"The coronation of James II; interior of Westminster Abbey, the crowning of the king at bottom centre."--British Museum online catalogue and "One of a series of four prints, all based on the large plates in Sandford's 'History of the Coronation', first published by Bowles as a composite plate in the series 'London Described' (see Adams 29.8). The plate used in Sandford's book had a shorter title, no text in lower margin, and was inscribed 'W Sherwin sculp'."--Curator's comments, British Museum online catalogue
Description:
Title engraved above image., Reissue of a plate first published ca. 1723 by John Bowles., Date of publication based on date of the partnership of John Bowles & Son: a partnership that lasted from 1752 to 1764. See British Museum online catalogue., Sheet trimmed within plate mark., Key to the illustration engraved below image., Plate numbered "1" in upper right corner., and Mounted on board to 29.2 x 26.0 cm/
Publisher:
Printed for T. Bowles in St. Pauls Church Yard, & John Bowles & Son at the Black Horse in Cornhil
Subject (Geographic):
England, London., and England.
Subject (Name):
James II, King of England, 1633-1701 and Westminster Abbey,
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., and Dedication etched below image: To His Majesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated.
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image. and Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated."
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image. and Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated."
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image., Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated.", Ms. note in pencil in Steevens's hand below print: Modern impression., Sheet trimmed within plate mark to: 43.1 x 55.2 cm., and Formerly on page 152 in volume 2. Removed in 2012 by LWL conservator.
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image., Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated.", 1 print : etching and engraving on laid paper ; sheet 43.2 x 55.2 cm., Sheet trimmed within plate mark; mounted on leaf 46 x 59 cm., and Plate 37 in the album: Queen Charlotte's collection of Hogarth works.
publishd. according to act of Parliament, Feby. 25, 1761.
Call Number:
761.02.25.01++
Image Count:
1
Resource Type:
still image
Abstract:
"Old Westminster Bridge; a stone bridge with round arches in the middle ground, houses lining the river bank on the right and several ships, including one in the foreground with sails and a man plying an oar, laden with barrels, a man in a small boat on the right waving at a woman who stands in a doorway in the embankment."--British Museum online catalogue
Description:
Title engraved below image.
Publisher:
publisher not identified
Subject (Geographic):
England, London., and Westminster Bridge (London, England),
"View of a waterfall in a canyon with forest surrounding, two small figures standing on the edge of rocks, sun rays piercing through the clouds."--British Museum online catalogue, description of a later state
Alternative Title:
Vue de l'Cataracte du Passaick, ou Seconde Riviere, dans la province de Nouveau Jersey and View of the falls on the Passaic, or Second River, in the province of New Jersey
Description:
Titles engraved below image, in English and French., State with blank space preceding year "1761" in imprint statement. For another state with day and month "20 May" engraved within that space, see British Library online catalogue, shelfmark: Maps K.Top.122.31.b., Sheet trimmed within plate mark., One of 28 plates in the series: Scenographia Americana., and For a later issue of the plate, with new imprint listing John Bowles, Robert Sayer, and three others as publishers, see British Museum online catalogue, registration no.: 1878,0511.946.
Publisher:
Publish'd according to act of Parliament, 1761, by Thos. Jefferys, the corner of St. Martins Lane
Title etched at top of image., A letter in form of a rebus., The following words in the title are represented by images: Lord Bute by a boot, 'be' in 'between' by a bee, Jockey by a figure of a jockey, 'Cloud' in 'McCloud' by clouds, Britannia by a figure of Britannia., Sheet trimmed to plate mark., and Mounted to 35 x 26 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Pitt, William, Earl of Chatham, 1708-1778
Title from text below image., Publication date from book for which this plate was engraved., Plate from: A new, universal and impartial history of England / George Frederick Raymond. London, 1787., and Temporary local subject terms: Ports: docking platform at Harwich -- Barges: royal barge, 1761 -- Yachts: 'Royal Charlotte' -- Weapons: emblazoned on ornamental frame -- Musical instruments: emblazoned on ornamental frame -- Naval uniforms: admiral of the fleet -- Flags: British flag -- Crowns: royal crown on the barge -- Female dress: Queen Charlotte's dress, 1761 -- Female dress: ladies'-in-waiting dress, 1761.
Publisher:
publisher not identified
Subject (Name):
Charlotte, consort of George III, King of Great Britain, 1744-1818. and Anson, George Anson, Baron, 1697-1762.
Truth triumphant against the reapers being a most beautiful contrast
Description:
Title from item., Publication date from British Museum catalogue., Sheet trimmed within plate mark., 'Price 6d'., Temporary local subject terms: Resignations: William Pitt the Elder's resignation, 1761 -- Personifications: Fame -- Medallions --Pensions -- Trades: sailors -- Frenchmen -- Spaniards -- British Lion -- Emblems: gallic cock -- Money: bribes -- Addresses: William Pitt's letter to William Beckford, 1761., Watermark: Vryheyt on the right side of sheet; counternark on the left., and Mounted to 27 x 37 cm.
Publisher:
J. Britton
Subject (Name):
George III, King of Great Britain, 1738-1820, Bussy, François de, 1699-1780, Holland, Henry Fox, Baron, 1705-1774, and Pitt, William, Earl of Chatham, 1708-1778
Subject (Topic):
Britannia (Symbolic character), Devils, and Thrones
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1761]
Call Number:
761.00.00.03.1
Image Count:
1
Resource Type:
still image
Alternative Title:
Scotch intruders 1760
Description:
"Satire on the Scots and on the supposed relationship between Lord Bute and Princess Augusta, showing on the right a curtain decroated with thistles and the Stuart royal motto "Nemo me impune lacessit" behind which the couple are seen fondling each other in company of a short man or boy and another man (identified as "B-T-FI"), both evidently Scots; five Scotsmen and a Scottish woman stand to the left hoping for posts, two of them refer to connections with France."--British Museum online catalogue., Title etched below image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., The top sheet contains the figures of the Princess of Wales, Lord Bute, and two others, that can be seen behind the screen when the print is viewed against a source of light., and Mounted.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Smollett, T. 1721-1771 (Tobias),, and Queensberry, William Douglas, Duke of, 1725-1810
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1761]
Call Number:
761.06.00.01 Impression 1
Image Count:
1
Resource Type:
still image
Description:
Title from item., Printmaker and publication date from British Museum catalogue., Two columns of verse below image: The genius of the S[cotc]h is mutiny, they scarcely want a guide to move their madnes [sic] ... (Dryden)., Temporary local subject terms: Scottish influence -- Keys of the back stairs -- Allusion to Scotch collops -- Swords: broadsword -- Scottish costume: Highland -- Allusion to the Jacobite Rebellion, 1745 -- Allusion to William Pitt, Earl of Chatham, 1708-1778., 1 print on laid paper : etching ; sheet 19 x 31 cm., mounted to 24 x 34 cm., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765 and Bute, John Stuart, Earl of, 1713-1792
An etching in outline representing the interior of a room, with a door on the left, a circular table on the right. On the table is a dish on which sits a boar's head; a scroll on the table to the left reads "Reprieve for murder." A crutch is propped up against the back of the table. From the ceiling above the middle of the room hangs a birdcage with a yellow bird inside. Under the birdcage sits the singer Miss Anne Ford a guitar in hand; Anne was the daughter of Thomas Ford Clerk of Arraigns, an Old Bailey lawyer. She sings "si tutti de olberi". William, the third Earl of Jersay kneels at her feet and with joined hands says, "Believe my sighs my vows my dear &c" A second crutch lies on the ground beside him; he is much older and suffers from gout. The lawyer Ford enters the room from the left, hat under his arm as he regards the scene with amusement. See British Museum catalogue
Description:
Title and publication date from British Museum catalogue., Sheet trimmed within plate mark with loss of title., Plate used for frontispiece Thicknesse, A. Letter from Miss F--d, addressed to a person of distinction. 2nd ed. London, 1761., See Gentleman's magazine, January 1761, pages 33, 79., Watermark., and Mounted to 27 x 37 cm.
Publisher:
publisher not identified
Subject (Name):
Jersey, George Bussey Villiers, Earl of, 1735-1805, Thicknesse, Ann, 1737-1824, and Ford, Thomas, -1768,
Subject (Topic):
Birdcages, Boars, Courtship, Crutches, Gout, Guitars, Interiors, Lawyers, and Singers
"Satire on the proposed introduction of a tax on beer showing members of the public in front of a large brewery: a brewer promises not to raise his prices thus pleasing a coachman, a soldier laments his daily pay of only 5d., a porter with a knot on his shoulder complains, a hackney coachman says he will drink good porter, two gentleman feel that the cost would be borne by the poor and so is likely to be altered, two old women think that the price of gin should be lowered if that of beer is to be raised; on a hill in the background three asses with human heads represent brewers, including Sir William Calvert, are only interested in their own promotion; a drayman hauls a barrel on a sled."--British Museum online catalogue, description of an earlier state
Alternative Title:
Brewers charity to the public
Description:
Title etched above image., Later state, by a different publisher and without date, of no. 3805 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Date of publication based on that of earlier state., Imprint from 1st state partially burnished from plate., Sheet partially trimmed within plate mark., Temporary local subject terms: Breweries., and Watermark and countermark: royal cipher.
Publisher:
Publish'd according to act of Parliament, by C. Dicey & Co. in Aldermary Church Yard, London
Plate 64. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Five rows of wigs classified as "Parsonic", "Old Peerian or Aldermanic", "Lexonic", "Composite" and "Queerinthian"; at the bottom of the sheet a row of womens heads with, on the left, that of the newly-crowned Queen Charlotte; the wigs are annotated in the manner of illustrations to contemporary architectural treatises."--British Museum online catalogue
Alternative Title:
Five orders of periwigs
Description:
Title etched above image., Title from Paulson: The five orders of periwigs., State from Paulson. The second 'e' in advertisement added above the line; the 'k' in parsonic burnished out., Caption etched below image: Advertisement. In about seventeen years will be compleated, in six volumns, folio, price fifteen guineas, the exact measurements of the perriwigs of the ancients ..., and Portraits after James 'Athenian' Stuart and Nicholas Revett.
Publisher:
Publish'd as the act directs, Octr. 15, 1761 by W. Hogarth
Subject (Name):
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Revett, Nicholas, 1720-1804, and Stuart, James, 1713-1788.
Subject (Topic):
Antiquarians, Clothing & dress, Hairstyles, and Wigs
Plate 64. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Five rows of wigs classified as "Parsonic", "Old Peerian or Aldermanic", "Lexonic", "Composite" and "Queerinthian"; at the bottom of the sheet a row of womens heads with, on the left, that of the newly-crowned Queen Charlotte; the wigs are annotated in the manner of illustrations to contemporary architectural treatises."--British Museum online catalogue
Alternative Title:
Five orders of periwigs
Description:
Title etched above image., Title from Paulson: The five orders of periwigs., State from Paulson. The second 'e' in advertisement added above the line; the 'k' in parsonic burnished out., Caption etched below image: Advertisement. In about seventeen years will be compleated, in six volumns, folio, price fifteen guineas, the exact measurements of the perriwigs of the ancients ..., Portraits after James 'Athenian' Stuart and Nicholas Revett., and 1 print : etching on laid paper ; sheet 300 x 218 mm.
Publisher:
Publish'd as the act directs, Octr. 15, 1761 by W. Hogarth
Subject (Name):
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Revett, Nicholas, 1720-1804, and Stuart, James, 1713-1788.
Subject (Topic):
Antiquarians, Clothing & dress, Hairstyles, and Wigs
Plate 64. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Five rows of wigs classified as "Parsonic", "Old Peerian or Aldermanic", "Lexonic", "Composite" and "Queerinthian"; at the bottom of the sheet a row of womens heads with, on the left, that of the newly-crowned Queen Charlotte; the wigs are annotated in the manner of illustrations to contemporary architectural treatises."--British Museum online catalogue
Alternative Title:
Five orders of periwigs
Description:
Title etched above image., Title from Paulson: The five orders of periwigs., State from Paulson. The second 'e' in advertisement added above the line; the 'k' in parsonic burnished out., Caption etched below image: Advertisement. In about seventeen years will be compleated, in six volumns, folio, price fifteen guineas, the exact measurements of the perriwigs of the ancients ..., Portraits after James 'Athenian' Stuart and Nicholas Revett., and 1 print : etching on laid paper ; plate mark 302 x 218 mm, on sheet 382 x 282 mm.
Publisher:
Publish'd as the act directs, Octr. 15, 1761 by W. Hogarth
Subject (Name):
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Revett, Nicholas, 1720-1804, and Stuart, James, 1713-1788.
Subject (Topic):
Antiquarians, Clothing & dress, Hairstyles, and Wigs
A satire on the mechanical studies of antiquarians who sought a canon of beauty by measuring the proportions of fine works of antiquity. A collection of five rows of wigs, some of which are shown on human heads, are drawn with measuring lines and lettered to reference a table at the side of the design
Alternative Title:
Five orders of periwigs
Description:
Title etched above image., Title from Paulson: The five orders of periwigs, First state as described by Paulson, without second "e" in "Advertisement"; without addition of "or Parsonic" under "Episcopal"., Below the design: Advertisment. In about seventeen years will be compleated, in six volumes, folio, price fifteen guineas, the exact measurements of the perriwigs of the ancients ..., Portraits after James 'Athenian' Stuart and Nicholas Revett., and 1 print : etching on laid paper ; plate mark 304 x 220 mm, on sheet 321 x 237 mm.
Publisher:
Publish'd as the act directs, Octr. 15, 1761 by W. Hogarth
Subject (Name):
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Revett, Nicholas, 1720-1804, and Stuart, James, 1713-1788.
Subject (Topic):
Antiquarians, Clothing & dress, Hairstyles, and Wigs
Plate 64. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Five rows of wigs classified as "Parsonic", "Old Peerian or Aldermanic", "Lexonic", "Composite" and "Queerinthian"; at the bottom of the sheet a row of womens heads with, on the left, that of the newly-crowned Queen Charlotte; the wigs are annotated in the manner of illustrations to contemporary architectural treatises."--British Museum online catalogue
Alternative Title:
Five orders of periwigs
Description:
Title etched above image., Title from Paulson: The five orders of periwigs., State from Paulson. The second 'e' in advertisement added above the line; the 'k' in parsonic burnished out., Caption etched below image: Advertisement. In about seventeen years will be compleated, in six volumns, folio, price fifteen guineas, the exact measurements of the perriwigs of the ancients ..., Portraits after James 'Athenian' Stuart and Nicholas Revett., Ms. note in pencil in Steevens's hand above print: Perriwigs five orders of. See Mr. Nichols's book, edit 3. P. 372., Sheet trimmed to: 29.8 x 21.6 cm., and Formerly on page 187 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Publish'd as the act directs, Octr. 15, 1761 by W. Hogarth
Subject (Name):
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Revett, Nicholas, 1720-1804, and Stuart, James, 1713-1788.
Subject (Topic):
Antiquarians, Clothing & dress, Hairstyles, and Wigs
