Manuscript on parchment (goatskin) of 1) Raymundus Martini OP (c. 1215-after 1285), Capistrum Iudaeorum, composed c. 1267. 2) Nicolaus de Lyra (c. 1270-1349), Probatio adventus Christi, 2nd redaction, written 1331-1334. 3) Odo Biagi of Ancona (Odo Blasii de Ancona), Quaestiones de vera fide. A treatise addressed to the Jew A., a physician from Piceno, whom the author had met in Ancona the same year.
Description:
Binding: Nineteenth century. De luxe binding (loose) in Neo-Renaissance style: red morocco over cardboard, both covers richly gold-tooled; the turn-ins gold-tooled; the flat spine gold-tooled in five compartments, the second one bearing the inscription “NICOLAI / de / LYRA.” Grey marbled paper endleaves; gilt edges. A repair at the middle of the top of the front parchment flyleaf may indicate that the original binding was chained, the staple being fixed at the top of the front cover., Script: Copied by one hand writing Southern Gothica Textualis Libraria. In art. 1 the handwriting is larger and more careful, with fewer abbreviations, than in artt. 2-3., and Uniform decoration. Headings in red. Red stroking of majuscules. Numerous paragraph marks alternately red and blue. Alternately red and blue 2-line (rarely 3-line) flourished initials with penwork and more or less developed marginal extensions in the contrasting colour; up to f. 41v they have mostly a more developed pattern of penwork; towards the end of art. 3 they are only 1 line high; blue penwork of the initial on f. 31r is extremely pale. 2-3-line painted decorated initials with acanth extensions in the margins in art. 3 only. A 4-line historiated initial with acanths and gold balls in the margin at the opening of each art. At the top of the Genealogy of Christ on f. 94r two roundels containing the portraits of Abraham (“Abraam”) and David (“Davit”). There is a large drawing of a running bird in blue ink in the lower margin of f. 19r.
Subject (Name):
Martí, Ramón,--d. ca. 1286 and Nicholas,--of Lyra,--ca. 1270-1349
Subject (Topic):
Antisemitism, Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (thick, fuzzy on hair side) of a Book of Hours, followed by 3 short devotional texts in French.
Description:
Binding: 19th-20th centuries, England. Rigid vellum case with note on spine "MS. Circa 1400". Red edges. Bound by Birdsell and Son (Northampton, 1792 and later)., Manuscript has been heavily trimmed with loss of marginal decoration; staining, rubbing throughout affects illumination., Purchased from C. A. Stonehill in 1935 by Thomas E. Marston., Script: Written in two styles of script: large gothic bookhands, often with only 3-4 words per line, by three scribes for ff. 1r, 2r-91r, 93r-115v, respectively; Anglicana scripts for ff. 1v, 91v-92v (added prayers)., and The codex, now in fragmentary condition with no miniatures extant, contains a sequence of historiated initials, some badly rubbed. Large historiated initials, 3-line, pink or blue with white designs on blue square ground framed with gold; both initial and frame edged in black; figures on gold ground, often rubbed and flaked; elongated dragons extend into margins for ascenders, as in initial D. Small historiated initials, 2-line, of similar designs and colors, but on cusped gold grounds. Other text divisions marked by 2-line initials, pink, orange, blue with simple foliage motifs in the same colors and yellow, all with designs in white and on square or cusped gold grounds that often extend far into margins. Initials on ff. 93-115 are somewhat more delicate in appearance and presumably by a different hand than those on ff. 2-91. 1-line initials in red with blue penwork designs alternate with opposing color scheme. Elaborate line-fillers, including fish and heads of long-beaked beasts, for litany (art. 5). Headings in red, ff. 2-91 only.
Subject (Name):
Catholic Church--Prayers and devotions
Subject (Topic):
Books of hours, Devotional literature, French, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
The manuscript contains a book of hours, use of Sarum (ff. 1-138v), and a Missal (ff. 139r-236v). It was produced in England, in liturgical Gothic bookhand on vellum, in two phases. The first section, consisting of quires 1 and 3-18 (ff. 1-6, 17-83, and 86-137), was produced around 1390, perhaps in London. Around 1420 the manuscript was augmented with a second section, consisting of quires 2 and 19-31 (ff. 7-16, 84-85, and 138-236).
Alternative Title:
Book of Hours
Description:
Binding: early nineteenth-century English calf over carved wooden boards, blind-stamped and gilt, rebacked with spine laid on; gilt edges with traces of painted landscape., Decoration includes thirty-two historiated initials and three half-page miniatures (f.11v, the martyrdom of St. Elmo (St. Erasmus); 109v, Christ at the Tomb, surrounded by the instruments of His passion; f. 118r, the Crucifixion, with the Virgin and St. John)., Modern paper binder's blanks (2 l.) at end not digitized., Peyton coat of arms gilt on covers., and Seventeenth-century coat of arms on flyleaf and on f. 139r (quarterly, 1 and 4, azure a castle or, 2 and 3, gules 2 foxes or).
Subject (Name):
Catholic Church--Liturgy and ritual--Hours, Catholic Church--Liturgy and ritual--Missal, and Peyton family--Coat of arms
Subject (Topic):
Books of hours, Medieval and Renaissance Manuscripts in Beinecke Library, and Sarum Rite
Manuscript on parchment of 1) Anonymous grammatical treatise in prose (Grammatica Latina secundum Donatum). 2) Disticha Catonis.
Description:
1-line red versals and 2-line red plain initials. Two large initials: f. 1r, at the beginning of the text of art. 1, historiated 10- line initial in pink on a blue background, containing a half-length profile of a poet or teacher in outline with a yellow dress; f. 10r, at the beginning of art. 2, decorated 9-line initial in pinkon a blue background, filled with red, yellow and green leaves., Binding: Original half brown leather binding over heavy bevelled wooden boards; sewn on two split leather thongs; the spine damaged. Remnants of one strap attached to the front cover, with iron pin on the rear cover., Due to intensive use the pages are badly rubbed and the legibility is impaired; whole passages have been rewritten by a later hand. The corners of the leaves are worn off. Holes and sewings., and Script: Copied by one hand in large Southern Gothica Textualis Formata (Rotunda). The opening majuscule of each verse set off in a separate column.
Subject (Topic):
Didactic poetry, Latin, Illumination of books and manuscripts, Medieval, Latin language--Grammar, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (fine; leaves repaired before pricking and ruling) of the Collected Works of Hugh of St. Victor.
Description:
8-line illuminated initial, blue with white highlights on square ground, magenta with blue and white highlights; interior of initial inhabited by scrolling vines, rabbit and two animal heads on gold and blue ground; tail of letter extends down inner margin. 11- to 7-line red and blue initials divided by a zig-zag line in parchment and with interior red and blue flourishes resembling the design on a peacock's tail feathers, mostly in red with small blue circles. This style of initial accompanied by long penwork extensions in red and blue I designs and with small spirals, circles, flourishes. Small 3-line initials alternate red and blue with penwork flourishes in the opposite color. 1-line plain initials alternate red and blue for chapter lists. Remains of guide letters for decorator. Headings, running titles (often incorrect), deletions (single horiztonal red line) and initial strokes in red., Binding: France [?], ca. 19th c. Brown calf, elaborately blind-stamped with figure of Christ giving a blessing with his right hand, while his left hand holds a book with alpha and omega displayed on the open pages. Original endbands (and therefore sewing?) and yellow edges., Binding: Nineteenth century, France (?). Brown calf, elaborately blind-stamped with figure of Christ giving a blessing with his right hand, while his left hand holds a book with alpha and omega displayed on the open pages. Original endbands (and therefore sewing?) and yellow edges., Purchased from L. C. Witten in 1960 by Thomas E. Marston., Script: Written in uniform gothic bookhand throughout; contemporary marginal notes in several less formal hands., and Written in uniform gothic bookhand throughout; contemporary marginal notes in several less formal hands.
Subject (Name):
Hugh,--of Saint-Victor,--1096?-1141
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library