"Copy of scene in the "Old Angle In", an inn with the sign of an angel that gives the proprietor as 'Toms. Bates', and a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn."--British Museum online catalogue
Alternative Title:
Stage-coach
Description:
Title from text below image., Copy in reverse of the Hogarth print with the Paulson title: The stage coach, or, The country inn yard. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 167., Date range for publication from the British Museum online catalogue, registration no.: Cc,2.145., "From an unidentified series of copies after Hogarth's prints. The prints in this series are lettered with title, 'Invented & Painted by Wm. Hogarth' and plate number. For the full list of the plates, see BM Satires 3051"--Curator's comments, British Museum online catalogue, registration no.: Cc,2.153., Sheet trimmed to plate mark., and "No. 4"--Upper right corner.
Publisher:
publisher not identified
Subject (Topic):
Carriages & coaches, Crowds, Street vendors, and Taverns (Inns)
"A satire on King Louis XV of France accusing him of treachery showing him sitting on a throne under a canopy, his crown is held over his head by Pride on his left, a peacock in front of her, and two-faced Treachery on his right, behind whom the devil flies waving a firebrand and a Jesuit stands holding up a candle and scroll lettered “Persecution”. The king wears a black mask and the costume of a Roman general, a cloth adorned with fleur-de-lis round his legs and his sandaled feet rest on two books lettered “T[reatie]s”, a paper with the same lettering lies beside these and an open book. An obsequious courtier, a chain round his ankle attached to a book, kneels at the king’s feet as the king hands him a yoke. On the king’s other side another elegant courtier, his ankle chained to a log, exclaims “Oh! Wh(a)t a great Monarch”, a scene of “The [St Bartholomew's Day] massacre of Paris” hangs on the curtain behind the king. To the left of the canopy is an obelisk bearing the image of a weeping “Europa” with her bull and above this a medallion of the “Cat & monkey”. Around the obelisk are a Spaniard holding a rosary and kneeling in prayer before a statue, a Genoese man and a Bavarian (identified in the verses below); at their feet are the words “Here we stand for ye Glory of France”. In the sky above the Eye of Providence looks down on a pair of scales in which the British lion outweighs the French fleur-de-lis. On the right demon is about to hang Justice as a Cardinal (Tencin?) holds up a cross; beside this a man wearing a wig wooden shoes sits astride a braying donkey waves his hat and cries “Vive le Roy”. At the bottom are three scenes: [at left] three men “Burning of Treaties” and the “Pr[agmati]c S[anctio]n”; ... ; [at right] scenes of executions, torture, a village burning and a monk leading a band of troops while another holding up a cross says “one K[in]g one R[e]l[igio]n”). "--British Museum online catalogue, description of an earlier state of similar composition
Alternative Title:
Funiral ticket for Lord Lovet and Funeral ticket for Lord Lovat
Description:
Title from item., Publisher identified from address., 'Price 6d.'--Following imprint., An earlier state of the plate was used by D. Fournier on Feb. 14, 1747 to illustrate a broadside entitled "The glory of France"; see no. 2849 in the Catalogue of prints and drawings in the British Museum, v. 3. In addition to the added title and altered imprint statement, this later state also differs in the replacement the previous image of a custom house and ships in the bottom center with a new image of Simon Lord Lovat in a chair, with women to the left of him and severed heads to the right., Temporary local subject terms: France: Louis XV masked and dressed as a Roman -- Burning of treaties -- Literature: Jean de la Fontaine, Fables, ii, 143: The monkey and the cat -- Hand of Justice -- Personifications: Persecution -- Pride as a peacock -- Winged Death -- Two-faced Deceipt -- Europa -- Pictures amplifying subject: massacre of Paris -- Beheaded heads -- Eye of Providence -- Torch-bearing demon -- Animals: ass -- Yoke -- Whip -- Torture rack -- Reference to Leaden Hall -- Reference to Westminster Hall -- Wooden shoes -- Emblems: lion -- Balance -- French crown -- Tickets: invitation to an execution., and Watermark: Strasburg lily with initials LVG below.
Publisher:
Publish'd in May's Buildings
Subject (Name):
Lovat, Simon Fraser, Lord, 1667?-1747, James, Prince of Wales, 1688-1766, and Louis XV, King of France, 1710-1774
"View of Twickenham, looking over the River Thames; the houses on the opposite shore reflected in the water; a barge and rowing boat in foreground."--British Museum online catalogue
Alternative Title:
Vüe du village de Twickenham
Description:
Titles etched below image, in English and French., Probably after a design by Heckel; statement of responsibility "A. Heckel delint." is present on another print of identical composition. Cf. British Museum online catalogue, registration no.: 1875,0508.1447., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Views of villages, noblemen and gentlemen's seats, &c. situate on, or near the river Thames", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 88, no. 13., Plate numbered "No. 3" in upper left corner and "1" in upper right corner., Mounted to 24 x 38 cm., and Leaf 2 in an album of views of London and its vicinity.
Publisher:
Printed for Robert Sayer, map & printseller near Serjeants Inn, Fleet Street
Subject (Geographic):
Twickenham (London, England) and Thames River (England)
Title from caption above image., Publication date inferred from the date of Lord Lovat's execution., Key to items in the image at bottom of plate., and Mounted to 32 x 41 cm.
Title from item., Publisher identified from address., Publisher's statement following imprint: whar [sic] is 100 differert [sic] sortmont [sic]., Eight lines of verse in four columns below image: Unto a neighb'ring castle by, to rest his body, and apply ..., and Temporary local subject terms: Litchfield -- Races: Litchfield races -- Elections: Westminster elections, 1747 -- Jacobites -- Elections: bribery -- Design: copied from Hogarth's Taste in high life -- Hunting -- Whittington Heath -- Horse whips -- Tents -- Mottoes: Pretender's motto -- Dancing masters: Mr. Toll -- Nicknames: Two Shilling Butcher for Sir Thomas Clarges -- Nicknames: Staffordshire Jacobite for Lord Gower -- Heston Humphrey.
Publisher:
Sold in May's Buildings, Covent Garden
Subject (Name):
James, Prince of Wales, 1688-1766, William Augustus, Prince, Duke of Cumberland, 1721-1765, Bedford, John Russell, Duke of, 1710-1771, Gower, John Leveson Gower, Earl of, 1694-1754, Stafford, Granville Leveson-Gower, Marquess of, 1721-1803, Clarges, Thomas, Sir, 1688-1759, and Warren, Peter, Sir, 1703-1752
"View of the town from Richmond Hill, the Thames at the centre, a road in the right foreground with figures and a coach."--British Museum online catalogue
Alternative Title:
Paisage du haut de la Montagne de Richmond en descendant la Tamise
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Views of villages, noblemen and gentlemen's seats, &c. situate on, or near the river Thames", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 88, no. 13., Plate numbered "3" in upper right corner., Mounted to 24 x 39 cm., and Leaf 4 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller near Serjeants Inn, Fleet Street
Subject (Geographic):
Richmond upon Thames (London, England), Thames River (England), England, and London.
"View of the Thames from Richmond Hill, with animals grazing in the foreground, a woman guiding a herd of cows towards the right, a coach and a covered cart going in opposite directions, and three figures talking at the centre."--British Museum online catalogue
Alternative Title:
Paisage du haut de la Montagne de Richmond en assendant la Tamise
Description:
Titles etched below image, in English and French., Probably after a painting by Jolly; statement of responsibility "Jolly pinxit" is present on another print of identical composition. Cf. British Museum online catalogue, registration no.: 1875,0508.1436., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Views of villages, noblemen and gentlemen's seats, &c. situate on, or near the river Thames", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 88, no. 13., Plate numbered "2" in upper right corner., Mounted to 24 x 38 cm., and Leaf 3 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller near Serjeants Inn, Fleet Street
Subject (Geographic):
Richmond upon Thames (London, England), Thames River (England), England, and London.
Subject (Topic):
Rivers, Boats, Livestock, Carriages & coaches, and Dwellings
"View of the Thames with boats afloat, three figures conversing in the left foreground."--British Museum online catalogue
Alternative Title:
Vüe du village de Chelsea
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Views of villages, noblemen and gentlemen's seats, &c. situate on, or near the river Thames", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 88, no. 13., Plate numbered "8" in upper right corner., Mounted to 24 x 39 cm., and Leaf 9 in an album of views of London and its vicinity.
Publisher:
Printed for Robert Sayer, map & printseller near Serjeants Inn, Fleet Street
Subject (Geographic):
Chelsea (London, England), Thames River (England), England, and London.
"View at the entrance to the bridge, looking across the river towards Putney; people passing in foreground including a man with a donkey, and a milkmaid with yoke and pails."--British Museum online catalogue
Alternative Title:
Veüe du Pont de Fulham regardant Putney
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Views of villages, noblemen and gentlemen's seats, &c. situate on, or near the river Thames", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 88, no. 13., Plate numbered "6" in upper right corner., Mounted to 24 x 38 cm., and Leaf 7 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller near Serjeants Inn, Fleet Street
Subject (Geographic):
Putney (London, England), Thames River (England), England, and London.
Subject (Topic):
Rivers, Bridges, Pedestrians, Sailboats, and Rowboats
"The Thames at the centre with boats on the water, figures on the quay to the right, a mansion by the quay and the city in the back, Richmond Hill in the background."--British Museum online catalogue
Alternative Title:
View of Richmond Hill from the Earl of Cholmondeley's and Vue de la Montagne de Richmond de la maison du Conte de Cholmondelly
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Views of villages, noblemen and gentlemen's seats, &c. situate on, or near the river Thames", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 88, no. 13., Imperfect; plate number erased from sheet and replaced with number "6" written in ink. Missing number supplied from impression in the British Museum, registration no.: 1872,1012.5399., Plate numbered "4" in upper right corner., Mounted to 24 x 39 cm., and Leaf 10 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleetstreet
Subject (Geographic):
Richmond (London, England), Thames River (England), England, and London.
Subject (Name):
Cholmondeley, George Cholmondeley, Earl of, 1703-1770
Subject (Topic):
Homes and haunts, Rivers, Dwellings, Piers & wharves, and Boats
"A view of Mansion House on Fenchurch Street. Mayor's carriage passing by."--Royal Collection Trust online catalogue, RCIN 702269
Alternative Title:
Vüe de l'Hòtel du Lord Maire, qui comprend la fa̧cade, et le cóté occidental
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "9" in upper right corner., and Leaf 28 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England)
Subject (Name):
Mansion House (London, England),
Subject (Topic):
Official residences, Carriages & coaches, Carts & wagons, and Sedan chairs
Exterior view of the Royal Exchange, looking towards Cheapside down a street with carriages, carts, and pedestrians; the prominent entrance of the Exchange with tower is seen at center; the dome of St. Paul's Cathedral is visible in the distance on the left
Alternative Title:
Vüe de la Bourse Royale à Londres
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "7" in upper right corner., Watermark: Curteis & Son 1806., Leaf 38 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: Old Royal Exchange.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Royal Exchange (London, England), and St. Paul's Cathedral (London, England),
"Men, women and children, many on horseback, gathered under large, spreading trees in a park, greeting the Prince and Princess of Wales, who descend from their carriage at the edge of the river to right, while the royal barge lies waiting on the water; after T Sandby."--British Museum online catalogue, description of another print of nearly identical composition
Alternative Title:
Vüe de la Riviere de la Virginie, du batteau Chinois &c. dans le Grand Parc de Windsor
Description:
Titles etched below image, in English and French., For the original drawing by Thomas Sandby, see British Museum online catalogue, registration no.: 1868,0328.303. See also the print by Paul Sandby, British Museum online catalogue, registration no.: 1871,0812.2556, Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of his Majesty's gardens of Kensington, Hampton-Court, Windsor and Kew, beautifully engraved", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87-88, no. 11., Plate numbered "12" in upper right corner., and Leaf 53 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
Windsor (Berkshire, England), Windsor Great Park (England),, Virginia Water (England : Lake),, and England.
Subject (Name):
Frederick Louis, Prince of Wales, 1707-1751, and Augusta, Princess of Wales, 1719-1772,
Subject (Topic):
Parks, Lakes & ponds, Barges, Sailboats, and Carriages & coaches
Title from item., Publication date from British Museum online catalogue., Sheet trimmed within plate line., Central design surrounded by four smaller designs, one in each corner of plate. Each design enclosed by scrolls., Eight lines of verse in four columns below image: As Lowendahl of late the walls he did scour ..., Temporary local subject terms: Military encampment -- Soldiers -- Military courier -- Personifications: fainting Britannia -- Personifications: Justice holding balance -- Maps: siege of Bergen-op-Zoom, 1747 -- Bribes -- Balance -- Guns -- Culloden -- Pipes -- Staff -- Guns: batteries of cannons -- Fortresses: Bergen-op-Zoom -- Alliances: France and Prussia, 1747 -- Netherlands: surrender of Bergen-op-Zoom to French, Sept. 16, 1747 -- Lord John Murray, 1711-1751 -- John Murrray, Baronet, 1718-1777., and Imperfect: right side of sheet torn off with loss to design and the last column of verse; mounted to 38 x 44 cm.
Publisher:
publisher not identified
Subject (Name):
Louis XV, King of France, 1710-1774, Maria Theresa, Empress of Austria, 1717-1780, George II, King of Great Britain, 1683-1760, William IV, Prince of Orange, 1711-1751, William Augustus, Prince, Duke of Cumberland, 1721-1765, Saxe, Maurice, comte de, 1696-1750, and Lowendal, Ulric Frédéric Woldemar, comte de, 1700-1755
"Satire on three bishops competing to become Archbishop of Canterbury in succession to William Wake."--British Museum online catalogue
Description:
Title from item., Publication date from British Museum catalogue., 'Price 6d.'--Lower right corner of plate., Temporary local subject terms: Buildings., and Watermark: countermark IV.
Litchfield races transpos'd and Litchfield races transposed
Description:
Caption title., Place of publication and suggested date from English short title catalogue and British Museum catalogue., An etching at top of sheet satirising the Jacobite enthusiasms of Staffordshire sportsmen, is followed below by a song in letterpress., Six stanzas of an anonymous song that is a patriotic British plea for unity, in two columns below the image: Ye subjects of true British race, Whether old Whig or Tory ... which does not clearly relate to the engraving in its contents., Temporary local subject terms: Union: Great Britain and Scotland -- Scotland : Rebellion, denial of redress for grievances -- Emblems: Britannia as symbol of the Union -- Emblems: fleur-de-lis as France, tied to Britain -- Races: Litchfield -- Ballads -- Cannons: touchole -- Tents -- Emblems: anchor for the Duke of Bedford., Watermark: Fleur-de-lis., and Sheet trimmed on the right, within plate mark of the etching, resulting in some loss of image and in loss of 'd' in 'transpos'd'.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
James, Prince of Wales, 1688-1766, William Augustus, Prince, Duke of Cumberland, 1721-1765, and Bedford, John Russell, Duke of, 1710-1771
Subject (Topic):
Jacobites, Caricatures and cartoons, Patriotism, Britannia (Symbolic character), National emblems, British, French, and Scottish
Title from item., Publisher identified from address., Publisher's statement following imprint: where is 100 different sortiments., Two lines of verse below image: Sculls sculls to Lambeth! See how hard they pull'em! ..., Temporary local subject terms: Buildings: Lambeth Palace -- Rivers: Thames -- Trades: watermen -- Sculling boats -- Clergy., and Watermark.
Publisher:
Sold in May's Buildings, Covent Garden
Subject (Name):
Herring, Thomas, 1693-1757, Sherlock, Thomas, 1678-1761, Mawson, Matthias, 1683-1770, Hoadly, Benjamin, 1676-1761, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Pelham, Henry, 1695?-1754
Title engraved within image., Publication place and date inferred from that of the magazine for which this plate was engraved., Sheet trimmed within plate mark., Frontispiece from: The London magazine; or, Gentleman's monthly intelligencer. London : Printed for R. Baldwin ... , 1732- , v. 16 (1747), March issue, on one sheet with British Museum catalogue no. 2817., Temporary local subject terms: Literature: quotation from The Beggar's opera by John Gay, 1685-1732., and Window mounted to 23 x 31 cm.
Publisher:
publisher not identified
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788,, MacDonald, Flora, 1722-1790,, and Cameron, Jenny.
Short half-length portrait of the architect James Gibbs, looking to the right, in an oval, decorated frame
Description:
Title, artist, printmaker, state and date from later states and Paulson., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand at top of page: See Nichols's book, 3d edit. p. 288., and On page 143 in volume 2. Sheet trimmed within plate mark to: 26.8 x 19.2 cm.
"View of the palace from Millbank; St Paul's in the distance to the left, boats and figures in foreground."--British Museum online catalogue
Alternative Title:
Lambeth le Palais, de L'Archveque de Canterbury
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of his Majesty's palaces and royal hospitals, and other public buildings in London, &c.", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 87, no. 9., Plate numbered "10" in upper right corner., Watermark: 1804., and Leaf 29 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England) and Thames River (England),
Subject (Name):
Lambeth Palace, and St. Paul's Cathedral (London, England),
Subject (Topic):
Castles & palaces, Official residences, Rivers, and Boats
Title from item., Publisher identified from address., and Temporary local subject terms: Reference to the peace conference at Breda, 1746 -- Games: leap-frog -- Cities: view of Breda -- Emblems: bag of the Secretary of State -- Karl August Friedrich, Fürst von Waldeck, 1704-1763 -- Karl Joseph, Fürst von Batthyány, 1697-1772 -- Mr. Gilles, plenipotentiary and pensionary of Holland.
Publisher:
Sold in May's Buildings, Covent Garden
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Sandwich, John Montagu, Earl of, 1718-1792, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, and Stair, John Dalrymple, Earl of, 1720-1789
publish'd according to act of Parliament, June 15th 1747 [i.e. not before 1794?]
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
In a graveyard with tombstones and sarcophagi, a headless ghost in a monk's robes (crucifix and rosary hanging round his neck) carries his head in his left arm as he walks left toward a sarcophagus inscribed "This monument was erected by Simon Lord Fraser of Lovat &c. &c."; the lefy side is also inscribed "To the memory ofThomas Lord Fraser of Lovat."
Description:
Title etched below image., Re-issue after plate cut down, removing Molteno's publication address?, Lettered below the title, six lines of verse in three sections: Disguis'd thro' life, a layman at [the] block, My headless trunk resumes [the] monkish frock. Doom'd for my crimes in pilgrimage to roam. With weary steps I seek my native home, Where vanity inscribes my Father's tomb, But Justice now denies my carcase room., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed), p. 306., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 147., Ms. note in pencil in Steevens's hand above print: Spurious. Not in Mr. Nichols's book., and On page 179 in volume 2. Sheet trimmed to: 23.6 x 33.6 cm.
publish'd according to act of Parliament, June 15th 1747 [i.e. not before 1794?]
Call Number:
Hogarth 794.00.00.187 Box 130
Image Count:
1
Resource Type:
still image
Abstract:
In a graveyard with tombstones and sarcophagi, a headless ghost in a monk's robes (crucifix and rosary hanging round his neck) carries his head in his left arm as he walks left toward a sarcophagus inscribed "This monument was erected by Simon Lord Fraser of Lovat &c. &c."; the lefy side is also inscribed "To the memory ofThomas Lord Fraser of Lovat."
Description:
Title etched below image., Re-issue after plate cut down, removing Molteno's publication address?, Lettered below the title, six lines of verse in three sections: Disguis'd thro' life, a layman at [the] block, My headless trunk resumes [the] monkish frock. Doom'd for my crimes in pilgrimage to roam. With weary steps I seek my native home, Where vanity inscribes my Father's tomb, But Justice now denies my carcase room., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed), p. 306., and Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 147.
Portrait of Samuel Foote performing in his comedy Diversions of the morning; whole length, turned to the left with arms spread out and exclaiming "Oh! Ah! Bitch, what is all this?"; his hat and stick on the ground to the left
Description:
Title etched above image., Original drawing by Francis Hayman is held by the British Museum; see Catalogue of drawings by British artists and artists of foreign origin working in Great Britain ..., v. 2, page 278, no. 2., Printmaker inferred from listed street address; George Bickham the Younger worked out of May's Buildings, Covent Garden at this time., Text below image: Harkee Tedy! Can't you make use of some mechanical means to keep [your] fire alive? Such as whispering to your self. Oh! Ah! Bitch &c., and Watermark: horn on crowned shield, with initials LVG below.
Publisher:
publisher not identified
Subject (Name):
Foote, Samuel, 1720-1777. and Foote, Samuel, 1720-1777,
Subject (Topic):
Actors, British, Portrait prints, and Theatrical productions
Title from item., Publication from an unverified card catalog record., Twelve lines of verse in four columns below image: What a racket was made / By the heads of the trade ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Crimes: reference to smuggling -- Committees: Crown Tea Committee -- Reference to Sir Robert Walpole(?), 1676-1745 -- Reference to Henry Pelham, 1695?-1754., and Watermark: fleur-de-lis.
Title from item., Printmaker's name probably a pseudonym., Sheet trimmed within plate mark on the right., Temporary local subject terms: Interiors: hall at Oxford -- Thrones -- Clergy -- Sticks: wands -- Male dress: astronomer's Zodiac belt -- Hats: fool's cap -- Devil -- Smoking: bubble pipe -- Military uniforms: officer's uniform -- Furnishings: pedestals -- Satyrs -- Masks -- Curtains -- Writing implements: quills and inkwell -- Furniture: low table -- Lists -- Clubs: White Horse Club -- Literature: quotation from Horace's Epistles, i, ii.27 -- Sermons -- Allusion to the Jacobite Rebellion, 1745., and Watermark: Strasburg lily.
Publisher:
publisher not identified
Subject (Name):
Bradley, James, 1693?-1762, Hoadly, Benjamin, 1676-1761, and Brown, Joseph, 1700-17667
"Trade card of Peter Griffin, printseller, at Dial and Three Crowns, Next the Globe Tavern, Fleet Street, from the late Overtons; text on sheet at the centre with clock face and three crowns above; with various prints overlapping behind it, including maps, portraits, satires, and ornaments."--British Museum online catalogue
Description:
Title from item., Date of publication from the British Museum online catalogue, registration no.: Heal,100.32., Imprint engraved at top of plate; date of publication below image, lower right., Engraved above the image is a detailed list of wares for sale: All sorts of maps both foreign & English, fine French, Italian, Dutch, and English Prints; metzo-tinto heads, & historys black, or painted on glass; fitteth up Gent. halls, or large rooms [with] maps or prints on rolers, neatly puts into frames & glasses any of [the] above goods. NB. Where merchants, or sea commanders, country or town chapmen may be supplied wth. quanteties [sic] of the above goods, at the most reasonable rates, for exportation &c., and Date "1747" added in ink in lower right corner. For further information, consult library staff.
Publisher:
Sold by Peter Griffin, map & printseller at the Three Crowns & Dial, next the Globe Tavern, Fleet Street
A later state lettered with the name of the famous pugilist John Smith: a bald headed man in profile to left; the artist's father (?); later state with added title; third state with inscription, copy in reverse after Rembrandt
Description:
Title etched below image., Attributed to Benjamin Wilson, after the print by Rembrandt, in the British Museum catalogue., A copy in reverse after Rembrandt's etching. See White, C. Rembrandt's etchings, no. 292, copy 4., Sheet trimmed to close to plate mark on top., On page 207 in volume 3., and Ms. note in ink in Steevens's hand on separate scrap pasted below print: This is a mere copy from one of Rembrandt's small heads reversed. On taking it out of the frame in which it had been placed with much precaution, it appeared to have been recently printed off a modern French card. --Caveat emptor. In the year 1788, a gentleman picked it up (price 1s 6d) as a Broker's Shop in Goodman's Fields.
A head-and-shoulders portrait in profile to the left of the Duke of Cumberland in armor, enclosed in a small circular frame inscribed with title, surmounted by laurel branches and resting against the background of flags and weaponry and directly on top of a helmet and two shields with figures. Below, in an elaborate scroll are engraved six lines of verse in French: C'est ce Prince vaillant, dont l'intrepidité, arrête des rebelles, l'insolante fierté ... Beneath the scroll is a design of crossed flags, halberds, with breast plate and helmet in the center. The whole is enclosed in an oval frame that rests on a plinth engraved with six lines of verse in English: Rouz'd by fair Liberty, see William draw his vengeful sword, and daring rebels awe ...
Description:
Title from engraved text around the portrait., Sheet trimmed within plate mark., and Temporary local subject terms: Weapons -- Reference to the Jacobite Rebellion, 1745.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765,
"View of the palace from the surrounding formal gardens; a brick wall dividing gardens, a fountain and paths in gardens outside palace to the left; in the foreground two trees to the right, figures strolling amongst it and in formal gardens to the left and beyond."--British Museum online catalogue, description of another print of identical composition
Alternative Title:
Palais Royale de Hampton Court
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of his Majesty's palaces and royal hospitals, and other public buildings in London, &c.", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 87, no. 9., Plate numbered "7" in upper right corner., and Leaf 52 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
Richmond upon Thames (London, England)
Subject (Name):
Hampton Court (Richmond upon Thames, London, England),
View of Windsor Castle from across the river Thames, with boats on the water and two swans to the left. Three men with fishing poles and two women are seen on the bank in the foreground; a tree stands on the right
Alternative Title:
Palais Royale de Windsor
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of his Majesty's palaces and royal hospitals, and other public buildings in London, &c.", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 87, no. 9., Imperfect; plate number erased from upper right corner of sheet. Missing number supplied from impression in the Victoria and Albert Museum, accession no.: 29635:13., Plate numbered "8" in upper right corner., Watermark: 1804., and Leaf 19 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
Berkshire (England) and Thames River (England),
Subject (Name):
Windsor Castle,
Subject (Topic):
Castles & palaces, Official residences, Rivers, and Boats
Title from caption above image., Attribution to John June from an unverified card catalog record., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Twelve lines of verse in three columns below image: Ye smarts whose merit lies in dress take warning by a beaux distress ..., Temporary local subject terms: London: Holywell Street, Strand -- Street scenes: The Strand -- Buildings: Temple Bar -- Signboards: Trades -- Street stalls -- Butchers' shops -- Fishmongers' shops -- Butchers -- Signs: ship -- Bunch of grapes -- Practical jokes -- Animals: dogs -- Crowds: pedestrian crowds -- Flowerpots: pots on windowsills -- Dandies -- Female dress, 1747 -- Male dress, 1747., Watermark: Strasburg bend., and Window mounted to 27 x 34 cm.
"Scene of the dual from David Garrick's play 'Miss in her Teens'; two men duelling, behind them two women berate the fighting men, the lady on the left claims "On my words he is a bully", and the lady on the right addressing the man on the right claims "Is all your fury gone Mr Flash"; all whole length."--British Museum online catalogue
Alternative Title:
Modern duel
Description:
Title etched below image., Added title from British Museum catalogue: The modern duel. (No. 3)., Publication information from the the magazine in which this plate appeared., Sheet trimmed to plate mark., Plate from: The London magazine, or, Gentleman's monthly intelligencer. London : Printed for R. Baldwin, 1747, v.1, p. 200., and Mounted to 23 x 29 cm.
"View in Cheapside, looking down the wide street with the church on the right, the old shop signs over-hanging the pavements on either side."--British Museum online catalogue, description of another print of identical composition
Alternative Title:
Eglise de St. Marie le Bow dans Cheapside, London
Description:
Titles etched below image, in English and French., Date of publication based on Robert Sayer's earliest year of activity. The address "near Sergeants Inn, Fleet Street" only appears on his very early prints; see British Museum online catalogue., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "10" in upper right corner., Watermark: Curteis & Son 1806., and Leaf 41 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), Cheapside (London, England),, England, and London.
Title engraved above image., Four lines of song in two columns below image: Lullaby baby bunting, your daddy's gone a hunting ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Elections: Westminster elections, 1747 -- Election procession -- Effigies: K.B. -- Newspapers: Whitehall Evening Post; Westminster Journal -- Trades: chimney sweepers -- Tools: chimney sweeper's implements -- Butchers -- Cleavers -- Furniture: cradle -- Language: crazy meaninn infirm -- Signs -- Jacobites -- Uniforms: beefeater's uniform -- Sir Thomas Dyke -- Mr. Butcher, "Two-Shilling" Butcher., and Watermark: countermark IV.
Publisher:
publisher not identified
Subject (Name):
Stafford, Granville Leveson-Gower, Marquess of, 1721-1803, Warren, Peter, Sir, 1703-1752, Clarges, Thomas, Sir, 1688-1759, Phillips, John, 1701-1763, Bedford, John Russell, Duke of, 1710-1771, and Egmont, John Perceval, Earl of, 1711-1770
publish'd according to act of Parliament 30 Sep. 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 44. Queen Charlotte's collection of Hogarth works. Leaf 40. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaver's workshop, Tom Idle sleeps, spindle in hand, at his loom beneath a ballad of Moll Flanders, having drunk from a large tankard lettered "Spittle Fields"; Francis Goodchild concentrates on his work while light streams through the window onto ballads of "The London Prentice" and "Whitington, Ld Mayor" on the wall above his head; a cat pulls at Idle's shuttle and the master, Mr. West, enters shaking his cane at his idle apprentice
Alternative Title:
Fellow apprentices at their looms
Description:
Title engraved above image., Series title engraved above image; plate numbering below image., State and publisher from Paulson., Sheet trimmed within plate mark: 26.4 x 34.5 cm., and Fomerly on page 131 in volume 2. Removed in 2013 by LWL conservator.
publish'd according to act of Parliament 30 Sep. 1747.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 44. Queen Charlotte's collection of Hogarth works. Leaf 40. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaver's workshop, Tom Idle sleeps, spindle in hand, at his loom beneath a ballad of Moll Flanders, having drunk from a large tankard lettered "Spittle Fields"; Francis Goodchild concentrates on his work while light streams through the window onto ballads of "The London Prentice" and "Whitington, Ld Mayor" on the wall above his head; a cat pulls at Idle's shuttle and the master, Mr. West, enters shaking his cane at his idle apprentice
Alternative Title:
Fellow apprentices at their looms
Description:
Title engraved above image., Series title engraved above image; plate numbering below image., State and publisher from Paulson., 1 print : etching with engraving on laid paper ; plate mark 26.3 x 34.4 cm, on sheet 27.2 x 41.2 cm., and Mounted on leaf 40 in: Album of William Hogarth prints.
publish'd according to act of Parliament 30 Sep. 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 44. Queen Charlotte's collection of Hogarth works. Leaf 40. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaver's workshop, Tom Idle sleeps, spindle in hand, at his loom beneath a ballad of Moll Flanders, having drunk from a large tankard lettered "Spittle Fields"; Francis Goodchild concentrates on his work while light streams through the window onto ballads of "The London Prentice" and "Whitington, Ld Mayor" on the wall above his head; a cat pulls at Idle's shuttle and the master, Mr. West, enters shaking his cane at his idle apprentice
Alternative Title:
Fellow apprentices at their looms
Description:
Title engraved above image., Series title engraved above image; plate numbering below image., State and publisher from Paulson., and On page 131 in volume 2. Sheet trimmed within plate mark: 26.2 x 34.2 cm.
publish'd according to act of Parliament 30 Sep. 1747.
Call Number:
Sotheby 44 Box 100
Collection Title:
Plate 44. Queen Charlotte's collection of Hogarth works. Leaf 40. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaver's workshop, Tom Idle sleeps, spindle in hand, at his loom beneath a ballad of Moll Flanders, having drunk from a large tankard lettered "Spittle Fields"; Francis Goodchild concentrates on his work while light streams through the window onto ballads of "The London Prentice" and "Whitington, Ld Mayor" on the wall above his head; a cat pulls at Idle's shuttle and the master, Mr. West, enters shaking his cane at his idle apprentice
Alternative Title:
Fellow apprentices at their looms
Description:
Title engraved above image., Series title engraved above image; plate numbering below image., State and publisher from Paulson., and 1 print : engraving on laid paper ; plate mark 26.2 x 34.4 cm, on sheet 29.4 x 38 cm.
publish'd according to act of Parliament 30 Sep. 1747.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 44. Queen Charlotte's collection of Hogarth works. Leaf 40. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaver's workshop, Tom Idle sleeps, spindle in hand, at his loom beneath a ballad of Moll Flanders, having drunk from a large tankard lettered "Spittle Fields"; Francis Goodchild concentrates on his work while light streams through the window onto ballads of "The London Prentice" and "Whitington, Ld Mayor" on the wall above his head; a cat pulls at Idle's shuttle and the master, Mr. West, enters shaking his cane at his idle apprentice
Alternative Title:
Fellow apprentices at their looms
Description:
Title engraved above image., Series title engraved above image; plate numbering below image., State and publisher from Paulson., 1 print : etching with engraving on laid paper ; plate mark 26.3 x 34.7 cm, on sheet 29 x 44.3 cm., Mounted on leaf 59 x 46 cm., and Plate 44 in the album: Queen Charlotte's collection of Hogarth works.
publish'd according to act of Parliament 30 Sep. 1747.
Call Number:
Folio 75 H67 747
Collection Title:
Plate 44. Queen Charlotte's collection of Hogarth works. Leaf 40. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaver's workshop, Tom Idle sleeps, spindle in hand, at his loom beneath a ballad of Moll Flanders, having drunk from a large tankard lettered "Spittle Fields"; Francis Goodchild concentrates on his work while light streams through the window onto ballads of "The London Prentice" and "Whitington, Ld Mayor" on the wall above his head; a cat pulls at Idle's shuttle and the master, Mr. West, enters shaking his cane at his idle apprentice
Alternative Title:
Fellow apprentices at their looms
Description:
Title engraved above image., Series title engraved above image; plate numbering below image., State and publisher from Paulson., and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
publish'd according to act of Parliament 30 Sep. 1747.
Call Number:
Kinnaird 45K(a) Box 100
Collection Title:
Plate 44. Queen Charlotte's collection of Hogarth works. Leaf 40. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the weaver's workshop, Tom Idle sleeps, spindle in hand, at his loom beneath a ballad of Moll Flanders, having drunk from a large tankard lettered "Spittle Fields"; Francis Goodchild concentrates on his work while light streams through the window onto ballads of "The London Prentice" and "Whitington, Ld Mayor" on the wall above his head; a cat pulls at Idle's shuttle and the master, Mr. West, enters shaking his cane at his idle apprentice
Alternative Title:
Fellow apprentices at their looms
Description:
Title engraved above image., Series title engraved above image; plate numbering below image., State and publisher from Paulson., and Sheet trimmed to plate mark: sheet 26.4 x 34.5 cm.
publish'd according to act of Parliament Sepbr 30, 1747.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 41. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A churchyard with Tom Idle sprawled on a tomb playing hustle-cap with a one-eyed man wearing a striped cap and a ragged boot-black. A younger boy scratches his head in puzzlement as he watches the play, and a beadle raises his cane to strike Idle. In the foreground skulls and bones and an open grave. To the right in the background, the congregation enters the church
Alternative Title:
Idle apprentice at play in the church yard during divine service
Description:
Title etched above image., State and publisher from Paulson., Sheet trimmed within plate mark., Third plate in the series of twelve: Industry and idleness., "Plate 3"--Below frame., Caption in decoration in lower edge of frame: Proverbs Ch:XIX. Ve. 29. Judgments are prepar'd for Scorners & Stripes for the back of Fools., 1 print : etching with engraving on laid paper ; plate mark 26.3 x 34.4 cm, on sheet 27.2 x 40.8 cm., and Mounted on leaf 41 in: Album of William Hogarth prints.
publish'd according to act of Parliament Sepbr 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Leaf 41. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A churchyard with Tom Idle sprawled on a tomb playing hustle-cap with a one-eyed man wearing a striped cap and a ragged boot-black. A younger boy scratches his head in puzzlement as he watches the play, and a beadle raises his cane to strike Idle. In the foreground skulls and bones and an open grave. To the right in the background, the congregation enters the church
Alternative Title:
Idle apprentice at play in the church yard during divine service
Description:
Title etched above image., State and publisher from Paulson., Sheet trimmed within plate mark., Third plate in the series of twelve: Industry and idleness., "Plate 3"--Below frame., Caption in decoration in lower edge of frame: Proverbs Ch:XIX. Ve. 29. Judgments are prepar'd for Scorners & Stripes for the back of Fools., and On page 133 in volume 2. Sheet trimmed to: 26.3 x 34.6 cm.
publish'd according to act of Parliament Sepbr 30, 1747.
Call Number:
Kinnaird 46K(a) Box 210
Collection Title:
Leaf 41. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A churchyard with Tom Idle sprawled on a tomb playing hustle-cap with a one-eyed man wearing a striped cap and a ragged boot-black. A younger boy scratches his head in puzzlement as he watches the play, and a beadle raises his cane to strike Idle. In the foreground skulls and bones and an open grave. To the right in the background, the congregation enters the church
Alternative Title:
Idle apprentice at play in the church yard during divine service
Description:
Title etched above image., State and publisher from Paulson., Sheet trimmed within plate mark., Third plate in the series of twelve: Industry and idleness., "Plate 3"--Below frame., and Caption in decoration in lower edge of frame: Proverbs Ch:XIX. Ve. 29. Judgments are prepar'd for Scorners & Stripes for the back of Fools.
publish'd according to act of Parliament, Sepbr. 30, 1747.
Call Number:
Folio 75 H67 747
Collection Title:
Plate 46. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Idle is shown in a churchyard sprawled on a tomb playing hustle-cap with a one-eyed man wearing a striped cap and a ragged boot-black. A younger boy scratches his head in puzzlement as he watches the play, and a beadle raises his cane to strike Idle. In the foreground skulls and bones are shown at an open grave. To the right in the background, the congregation enters the church. The right of the frame is decorated with a scourge, manacles and a hangman's rope; on the left frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Idle apprentice at play in the church yard during divine service
Description:
Title etched above image., State from Paulson., "Plate 3"--Below frame., Third plate in the series of twelve: "Industry and idleness"., Caption in decoration in lower edge of frame: "Proverbs Ch:XIX. Ve. 29. Judgments are prepar'd for Scorners & Stripes for the back of Fools.", and Sewn into contemporary blue paper wrappers with the eleven other plates in the series, all on wove paper; inscribed "H. Man. 1798" on front wrapper. With a further brown paper dust wrapper and brown paper envelope, inscribed "Hogarth Industrious and Idle Apprentice. H.S. Man 1796, a gift from his father". For further information, consult library staff.
