Title etched below image., Imprint burnished from plate. Imprint from other prints in the series., One of the series of prints depicting Suvorov's Russian Army., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Military uniforms: Russian officer, Cossacks -- Military uniforms: subaltern, Russian Cossacks -- Weapons.
"A lank barber, holding his customer by the nose and negligently slicing at it with his razor, reads from 'The London Gazette' which his victim holds: They write from Amsterdam (cf. BMSat 9412). The enraged customer shouts "Hallohl you Sir - what are you about? are you going to cut my nose off."--British Museum online catalogue
Description:
Title etched below image., Series title and number etched above image., and Temporary local subject terms: Reference to Amsterdam -- Containers: jugs.
Publisher:
Publishd. Augt. 30, 1799, by R. Akerman, No. 101 Strand
Title from item., Plate possibly first published in 1789. See: Grego, J. Rowlandson the caricaturist, v. 1, p. 262, Imperfect; sheet trimmed within plate mark with loss of title from lower edge. Title supplied from Grego., Companion print to: Chealsea Reach., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Boat or ship -- Storms -- Reference to Bay of Biscay., Title written in ink on mounting paper below image, perhaps in a contemporary hand: Bay of Biscay; same title also written in red ink on verso of print., and Window mounted to 26 x 36 cm.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
May 23, 1799.
Call Number:
Bunbury 799.05.23.01+ Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"One corner of a billiard-table is visible, the rest being cut off by the right, margin of the print. A player, in profile to the right, holds up with exaggerated care a cue in front of a ball lying near the corner. He wears a long pigtail queue, on the back of his coat is a large ribbon bow or cockade to which a key is attached. A number of spectators stand round watching intently: of two behind the player, one resembles a footman. Two others stand behind the corner of the table, one wearing a hat like that of a coachman; two others stand on the right behind the table. They are probably all men-servants. The wall behind is papered or stencilled in a pattern of horizontal lines and spots. On it are a rack of cues, the "[Rules of the Ga]me [of Billia]rds", three framed pictures: (a horse-race, a duel, and an oval portrait) and what appears to be a satirical print."--British Museum online catalogue
Description:
Title from text below image., Printmaker from signature on earlier state., Reissue, with different imprint statement and lacking printmaker's signature, of a print originally published 27 January 1781. Cf. No. 5913 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Sheet trimmed within plate mark on right and left sides., and Watermark: Strasburg bend.
Publisher:
Pubd. as the act directs, by S.W. Fores, No. 50 Piccadilly
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
May 23, 1799.
Call Number:
Bunbury 799.05.23.01+ Impression 2
Image Count:
1
Resource Type:
still image
Abstract:
"One corner of a billiard-table is visible, the rest being cut off by the right, margin of the print. A player, in profile to the right, holds up with exaggerated care a cue in front of a ball lying near the corner. He wears a long pigtail queue, on the back of his coat is a large ribbon bow or cockade to which a key is attached. A number of spectators stand round watching intently: of two behind the player, one resembles a footman. Two others stand behind the corner of the table, one wearing a hat like that of a coachman; two others stand on the right behind the table. They are probably all men-servants. The wall behind is papered or stencilled in a pattern of horizontal lines and spots. On it are a rack of cues, the "[Rules of the Ga]me [of Billia]rds", three framed pictures: (a horse-race, a duel, and an oval portrait) and what appears to be a satirical print."--British Museum online catalogue
Description:
Title from text below image., Printmaker from signature on earlier state., Reissue, with different imprint statement and lacking printmaker's signature, of a print originally published 27 January 1781. Cf. No. 5913 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Sheet trimmed within plate mark on right and left sides., 1 print : etching, hand-colored, on laid paper ; sheet 294 x 387 mm., Imperfect; sheet trimmed within plate mark on two edges and artist's signature erased from sheet., and Watermark.
Publisher:
Pubd. as the act directs, by S.W. Fores, No. 50 Piccadilly
"One of a set of eight plates, No. 7 (not mentioned by Grego) being missing, all having the same signatures. They may have been intended to burlesque Wheatley's 'Cries' (1793-7), from which they appear to derive. [The subjects are different from those of Wheatley, and there is no element of copying, but the group, with sentimental or humorous incident and architectural background, was Wheatley's innovation on the traditional single figure representing the 'Cries of London'. Cf. W. Roberts, 'The Cries of London', 1934, p. 12.] A ragged man, with traps of various patterns slung round him, and a trap in each hand, offers his wares to an old man (left) who looks from his bulk or stall, on which are a bird in a wicker cage and a rabbit in a hutch. A little boy and girl, hand in hand, stare intently at the rabbit. A dog snarls at two rats in one of the traps. A woman looks down from a casement window over the pent-house roof of the stall. In the background are a church spire and the old gabled houses characteristic of the slums of St. Giles and Westminster."--British Museum online catalogue
Description:
Title etched below series title and number., 1 print : etching with aquatint border on wove paper, hand-colored ; sheet 31 x 22 cm., Sheet trimmed within plate mark with loss of imprint., State with border removed., and Double window-mounted to 34 x 26 cm.
Publisher:
Pub. Jan. 1t., 1799, at R. Ackermann's, 101 Strand
Subject (Topic):
Birdcages, Children, Dogs, Houses, Men, Mousetraps, Peddlers, Prostitutes, Rabbits, Rats, and Street vendors
"Scene on the Thames near Chelsea; a large pleasure party of young men and women on a boat, drinking toasts, rowed by six watermen wearing jockey caps, a servant and two men playing French horns at the helm at right, where a union jack is flying from a pole; other boats on the water behind, bridge and church at left, the Chelsea Hospital on the bank beyond at centre."--British Museum online catalogue
Alternative Title:
Chelsea Reach
Description:
Title etched below image., Plate possibly first published in 1789. See: Grego, J. Rowlandson the caricaturist, v. 1, page 262., Imperfect; sheet trimmed within plate mark with loss of title from lower edge. Title supplied from impression in the British Museum., Companion print to: Bay of Biscay., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Boats: shallop -- Chelsea -- Flute -- Watermen -- Buildings: Battersea Church., Title written in ink on mounting paper below image, perhaps in a contemporary hand: Chelsea-Reach; same title also written in red ink on verso of print., and Window mounted to 25 x 35 cm.
"Sir Francis Burdett, one hand on the knocker of the large iron-studded door, addresses the gaoler, a burly ruffian with large keys, who stands just inside, holding open one leaf of the door. He says, one finger raised: "Hush! - Harkee! - open the door! - I want only to see if my Brother Citizens have Candles & Fires, & good Beds, & clean Girls, for their accommodation, - that all!!! Hush! open the Door! quick!!" The gaoler answers: "Hay? - what? - let You in, hay? - no! no! - we're bad enough here, already! - let you in! no! - no! - that would be too bad; - You're enough to corrupt the whole College." From Burdett's pocket hangs a paper: 'Secret Correspondence with O'Conner Evans Quigley Despard' (see BMSat 9189). In the background a hackney coach is driving under the high prison wall towards the gate. The profile of Courtenay (on the extreme left) looks from the window to say: "Drive me to the Bastille you dog". The driver answers: "To Cold Bath College, you mean I suppose! - to take up your Degrees Master." Above the massive gateway is inscribed: 'The House of \ Correction for the \ County of Middlesex. \ 1794 \ .'"--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Prisons: House of Corrections, Cold Bath Fields -- Architectural details: prison gates -- Gaolers -- Slang: 'college,' i.e., prison -- Vehicles: hackney coach -- Reference to Bastille -- Emblems: shackles -- Acts: Habeas Corpus Suspension Act, Dec. 21, 1798.
Publisher:
Pubd. Jany. 16th, 1799, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Burdett, Francis, 1770-1844 and Courtenay, John, 1738-1816
