V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dying man, wearing a tattered shirt, lies stretched on a miserable bed under a casement window, through which looks Death, a skeleton holding up an hour-glass and a javelin which he points menacingly at his victim. A fat doctor (left) sits asleep at the bedside (left) while an undertaker's man, with a coffin on his back, and holding a crêpe-bound mute's wand, enters from the right as if smelling out death. The doctor wears old-fashioned dress, with powdered wig, and has a huge gold-headed cane. Beside him are the words: "I purge I bleed I sweat em, Then if they Die I Lets em"."--British Museum online catalogue
Alternative Title:
One too many
Description:
Title etched below image., Probably a later state; beginning of imprint statement appears to have been burnished from plate., Date of publication from British Museum catalogue and Grego., Sheet trimmed within plate mark., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "292" in upper right corner., Temporary local subject terms: Doctor., Temporary local Medical Library subject terms: Skeleton as Death., 1 print : etching, hand-colored ; sheet 25.5 x 39.5 cm., and Watermark: 1819.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Death (Personification), Skeletons, Physicians, Undertakers, Coffins, Hourglasses, Interiors, Sick persons, Deathbeds, and Windows
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dying man, wearing a tattered shirt, lies stretched on a miserable bed under a casement window, through which looks Death, a skeleton holding up an hour-glass and a javelin which he points menacingly at his victim. A fat doctor (left) sits asleep at the bedside (left) while an undertaker's man, with a coffin on his back, and holding a crêpe-bound mute's wand, enters from the right as if smelling out death. The doctor wears old-fashioned dress, with powdered wig, and has a huge gold-headed cane. Beside him are the words: "I purge I bleed I sweat em, Then if they Die I Lets em"."--British Museum online catalogue
Alternative Title:
One too many
Description:
Title etched below image., Probably a later state; beginning of imprint statement appears to have been burnished from plate., Date of publication from British Museum catalogue and Grego., Sheet trimmed within plate mark., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "292" in upper right corner., Temporary local subject terms: Doctor., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Death (Personification), Skeletons, Physicians, Undertakers, Coffins, Hourglasses, Interiors, Sick persons, Deathbeds, and Windows
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dying man, wearing a tattered shirt, lies stretched on a miserable bed under a casement window, through which looks Death, a skeleton holding up an hour-glass and a javelin which he points menacingly at his victim. A fat doctor (left) sits asleep at the bedside (left) while an undertaker's man, with a coffin on his back, and holding a crêpe-bound mute's wand, enters from the right as if smelling out death. The doctor wears old-fashioned dress, with powdered wig, and has a huge gold-headed cane. Beside him are the words: "I purge I bleed I sweat em, Then if they Die I Lets em"."--British Museum online catalogue
Alternative Title:
One too many
Description:
Title etched below image., Probably a later state; beginning of imprint statement appears to have been burnished from plate., Date of publication from British Museum catalogue and Grego., Sheet trimmed within plate mark., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "292" in upper right corner., Temporary local subject terms: Doctor., Temporary local Medical Library subject terms: Skeleton as Death., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., and Leaf 67 in volume 4.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Death (Personification), Skeletons, Physicians, Undertakers, Coffins, Hourglasses, Interiors, Sick persons, Deathbeds, and Windows
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Atlas (right), bearded and muscular, nude except for swirling drapery, kneels on one knee, supporting with both hands a terrestrial globe which he pushes towards Napoleon on whom it is about to fall. The Emperor staggers back, dropping his sword, his left arm and right leg are raised high, to ward off the impact. He looks up, terrified, and says: "France be mine! Holland be mine! Italy be mine! Spain & Poland be mine! Russ, Prussia Turky, de whole World vil be mine!!! Monsr Atlas hold up dont let it fall on me." Atlas, with a menacing frown, answers: "When the Friends of Freedom and Peace have stop'd your shakeing it on my shoulders [and] got their own again, I'll bear it, till then you may carry it yourself Master Boney!" Close behind Napoleon (left) two French marshals or generals flee to the left, looking back at the globe One (left) says: "By Gar tis true tis fall on your Head! votre Serviteur! we no stop to be crush vid you"; the other: "Votre Serviteur Monsr Boney." Napoleon's head is scarcely caricatured, the generals are grotesques in the manner of Gillray, e.g. in British Museum Satires No. 9403, 'French Generals retiring, on account of their Health . . .' The globe is patterned with continents and islands regardless of geography."--British Museum online catalogue
Alternative Title:
Grasp all, lose all, Atlas enraged, and Punishment of unqualified ambition
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text, from Spenser's The faerie queene, following title: "Most wretched wight, whom nothing might suffice, "whose greedy lust, did lack in greatest store ..., Plate numbered "254" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shilling cold."--Following imprint., Watermark: 1817., and Leaf 35 in volume 4.
Publisher:
Pubd. Decr. 1st, 1813, by Thos. Tegg, 111 Cheapside
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A hand-coloured print of a portly rector who is suspended above his horse by means of a crane secured to the wall of the rectory. Two women pull on the rope that has heaved the rector into the air whilst a grinning groom stands alongside the horse."--Royal Collection Trust online catalogue, description of an earlier state
Alternative Title:
New invented patent crane for the accomodation of rheumatic rump'd rectors
Description:
Title etched below image., Reissue; former plate number "314" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publisher inferred from the inclusion of this plate in Tegg's Caricature magazine and the presence of Tegg's serial numbering in the upper right., Date of publication based on earlier state with the partial imprint "Pubd. December 30th, 1813, by [...]." Cf. Royal Collection Trust, RCIN 810909., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "270" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 350 x 248 mm., and Hand-colored.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A hand-coloured print of a portly rector who is suspended above his horse by means of a crane secured to the wall of the rectory. Two women pull on the rope that has heaved the rector into the air whilst a grinning groom stands alongside the horse."--Royal Collection Trust online catalogue, description of an earlier state
Alternative Title:
New invented patent crane for the accomodation of rheumatic rump'd rectors
Description:
Title etched below image., Reissue; former plate number "314" has been replaced with a new number, and imprint statement has been completely burnished from plate., Publisher inferred from the inclusion of this plate in Tegg's Caricature magazine and the presence of Tegg's serial numbering in the upper right., Date of publication based on earlier state with the partial imprint "Pubd. December 30th, 1813, by [...]." Cf. Royal Collection Trust, RCIN 810909., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "270" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 89 in volume 4.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A plump Jewess leans over the wooden barrier across the street doorway, to kiss a sucking-pig which her husband holds out to her, affectionately putting his arm round her shoulders. He is bearded, with a long coat, with a bag slung from his arm, showing that he deals in old clothes. A sow (right) looks up anxiously at the pig. A comely young woman wearing a necklace and ear-rings leans over Mrs. Shevi, admiring the pig. From an adjacent window or doorway, an elderly Jew leans, registering outraged horror. The doorway is vaulted, and has a heavy wooden door. A caged bird hangs just inside. On a wall (right) is a bill: 'Lost supposed to have been Stolen a Sow and Seven Pigs Whoever gives Information Five Pound Reward'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Mrs. Shevi in a longing condition
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 20th, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12146 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "213" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling colourd.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 254-5., Watermark: 1817, Numbers scribbled in ink in a comtemporary hand on both sides of title., and Leaf 70 in volume 3.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A Frenchman, tall and gaunt, his thin legs engulfed in post-boy's boots, addresses John Bull (left), shrugging his shoulders and extending his hands: "by Gar Mr Jean Bull you Var much alter Should not know you var Jean I was as big as you now." John, an elderly cit, still paunchy, but with clothes hanging in wrinkles, turning his head in profile to the left, contemptuously smokes a short pipe, the smoke inscribed 'Puff'. His right hand rests on a cudgel inscribed 'Wellington Oake'. He answers with a fierce scowl: "why look you Mounseer Parley Vou tho I have got Thinner my Self I have a little Sprig of Oake in my hand thats as strong as ever and if you give me any of your Parlerver I'll be D--d if you shant feel the wait of it"."--British Museum online catalogue
Alternative Title:
John Bull come to the bone
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered "234" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Watermark: 1817., and Leaf 78 in volume 4.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elaborate sign-post on a pillar, with five arms topped by a fool's cap, stands in the centre of a landscape. The directions are: 'To Love--you are requested not to pluck the Roses till they fall off. To Prison. NB The Courts of Law will shew the way, and take care of your Luggage. To Honour carry Arms with you as you will not get through without a Duel. To Matrimony Caution--Travel this road in boots and wear gloves it being overrun with Nettles. To the Undertakers Observe--the nearest way through the Apothecary Shop.' On the column: 'If you cannot read you must take your Chance.' A well-dressed English traveller (left) addresses a sturdy Irishman (right): "Why Pat! you have a variety of curious Roads here, but hav'nt you any Road to Preferment?" Pat answers: "Arrah my Jewel, but that Road has been removed to England ever since the Union; you pass through it to the Kings Palace and I['m] tould it's the dirtiest Road in Great Britain!"."--British Museum online catalogue
Alternative Title:
Lifes finger post
Description:
Title etched below image., Date of publication from British Museum catalogue., Four lines of quoted text following title: "Howe'er 'tis well, that while mankind "through lifes perverse meanders errs, "some can imagin'd pleasures find, "to combat against real cares. Prior., Plate numbered "313" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 11 in volume 5.
Title from item., Two columns of dialogue below title: Dialogue. Mrs. Bull: "Why bless me, John, be that you yourself? Why, I didn't know you agen! What on airth ha' ye letten your beard grow for, man? ..., In upper right corner of design: 216., and Temporary local subject terms: Jewelry.
Publisher:
Pubd. Octor. 29 1813 by Thos. Tegg 111 Cheapside London
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A jovial sailor bestrides a mis-shapen horse with panniers, a foot in each basket. In each basket sits a bedizened prostitute, each holding one of his arms. He grins amorously towards the one on his right who is immensely fat, with a patched face and coarse features. She wears long gloves, holds up a parasol, and a reticule dangles from her arm. The other, who is less repulsive, drinks from a bottle; from her pannier dangles a jar of 'British Spirits'. Both wear feathered hats and low-cut dresses with very short sleeves, necklaces, and ear-rings. They are in a wide cobbled street leading to the Thames, which resembles the sea; behind a corner shop (left), inscribed 'Dealer in Maritime Stores', appears the stern of a ship flying an ensign."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with beginning of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Octor. 29, 1813, by Thos. Tegg, 111 Cheapside, London. Cf. No. 12159 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "216" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 74 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"In the foreground on a hillock above the battlefield are Joseph and Jourdan, starting to run from right to left. The King wears crown and royal robe over Spanish costume with ruff and slashed breeches; his snuff-box lies at his feet. He looks over his left shoulder at Jourdan, saying, "Par Bleu Monsr Marshal we must run! a pretty piece of business we have made of it, if my Brother Nap sends for me to the congress the Divil a clean shirt have they left me! could you not try your skill at a convention again my dear Jourdan! as our friend Junot did in Portugal." Jourdan, in profile to the left, right hand on Joseph's shoulder, answers: "Convention! No ma foi! there is no tricking ce Lord Wellington, we have nothing to trust to but our heels, but I dont think they will save us, you need not be uneasy about a clean shirt for the congress Monsr Joe Allons donc run like de Devil! run like your Brother Nap from Russia!" At his feet lie a telescope, his baton (see British Museum Satires No. 12072), and a sceptre. In the middle distance British infantry put French infantry to flight with the bayonet. In the background (right) on a hill is Wellington with his staff, tiny figures. At the base of the hill British soldiers stand at attention, with Frenchmen kneeling abjectly at their feet. In the distance are tiny baggage wagons. On the left is the town of Vittoria."--British Museum online catalogue
Alternative Title:
Off they go and Peep at the French commanders at the Battle of Vittoria
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "205" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price 1/ colored."--Following imprint., and Leaf 60 in volume 3.
Publisher:
Pubd. July 9th, 1813, by Thos. Tegg, 111 Cheapside
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Joseph Bonaparte, King of Spain, 1768-1844, and Jourdan, Jean-Baptiste, 1762-1833
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A night scene, broadly burlesqued. Napoleon, in profile to the left, strides in furtive haste towards a massive gate, directing the beam of a dark lantern against it. From between his coat-tails a long white feather (see British Museum Satires No. 12613) floats behind him, emerging from a cluster of shorter ones. He wears an enormous bicorne, with a plume set in an ornament composed of a crown and olive-twigs (as in British Museum Satires No. 11998), a sash and sabre over his long coat, tasselled Hessians with huge spurs. A head wearing a night-cap looks through the bars which form the top of the gate under a stone arch, to say: "Rap--Rap--Ra--Who comes there--what Midnight disturbers are you." An officer (actually Caulaincourt) crouches at the gate holding the knocker which is set in a great lion's mouth, and beckons towards Napoleon, answering, "It's only Count Vincen"--Alias--Little Boney. the Imperial Fugitive--returned from Victory." The gate-keeper: "Alias-- who"--Alias the Divil you mean." In front of Napoleon's foremost foot a large frog leaps forward; behind him a lean fierce cur barks: "A Russian Cur-- Bow--Wow--Wow." A large label floats back from Napoleon's mouth, inscribed: "hist--is that the Croaking of Frogs I hear--I mistake--its' only the Sycophant Lads in Paris--hurra-ing at My unexpected and precipate [sic] return. thank my Luckey Stars--I have got out of the clutches of them Damd Cossack Curs"--or I should have been food for Bears--long before this time." Beside the gate is a sentry-box, in which a sentry completely muffled up and wearing a night-cap, sleeps, seated with folded arms, clasping his musket. A frog looks from behind the box."--British Museum online catalogue
Alternative Title:
Little Boney sneaking into Paris
Description:
Title etched below image., Plate numbered "186" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shillin [sic] coloured.", Watermark: 1817., and Leaf 39 in volume 3.
Publisher:
Pubd. by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Caulaincourt, Armand-Augustin-Louis de, duc de Vicence, 1773-1827
"The Duke of Clarence dances with a tall thin girl (right), holding both her hands; they face each other in profile. He is unrecognizable, a plainly dressed short and obese John Bull. She wears a cross suspended from a long necklace. The room, with boarded floor and small musicians' gallery, suggests an English provincial assembly-room rather than a Russian palace. Two couples stand against the wall (left), a lady and her partner sit on a bergère (right); a man stands near them. Two of the men have moustaches, as an indication that they are foreigners. All are much amused at the ill-matched partners."--British Museum online catalogue
Alternative Title:
Longitude and latitude of St. Petersburgh
Description:
Title from caption below image. and Temporary local subject terms: Dancing -- Sconces -- Russia.
Publisher:
Pub. May 18th 1813 by H Humphrey St James's Street
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A handsome rakish-looking man (left) puts his arms round the waist of a good-looking young woman, who draws away from him. Their words, in large labels above their heads, are from verses in the 'Examiner', 10 Jan. 1813 (by Tom Moore) [reprinted, 'The Twopenny Post-Bag', 1813, pp. 83-5, with an additional verse by the lady on 'an old Marquis [Headfort], in mischief grown hoary']: He (the first and last of four verses): "Come fly to these arms, nor let beauties so bloomy To one frigid owner be tied, The Prudes may revile, and the old ones look gloomy, But dearest we've Law on our side. . . . And ev'n should our sweet violation of duty By cold blooded jurors be tried, They can but bring it in, a "Misfortune" my beauty As long as we've Law on our side." She: "Hold! Hold my good Sir! go a little more slowly For grant I thus guiltily sigh'd, Such sinners as we are a little to lowly To hope to have Law on our side. Had you been a great Prince, to whose star shining oe'er 'em, Then people should look for thier [sic] guide, Then your Highness (and welcome) might kick down decorum, You'd always have Law on your side. . . . But for you Sir Crim Con. is a path full of troubles, By my advice therefore abide And leave the pursuit to those princes and nobles Who have such a Law on their side." On the right the Prince walks off in back view between Lady Hertford and Ellenborough, in wig and gown. He takes Ellenborough's left arm, his left arm is round Lady Hertford, whose right arm is round the Prince, her profile turned possessively towards him. Ellenborough declaims: "Too busy Senates with an over care, "To make us better than our kind can bear, "Have dash'd a spice of Envy in the laws, "And straining up to high have spoil'd the cause; "Yet some wise Nations break the cruel chains, "And own no laws but those which Love ordains." On the ground behind the group are two papers, one below the other and showing only the left margin: 'Trial / Mar[quis of Headfort] / Crim / Decem / -Dam / £20,00 .. Above it: "L'Amour par tyrannie obtient "ce qu'il demande, "S'il parle il faut ceder; Obeir "s'il commande "Et ce Dieux [sic], tout aveugle, et tout "enfant qu'it [sic] est, "Dispose de nos cœurs, quand et "comme il lui plait".--British Museum online catalogue
Alternative Title:
Crim-con modifyd and Crim-con modified
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text (from King Lear, IV. vi.) following title: "Plate sin with gold, "and the strong lance of justice hurtless breaks, "arm it in rags, a pigmy's straw doth pierce it., Plate numbered "195" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price 1/ cold."--Following imprint., Temporary local subject terms: Male costume, 1813 -- Female costume, 1813., and In contemporary hand, in ink at top of print: 151.
Publisher:
Pubd. May 2d, 1813, by T. Tegg, 111 Cheapside
Subject (Name):
Ellenborough, Edward Law, Baron, 1750-1818, George IV, King of Great Britain, 1762-1830, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A handsome rakish-looking man (left) puts his arms round the waist of a good-looking young woman, who draws away from him. Their words, in large labels above their heads, are from verses in the 'Examiner', 10 Jan. 1813 (by Tom Moore) [reprinted, 'The Twopenny Post-Bag', 1813, pp. 83-5, with an additional verse by the lady on 'an old Marquis [Headfort], in mischief grown hoary']: He (the first and last of four verses): "Come fly to these arms, nor let beauties so bloomy To one frigid owner be tied, The Prudes may revile, and the old ones look gloomy, But dearest we've Law on our side. . . . And ev'n should our sweet violation of duty By cold blooded jurors be tried, They can but bring it in, a "Misfortune" my beauty As long as we've Law on our side." She: "Hold! Hold my good Sir! go a little more slowly For grant I thus guiltily sigh'd, Such sinners as we are a little to lowly To hope to have Law on our side. Had you been a great Prince, to whose star shining oe'er 'em, Then people should look for thier [sic] guide, Then your Highness (and welcome) might kick down decorum, You'd always have Law on your side. . . . But for you Sir Crim Con. is a path full of troubles, By my advice therefore abide And leave the pursuit to those princes and nobles Who have such a Law on their side." On the right the Prince walks off in back view between Lady Hertford and Ellenborough, in wig and gown. He takes Ellenborough's left arm, his left arm is round Lady Hertford, whose right arm is round the Prince, her profile turned possessively towards him. Ellenborough declaims: "Too busy Senates with an over care, "To make us better than our kind can bear, "Have dash'd a spice of Envy in the laws, "And straining up to high have spoil'd the cause; "Yet some wise Nations break the cruel chains, "And own no laws but those which Love ordains." On the ground behind the group are two papers, one below the other and showing only the left margin: 'Trial / Mar[quis of Headfort] / Crim / Decem / -Dam / £20,00 .. Above it: "L'Amour par tyrannie obtient "ce qu'il demande, "S'il parle il faut ceder; Obeir "s'il commande "Et ce Dieux [sic], tout aveugle, et tout "enfant qu'it [sic] est, "Dispose de nos cœurs, quand et "comme il lui plait".--British Museum online catalogue
Alternative Title:
Crim-con modifyd and Crim-con modified
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text (from King Lear, IV. vi.) following title: "Plate sin with gold, "and the strong lance of justice hurtless breaks, "arm it in rags, a pigmy's straw doth pierce it., Plate numbered "195" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price 1/ cold."--Following imprint., Temporary local subject terms: Male costume, 1813 -- Female costume, 1813., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 49 in volume 3.
Publisher:
Pubd. May 2d, 1813, by T. Tegg, 111 Cheapside
Subject (Name):
Ellenborough, Edward Law, Baron, 1750-1818, George IV, King of Great Britain, 1762-1830, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
Plate from 'Town Talk', iv. 247. A procession of coaches through 'Cavendish Square', the houses of which form a background, together with a street which recedes in perspective on the left. The foremost coach (right) has a roof shaped like a Chinese pagoda and decorated with bells; on the apex is a seat occupied by an ape, dressed as a man, who rings a handbell and blows a horn. Bells are attached to the springs of the coach. The arms, surmounted by a coronet, are crossed whips, the crest a fool's head. A man seated on the box turns to the driver to say: "No bad scheme of Sr Harry's to get the Amateur [Coates] to perform today! tolerable attendance." The driver wears a conical hat with a vast brim, manifold capes, and a large nosegay, with top-boots. Two servants sit in the rumble; one points to the ape, saying, "What do you think Tom of our new fellow Servant! did Master get him from Bond Street." The other answers: "Oh No! hes not one of the Loungers [see No. 8377, &c.] Master had him from Exeter Change [menagerie] he has been well educated you see." The second equipage is the odd-shaped curricle of 'Romeo' Coates, see No. 11768, &c., drawn by four horses, whose harness, like the curricle, is decorated with cocks. He is dressed as Lothario, see No. 11769, &c., with three huge feathers towering from his hat. He says: "I scorn that odious uniform which would hide the graces of my form and those detestable boots would spoil a most delectable leg!--Bless us! how we draw, out of the theatre as well as in." The following coach is on the extreme left; its roof is a four-sided pinnacle topped with a spike; the driver is dressed like the man on the first coach. He says (of Coates): "I'll back him to spar with Molineaux at St Martins Court for the benefit of Carter." The man beside him answers: "Aye my Lord! or I'll take the chance of the day for my debt, and remove the execution from your carriage and horses." A man on horseback in the background shouts: "your lordship had better take the Opera House, as it will be for a charitable purpose." The road is crowded with spectators many of whom wave their hats. Tiny coaches proceed along the Square from right to left, to join the procession. In the foreground is a row of well-dressed spectators in back view. Shouts rise from the distant crowd: "The Hobbies! The Hobbies"; "Cock a-doodle do"; "The Monologue"; "Bravo Romeo." On the extreme right is the gilt equestrian statue of the Duke of Cumberland, erected in 1770.--British Museum onlne catalogue
Alternative Title:
Hints for a four in hand exhibition
Description:
Title from item., Sheet trimmed within plate mark., Printmaker's name from British Museum catalogue., Temporary local subject terms: Coaches -- Bells -- Horns., and In contemporary hand, in ink at top of print: 257.
Publisher:
Pubd. May 1st 1813 by the Proprietor of Town Talk
Subject (Name):
Coates, Robert, 1772-1848 and Peyton, Henry, Sir, fl. 1813
Design in an oval. 'Cits' fish in a small piece of water bordered by a fence with a high railing on the left, beyond which is a road flanked by a high wall. Across the water (right) is a house with a high-pitched roof. Five men, three of whom are smoking, fish in the foreground in close proximity, two others on the farther side; an eighth (left) approaches carrying his rod. This appears to be the extreme north corner of the reservoir, where it is narrowest. Cf. British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark on all sides., Variant state without page number. Cf. No. 8939 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Mounted to sheet 25 x 33 cm.
Publisher:
Pub. by Allen & West, 15 Paternoster Row
Subject (Geographic):
England and London.
Subject (Topic):
City & town life, Fishing, Pipes (Smoking), and Smoking
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A mounted hussar receives in his arms a pretty young woman who is climbing down from a high wall. She puts her face to his, and rests her hand on his shoulders while he supports her ample posterior. The horse, directed to the right, is almost knee-deep in water. A corner of a house among trees appears over the wall (right)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 9, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12149 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "231" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., and Temporary local subject terms: Hussar.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A mounted hussar receives in his arms a pretty young woman who is climbing down from a high wall. She puts her face to his, and rests her hand on his shoulders while he supports her ample posterior. The horse, directed to the right, is almost knee-deep in water. A corner of a house among trees appears over the wall (right)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 9, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12149 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "231" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Temporary local subject terms: Hussar., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 34.9 x 24.9 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 76 in volume 4.
