by Paulson, with the figure on stilts is Henry VIII., Ms. note in pencil in Steevens's hand above print: 1st impression. Ms. note in pencil in Steevens's hand beneath print: See Mr. Nichols's book, 3d, edit. p. 375., and Formerly on page 192 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Name):
Henry VIII, King of England, 1491-1547
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, Fires, Fire fighting, Firefighting equipment, and Signs (Notices)
A defense of the unpopular ministry of John Stuart, third Earl of Bute, Hogarth takes off from a print published in August 1762 "John Bull's House sett in Flames". He depicts a London street scene in which the half the buildlings are in flames as the political factions either stir the flames or are battling to extinguish them. The fire is the Seven Years' War and the houses, Germany and France; the two men clasping hands are France and Spain who had recently joined in the fight against England
Description:
Title devised by cataloger., Series title etched below image., Third state as described by Paulson, with the figure of Henry VIII transformed into a portrait of William Pitt., and 1 print : etching and engraving ; plate mark 249 x 308 mm, on sheet 261 x 343 mm, mounted to 330 x 470 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778 and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, Fires, Fire fighting, Firefighting equipment, and Signs (Notices)
A defense of the unpopular ministry of John Stuart, third Earl of Bute, Hogarth takes off from a print published in August 1762 "John Bull's House sett in Flames". He depicts a London street scene in which the half the buildlings are in flames as the political factions either stir the flames or are battling to extinguish them. The fire is the Seven Years' War and the houses, Germany and France; the two men clasping hands are France and Spain who had recently joined in the fight against England
Description:
Title devised by cataloger., Series title etched below image., Third state as described by Paulson, with the figure of Henry VIII transformed into a portrait of William Pitt., and 1 print : etching and engraving ; plate mark 247 x 308 mm, on sheet 264 x 330 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778 and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, Fires, Fire fighting, Firefighting equipment, and Signs (Notices)
A defense of the unpopular ministry of John Stuart, third Earl of Bute, Hogarth takes off from a print published in August 1762 "John Bull's House sett in Flames". He depicts a London street scene in which the half the buildlings are in flames as the political factions either stir the flames or are battling to extinguish them. The fire is the Seven Years' War and the houses, Germany and France; the two men clasping hands are France and Spain who had recently joined in the fight against England
Description:
Title devised by cataloger., Series title etched below image., Third state as described by Paulson, with the figure of Henry VIII transformed into a portrait of William Pitt., and 1 print : etching and engraving ; plate mark 249 x 308 mm, on sheet 261 x 343 mm, mounted to 330 x470 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778 and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, Fires, Fire fighting, Firefighting equipment, and Signs (Notices)
The scene is the interior of a perpendicular Gothic church. The sand in the hourglass has run out, but the preacher continues to lecture, oblivious to the fact that his congregation has fallen asleep. The clerk below the pulpit eyes the bosom of the young woman sleeping in the lower right, fan in one hand and a book open to "... of Matrimony" about to slip from her fingers
Description:
Title from caption below image., One of only a handful of Hogarth's original plates that have survived, this plate shows the work of the artist over a period of years, from its creation in 1736 with the evidence of later changes made in 1762 as a more mature artist., "Price one shilling.", Copper plate for print described in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 2285., and For a description of the prints from this copper plate see R. Paulson's: Hogarth's graphic works, no. 140.
Title etched above image., Following imprint: Pr. 6 pence., Sheet trimmed to plate mark., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
Sold at Sumpters Political Printshop, Fleet Street
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Seven Years' War, 1756-1763, Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
"Satire on the negotiations leading to the Peace of Paris in response to Hogarth's "The Times Part 1", but also with visual echoes of his much earlier print, "Southwark Fair". In the centre is a large theatrical booth advertising "The Full and Whole Play of Dido and Aeneas" with a show-cloth on which the lovers are depicted taking shelter in a cave; below is platform on which stand Bute and Princess Augusta accompanied by a zany, a drummer (Arthur Murphy) and a trumpeter (Tobias Smollett). Hogarth, portrayed as an ape, stands on a ladder painting a sign-board with a portrait of Pitt (echoing the sign painter in "Beer Street"); at the foot of the ladder another ape, representing the Duke of Bedford, ambassador to Paris, sits on a small table holding a sheet marked "Prelim Peace". Henry Fox looks out of a window at the top of the booth. On the left, Bute stands on stilts playing the bagpipes with a large bag of money hanging from his neck; he is supported by admiring Scotsmen and adored by a group of bishops. Behind him is an inn with the sign of the thistle advertising "Geud Scrubbing for Mon and Horse"; an ass peers throuh a window and an ass's skull hangs above. Beyond, Scotsmen rejoice as buildings burn, while three fireman sleep beside their engine; an owl representing the French ambassador, the Duke de Nivernois, flies overhead carrying on olive branch (in place of Hogarth's dove with the olive branch) . In the foreground a mastiff urinates on an impression of Hogarth's "The Times Part 1"; Charles Churchill gestures towards a bonfire on which is burning "The Wandsworth Epistle" and "The Briton" (Smollett's newspaper) while a sailor, watched by Britannia, brings a wheelbarrow laden with other journals (echoing the barrow containing "The North Briton" in Hogarth's print). Behind this group, William Beckford draws the attention of Pitt, Temple and Newcastle to the happy Scots; Cumberland, bald-headed, shakes his fist. The British lion grasps a dead French cock in his jaws and looks angrily at a Frenchman who hands coins to a Dutchman leaning on a bale marked "Neutrality" (a similar Dutchman in Hogarth's print sits on a bale smoking contentedly). Behind the lion, George Whitefield, arms outspread and a devil blowing with bellows into his ear, preaches from a three-legged stool to an old woman with a prayer-book and a man with the head of an ass. On the left, three further show-cloths hang on the wall of a house, referring to performances at "Punch Political Poppet Show with a Scotch Uproar": "Then", with the figure of Fame crowning a British commander; "Now", with a Scotsman at the prow of a boat foundering on the rocks of "New Lost Land"; "Alive from France & England" with a clown raising his fist and his foot at a Frenchman (echoing the sign, "Alive from America", in Hogarth's print); at the top of the house a Spaniard and a Frenchman, both grinning, look out of a window."--British Museum online catalogue
Description:
Variant state without imprint and with different price, added in top right corner. See British Museum catalogue., In upper right corner: Price 1 sh., and Four columns of verse below image: See here my good masters a fine raree show, will please ev'ry one from the high to the low ...
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1766-1839, Pitt, William, Earl of Chatham, 1708-1778, Smollett, T. 1721-1771 (Tobias),, Murphy, Arthur, 1727-1805, Holland, Henry Fox, Baron, 1705-1774, Hogarth, William, 1697-1764, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Whitefield, George, 1714-1770, and D'Urfey, Thomas, 1653-1723.
Subject (Topic):
Britannia (Symbolic character), Bagpipes, Clergy, Devil, Hangings (Executions), National emblems, French, Scottish, Newspapers, Puppet shows, Signs (Notices), Theatrical productions, and Wheelbarrows
Chambars, Thomas, approximately 1724-1789, printmaker
Published / Created:
[approximately 1762]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Alternative Title:
Sir Godfrey Kneller and John Zackary Kneller
Description:
Title from text etched within border of larger portrait; alternative title from text etched within border of smaller portrait., Publication information from that of the volume in which the print appeared., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., Design consists of two portraits, each with the sitter's name etched within its individual oval border; the portrait of "Sr. Godfrey Kneller" is centered in a large oval while the portrait of "John Zackary Kneller" is in a smaller oval in the lower left., Sheet trimmed within plate mark., "Vol. III, p. 107"--Upper right corner., Mounted on page 62 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., 1 print : etching and engraving on wove paper ; sheet 7 x 5.4 cm., and Imperfect; only the small portrait of "John Zackery Kneller" is present, with the rest of the print trimmed away.
Publisher:
Strawberry Hill Press
Subject (Name):
Kneller, Godfrey, Sir, 1646-1723 and Kneller, John Zachary, 1644-1702
Chambars, Thomas, approximately 1724-1789, printmaker
Published / Created:
[approximately 1762]
Call Number:
Folio 49 3582 (Oversize)
Image Count:
1
Resource Type:
still image
Alternative Title:
Sir Godfrey Kneller and John Zackary Kneller
Description:
Title from text etched within border of larger portrait; alternative title from text etched within border of smaller portrait., Publication information from that of the volume in which the print appeared., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., Design consists of two portraits, each with the sitter's name etched within its individual oval border; the portrait of "Sr. Godfrey Kneller" is centered in a large oval while the portrait of "John Zackary Kneller" is in a smaller oval in the lower left., Sheet trimmed within plate mark., "Vol. III, p. 107"--Upper right corner., Mounted on page 156 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and engraving on wove paper ; sheet 17.1 x 13.2 cm., and Sheet trimmed to plate mark.
Publisher:
Strawberry Hill Press
Subject (Name):
Kneller, Godfrey, Sir, 1646-1723 and Kneller, John Zachary, 1644-1702
Bannerman, Alexander, approximately 1730-, printmaker
Published / Created:
[ca. 1762]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Simon du Bois, bust directed to the left, head slightly turned to face the viewer, wearing a cloak; within oval; and within the oval portrait of another man, possibly Henry Cooke, bust directed to the left, head slightly turned to face the viewer, wearing a cloak."--British Museum online catalogue
Alternative Title:
Simon Dubois and Cooke
Description:
Title etched below image., Text below small portrait within oval of main portrait: Cooke., Publication information from that of the volume in which the print appeared., "Vol. III, p. 118."--Upper right corner., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., Mounted on page 131 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., 1 print : engraving and etching on wove paper ; sheet 5.8 x 4.1 cm., and Imperfect; only the small portrait of Cooke is present, the rest of the print having been trimmed away.
Publisher:
Strawberry Hill Press
Subject (Name):
Du Bois, Simon 1632-1706 and Cooke, Henry, 1642-1700
Bannerman, Alexander, approximately 1730- printmaker
Published / Created:
[approximately 1762]
Call Number:
Folio 49 3582 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of the Dutch artist Schoonjans, with small portrait of Herbert Tuer in oval at bottom right; Schoonjans shown half length, looking to the left, with open jacket, waistcoat, and shirt open at neck; Tuer shown half length to the left, wearing gown and bands, with shoulder length curled hair."--British Museum online catalogue
Alternative Title:
Herbert Tuer
Description:
Title etched below image., Text along right side of small oval portrait in lower right: Herbert Tuer., Publication information from that of the volume in which the print appeared., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., After a self-portrait by Schoonjans that was kept by Horace Walpole in the Gallery at Strawberry Hill., Sheet trimmed within plate mark., Mounted on page 116 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : engraving and etching on laid paper ; sheet 18.2 x 13.7 cm., and Sheet trimmed to plate mark.
Publisher:
Strawberry Hill Press
Subject (Name):
Schoonjans, Anthonie, approximately 1655-1726,, Walpole, Horace, 1717-1797., and Strawberry Hill (Twickenham, London, England)
Chambars, Thomas, approximately 1724-1789, printmaker
Published / Created:
[ca. 1762]
Call Number:
Folio 49 3582 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait, half-length standing to left, looking over his shoulder to right, right arm extended, left holding brushes, a painting stick and palette, wearing a long brown wig, simple coat and open shirt with a cloak draped over his shoulder and flowing behind him; after Hysing."--British Museum online catalogue
Description:
Title etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., "Vol. 4, p. 31"--Upper right corner., Mounted on page 170 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : engraving and etching on laid paper ; sheet 16.8 x 13.1 cm., and Sheet trimmed within plate mark on top and bottom edges.
Chambars, Thomas, approximately 1724-1789, printmaker
Published / Created:
[approximately 1762]
Call Number:
Folio 49 3582 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Mary Beale, with another of her son Charles; bust length to right; in oval on stone pedastal, portrait of Charles in oval to left; after C. Beale (?)."--British Museum online catalogue
Alternative Title:
Mrs. Beale and her son Charles
Description:
Title etched below image., Original drawings were formerly attributed to Mary Beale and are currently attributed tentatively to Charles Beale. See British Museum online catalogue, registration no.: P,6.157., Publication information from that of the volume in which the print appeared., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [that is 1780]., Probably engraved after the watercolor drawings that were kept by Horace Walpole in the Green Closet at Strawberry Hill., Sheet trimmed to plate mark., "Vol. III, p. 67"--Above image in upper right., and Mounted on page 62 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
Strawberry Hill Press
Subject (Name):
Beale, Mary, 1633-1699,, Beale, Charles, 1660-1714,, and Strawberry Hill (Twickenham, London, England)
Chambars, Thomas, approximately 1724-1789, printmaker
Published / Created:
[approximately 1762]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Michael Dahl, half-length, in an oval, slightly turned to the right, a mantle about his shoulders and a banyan cap on his head."--British Museum online catalogue
Description:
Title etched below image., Publication information from that of the volume in which the print appeared., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., Probably engraved after Dahl's self-portrait in watercolor that was kept by Horace Walpole in the Green Closet at Strawberry Hill., Sheet trimmed to plate mark., "Vol. 4, p. 6"--Above image in upper right., Mounted on page 59 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., 1 print : engraving and etching on wove paper ; sheet 16.5 x 11.8 cm., and Sheet trimmed within plate mark with loss of volume and page number from top edge.
Publisher:
Strawberry Hill Press
Subject (Name):
Dahl, Michael, 1659?-1743, and Strawberry Hill (Twickenham, London, England)
Chambars, Thomas, approximately 1724-1789, printmaker
Published / Created:
[approximately 1762]
Call Number:
Folio 49 3582 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Michael Dahl, half-length, in an oval, slightly turned to the right, a mantle about his shoulders and a banyan cap on his head."--British Museum online catalogue
Description:
Title etched below image., Publication information from that of the volume in which the print appeared., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., Probably engraved after Dahl's self-portrait in watercolor that was kept by Horace Walpole in the Green Closet at Strawberry Hill., Sheet trimmed to plate mark., "Vol. 4, p. 6"--Above image in upper right., and Mounted on page 57 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
Strawberry Hill Press
Subject (Name):
Dahl, Michael, 1659?-1743, and Strawberry Hill (Twickenham, London, England)
"The marriage of Henry VII, the crowned king in his ermine-lined robes of state over a heraldric tabard holding his sceptre and accompanied by the bishop to the right and Elizabeth of York in an embroidered floral gown accompanied by a bearded priest in long robes to the left, the ornamented arches of the cathedral above them and the interior view stretching away into the distance."--British Museum online catalogue
Alternative Title:
Marriage of Henry VII and Marriage of Henry the Seventh
Description:
Title etched below image., Publication information from that of the volume in which the print appeared., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., Engraved after the painting hung by Horace Walpole in the Gallery at Strawberry Hill., Sheet trimmed within plate mark., Mounted on page 137 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving with stipple on laid paper ; sheet 14.3 x 17.2 cm., and For further information, consult library staff.
Publisher:
Strawberry Hill Press
Subject (Name):
Henry VII, King of England, 1457-1509,, Elizabeth, Queen, consort of Henry VII, King of England, 1465-1503,, and Strawberry Hill (Twickenham, London, England)
"The marriage of Henry VI, the king in an embroidered robe with a halo about his head standing to the left holding the hand of his bride, Margaret of Anjou dressed in a long gown and cloak, a tiara on her head, a bishop officiating at the ceremony binding the couple's hands, male nobles and attendants standing behind the king and female maids standing behind the princess, Westminster Abbey beyond with statues of kings and saints, an arch supported by two columns to the foreground acting as a border."--British Museum online catalogue
Alternative Title:
Marriage of Henry VI and Marriage of Henry the Sixth
Description:
Title etched below image., Publication information from that of the volume in which the print appeared., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., Engraved after the painting hung by Horace Walpole over the chimney in the Library at Strawberry Hill., Sheet trimmed within plate mark., Mounted on page 101 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving with stipple on laid paper ; sheet 14.2 x 11.5 cm., and For further information, consult library staff.
Publisher:
Strawberry Hill Press
Subject (Name):
Henry VI, King of England, 1421-1471,, Margaret, of Anjou, Queen, consort of Henry VI, King of England, 1430-1482,, and Strawberry Hill (Twickenham, London, England)
"The marriage of Henry VI, the king in an embroidered robe with a halo about his head standing to the left holding the hand of his bride, Margaret of Anjou dressed in a long gown and cloak, a tiara on her head, a bishop officiating at the ceremony binding the couple's hands, male nobles and attendants standing behind the king and female maids standing behind the princess, Westminster Abbey beyond with statues of kings and saints, an arch supported by two columns to the foreground acting as a border."--British Museum online catalogue
Alternative Title:
Marriage of Henry VI and Marriage of Henry the Sixth
Description:
Title etched below image., Publication information from that of the volume in which the print appeared., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., Engraved after the painting hung by Horace Walpole over the chimney in the Library at Strawberry Hill., Sheet trimmed within plate mark., Mounted on page 76 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and engraving with stipple on laid paper ; sheet 15.4 x 13.3 cm, and Sheet trimmed to plate mark.
Publisher:
Strawberry Hill Press
Subject (Name):
Henry VI, King of England, 1421-1471,, Margaret, of Anjou, Queen, consort of Henry VI, King of England, 1430-1482,, and Strawberry Hill (Twickenham, London, England)
Bannerman, Alexander, approximately 1730-, printmaker
Published / Created:
[ca. 1762]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Alternative Title:
Thomas Wyck
Description:
Title etched below image., Publication information from that of the volume in which the print appeared., Design consists of two portraits, each with the sitter's name etched below; the larger portrait of "John Wyck" is centered in an oval while the smaller portrait of "Thomas Wyck" is in a rectangle in the lower right., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., "Vol. III, p. 133."--Upper right corner., Mounted on page 134 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., 1 print : engraving and etching on wove paper ; sheet 16.7 x 12.9 cm., and Imperfect; sheet trimmed within plate mark with loss of volume and page numbering from upper right.
Publisher:
Strawberry Hill Press
Subject (Name):
Wyck, Jan, approximately 1640-approximately 1700 and Wyck, Thomas, approximately 1616-1677
"Portrait, half length, to the right, looking at viewer; wearing embroidered doublet, cloak over left shoulder, and ruff, with moustache and short curled hair, one hand on hip; in oval."--British Museum online catalogue
Description:
Title etched below image., Publication information from that of the volume in which the print appeared., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., "Vol. 1, p. 152"--Upper right corner., Engraved after a self-portrait miniature by Oliver that was kept by Horace Walpole in the Tribune at Strawberry Hill., Mounted on page 136 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : etching and engraving with stipple on wove paper ; sheet 17.3 x 13.4 cm., and Sheet trimmed within plate mark.
Publisher:
Strawberry Hill Press
Subject (Name):
Oliver, Isaac, 1556?-1617, and Strawberry Hill (Twickenham, London, England)
Portrait of Henry Fielding; half length, profile to left, in round frame on pedestal with ornaments, including books (with title Joseph Andrews, [Tom] Jones, Amelia, Statues at Large), masks, quill and sword; frontispiece to Murphy's edition of 'The Works of Henry Fielding'published by A. Millar
Description:
Title etched within image., Sheet trimmed within plate mark., and On page 194 in volume 2.
Portrait of Henry Fielding; half length, profile to left, in round frame on pedestal with ornaments, including books (with title Joseph Andrews, [Tom] Jones, Amelia, Statues at Large), masks, quill and sword; frontispiece to Murphy's edition of 'The Works of Henry Fielding' published by A. Millar; state without printmaker's name
Description:
Title etched within image., Printmaker identified from finished plate., Sheet trimmed within plate mark., and Cf. Paulson, R. Hogarth's graphic works, no. 241.
"Henry VII (erroneously described as Henry V) opposite his wife, Elizabeth of York, both kneeling in prayer at altars, their three sons kneeling behind the king and their four daughters behind the queen, two tents behind with an angel between, the fabric in his hands, a fanciful depiction of the mounted St. George swinging his sword at the flying dragon on the hills behind, a broken lance on the ground, the princess and her hound watching, castles and forests beyond."--British Museum online catalogue
Alternative Title:
Henry V, his Queen and family and Henry the Fifth, his Queen and family
Description:
Title etched below image., Publication information from that of the volume in which the print appeared., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., Engraved after the painting hung by Horace Walpole on the staircase at Strawberry Hill., Sheet trimmed within plate mark., Mounted on page 93 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching and engraving on wove paper ; sheet 15.7 x 16 cm., and For further information, consult library staff.
Publisher:
Strawberry Hill Press
Subject (Name):
Henry VII, King of England, 1457-1509,, Elizabeth, Queen, consort of Henry VII, King of England, 1465-1503,, George, Saint, -303., and Strawberry Hill (Twickenham, London, England)
"Henry VII (erroneously described as Henry V) opposite his wife, Elizabeth of York, both kneeling in prayer at altars, their three sons kneeling behind the king and their four daughters behind the queen, two tents behind with an angel between, the fabric in his hands, a fanciful depiction of the mounted St. George swinging his sword at the flying dragon on the hills behind, a broken lance on the ground, the princess and her hound watching, castles and forests beyond."--British Museum online catalogue
Alternative Title:
Henry V, his Queen and family and Henry the Fifth, his Queen and family
Description:
Title etched below image., Publication information from that of the volume in which the print appeared., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., Engraved after the painting hung by Horace Walpole on the staircase at Strawberry Hill., Sheet trimmed within plate mark., and Mounted on page 75 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Publisher:
Strawberry Hill Press
Subject (Name):
Henry VII, King of England, 1457-1509,, Elizabeth, Queen, consort of Henry VII, King of England, 1465-1503,, George, Saint, -303., and Strawberry Hill (Twickenham, London, England)
"Henry VII (erroneously described as Henry V) opposite his wife, Elizabeth of York, both kneeling in prayer at altars, their three sons kneeling behind the king and their four daughters behind the queen, two tents behind with an angel between, the fabric in his hands, a fanciful depiction of the mounted St. George swinging his sword at the flying dragon on the hills behind, a broken lance on the ground, the princess and her hound watching, castles and forests beyond."--British Museum online catalogue
Alternative Title:
Henry V, his Queen and family and Henry the Fifth, his Queen and family
Description:
Title etched below image., Publication information from that of the volume in which the print appeared., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., Engraved after the painting hung by Horace Walpole on the staircase at Strawberry Hill., Sheet trimmed within plate mark., Mounted on page 71 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and 1 print : etching and engraving on laid paper ; sheet 16.3 x 16.8 cm.
Publisher:
Strawberry Hill Press
Subject (Name):
Henry VII, King of England, 1457-1509,, Elizabeth, Queen, consort of Henry VII, King of England, 1465-1503,, George, Saint, -303., and Strawberry Hill (Twickenham, London, England)
Bannerman, Alexander, approximately 1730- printmaker
Published / Created:
[approximately 1762]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Alternative Title:
Edward Pierce Senr. and Junr and Edward Pierce Senior and Junior
Description:
Title etched below image., Publication information from that of the volume in which the print appeared., "Vol. 2, p. 134."--Upper right corner., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., Mounted on page 134 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., 1 print : engraving and etching on wove paper ; sheet 16.7 x 11 cm., and Imperfect; sheet trimmed within plate mark with loss of volume and page numbering from upper right.
Bannerman, Alexander, approximately 1730- printmaker
Published / Created:
[approximately 1762]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of the portrait painter William Dobson; bust, to the left, head turned to look at viewer; with shoulder length curled hair, wearing cloak."--British Museum online catalogue
Description:
Title etched below image., Engraved after a self-portrait by Dobson; see Catalogue of engraved British portraits., Publication information from that of the volume in which the print appeared., "Vol. 2, 106."--Upper right corner., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., Mounted on page 134 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., 1 print : engraving and etching on wove paper ; sheet 15.9 x 11.6 cm., and Imperfect; sheet trimmed within plate mark with loss of volume and page numbering from upper right.
publish'd according to act directs March [the] 15th 1762.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 83. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming"--British Museum online catalogue
Alternative Title:
Enthusiasm delineated
Description:
Title engraved below image., State from Paulson. Reworking of Enthusiasm delineated., With caption: "Believe not every Spirit; but try the Spirits whether they are of God because many false prophets are gone out into the World. 1. John. Ch.4. V.1"., 1 print : etching and engraving on laid paper ; plate mark 43.2 x 32.8 cm, on sheet 56 x 42 cm., Plate 83 in the album: Queen Charlotte's collection of Hogarth works., and Formerly identified as Paulson state 2.
Publisher:
Wm. Hogarth
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Rabbits, Witches, Sleeping, and Supervisors
publish'd according to act directs March [the] 15th 1762.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 83. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming"--British Museum online catalogue
Alternative Title:
Enthusiasm delineated
Description:
Title engraved below image., State from Paulson. Reworking of Enthusiasm delineated., With caption: "Believe not every Spirit; but try the Spirits whether they are of God because many false prophets are gone out into the World. 1. John. Ch.4. V.1"., 1 print : etching and engraving on laid paper ; plate mark 43.2 x 32.8 cm, on sheet 56 x 42 cm., Plate 83 in the album: Queen Charlotte's collection of Hogarth works., and Formerly identified as Paulson state 2.
Publisher:
Wm. Hogarth
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Rabbits, Witches, Sleeping, and Supervisors
publish'd according to act directs March [the] 15th 1762.
Call Number:
Print20115
Collection Title:
Plate 83. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming"--British Museum online catalogue
Alternative Title:
Enthusiasm delineated
Description:
Title engraved below image., State from Paulson. Reworking of Enthusiasm delineated., With caption: "Believe not every Spirit; but try the Spirits whether they are of God because many false prophets are gone out into the World. 1. John. Ch.4. V.1"., and 1 print : etching and engraving ; plate mark 436 x 331 mm.
Publisher:
Wm. Hogarth
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Rabbits, Witches, Sleeping, and Supervisors
publish'd according to act directs March [the] 15th 1762.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 83. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming"--British Museum online catalogue
Alternative Title:
Enthusiasm delineated
Description:
Title engraved below image., State from Paulson. Reworking of Enthusiasm delineated., With caption: "Believe not every Spirit; but try the Spirits whether they are of God because many false prophets are gone out into the World. 1. John. Ch.4. V.1"., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's Book, 3d edit, p. 375., and On page 191 in volume 2. Sheet trimmed to: 43.1 x 32.6 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Rabbits, Witches, Sleeping, and Supervisors
publish'd according to act directs March [the] 15th 1762.
Call Number:
Sotheby 80+ Box 200
Collection Title:
Plate 83. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming"--British Museum online catalogue
Alternative Title:
Enthusiasm delineated
Description:
Title engraved below image., State from Paulson. Reworking of Enthusiasm delineated., and With caption: "Believe not every Spirit; but try the Spirits whether they are of God because many false prophets are gone out into the World. 1. John. Ch.4. V.1".
Publisher:
Wm. Hogarth
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Rabbits, Witches, Sleeping, and Supervisors
publish'd as the act directs March [the] 15th 1762.
Call Number:
Hogarth 762.03.15.01++ Box 305
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a chapel with an impassioned preacher inspiring his listeners; considerably altered from the earlier state known as "Enthusiasm Delineated", for instance, by the substitution of representations of the Cock Lane Ghost (a topical reference to a fraud of 1762) for the figures of Christ, the removal of the barking dog, and the introduction of rabbits emerging from the skirts of the woman swooning on the floor in allusion to Mary Toft, the Rabbit Woman of Godlaming."--British Museum online catalogue
Alternative Title:
Enthusiasm delineated
Description:
Title engraved below image., State from Paulson., Image and text engraved on two separate plates., and With caption: Believe not every Spirit; but try the Spirits whether they are of God because many false prophets are gone out into the World. 1.John.Ch.4.V.1.
Publisher:
Wm. Hogarth
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Rabbits, Witches, Sleeping, and Supervisors
Bannerman, Alexander, approximately 1730- printmaker
Published / Created:
[approximately 1762]
Call Number:
Folio 49 3582 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Anthony van Dyck, bust directed to the right, head slightly turned to face the viewer; within oval frame with cartouche at the bottom."--British Museum online catalogue
Alternative Title:
Antony van Dyck and Anthony van Dyck
Description:
Title from text in image., Publication information from that of the volume in which the print appeared., Plate from: Walpole, H. Anecdotes of painting in England ... [Twickenham] : Strawberry Hill, 1762-1771 [i.e. 1780]., Text below image: From an original in the collection of the Honble. Mr. Walpole., "Vol. 2, 87"--Upper right corner., Engraved after a self-portrait by van Dyck that was kept by Horace Walpole in the Gallery at Strawberry Hill., Mounted on page 150 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : engraving and etching on laid paper ; sheet 18.1 x 12.4 cm., and Sheet trimmed within plate mark.
Publisher:
Strawberry Hill Press
Subject (Name):
Van Dyck, Anthony, 1599-1641, and Strawberry Hill (Twickenham, London, England)
"View of the gardens with pagoda in middle distance, figures in boat on lake in foreground with footbridge at left, temple of Arethusa at right and trees in left foreground with sheep grazing below"--British Museum online catalogue
Description:
Title from caption below image., Approximate date of publication from British Museum online catalogue., and Sheet trimmed to plate mark on three edges.
A broadside with seven verses in letterpress below an engraving, representing three Red Indian Chiefs in their national costumes -- "The Stalking Turkey", "The Pouting Pidgeon", "The Man killer". This satire written on the occasion of the arrival in London of three chiefs of the Cherokee Nation, on an embassy to the Court of George III, and the impression these envoys produced on the English
Description:
Caption title., Publication date from British Museum catalogue., Bowditch's annotations on mounting sheet., Annotated in an unknown hand below verse., and Mounted to 56 x 37 cm; some damage to edges and lower corners.
Publisher:
Sold by the author, opposite the Union Coffee-House, in the Strand, near Temple-Bar, and by all the print and pamphlet seller[s]
