"Lord Wycombe, scarcely caricatured, walks to the left, his head in profile, left hand on hip, right on a club-like walking-stick. His coat is curiously cut, his (striped) waistcoat longer and breeches shorter than the contemporary fashion. He wears a neck-cloth and shoes. His gait is slouching and his dress rather slovenly. Clouds form a background."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text below title: "Whenever I wish to form a proper estimate of a mans mind, I observe his manners & dress." Lord Chesterfield., and Temporary local subject terms: Male dress: waistcoat -- Breeches -- Literature: quotation from Earl of Chesterfield's (1694-1773) Letters.
Publisher:
Pubd. July 8th, 1799, by H. Humphrey, 27 St. James's Street
Subject (Name):
Lansdowne, John Henry Petty, Marquess of, 1765-1809
"Rows of French soldiers (left) do infantry drill with muskets seated on the backs of sorry asses (cf. BMSat 9361), with no harness but rope halters. The man in the foreground (the others being concealed by the closeness of the ranks), though smart, is ragged, his foot projecting through the boot. Their officer (right), with raised sword, gives the word of command seated on an ass which brays with outstretched neck at the other asses. He has a saddle and his ass is in slightly better condition. Clouds form a background. See BMSat 9355, &c."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French Expedition to Egypt, purported to have been drawn by a fellow expedition member., Sheet trimmed within plate mark., and Temporary local subject terms: Egyptian campaign, 1798-1801-- Military: French soldiers -- Military uniforms: French army, 1798 -- Asses -- Reference to Ibrahim Bey, Chief of Mamelukes (1735-1816).
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, 27 St. Jamess [sic] Street
"Two Frenchmen, who have been attempting to domesticate the crocodile, are seized by the angry beasts. A monster seizes in its jaws the leg of the man who has attempted to ride it; the man clasps halter and whip, his saddle lies on the ground together with a large book, 'Sur l'Education du Crocodile', beside which are three plates: 'Planche 1st', a Frenchman rides a crocodile; 'Pl: 2de', a Frenchman drives a high phaeton drawn by a pair of crocodiles; 'Pl: 3me', a small boat is drawn through the water by a crocodile. In the middle distance (right) a crocodile seizes the coat of a terrified man, who drops a book: 'Les Droits du Crocodile' (cf. BMSat 9352). A third crocodile (left) with hungry jaws climbs from the reeds fringing the river."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French Expedition to Egypt, purported to have been drawn by a fellow expedition member., Sheet trimmed within plate mark., and Temporary local subject terms: Egyptian campaign, 1798-1801-- Allusion to Institut d'Égypte -- Crocodiles -- Pictures amplifying subject: prints of crocodiles pulling carriage, ship, and used as a mount -- Riding gear -- Books -- Animal attacks.
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, St. Jamess [sic] Street
"An ugly man (left) kneels (on a spotted handkerchief) at the feet of a plain old maid seated on an upright chair; he holds her left hand, his right is on his breast. She holds up her fan in a way more encouraging than coy. Both grin broadly. A patterned carpet and plain wall complete the design."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Couples -- Female dress, 1799 -- Furniture: ladderback chair -- Furnishings: carpet.
Publisher:
Publish'd Novr. 14th, 1799, by H. Humphrey, No. 27 St. James's Street, London
"A grotesque, obese, and negroid Copt, holding a mace or staff, rides (right to left) an ass which, though led procession-ally by a Copt, proceeds on account of the bayonet with which a grinning French soldier stabs its hind quarters. The 'Mayor' wears a French military coat and breeches, with a tricolour scarf and cocked hat with large tricolour plumes. He is otherwise naked, and a heavy chain of beads hangs from his ear. The 'Procureur' is naked except for a cocked hat and tricolour scarf; he carries a (?) goad as a staff of office. Behind his ear is a pen."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French Expedition to Egypt by Gillray, purported to have been drawn by a fellow expedition member., Sheet trimmed within plate mark., and Temporary local subject terms: Egyptian campaign, 1798-1801-- French soldiers -- Military uniforms: French army, 1798 -- Asses -- Inaugurations: Coptic Mayor of Cairo -- Copts -- Procurers -- Staves: goad as a staff of office -- Allusion to Copies of Original Letters From the Army of General Bonapart in Egypt, Intercepted by the Fleet.
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, 27 St. James's Street
"A magnificently mounted Turk (right) raises his spear to transfix a ragged French soldier who is about to be thrown by the donkey (cf. BMSat 9357) whose ear he clutches. The Frenchman's musket is awkwardly held and goes off innocuously; defence is impossible."--British Museum online catalogue
Description:
Title etched below image., One of seven plates on the French expedition to Egypt by Gillray, purported to have been drawn by a fellow expedition member., Sheet trimmed within plate mark., and Temporary local subject terms: Egyptian campaign, 1798-1801-- Military: French soldiers -- Military uniforms: French army, 1798 -- Asses -- Horses -- Male costume: Turk -- Weapons: spears -- Guns: rifles.
Publisher:
Pubd. March 12th, 1799, by H. Humphrey, St. Jamess [sic] Street
"Two ladies (left) walk arm-in-arm to the left; a good-looking man, extravagantly dressed, stands (right) legs apart, head turned to inspect them as if they were strange specimens. One, short and fat, wears a round straw cap over a shock of hair which covers her eyes, she holds up a small jointed parasol to shield her face. The other, taller, wears a shovel-shaped scoop of straw tied to her head and projecting far beyond her face. Both have bare arms with long gloves, and transparent draperies which define the figure. The man wears an exaggerated Jean de Bry coat with high inflated sleeves, cut above the waist in front, with tails which show between his legs. A high swathed neck-cloth covers his chin and sets off bushy whiskers. His boots have high tasselled fronts above the knee and elongated toes. There is a background of trees with three other figures similarly dressed, one wears striped trousers of nautical cut instead of boots and pantaloons."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Explanation of title in lower left corner: *for the origin of the word consult the Johnnesonian dictionary, edition of 1799., Sheet trimmed within plate mark., and Temporary local subject terms: Female dress: high-waisted transparent dresses, 1799 -- Female dress: bonnets -- Parasols -- Male dress: tasselled boots -- Male dress: neck-cloth -- Male dress: Jean de Bry coat -- Kensington Gardens -- Reference to Thomas Johnes (1748-1816) -- Books: Allusion to Samuel Johnson's Dictionary -- Eyeglasses: quizzing glass.
Publisher:
Pubd. June 25th, 1799, by H. Humphrey, No. 27 St. James's Street
"An elderly courtier of the 'ancien régime' (left) bows low, in profile to the right, grimacing: 'Je suis voire tres humble Serviteur'. His features are aquiline; he wears a high toupet wig and a large black bag (which flies into the air as he bows) with a solitaire ribbon round the neck. His small tricorne hat is in his right hand, his left hand is on his breast; his fingers are extravagantly pointed. His successor (right) stands in back view, legs astride, hands thrust deep into his coat-pockets, a bludgeon projecting vertically from the left pocket. His head, with blunt, coarse features, is turned in profile to the left, to say: "Baiser mon Cu [sic]". He has shaggy hair with a long pigtail queue, and wears a large cocked hat, one peak on his neck, round which is a clumsy neck-cloth. His coat is loose with broad collar and projecting revers. His breeches are tied beneath the knee, showing striped stockings above very wrinkled boots with grotesquely pointed toes."--British Museum online catalogue
Alternative Title:
French gentleman of the Court of Egalité, 1799
Description:
Title from text in image., Sheet trimmed within plate mark., Temporary local subject terms: Male costume: French courtier, 1799 -- Wigs: bag wig, 1799 -- Queue wig, 1799 -- Boots., and Matted to 36 x 46 cm.
Publisher:
Pubd. August 15th, 1799 by H. Humphrey, 27 St. James's Street
Title etched below image., Sheet trimmed within plate mark on top and bottom., One of the series of prints depicting Suvorov's Russian Army., Printseller's announcement following publication statement: Prints and drawings lent to copy., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Male costume: Kalmuck Tartar, 1799 -- Clergy: Russian Orthodox priest -- Weapons: bows and arrows.
Publisher:
Pubd. Augt. 1st, 1799, by S.W. Fores, 50 Piccadilly
"A plebeian family of 'cits' drive in a rough two-wheeled cart (aping a fashionable gig) drawn by a clumsy carthorse. The man drives, wearing cocked hat and top-boots; his wife, wearing large feathers in her small straw cap, holds up a fan. Both are absurdly complacent. A boy and girl are crammed in. Behind rides a fat and grinning footman, with plodding dog. On the extreme right a newsboy with the 'London Gazette' blows his horn. Behind (left) is an open doorway inscribed 'Mash Brewer'; within are casks. The wall is inscribed 'Puddle Dock', and on it are two bills: 'Theatre Royal Covent Garden the Comedy of the Bankrupt with High Life Below Stairs and A House to be let in Grosvenor Square Suitable for a Genteel Family' (they appear to be bound for this house). Houses form a background."--British Museum online catalogue
Alternative Title:
Road to ruin in the east
Description:
Title etched below image., Temporary local subject terms: Vehicles: carts -- Breweries -- Mash -- Newsboys -- Literature: reference to High Life Below Stairs by James Townley (1714-1778) -- Reference to The Bankrupt by Samuel Foote ( 1720-1777)-- Puddle Dock -- Female dress: plumed hats -- Expressions of speech: 'road to ruin'., 1 print : etching on wove paper ; plate mark 23.4 x 34.8 cm, on sheet 24 x 37 cm., Printmaker's name burnished from plate., and Watermark: Russell & Co 1797.
The interior of the 'Cave of Despair', with demons put to flight by a ray of divine light from the letters 'I A H' in a triangle in the upper left corner of the design. Three wizards (right) in monkish robes tend a boiling cauldron inscribed: 'Eye of Straw & toe of Cade ... For the ingredients of our cauldron'. Facing them (right) sits the Devil enthroned, holding a trident, with a three-headed scaly monster beside him; he says: "Pour in Streams of Regal Blood Then the Charm is firm & good." Burning pamphlets feed the fire under the cauldron; they are being heaped up by Horne Tooke, from whose mouth issues a label: 'H - T. Tis time tis time tis time'. The next, stirring the contents, says "Thrice! and Twice King's Heads have fallen". The third (? Dr. Towers), [Perhaps Dr. Parr; Towers died 20 May 1799.] flourishing a broom-stick, says, "Thrice the Gallic Wolves have bayed"; he holds an open book: 'Lying Whore \ False Swearing'. Behind the wizards is a procession of the Opposition. The first three (abreast) are Bedford, Norfolk, and Lord Derby. They say respectively: "Where are they! - gone Pocketed the Church and Poorlands The Tythes next" ..."Oh fallen Sovereingty degraded Counseller" ...; "Poor joe is done No test or Corporation Acts" ... The next three are Fox, Erskine, and Tierney; they say respectively: "Where can I hide my secluded Head" ... "Ah woe is me - poor I" ... "Would I had never spoke of the Licentiousness of the Press". Behind them is Burdett, saying, "What can I report to my Friends at the Bastile" .... Behind there is an undifferentiated crowd entering the cave and headed by Thelwall holding a volume of 'Thelwalls Lectures' ... exclaiming, "Tm off to Monmouthshire". The procession is watched by a snaky monster (left). Above their heads and resting on clouds are small figures: the King, allegorically depicted, holding a serpent in each hand. Behind him are Pitt, saying, "Suspend their Bodies", (?) Grenville, (?) Windham, saying "Almighty God has been pleased to grant us a great Victory", and Kenyon, saying "Take them to the Kings Bench & Cold Bath fields" ... The divine ray is inscribed: 'Afflavit Deus et dissipantur \ Your Destruction cometh as a Whirlwind \ Vengeance is ripe.' Four winged demons fly off (right) in the smoke of the cauldron, three have collars on which their names are engraved: 'Robesp[ierre]', 'Voltaire', and 'Price'. An ape dressed as a newsboy, with 'Courier' on his cap (..., blows his horn towards the cauldron. Behind him, in the extreme right corner, is an open book: 'Analitical Review \ Fallen never to rise again.' The seditious papers which feed the fire are: 'Equali[ty]'; 'Blasphemy Sedition'; 'Sophims' [sic]; 'Heresy'; 'Atheism'; 'Resistance is Prudence'; 'Belshams History'; 'Whig Club'; 'The Vipers of Monarchy and Aristocracy will soon be strangled by the Infant Democracy' ... 'Fraud'; 'Third of September' [see BMSat 8122]; 'Rights of Nature' [by Thelwall, attacking Burke, 1796]; '21st of January' ... 'Frends Atheism'; 'Quigleys Dying Speech'... 'O'Connors Manifesto' ... 'Oakleys Pyrology'; 'Deism'; 'Kings can do good Joel Barlow'; 'Uritaranism' [sic]; 'Sedition'; 'France is free'; 'Duty of Insurrection'; 'Darwins topsy turvy Plants and Animals Destruction' [cf. BMSat 9240]; 'Kings are S------TS' [serpents, as in Barlow's 'Conspiracy of Kings', pub. J. Johnson, 1792]; 'Political Liberty'. 1 February 1799 Etching and Temporary local subject terms: Opposition -- Press: attack on radical press -- Potions -- Allusion to the Whig Club -- Reference to Kosciuszko uprising, Poland, 1794 --Reference to Jack Cade's Rebellion, 1450 -- Reference to Jack Straw and Wat Tyler -- Reference to the Great Rebellion, 1381 -- Reference to the Duke of Bedford's family
Description:
Title etched below image., Imprint altered: 'J. Wright, Piccadilly' after publication date burnished from plate., Frontispiece from: The Anti-Jacobin Review and Magazine. London, 1799, v. 2., and Sheet trimmed to plate mark.
Publisher:
Publish'd February 1st, 1799, for the Anti Jacobin Review, by T. Whittle, Peterborough Court, Fleet Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Voltaire, 1694-1778, Robespierre, Maximilien, 1758-1794, Price, Richard, 1723-1791, Pitt, William, 1759-1806, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Thelwall, John, 1764-1834, Burdett, Francis, 1770-1844, Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Norfolk, Charles Howard, Duke of, 1746-1815, and Smith-Stanley, Edward, 1752-1834
Subject (Topic):
Caves, Devil, Demons, Monkeys, Monsters, Vice, and Wizards
Title etched below image., Series title and number etched above image., Two lines of text within image: That's for comtempt in court you scoundril ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male dress: riding habit -- Yokels., 1 print : etching and aquatint on wove paper, hand-colored ; sheet 23 x 30 cm., Sheet trimmed within plate mark with loss of series title and number., and Printmaker's name erased from this impression.
Title from item., From Laurie and Whittle series of drolls., Plate numbered '227' in lower left corner., and Temporary local subject terms: Street scenes -- Seasons: winter -- Female dress: fur muffs -- Male dress: great coat with capes -- Skates -- Trades: cook's boys -- Food: sucking-pig -- Buildings: lottery office -- Lottery tickets.
Publisher:
Pubd 12th Feby. 1799 by Laurie & Whittle, 53 Fleet Street, London
Criminal portrait; three-quarter length with hands to side wearing a hat. Gibbs was tried twice in the autumn of 1799 for falsely accusing men of robbing her; After making many similar attempts, being recognized, assaulted by the mob, and protected by constables, she was at last found to be insane. See British Museum catalogue
Description:
Title etched below image., Six lines of text below title: She addresses herself to decent dressed men, as a servant out of place, or a Quaker, pretends a deal of modesty, and if she cannot prevail by these means, she then accuses them of having robbed her ..., and Printseller's stamp in lower right corner: S.W.F.
A man lies on his back in bed, his face set in grim resignation, as his wife leans over him lecturing him, "Yes you base man --you dont you eat drink and sleep comfortably at home and still you must be jaunting abroad every nigth. I'll find out your intrigues-- you may depend upon it." A small dog sits at the foot of the bed yelping at the couple while a larger dog sleeps on the floor, his eyes squeezed shut
Description:
Title etched below image., Series title and number etched above image., Earlier state, with date in publication line. Cf. No. 9627 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Earlier state of print described in: Grego, J. Rowlandson the caricaturist, v. 2, page 16.
Publisher:
Pubd. October 1st, 1799, by R. Akerman, 101 Strand
Title etched below image., Sheet trimmed within plate mark., Cited in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.7, as a companion print to no. 9466., Temporary local subject terms: Vehicles: dasher -- Military: cavalry officers -- Placards -- Playbills -- Literature: Reference to Bon Ton by David Garrick (1717-1779) -- Reference to A New Way to Pay Old Debts by Philip Massinger (1583-1640) -- Reference to Bow Street -- Dress: driving dress, 1799 -- Parks: reference to Rotten Row, Hyde Park -- Prisons: reference to King's Bench -- Offices: sheriff's officer's office -- Expressions of speech: 'road to ruin'., 1 print : etching on wove paper, hand-colored ; plate mark 23 x 34.7 cm, on sheet 24 x 37 cm., Printmaker's name burnished from plate., and Watermark: E & P 1797.
Publisher:
Pubd. Novr. 5, 1799, by R. Ackermann, N. 101 Strand
A fat parson sits on a settee with a young courtesan on each knee
Description:
Title etched below image., Sheet trimmed within plate mark on sides., Two lines of verse below title: The business of his church he did by proxy and loved all doxies but the ortho-doxy., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. Cf. For a later copy, see no. 10671, v. 8., and Watermark: T Edmonds 181[...].
A satire on the new fashion of Jean Debry coats: A tailor holds a mirror to a customer who looks at his image with horror. The customer complains that he has put a hump upon each shoulder. The tailor replies that the coat has been made to his wife's specifications
Description:
Title etched below image., Series title and number etched above print., Earlier state, with imprint. Cf. No. 9625 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Earlier state described by Joseph Grego in Rowlandson the caricaturist, v. 2, page 15.
Publisher:
Pubd. Oct. 1st, 1799, by R. Akerman, No. 101 Strand
Title from item., Printseller's announcement following publication statement: NB. Folios of caricatures lent., Temporary local subject terms: Parliament: members of the Irish Parliament -- Reference to the Act of Union, 1800 -- Buildings: Irish Parliament -- Irish Channel., and Mounted.
Publisher:
Pub by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Title from item., Printseller's announcement following publication statement: NB. Folios of caricatures lent., Temporary local subject terms: Parliament: members of the Irish Parliament -- Reference to the Act of Union, 1800 -- Buildings: Irish Parliament -- Irish Channel., 1 print on laid paper : etching, hand-colored ; plate mark 26.2 x 42 cm., on sheet 28 x 43 cm., Lower and upper left corners torn off., and Watermark: E Budgen 1799.
Publisher:
Pub by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Put -- Male dress, 1799 -- Yokels., 1 print on wove paper : etching, hand-colored ; sheet 27 x 34 cm., and Printmaker's name erased from this impression.
Publisher:
Pubd. Augt. 10, 1799, by R. Akerman, No. 101 Strand
"Lord Moira, rigid and impassive, stands in profile to the left, right hand on his tasselled stick, left hand on hip, wearing quasi-military dress with looped cocked hat and high boots. Clouds, so coloured as to suggest a distant conflagration, and a low horizon, curved as if to indicate the edge of the globe, form a background. ..."--British Museum online catalogue
Description:
Title etched below image., Seven lines of quoted verse below image in two columns, one on either side of title: "Ne'er may his whiskers loose their hue, "chang'd (like Moll Coggin's tail) to blue! ... vide Anti-Jacobin., Sheet trimmed within plate mark., and Temporary local subject terms: Male dress: quasi-military -- Male fashion: sideburns -- Walking staves -- Literature: Quotation from the Ode to Lord Moira, by George Ellis (1753-1815) -- Periodicals: Anti Jacobin Review, no. XI.
Publisher:
Pubd. May 16th, 1799, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
Title from caption below image., Copy of a print by James Gillray with the same title., Variant state lacking plate number in upper right. Cf. No. 9386A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Sheet trimmed within plate mark., Seven lines of verse in two columns below image: -Ne'er may his whiskers loose their hue chang'd (like Moll Coggin's tail) to blue! ... vide Anti-Jacobin., Temporary local subject terms: Male dress: quasi-military -- Sideburns -- Walking staves -- Literature: Quotation from the Ode to Lord Moira, by George Ellis (1753-1815) -- Periodicals: Anti Jacobin Review, no. XI., and Numbered '99' in contemporary hand in upper right corner of design; mounted to 37 x 29 cm.
Publisher:
publisher not identified
Subject (Name):
Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Horse whips -- Bonnet rouge -- Emblems: tricolored cockade -- French male dress: sabots.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[23 May 1799]
Call Number:
Bunbury 799.05.23.06+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on volunteers: an officer and another man sit at a table while a soldier presents two potential - but unprepossessing - recruits, the second man shabbily dressed; behind them a large dog menaces a smaller one; on the wall a map and a portrait of a general."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Reissue, with altered imprint statement, of a print originally published 2 January 1773 by J. Bretherton. Cf. No. 4759 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark on bottom edge leaving thread margin., Watermark: Edmeads & Pine 1795., and Embossed stamp of publisher in lower right corner of sheet: S.W.F.
Publisher:
Publish'd as the act directs, May 23 1799, by S.W. Fores, No. 50 Piccadilly
Title printed below design on the plate and continuously on the sheet below plate mark., Three columns of verse in 17 stanzas below title: Young Damon and Phyllis whose hearts were entwined, Who felt for each other a flame, Oft talked of the vows that ought lovers to bind ..., Parody of a ballad of the same title in The Monk by M.G. Lewis., Temporary local subject terms: Interiors: parlor -- Architectural details: wainscot -- Wedding feast -- Emotions: fear -- Food: suckling pig -- Roasted poultry -- Table-settings -- Reference to Charles Few., and Watermark: Russell & Co. 1798 [date mostly trimmed].
Publisher:
Published 4th June 1799, by Laurie & Whittle, No. 53 Fleet Street, London
"Pl. to the 'Anti-Jacobin Review' (issued separately). Grattan (right) has risen from his arm-chair to greet with outstretched hands two young men whom a servant (left), with a knowing gesture, has just shown into his library. One introduces the other: "Mr Grattan give me leave to introduce Mr Jn° H--gh--'s"; Grattan says: "I suppose Sir you are an United Irishman"; Hughes answers: "I am". A bust of 'Le Paus' (see BMSat 9240) on a high pedestal on the extreme right looks down cynically at Grattan. On the wall behind him are portraits of 'Lord Fitzgerald' (see BMSat 9227), 'Tom Paine' (a mere scrawl), and 'Robespier[re]', with a placard: 'New Irish Government Liberty and Equality to be introduced by our worthy & disinterested Allies the French'. The other two walls are lined with bulky volumes: 'Towers Tracts' (see BMSat 7890); 'Republic'; 'Wakefield' (see BMSat 9371); 'Parr' (see BMSat 9430); 'The Press' (see BMSat 9186, &c); 'The Courier' (see BMSat 9194, &c); 'Christie'; 'Molineux'; 'Pain's Works' (see BMSat 8137, &c); 'Critical Review' (see BMSat 9240); 'Mc Niven'; 'Priestly Works' (see BMSat 7887); 'O'Connor' (see BMSat 9245, &c.) On the writing-table are documents: 'Constitution of United Irishmen' and 'Copy of the [illegible word] of ye Test of Oath'. On the floor at Grattan's feet is a sheaf of pikes with papers: 'Contract for Pikes'; 'Plan for the destruction of both Houses of Parlaiment Bank & . . by Tone'; 'Dispatches from the French Conventi[on]'; 'List of united Irishmen in London Hamburg . . .'; a portfolio: 'Charts of the Irish Coast with remarks where foreign troops may be landed with great safety'; two large books: 'Art of Assassination' and 'Rise and Progress of Jacobinism'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Plate from: The Anti-Jacobin Review and Magazine, or, Monthly Politique and Literary Censor. London, 1799, issued separately., Temporary local subject terms: United Irishmen -- Tinnehinch estate -- Interiors: private library -- Writing materials: inkstand and quills -- Furniture: slip-covered armchair -- Domestic service: manservant -- Pictures amplifying subject: portraits of Robespierre and Fitzgerald -- Placards -- Busts -- Allusion to jacobinism -- John Hughes., and Mounted to 29 x 36 cm.
Publisher:
Pubd. May 1st, 1799, by T. Whittle, Peterbro' Court, Fleet Street, for the Anti Jacobin Review
Subject (Name):
Grattan, Henry, 1746-1820, Fitzgerald, Edward, Lord, 1763-1798, Robespierre, Maximilien, 1758-1794, and La Revellière-Lépeaux, Louis-Marie de, 1753-1824
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Female dress, 1799.
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Female fashion: poke bonnets -- Brooms -- Pails.
"A half length portrait in an oval of the Duke of Cumberland in profile to the left, scarcely caricatured, but with a half-closed eye which gives an expression of arrogance. He wears a hat whose curving brim shades his eyes and rests on his high coat-collar. His chin is swathed in a stock, and an eye-glass hangs from a ribbon."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Male dress: neck-cloth -- Hats -- Quizzing glasses., and Mounted to 39 x 28 cm.
Publisher:
Publish'd July 30th, 1799, by H. Humphrey, No. 27 St. James's Street, London
"A half length portrait in an oval of the Duke of Cumberland in profile to the left, scarcely caricatured, but with a half-closed eye which gives an expression of arrogance. He wears a hat whose curving brim shades his eyes and rests on his high coat-collar. His chin is swathed in a stock, and an eye-glass hangs from a ribbon."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Male dress: neck-cloth -- Hats -- Quizzing glasses., 1 print : etching & stipple engraving on wove paper, hand-colored ; plate mark 26.2 x 20.0 cm, on sheet 27 x 21 cm., and Watermark: J. Whatman 1811.
Publisher:
Publish'd July 30th, 1799, by H. Humphrey, No. 27 St. James's Street, London
A man in Cossack uniform and holding a lance races on horseback towards the right as he looks behind to the left. In the distance a group of other Cossacks charge ahead, some with raised spears
Alternative Title:
Private Cossack at full speed
Description:
Title etched below image., Sheet trimmed to plate mark., One of the series of prints depicting Suvorov's Russian Army., Printseller's announcement following publication statement: Prints & drawings lent to copy., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Augt. 1st, 1799, by S.W. Fores, 50 Piccadilly
A pretty young woman sits on the knee of a military officer as they embrace, both unaware that her furious, red-faced husband has just entered the room through the door on the left. He clutches a large stick and exclaims, "My wife, as sure as I am a haberdasher."
Description:
Title from item., Earlier state, with imprint, of no. 9623 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Earlier edition of print described by Joseph Grego in Rowlandson the caricaturist, v. 2, p. 15., and Watermark: Russell & Co.
Publisher:
Pubd. Octr. 1st, 1799, by R. Akerman, No. 101 Strand
Title etched below image., Printseller's announcement following publication statement: Folios of caricatures lent., Text above image: Attitude gratitude mum round about puff em out mum., Text below image: Poor Sappho; what a taste is thine., Four lines of verse below title: Sound the trumpet, beat the drum, Nancy's this day fifty four, we wont dispute a few years more., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Old women -- Celebrations -- Singing -- Songs: sheet music -- Glass: decanter -- Wine glasses -- Pets: dog -- Furniture: sofa -- Furnishings: carpet., and Watermark: E & C T Russell 1797.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[27 February 1799]
Call Number:
Bunbury 799.02.27.05++
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Grand Tourists: scene outside an inn in France, with a sign reading "Poste Royale", where a young English gentleman, holding a copy of "[Lord] Chesterfield's Letters", arrives with his tutor. He is greeted by the smiling inkeeper wearing large wooden shoes stuffed with wool who holds out a menu; beside the innkeeper a positllion holding a whip climbs out of his large boots On the right, a fat servant carries two bottles of wine and four books; behind him another postillion drives the coach with two horses towards the right. In the background, a woman can be seen through the archway of the inn standing on a bench and reaching up to clip the wings of a cockerel; a door beside the arch, lettered, "Bon Chere icy chez La Grenouille / Traiteur", is open to reveal a ladder up which a cook has climbed in order to catch three cats running along a wall; he holds a knife in his hand. An image of a young Bacchus seated on a barrel has been chalked on the wall; a dog jumps up towards it. Beyond the wall is the roof of a cottage, a church tower and a cottage with a niche with a statue of a saint."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement, of a print previously published 11 March 1778. Cf. No. 4732 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, Temporary local subject terms: Tutor -- Domestic service: Manservant -- Literature: Chesterfield's letters -- The Grand Tour., and Watermark.
Publisher:
Publish'd Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, Education, Taverns (Inns), Clergy, Tutoring, Servants, Boots, Whips, Postillions, and French
Title from caption below image., Printmaker from unverified data in local card catalog record., Sheet trimmed within plate mark on left edge., Mounted to 37 x 56 cm., and Collector's annotations on mount.
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., To the right of title: This pig measures 5 feet high, is 10 feet long., Printseller's announcement following publication statement: Folios of caricatures lent., and Temporary local subject terms: Interiors: stables -- Animals: Enniscorthy boar -- Gifts: gift from Irish ex-rebels to George III -- Reference to the Irish Rebellion, May 1798 -- Lighting: lantern -- Tools: fork -- Broom --Emblems: Lord Chamberlain's white ribbon with key to household -- Courtiers -- Military uniforms: Light Horse regimentals -- Quizzing glasses.
Publisher:
Published by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820 and Salisbury, James Cecil, Marquess of, 1748-1823
"A handsome young man sells pot-plants to a pretty young woman who stands on a door-step (left); a little girl beside her points eagerly to the flowers. He has a two-wheeled cart drawn by an ass; in it are small shrubs in large pots; two pots of flowering plants are on the ground. The background is formed by part of a palatial house having a portico raised on an arcade."--British Museum online catalogue
Description:
Title etched below series title and number., 1 print : etching with aquatint on wove paper, hand-colored ; sheet 38.1 x 29.8 cm., and Sheet trimmed within plate mark on right and left sides.
Publisher:
Pub. Mar. 1, 1799, at R. Ackermann's, 101 Strand
Subject (Topic):
Carts & wagons, City & town life, Girls, Plants, Row houses, Street vendors, and Women
"Bonaparte (much caricatured), standing precariously on a 'Dutch Cheese', is attacked by the allies. Austria and Russia pull from his thin leg a large clumsy boot, consisting of a map of 'Italy'; coins (French plunder) pour from the boot, on which 'Naples', 'Rome', 'Florence', and other geographical divisions are indicated. Austria is a fierce hussar, smoking a pipe, on his cap is the Habsburg eagle; he tugs at the boot, the Russian bear (on the extreme left) assists him, its paws clasping his waist. A ferocious Turk holds Bonaparte by the nose and raises a scimitar whose blade, inscribed 'St Jean d'Acre', drips blood; across his shoulders are strung bleeding ears and noses to which Bonaparte's is to be added. A sailor (right), representing the British Navy, seizes Bonaparte from behind; in his hat are ribbons inscribed 'Nelson', 'Duncan', 'Bridport'. A fat Dutchman on the extreme right, with the blunt profile of the Prince of Orange, tugs at the cheese in order to dislodge Bonaparte; he kneels on a paper, 'Secret Expedition'. Bonaparte's uniform is ragged, his left foot is bare, but in each hand is a blood-stained dagger. In the background (right) tiny figures (probably Dutch) dance hand-in-hand round a bonfire in which burns a 'Tree of Liberty', a bonnet-rouge on a pole, cf. BMSat 9214."--British Museum online catalogue
Alternative Title:
Allied powers unbooting Egalitè
Description:
Title etched at bottom of image., Sheet trimmed within plate mark., and Temporary local subject terms: Alliances -- Expedition to Holland, August 1799 -- Military: Austrian Hussar -- Emblems: Russian bear -- Turks -- Reference to the siege of Acre, 1799 -- Reference to Napoleon's defeat in Italy, 1799 -- British Navy -- Dutchmen -- Reference to Admiral Horatio Nelson -- Reference to Admiral Adam Duncan.
Publisher:
Pubd. Sepr. 1st, 1799, by H. Humphrey, No. 27 St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and William V, Prince of Orange, 1748-1806
Plate from the 'Anti-Jacobin Review', ii. 233: On the extreme right the Devil holds up a canvas, 'le Tableau Parlant', which terrifies twelve Irishmen grouped round an oblong table. In their alarm the heavy table has been overturned, some are on the ground, others (left) flee in terror. The Devil, who looks round the edge of his picture, wears a bonnet-rouge inscribed 'Anarchy'; labels hang from his horn: 'Blasph[emy]' and 'Parracide'. He says "Stew it well - It cannot be Overdone for you and me". In the picture, 'Irish Stew I A Favourite Disk for French Palates', two French soldiers superintend the boiling of a Revolutionary Pot, in which stand three naked Irishmen shrieking for mercy; one says: "Liberty of being Stewed"; the other, "Equality - all to be stewed en Masse". Above the table five harpies fly off with a tattered cloth inscribed 'Map of Ireland'. They are intended for the Directors, three having belts inscribed 'Tallien' (not a Director), 'Barras', and 'Le Paux'. On the table is a paper, 'United Irishmen'. The Irishmen make gestures of terror or despair. Most look at the picture, one looks upwards, saying: "Poor Erin How thourt torn to pieces by these five Harpies." A fugitive looks round to say "What your own A. O Connor too!" A lawyer (? Curran): "So much for Republicani[sm] and glorious Independence! No Money! No Lawyer." A monk: "By St Patrick a complete Catholic Emancipation." Three others say: "I now howl in Vain - We are all gone to Pot"; "Brother John [Bull] would not have treated us so -" ; "My Merits with the Republic should have saved me, but I find we must all stew together" [he is perhaps Grattan]; "A Radical Reform by Jasus". Beside the last speaker, a ragged peasant, lies a bundle of pikes, &c.
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Plate from: The Anti-Jacobin review and magazine. London, 1799, v. 2, page 233, Temporary local subject terms: United Irishmen -- Maps: map of Ireland torn by demons -- Reference to the French Revolution -- Allusion to the Directory -- Allusion to anarchy -- Pictures: le tableau parlant., and Mounted to 31 x 37 cm.
Publisher:
Pubd. March 1st, 1799, by T. Whittle, Peterborough Court, Fleet Street, for the Anti Jacobin Review
Subject (Name):
Barras, Paul, vicomte de, 1755-1829 and Tallien, Jean-Lambert, 1767-1820
An angry wife confronts her astonished husband with a letter from his paramour in which she suggests a rendezvous in the garden after the wife has gone to bed
Description:
Title etched below image., Series title and number etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Earlier edition of print described by Joseph Grego in Rowlandson the caricaturist, v. 2, page 14., and Watermark: Strasburg bend with date 1798 below.
Publisher:
Pubd. Octr. 1, 1799, by R. Akerman, No. 101 Strand
Title etched below image., Series title and number etched above image., One line of text within design: This horse is certainly an astronomer! ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male dress: riding habit., 1 print : etcing and aquatint on wove paper, hand-colored ; sheet 23 x 29 cm., Sheet trimmed within plate mark with loss of series title and number., and Printmaker's name erased from this impression.
"Plate 1; a man with a green coat, thick gloves, boots, bicorn hat and whip riding one of a pair of horses pulling a covered cart on wheels marked "Ammunition Waggon" on a country lane."--British Museum online catalogue, description of alternate state
Description:
Title etched below image., One of a series of prints depicting Suvorov's Russian Army, probably title plate., Date following the word "published" and last portion of Suvorff's name burnished from plate?, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Military uniforms: Russian uniforms -- Vehicles: ammunition waggon -- Harnesses -- Reference to Gen. Aleksandr Vasilʹevich Suvorov (1730-1800).
A rhymed rebus purporting to be a reply to a sailor's letter from his girl, describing her fears for him upon hearing of a storm at sea, her joy at getting his letter, and her promise to remain true to him despite having other suitors
Description:
Title from item., A letter in the form of rebus., The following words within title are represented by a rebus: 'to' by a toe, 'sailor' by a figure of a sailor, 'letter' by an envelope., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Publication date partially erased from this impression and the last two digits, i.e., '76,' supplied in contemporary manuscript., and Watermark: 1814.
Publisher:
Printed 21st October 17[...], by Laurie & Whittle, No. 53 Fleet Street, London
Subject (Topic):
Hieroglyphics, Love letters, and Military uniforms
Title from text in image., Publication date based on watermark., Certainly published after 1794, date in which Robert Laurie and James Whittle formed their partnership., Sheet trimmed within plate mark., Engraved rhymed letter in form of rebus., The following words within title are represented by a rebus: "macaroni" by an image of macaroni, "lady" by an image of a woman dressed in a macaroni style., Later state by a different publisher. Cf. No. 5079 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Lewis Walpole prints 799.10.21.02: Publication date partially erased from this impression and the last two digits, i.e., '70,' supplied in contemporary manuscript., Temporary local subject terms: Hieroglyphs -- Letters., and Watermark: Horn with monogram JM below.
Publisher:
Printed 21st October 1770, by Laurie & Whittle, No. 53 Fleet Street, London
A rhymed rebus, purporting to be a letter from a sailor to his girl, describing his adventures in a terrible storm at sea
Description:
Title engraved above image., Sheet trimmed within plate mark., The following words in the title are represented by an image: sailor by an image of a sailor, ship by an image of a ship, to by a toe, 'heart' in 'sweetheart' by a heart., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: horn with monogram JM below.
Publisher:
Printed 21st October 1799, by Laurie & Whittle, No. 53 Fleet Street, London
Subject (Topic):
Correspondence, Hieroglyphics, and Military uniforms
Title etched below image., Sheet trimmed to plate mark on top., Printseller's announcement following publication statement: Prints and drawings lent to copy., One of the series of prints depicting Suvorov's Russian Army., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Russian private -- Military drums -- Flags: Russian flag -- Weapons -- Military camps.
Publisher:
Pubd Augst. 1st 1799, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Military uniforms, Russian, and Musical instruments
Title etched below image., Sheet trimmed to plate mark on bottom., Publication date erased from this impression and supplied in contemporary hand as 'Decr. 1, 1812'., One of the series of prints depicting Suvorov's Russian Army., Printseller's announcement following publication statement: Prints and drawings lent to copy., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Augt. 1st, 1799, by S.W. Fores, 50 Piccadilly
Subject (Topic):
Bayonets, Flags, Russian, Forts & fortifications, Military uniforms, Rifles, and Spears
Title etched below image., Printseller's announcement following publication statement: Prints & drawings lent to copy., One of the series of prints depicting Suvorov's Russian Army., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Military uniforms: Russian officer -- Military uniforms: Russian private -- Guns: cannons -- Weapons -- Fortifications.
Title etched below image., Imprint burnished from plate. Imprint from other prints in the series., One of the series of prints depicting Suvorov's Russian Army., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Military uniforms: Russian officer, Cossacks -- Military uniforms: subaltern, Russian Cossacks -- Weapons.
"A lank barber, holding his customer by the nose and negligently slicing at it with his razor, reads from 'The London Gazette' which his victim holds: They write from Amsterdam (cf. BMSat 9412). The enraged customer shouts "Hallohl you Sir - what are you about? are you going to cut my nose off."--British Museum online catalogue
Description:
Title etched below image., Series title and number etched above image., and Temporary local subject terms: Reference to Amsterdam -- Containers: jugs.
Publisher:
Publishd. Augt. 30, 1799, by R. Akerman, No. 101 Strand
Title from item., Plate possibly first published in 1789. See: Grego, J. Rowlandson the caricaturist, v. 1, p. 262, Imperfect; sheet trimmed within plate mark with loss of title from lower edge. Title supplied from Grego., Companion print to: Chealsea Reach., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Boat or ship -- Storms -- Reference to Bay of Biscay., Title written in ink on mounting paper below image, perhaps in a contemporary hand: Bay of Biscay; same title also written in red ink on verso of print., and Window mounted to 26 x 36 cm.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
May 23, 1799.
Call Number:
Bunbury 799.05.23.01+ Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"One corner of a billiard-table is visible, the rest being cut off by the right, margin of the print. A player, in profile to the right, holds up with exaggerated care a cue in front of a ball lying near the corner. He wears a long pigtail queue, on the back of his coat is a large ribbon bow or cockade to which a key is attached. A number of spectators stand round watching intently: of two behind the player, one resembles a footman. Two others stand behind the corner of the table, one wearing a hat like that of a coachman; two others stand on the right behind the table. They are probably all men-servants. The wall behind is papered or stencilled in a pattern of horizontal lines and spots. On it are a rack of cues, the "[Rules of the Ga]me [of Billia]rds", three framed pictures: (a horse-race, a duel, and an oval portrait) and what appears to be a satirical print."--British Museum online catalogue
Description:
Title from text below image., Printmaker from signature on earlier state., Reissue, with different imprint statement and lacking printmaker's signature, of a print originally published 27 January 1781. Cf. No. 5913 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Sheet trimmed within plate mark on right and left sides., and Watermark: Strasburg bend.
Publisher:
Pubd. as the act directs, by S.W. Fores, No. 50 Piccadilly
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
May 23, 1799.
Call Number:
Bunbury 799.05.23.01+ Impression 2
Image Count:
1
Resource Type:
still image
Abstract:
"One corner of a billiard-table is visible, the rest being cut off by the right, margin of the print. A player, in profile to the right, holds up with exaggerated care a cue in front of a ball lying near the corner. He wears a long pigtail queue, on the back of his coat is a large ribbon bow or cockade to which a key is attached. A number of spectators stand round watching intently: of two behind the player, one resembles a footman. Two others stand behind the corner of the table, one wearing a hat like that of a coachman; two others stand on the right behind the table. They are probably all men-servants. The wall behind is papered or stencilled in a pattern of horizontal lines and spots. On it are a rack of cues, the "[Rules of the Ga]me [of Billia]rds", three framed pictures: (a horse-race, a duel, and an oval portrait) and what appears to be a satirical print."--British Museum online catalogue
Description:
Title from text below image., Printmaker from signature on earlier state., Reissue, with different imprint statement and lacking printmaker's signature, of a print originally published 27 January 1781. Cf. No. 5913 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Sheet trimmed within plate mark on right and left sides., 1 print : etching, hand-colored, on laid paper ; sheet 294 x 387 mm., Imperfect; sheet trimmed within plate mark on two edges and artist's signature erased from sheet., and Watermark.
Publisher:
Pubd. as the act directs, by S.W. Fores, No. 50 Piccadilly
"One of a set of eight plates, No. 7 (not mentioned by Grego) being missing, all having the same signatures. They may have been intended to burlesque Wheatley's 'Cries' (1793-7), from which they appear to derive. [The subjects are different from those of Wheatley, and there is no element of copying, but the group, with sentimental or humorous incident and architectural background, was Wheatley's innovation on the traditional single figure representing the 'Cries of London'. Cf. W. Roberts, 'The Cries of London', 1934, p. 12.] A ragged man, with traps of various patterns slung round him, and a trap in each hand, offers his wares to an old man (left) who looks from his bulk or stall, on which are a bird in a wicker cage and a rabbit in a hutch. A little boy and girl, hand in hand, stare intently at the rabbit. A dog snarls at two rats in one of the traps. A woman looks down from a casement window over the pent-house roof of the stall. In the background are a church spire and the old gabled houses characteristic of the slums of St. Giles and Westminster."--British Museum online catalogue
Description:
Title etched below series title and number., 1 print : etching with aquatint border on wove paper, hand-colored ; sheet 31 x 22 cm., Sheet trimmed within plate mark with loss of imprint., State with border removed., and Double window-mounted to 34 x 26 cm.
Publisher:
Pub. Jan. 1t., 1799, at R. Ackermann's, 101 Strand
Subject (Topic):
Birdcages, Children, Dogs, Houses, Men, Mousetraps, Peddlers, Prostitutes, Rabbits, Rats, and Street vendors
"Scene on the Thames near Chelsea; a large pleasure party of young men and women on a boat, drinking toasts, rowed by six watermen wearing jockey caps, a servant and two men playing French horns at the helm at right, where a union jack is flying from a pole; other boats on the water behind, bridge and church at left, the Chelsea Hospital on the bank beyond at centre."--British Museum online catalogue
Alternative Title:
Chelsea Reach
Description:
Title etched below image., Plate possibly first published in 1789. See: Grego, J. Rowlandson the caricaturist, v. 1, page 262., Imperfect; sheet trimmed within plate mark with loss of title from lower edge. Title supplied from impression in the British Museum., Companion print to: Bay of Biscay., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Boats: shallop -- Chelsea -- Flute -- Watermen -- Buildings: Battersea Church., Title written in ink on mounting paper below image, perhaps in a contemporary hand: Chelsea-Reach; same title also written in red ink on verso of print., and Window mounted to 25 x 35 cm.
"Sir Francis Burdett, one hand on the knocker of the large iron-studded door, addresses the gaoler, a burly ruffian with large keys, who stands just inside, holding open one leaf of the door. He says, one finger raised: "Hush! - Harkee! - open the door! - I want only to see if my Brother Citizens have Candles & Fires, & good Beds, & clean Girls, for their accommodation, - that all!!! Hush! open the Door! quick!!" The gaoler answers: "Hay? - what? - let You in, hay? - no! no! - we're bad enough here, already! - let you in! no! - no! - that would be too bad; - You're enough to corrupt the whole College." From Burdett's pocket hangs a paper: 'Secret Correspondence with O'Conner Evans Quigley Despard' (see BMSat 9189). In the background a hackney coach is driving under the high prison wall towards the gate. The profile of Courtenay (on the extreme left) looks from the window to say: "Drive me to the Bastille you dog". The driver answers: "To Cold Bath College, you mean I suppose! - to take up your Degrees Master." Above the massive gateway is inscribed: 'The House of \ Correction for the \ County of Middlesex. \ 1794 \ .'"--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Prisons: House of Corrections, Cold Bath Fields -- Architectural details: prison gates -- Gaolers -- Slang: 'college,' i.e., prison -- Vehicles: hackney coach -- Reference to Bastille -- Emblems: shackles -- Acts: Habeas Corpus Suspension Act, Dec. 21, 1798.
Publisher:
Pubd. Jany. 16th, 1799, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Burdett, Francis, 1770-1844 and Courtenay, John, 1738-1816
"The ugly and ungainly Nicholls, naked except for floating drapery, and with heavy, feathered wings, stands directed to the right, drawing the string of his bow. He stands on clouds which form a background."--British Museum online catalogue
Description:
Title etched below image., No. 4 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Sheet partially trimmed within plate mark., and Temporary local subject terms: Mythology: Cupid.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[14 February 1799]
Call Number:
Bunbury 799.02.14.01
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on betting on horses: a fat man seated in a chair looks angrily to right, a dog sits beside him."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with imprint statement added, of a print originally published circa 1779. Cf. No. 4731 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: Edmeads & Pine.
Publisher:
Publishd. Feb. 14, 1799, by John Harris, Sweetings Alley, Cornhill
A boat crammed with shipwrecked men, with an oar projecting to the right. One man leans his elbows on the gunwale while two of his companions throw a corpse overboard
Description:
Title from caption below image., Publication date inferred from publisher's dates of business at the address in imprint. See Maxted, I. The London book trades, 1775-1800, p. 169., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. Palser, Surrey side Westminster Bridge
"A pretty young maidservant stands on a doorstep (right) while a man, Irish in appearance, gazes insinuatingly into her face as he fills her bowl with brick-dust from a jar. He has an ass which stands patiently, a double sack pannier-wise across his back and a second jar or measure standing on the sack. The profile of a shrewish old woman looks through the door at the couple, who are intent on each other. A dog barks at the girl. Behind is a street, the nearer houses tall the farther ones lower and gabled. At the doorway opposite a woman appears to be giving food to a poor woman and child. A man and woman lean from the attic windows of adjacent houses to converse. A little chimney-sweep emerges from a chimney, waving his brush."--British Museum online catalogue
Description:
Title etched below series title and number., 1 print : etching with aquatint ; sheet 32.2 x 25.6 cm., Printed on wove paper; hand-colored. Sheet trimmed within plate mark., and Mounted to 44 x 35 cm.
Publisher:
Pub. Feb. 20, 1799, at R. Ackermann's, 101 Strand
Subject (Topic):
Bricklayers, Charity, Chimney sweeps, City & town life, Dogs, Donkeys, Street vendors, and Women domestics
Title from caption below image., Printmaker from unverified data in local card catalog record., Temporary local subject terms: Literature: Pizarro, by Richard Brinsley Sheridan -- Furniture: Armchair -- Medicine: Bottle -- Medicine chest -- Jacobinism., Mounted to 37 x 56 cm., and Collector's annotations on mount.
Publisher:
Pubd. by William Holland, No. 50, Oxford Street
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Smith-Stanley, Edward, 1752-1834, Burdett, Francis, 1770-1844, Erskine, Thomas Erskine, Baron, 1750-1823, Norfolk, Charles Howard, Duke of, 1746-1815, and George III, King of Great Britain, 1738-1820
Title etched below image., Later state, with beginning of imprint statement reworked to remove date. For an earlier state with the imprint "Pubd. Septr. 10, 1799, by R. Akerman, Strand", see Lewis Walpole Library call no.: 799.09.10.02., Sheet trimmed within plate mark., Series title and number etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Doctors -- Medicine bottles -- Food: reference to beans & bacon., and 1 print : etching, hand-colored ; plate mark 245 x 195 mm.
Publisher:
Pubd. by R. Akerman, Strand
Subject (Topic):
Drugs, Pulse, Diet, Physicians, Medicines, and Bottles
Title etched below image., Series title and number etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Doctors -- Medicine bottles -- Food: reference to beans & bacon., 1 print : etching, hand-colored ; sheet 245 x 194 mm., and Sheet trimmed to plate mark.
Publisher:
Pubd. Septr. 10, 1799, by R. Akerman, Strand
Subject (Topic):
Drugs, Pulse, Diet, Physicians, Medicines, and Bottles
Title etched below image., Series title and number etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Doctors -- Medicine bottles -- Food: reference to beans & bacon.
Publisher:
Pubd. Septr. 10, 1799, by R. Akerman, Strand
Subject (Topic):
Drugs, Pulse, Diet, Physicians, Medicines, and Bottles
Title etched below image., Eight lines of verse below title: I have a pain & I feell [sic] it here. a pain I cant impart ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Female dress, 1799 -- Pets.
Publisher:
Published at Akermann's [sic] Gallery, Strand, London
Title from item., Printmaker from British Museum catalogue., Printseller's announcement following publication statement: Folios of caricatures let out., Temporary local subject terms: Opposition -- St. Anne's Hill -- Emblems: tree of liberty as cake decoration -- Twelfth Night -- Furniture: dining table -- Armchairs -- Food: cake -- Bonnets rouges -- Pictures amplifying subject: placard with "Rules to be observed at this meeting.", Watermark: Strasburg lily dated below 1797., and Printseller's stamp in lower right corner: S.W.F.
Publisher:
Pubd by S.W. Fores, 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Burdett, Francis, 1770-1844, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, Bedford, Francis Russell, Duke of, 1765-1802, Tierney, George, 1761-1830, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Byng, George, 1764-1847
"The Prince of Wales lies on his bed, partly dressed, in a drunken stupor, head downwards, right arm hanging to the ground, where are broken bottles and spilt wine. The ghost of his great-uncle, William Augustus, Duke of Cumberland (1721-65), immensely fat, and naked except for cocked hat and sabre, emerging from clouds, stands at the bed-side (right), holding up an hour-glass whose sands have nearly run out; in his right hand he raises the bed-curtains which frame the design. He warns the Prince of the effects of drink and corpulence. See BMSats 9383, 9384, 9385, where the warning is extended."--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed mostly within plate mark.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Street
Subject (Name):
William IV, King of Great Britain, 1765-1837 and William Augustus, Prince, Duke of Cumberland, 1721-1765
Subject (Topic):
Beds, Drinking vessels, Ghosts, Hourglasses, Intoxication, and Obesity
Title etched below image., Plate numbered '39' in lower right corner., Restrike for Bohn's "Supressed plates". Cf. No. 9381in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.7., and Temporary local subject terms: Furnishings: bed curtains -- Hour-glass -- Glass: wine bottles.
Publisher:
Pubd May 7th, 1799, by H. Humphrey, 27 St. James's Street
Subject (Name):
William IV, King of Great Britain, 1765-1837 and William Augustus, Prince, Duke of Cumberland, 1721-1765
Bell's and beau's of 1799 and Belles and beaus of 1799
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Printmaker from British Museum catalogue., and Temporary local subject terms: Female dress: high-waisted transparent dresses, 1799 -- Bonnets -- Parasols -- Male dress: tasselled boots -- Jean de Bry coat -- Kensington Gardens? -- Eyeglasses: quizzing glass.
Publisher:
Pubd. July 1st, 1799, by S.W. Fores, 50 Piccadilly
"A large frothing tankard stands on a cask whose head forms the base of the design. From the froth Pitt emerges as Death on the White Horse (of Hanover, cf. BMSat 8691), giving the effect of a fantastic equestrian statue on a high pedestal. Pitt is in back view; in his right hand is a flaming sword, his left arm is raised, he turns his head slightly to the right, his right leg is extended; he wears his ordinary dress with heavily spurred top-boots. His head is the centre of rays on which his orders are inscribed, above it: 'Bella! \ Horrida \ Bella!' On the left are heavy clouds about to cover the sun, whose features indicate profound sleep; rays to the left are inscribed: 'Sun get thee to Bed! Myself will Light ye World' and 'Ho Rains! - Deluges! - Drown the Harvest!' Slanting rain descends in torrents from the clouds, battering down heads of wheat and obscuring a cottage in the background. On the right are the winds: four cherubs' heads blowing violent blasts in every direction, two of which are filled with swarms of insects. Rays to the right are inscribed: 'Pestiferous Winds! blast the fruits of the Earth!' and 'Ho! Flies! Grubs, Caterpillars! destroy the Hops!' The blasts strike hops twined round poles on the right of the design. On the tankard is a large '4' within a circle inscribed 'Pro-Bono-Ministero', and a small 'WP' with the Pitt crest of stork and anchor. On the cask a long lighted pipe inscribed 'Bellendenus' lies across a paper of tobacco inscribed : 'Ruin upon Ruin, or an Essay on the Ways & Means for supporting the cursed War.' ..."--British Museum online catalogue
Alternative Title:
Ministerial conjurations for supporting the war
Description:
Title etched below image., Four lines of text below title: "Four pence a pot for porter! Mercy upon us! Ah! its all owing to the war & the cursed ministry! ..." Vide, the doctor's reveries, every day after dinner., Sheet trimmed within plate mark., and Temporary local subject terms: Dishes: tankards -- Barrels -- Emblems: White Horse of Hanover -- Weapons: fiery sword -- Reference to influence of bad weather on harvest in 1799 -- War cries: Bella! Horrida bella! -- Emblems: Pitt's crest, stork & anchor -- Rain -- Reference to Dr. Samuel Parr (1747-1825) -- Reference to Parr's Preface to Bellendenus.
Publisher:
Publish'd Novr. 29th, 1799, by H. Humphrey, 27 St. James's Street
"Emblematical frontispiece to a set of six prints on the Expedition to Egypt, see BMSats 9356-61. Two sphinxes, back to back on a stone slab (on which are the signature and imprint), support a stone ornament inscribed with the title ... The sphinxes wear cocked hats with tricolour cockades, and have rapacious claws. Behind the inscription is a pyramid up which climbs an ape dressed as a (ragged) French officer holding up a large bonnet-rouge (such as was then carried on the masts of French men-of-war) in order to place it on the apex. In his sash is a blood-stained dagger. A nude man, symbolizing Folly, wearing a fool's cap, clutches his coat-tail, holding up a cap and bells, the cap on an ass's head. Large clouds, and a line of desert with pyramids on the horizon, form a background."--British Museum online catalogue
Description:
Title from text in image., Thirteen lines of text below title: The situations in which the artist occasionally represents his countrymen are a sufficient proof of an impartiality and fidelity, which cannot be too much commended ..., Frontispiece to a set of six plates on the French Expedition to Egypt, purported to have been drawn by a fellow expedition member., Sheet trimmed within plate mark., and Temporary local subject terms: Egyptian campaign, 1798-1801-- Pyramids -- Sphinxes -- Emblems: tricolored cockade -- Bonnet rouge -- Frenchmen: monkey as a Frenchman -- Jesters -- Fool's cap -- Personifications: Folly.
Publisher:
Publish'd March 12th, 1799, by H. Humphrey, No. 27 St. Jamess [sic] Steet [sic]
Title engraved above image., Printmaker identified from the original drawing in the Huntington Library., Plate numbered '230' in lower right corner., Three lines of text below title: Frenchman: begar my country be ver de ver in de invention of de modes and de fashions ..., From Laurie and Whittle series of drolls., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Frenchmen -- Englishmen -- Male dress: French, 1799.
Publisher:
Published April 8th 1799, by Laurie & Whittle, No. 53 Fleet Street, London
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[29 February 1799]
Call Number:
Bunbury 799.02.27.01+
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Reissue, with different imprint statement, of a print originally published 23 Feb. 1782. Cf. no. 4185 in v. 4 and see p. 658 in v. 5 of the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Vehicles: Cabriolet -- Trades: Hairdresser -- Domestic service: Footman -- Frenchmen -- French tailors -- The Grand Tour., and Watermark: J. Ruse 1799.
Publisher:
Publish'd Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[14 February 1799]
Call Number:
Bunbury 799.02.14.02
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Reissue, with different imprint statement, of a print originally published 10 June 1774. Cf. no. 4720 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Watermark: 1804.
Publisher:
Publishd. Feb. 14, 1799, by John Harris, Sweetings Alley, Cornhill
Title etched below image., Series title and number etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Excisemen -- Barrels -- Writing implements: tax collector's ink bottle.
Publisher:
Pubd. Septr. 10th, 1799, by R. Akerman, No. 101 Strand
"The members of the Secret Committee of the Commons are seated round a table examining the documents relating to the United Irishmen and other revolutionary societies. A lamp on the table illuminates a large framed transparency [The transparency, a large pictorial design lit from behind, was a popular form of street illumination. On 5 Nov. 1813 (for the battle of Leipzig) Ackermann displayed on the façade of his 'Repository' Rowlandson's 'The Two Kings of terror, afterwards published as a print. Broadley, i. 338.] divided into four equal sections which hangs from the ceiling and conceals the heads of the Committee ; the four scenes depict the supposed intentions of the revolutionaries. The transparency is irradiated, throwing into deep shadow members of the Opposition in the foreground (right), who flee from the room in a body, terror-struck. The nearest (three-quarter length) are Erskine, clutching a brief-bag, Fox, M. A. Taylor, and Norfolk. Behind these are Tierney, Sheridan, and Nicholls; in the last row are Sir J. Sinclair, Burdett, Moira, Bedford. The two most prominent members, though in back view with heads obscured, suggest Pitt (left) and Dundas (right); they read papers inscribed 'Scheme to Overthrow the British Constitution, & to seize on all public Property and Invitation to the French Republic'. Over the edge of the table hang the bulky 'Reports of the Secret Committee of the House of Commons.' On the floor are four papers: 'Names of Traitors now sufferd to remain at large'; 'Oath of the Members of the Society of the United Irishmen in London'; 'Account of ye Lodge of United Englishmen, & of the Monks of St Ann's Shrine' [see BMSat 9217]; 'Proceedings of the London Corresponding Society with a list of all the Members.' [See BMSat 9189, &c] The transparency is suspended on tricolour ribbons. Titles are engraved on the frame: [1] 'Plundering the Bank'. A scene in the Rotunda; tiny figures hasten off with sacks of gold, the most prominent being Tierney with '£10000'. Sir William Pulteney (identified from his resemblance to BMSat 9212) staggers off to the left with two sacks; the poker-like Moira has a sack on his head; two men dispute over a sack, one being Walpole with his huge cocked hat, the other resembling Jekyll; Sheridan (right) slouches off with two sacks. Proletarians exult over small money-bags. [2] 'Assassinating the Parliament'. The interior of the House of Commons is realistically depicted; the Opposition violently attack the occupants of the Government benches, daggers being the chief weapon. Erskine (left) is about to murder Dundas; Fox strikes at Pitt, holding him by the throat, while Sheridan is about to stab Pitt in the back. The puny Walpole tries to drag the Speaker from his chair, while Burdett raises the mace to smite him. Sir John Sinclair raises a broadsword to smite a man held down by little M. A. Taylor. Volumes of 'Acts and Statutes' fall to the floor. [3] 'Seizing the Crown. \ Scene the Tower'. Exulting plunderers emerge from the gate of the Tower on to the drawbridge. Bedford, dressed as a jockey (cf. BMSat 9380), walks ahead with two sacks: 'New Coinage' and 'New Guineas'; Fox, [Identified by Grego as Lansdowne.] smiling, holds the crown; Lauderdale, wearing a kilt, carries the sceptre. Just behind is Sir George Shuckburgh. Stanhope (or Grattan) carries a sack, 'Regalia of E[ngland]'. On the right a chimney-sweep and others dance round a bonfire in which 'Records' are burning. Cf. BMSat 7354, where Fox carries off the crown from the Tower. [4] 'Establishing the French Government. \ St James s Palace'. French troops march with arrogant goose-step and fixed bayonets into the gateway of the palace; their large tricolour flag is inscribed 'Vive la Republique Français'. In the foreground is planted a tall spear surmounted by a bonnet-rouge (a tree of Liberty, cf. BMSat 9214, &c.); at its base are decollated heads wearing coronets and a mitre. They are cheered by spectators (right): Grattan holding 'Grattans Address', Norfolk holding his staff, Lord Derby in hunting-dress standing on an overturned sentry-box, Moira standing like a ramrod. ...."--British Museum online catalogue
Description:
Title etched below image., Two lines of text below title: Representing the Secret-Committee throwing a light upon the dark sketches of a revolution found among the papers of the Jacobin societies lately apprehended ..., and Sheet trimmed to plate mark.
Publisher:
Pubd. April 15th, 1799, by H. Humphrey, 27 St. James Street, London
Subject (Name):
Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Taylor, Michael Angelo, 1757-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Tierney, George, 1761-1830, Nicholls, John, 1745?-1832, Sheridan, Richard Brinsley, 1751-1816, Burdett, Francis, 1770-1844, Sinclair, John, Sir, 1754-1835, Bedford, Francis Russell, Duke of, 1765-1802, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, Jekyll, Joseph, 1754-1837, Walpole, George, 1761-1830, Pulteney, William, Lauderdale, James Maitland, Earl of, 1759-1839, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, and Grattan, Henry, 1746-1820
"Bonaparte (right) stands in profile to the left, directing with outstretched right arm the Grenadiers who, at the point of the bayonet, are ejecting the Council of Five Hundred from the Orangery. The members, in their official costume (see BMSat 9198), flee in wild confusion. Officers (right) stand behind Bonaparte; a little drummer fiercely beats a drum inscribed 'Vive la Liberte'. A tricolour flag is inscribed 'Vive le Triumverate Buonaparte Seyes-Ducos'. All are caricatured except Bonaparte, who is calm and dignified, though with (dagger) wounds on face and arms. He tramples on 'Un liste de Membres du Conseil des Cinque Cents' which lies beside a paper: 'Resignation des Directoires'."--British Museum online catalogue
Alternative Title:
Exit libertè a la Franc̦aise! and Buonaparte closing the farce of egalitè at St. Cloud near Paris, Novr. 10th, 1799
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Military uniforms: French Grenadiers -- Interiors: Orangerie, Paris -- France: members of Council of Five ejected from Orangerie -- Directory: resignation of its members -- Coup d'état, November 10, 1799 -- St. Cloud.
Publisher:
Publishd. Novr. 21st, 1799, by H. Humphrey, 27 St. James's Street
"Two elderly men ('cits') stand submissively, while young wives hold large antlers to their foreheads. One (left) flourishes her husband's wig."--British Museum online catalogue
Description:
Title engraved below image., One line of text below title: "Very unhappy but it can't be help't." We were rather too old, brother, before we married. -vide the Progress of an Old Bachelor., One of the series of Laurie & Whittle drolls., Numbered '233' in lower right of plate., and Temporary local subject terms: Cuckolds -- 'Cits' -- Female dress, 1799 -- Male dress, 1799 -- Architectural details: panelled walls.
Publisher:
Published 12th July 1799, by Laurie & Whittle, No. 53 Fleet Street, London
"Whole length caricature portrait. Suvóroff stands gazing into space with fierce melancholy, right hand on the hilt of a sabre dripping with blood, left hand on his hip. He has Kalmuck features, a bald head with a sabre-cut, moustaches. He wears a fur-bordered tunic and fur-topped boots with heavy spurs; a fur-lined cloak hangs from his shoulders. A miniature is suspended from a button. The smoke from a burning town on the horizon (right) slants across the background. Beneath the title: '"This extraordinary Man is now in the prime of life, - Six Feet, Ten Inches in height; - never \ "tastes either Wine or Spirits; takes but one Meal a day; " & every Morning plunges into an Ice Bath; - \ "his Wardrobe consists of a plain Shirt, a White Waistcoat & Breeches, short Boots, & a Russian Cloak; \ "he wears no covering on his head either by day or night - when tired, he wraps himself up in \ "a Blanket & sleeps in the open air; - he has fought 29 pitched Battles, & been in 75 Engagements" - See Vienna Gazzette.'"--British Museum online catalogue
Description:
Title etched below image., The drawing is fictitious., Sheet trimmed within plate mark., and Temporary local subject terms: Male dress: fur trimmed Russian tunic -- Sabres -- Miniatures suspended from button of tunic -- War destruction and pillage -- Newspapers: reference to Vienna Gazette.
Publisher:
Pubd. May 23d, 1799, by H. Humphrey, St. Jamess [sic] Street
Subject (Name):
Suvorov, Aleksandr Vasilʹevich, kni︠a︡zʹ Italiĭskiĭ, 1730-1800
"A foppish footman (left) wearing a cutaway livery coat with pantaloons, bunch of seals, and other fashionable trappings, holds a nosegay, admiring himself in a wall-mirror: "This I think will strike the Female Villager, the dear smiling rogues will never be able to resist the little Jenny Seequy of my dress and manners." An ape on a chain (right) seems to imitate his pose. Two country servants (right) gaze angrily at him: a footman (right) says: "Nan did'st ever see such a conceited Monkey! old Jack the Baboon is a fool to urn!!" She says: "The house will be turned topsy turvy by these Lunneners."--British Museum online catalogue
Description:
Title etched below image., Series title and number etched above image., and Temporary local subject terms: Domestic service: footmen -- Servants -- Nosegays -- Furnishings: wall mirror -- Console-table -- Pets: monkey -- Slang: "Jenny Seequy" (Je ne sais quoi) -- Slang: "Lunneners" (Londoners) -- Male costume: seals.
Publisher:
Pubd. Augt. 30, 1799, by R. Akerman, N. 101 Strand
"A crowded design: the room of a quack doctor or astrologer; Larevellière-Lépeaux sits at his table in a gothic chair; five generals approach him from the right, two others are seated (left) behind his chair. The doctor wears his official (Director's) dress (see BMSat 9199) with feathered hat; a bonnet-rouge crowns the back of his chair, against which leans a book: 'Hortus Siccus' (Larevellière was a botanist). He is hunchbacked, with deformed legs ('The holy Hunchback . . .', cf. BMSat 9240). He holds up a retort in which a liquid explodes, so that tiny decollated heads fly upwards. On his table are jars, bottles, and an open book: 'Mal de Naples sive Morbus Gallicus'. (The blockade of Naples by the British fleet was followed by its evacuation by the French (8 May) and risings against the republicans.) A mortar is inscribed 'Arch-Duke Boluses' (the Arch-duke Charles had beaten the French decisively at Stockach, 25 Mar.). A jar is 'Preparation of Lead', a box is 'Lake's Pills' (a pun on Leake's quack remedy; Lake had defeated the Irish rising in 1798). A large jar of 'Esprit de Robespierre' contains a guillotine; a smaller one, a dagger. The five generals are in advanced stages of disease or decay. The foremost holds his hat; from his pocket issues a paper: 'Case of Diabetes'. The next hobbles, contorted with pain, his shambling puny legs swollen below the knee, his boot slashed; he has a paper: 'l'ennemi inquietait mes derrieres'. A lean man has one eye and holds an ear-trumpet to his ear. On the left a general, his face distorted, sits painfully on a close-stool decorated with a bonnet-rouge and motto: 'Vive la grande Nation'. He clutches a paper: 'Ordres, les Ordres'. Beside him is a torn paper, 'Plans de Campagne'. Jourdan, facing him, vomits into a chamber-pot punningly inscribed 'Jourdan' (cf. BMSat 7908, &c). On the ground are clyster-pipe and syringe, books, and papers: 'French Conquêtes' (torn); 'Regime de Terreur' with 'alo Septembre' (BMSat 8122), 'Russian Regimen' (see BMSat 9408, &c), 'Hosologie [sic] Francoise', and 'Catalogue of new French Diseases'. A large crocodile, emblem of the quack and of Egypt (see BMSat 9250), is suspended (as in BMSat 7735) from the roof by tricolour bands. Against the wall are many emblematical objects: on the extreme left an ape (Liberty) seated on a bracket holds a bonnet-rouge on a staff. Above is a terrestrial globe suspended upside down. Next are two mummies swathed with tricolour bandages; the larger is 'Buonaparte', the smaller 'Kleber' (both confined to Egypt by the British fleet). Glass jars containing specimens of abortion are ranged on a long shelf inscribed 'Projets Avortès' [sic]. Some of the labels are illegible, others are: 'Ireland, Commune de Pekin, Venise, Department du Mont Caucase, Directoire d'Abissinie [see BMSat 9352], Armée du Gauge'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Medical: quacks -- Male costume: French Director's habit -- Furniture: Gothic chairs -- Hunchbacks -- Medicine: pun on Leak's pills -- Preparation of lead -- Globes -- Emblems: bonnet rouge -- Medicine: Esprit de Robespierre -- Diseases: diabetes -- Furnishings: close-stool -- Chamberpots -- Medical implemets: Clyster pipe -- Syringe -- Emblems: crocodile as quack's emblem -- Crocodile as emblem of the Egyptian campaign -- Mummies: Napoleon I as a mummy -- Medical specimens -- Military uniforms: French officers's uniforms -- Ape with bonnet rouge as an emblem of liberty -- Napoleonic wars, 2nd Coalition: French defeat 1799 -- Allusion to Gerard Lake (1744-1808).
Publisher:
Pubd. June 20th, 1799, by H. Humphrey, St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, La Revellière-Lépeaux, Louis-Marie de, 1753-1824, Jourdan, Jean-Baptiste, 1762-1833, and Kléber, Jean-Baptiste, 1753-1800
"The corner of a tailor's fitting-room. A hideous and plebeian Englishman, fat and short-legged, and wearing a curled Brutus wig, looks at his reflection in an elaborately framed wall-mirror crowned with a bonnet-rouge (left). The tailor, a simian monstrosity standing behind him (right), adjusts the sleeve of the coat. The coat (so styled after de Bry, see BMSat 9389) has a high collar, is heavily padded, with full sleeves gathered at the shoulders, and is cut back into narrow tails. The boots have long pointed toes, the tops, with high tasselled peaks, projecting in front of the leg far above the knee. He stands on a large volume: 'Nouveaux Costumes'. The tailor is foppish, though wearing a bonnet-rouge with a long peak, long queue, ungartered stockings, and slippers. A tricolour measuring-tape is draped about him. He says: "A ha! - dere my Friend, I fit you to de Life! - dere is Libertè - no tight Aristocrat Sleeve, to keep from you do, vat you like! - aha! begar, dere be only want von leetel National Cockade to make look quite a la mode de Paris!!" John Bull answers: "Liberty! - quoth'a! - why sound I can't move my Arms at all! for all it looks woundy big! - ah! damn your French Alamodes, they give a man the same Liberty as if he was in the Stocks! - give me my Old Coat again, say I, if it is a little out at the Elbows." On the wall (right) is visible the left portion of a framed plate of the official costumes of the Directory (see BMSat 9196, &c): in six compartments are tiny simian creatures inscribed respectively: 'Membre du Directo[ire], Cornell des Anciens, Ministre, Conseil des 5 Cents, Juge------, Administrat ...'. Beneath is a framed oval containing 'Les Regles pour les Modes'; these end: 'Vive la Libertè'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
French tailor fitting John Bull with a Jean de Bry
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Trades: tailors -- French tailors -- Male dress: Jean de Bry coat -- Tasseled boots -- Wigs: Brutus wig -- Queue wig -- Furnishings: mirrors -- Bonnet rouge -- Pictures amplifying subject: French costumes -- Pictures amplifying subject: rules for fashion -- Carpet., and Watermark, partially trimmed : Turkey Mill J Whatman.
Publisher:
Publish'd Novr. 18th, 1799, by H. Humphrey, 27 St. James's Street, London
Title from item., Printseller's announcement following publication statement: Folios of caricatures lent., Temporary local subject terms: Napoleonic wars, 2nd Coalition: reference to Suvorov's victories in Italy, 1799 -- Giants -- Utensils: three-pronged forks -- Literature: reference to Gulliver's Travels by Jonathan Swift (1667-1745) -- French army as Lilliputs -- Cannons -- Emblems: skull and bones -- Cannibalism., and Watermark: Apsley Mill 1797.
Publisher:
Pub by S.W. Fores, 50 Piccadilly
Subject (Name):
Suvorov, Aleksandr Vasilʹevich, kni︠a︡zʹ Italiĭskiĭ, 1730-1800
Titles from item., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios of caricatures lent., and Temporary local subject terms: Male dress: smocks -- Tools.
Title from caption below image., Temporary local subject terms Dishes: tankards -- Smoking: tobacco -- Allusion to tythe pig., and Watermark: Strasburg lily.
Title etched below image., Sheet trimmed within plate mark on sides., Printseller's announcement beneath imprint statement: Folios of caricatures lent &c., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Villagers -- Furniture: slipcovered armchair., Temporary local Medical Library subject terms: Unsuccessful treatment., and 1 print : etching, hand-colored ; plate mark 34.0 x 23.9 cm.
Title etched below image., Sheet trimmed within plate mark on sides., Printseller's announcement beneath imprint statement: Folios of caricatures lent &c., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Villagers -- Furniture: slipcovered armchair., and Temporary local Medical Library subject terms: Unsuccessful treatment.
Title etched at bottom of plate., Printmaker based on similar plates by Rowlandson, likewise published by Ackermann in 1799. See nos. 9488-9492 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Design consists of three strips arranged horizontally with various scenes, each row with an imprint etched at bottom center. The plate number is etched above the top row, centered., Imperfect; sheet trimmed within plate mark with loss of top two rows of design and plate numbering. Description based on impression at the Metropolitan Museum of Art, accession no.: 59.533.1268., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Mountebanks., 1 print : etching with stipple, hand-colored ; sheet 10.3 x 18.5 cm., and Imperfect; sheet trimmed within plate mark with significant loss of text and image. Only the center scene in the middle row of design is present, along with the imprint below. This scene shows a mountebank on a stage addressing a crowd, with the dialogue "The noted Doctor Humbug - cures all disorders incident to the human body!" etched within image.
Publisher:
Pubd. July 21, 1799, at R. Ackermann's, 101 Strand
Three vertical strips in between borders. First image on top left: two Lilliputian figures of sportsmen (jockeys?) riding from left to right, one of them saying, The sports are begun
Alternative Title:
Grotesque borders for rooms and screens
Description:
Title etched vertically in left margin., Number "5" in "Plate 5" etched backwards., "No. 5."--Upper left corner., Imperfect, sheet trimmed within plate mark resulting in loss of title, statement of responsibility and imprint. Missing text from Woodward Collection of Prints and Drawings, record no. D5459/2/23/2., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman 1810.
Publisher:
Pubd. April 30th, 1799, at R. Ackermann's Gallery, 101 Strand, London
"Skeffington, in back view, stands squarely, but looks smiling to the right, his sharp features in profile. He wears a round hat, powdered hair, with a dark whisker, a much-wrinkled Jean de Bry coat (see BMSat 9425), breeches, and top-boots with spike toes. His coat-collar and shoulders are thickly coated with hair-powder (cf. BMSat 8190). His attitude is that of one displaying his ungainly costume. He faces a path which leads to a distant gibbet."--British Museum online catalogue
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Male dress: Jean de Bry coat -- Top-boots with spike toes -- Gibbets.
Publisher:
Pubd. August 1st, 1799, by H. Humphrey, No. 27 St. James's Street
"'The Feast' is a steaming sirloin in a dish inscribed John Bull's Comfort, flanked by (left) a frothing tankard decorated with the Royal Arms and (right) a plum-pudding. The three harpies, Tierney (left), Shuckburgh, and Jekyll (right), malignantly vomit and excrete on the feast. Tierney hovers over the tankard, Shuckburgh over the beef; Jekyll, with webbed wings and barrister's wig and bands, is planted on the pudding. All do their worst to the beef, against the dish of which lies a carving-knife and fork."--British Museum online catalogue
Alternative Title:
Harpies defiling the feast
Description:
Title etched below image., No. 3 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., and Temporary local subject terms: Roast beef -- Table settings: utensils -- Food: plum pudding -- Dishes: tankard with royal arms -- Mythology: harpies -- Reference to John Bull.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, No. 27 St. Jamess [sic] Street
Subject (Name):
Tierney, George, 1761-1830, Shuckburgh-Evelyn, George Augustus William, Sir, 1751-1804, and Jekyll, Joseph, 1754-1837
"Fox, naked and hairy, sits despondently at the foot of a willow tree, from which a lyre hangs by a tricolour ribbon. His eyes are closed, his head is supported on the hand which holds a large book: 'The Beauties of St Ann's Hill'. He sits on the skin of an ass masquerading as a lion (with a lion's tail); before him are the apples of the Hesperides, rotten. His club, inscribed 'Whig Club', lies across a (blunted) arrow and a bow with a broken string. In the background Fame staggers from the temple which crowns Parnassus."--British Museum online catalogue
Description:
Title etched below image., No. 1 in a series of six prints with a frontispiece entitled: New pantheon of democratic mythology., Sheet trimmed to plate mark., and Temporary local subject terms: Parnassus -- Hercules -- Reference to Hercules's labors: skin of an ass as the skin of the Nemean Lion -- Reference to the Whig Club -- Weapons: clubs -- Bow and arrow -- Musical instruments: lyre -- Emblems: tricolor ribbon -- Books -- Reference to St. Ann's Hill.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Street
Title from item., Sheet trimmed within plate mark resulting in loss of imprint., Print from the Borders for rooms series by Woodward and Rowlandson., Publication date and publisher inferred from other prints in this series., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literature: Allusion to William Shakespeare's Two Gentlemen of Verona, I.1.119-133 -- Literature: Allusion to Miguel de Cervantes's Don Quixote -- Kitchen utensils: kettle as a helmet -- Kitchen utensils: lid as a shield -- Kitchen utensils: skewer as a lance -- Allusion to nobodies -- Hoddy-doddies -- Borders -- Games: chess -- Money: pound note -- Female costume: Don Quixote -- Quakers -- Jokes -- Fans -- Walkers., and Numbered '23' in contemporary hand, above image.
Two horizontal strips in between borders. On top left: a man and three women ride on donkeys. The donkey of the woman on the extreme left trips and she is about to fall saying, Harse it, I did not think my ass was capable of such tricks
Description:
Sheet trimmed within plate mark resulting in loss of imprint., Publication date and attributions to Woodward and Rowlandson based on other "Borders" prints., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Mrs. Siddons as Elvira in 'Pizarro'. Her words are from Act III. iii (in Pizarro's tent). She stands with her head turned in profile to the left, right arm extended in a commanding gesture. She wears a high-waisted, quasi-classical dress, with a long cloak bordered with gold, folds of which are twisted round her left arm."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Theater: actors in performance -- Literature: Richard Brinsley Sheridan, Pizarro, iii.3 -- Female costume: theater costume., Leaf 28 in an album with the spine title: Characatures by Dighton., 1 print : etching with drypoint on laid paper, hand-colored ; plate mark 22.3 x 17.4 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Siddons" in pencil in lower left corner of sheet.
Publisher:
Robert Dighton
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Siddons, Sarah, 1755-1831
