Manuscript on paper of Guido da Pisa, Fiorita d'Italia
Description:
In Italian., Script: copied by one hand in Italian Gothica Hybrida Libraria with looped d (a form of Mercantesca)., Red headings, chapter numbers and stroking of majuscules; the latter form of decoration is missing on many pages. Headings and chapter numbers are missing for the final part of Book I. Tables of Contents in red. Space and guide letters for 2-line initials were provided, but no initials were executed., and Binding: quarter binding s. XIX: marbled paper and parchment over cardboard. Green morocco title label with gold-tooled inscription: “STORIA D'ITALIA - MANUSCRIPT. SAEC. XV”.
Manuscript on paper of Bartholomaeus de Sancto Concordio (Bartholomaeus Pisanus O.P., 1262-1347), Summa de casibus conscientiae (Kaeppeli 436), also called Summa Bartolina, Pisana, Pisanella, Magistrutia), translated into Italian by Iohannes de Cellis (Giovanni dalle Celle, 1310-1394 or 1400). With a preface by the translator, explaining why he has abandoned the alphabetical organization of the original text
Description:
In Italian., Script: Copied by one hand in Gothico-Humanistica Libraria with single-compartment a., Paragraph marks and headings in red. Space and guide letters for 3-line initials (4-line f. 1r, art. 1; 5-line f. 2r, art. 3), which have not been executed., and Binding: Eighteenth century. Parchment over cardboard. Spine with three raised bands and handwritten title: “Somma / del / Maestruccio / MS.” Two white leather ties. Paper endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bartholomew, of San Concordio, 1262-1347. and Dominicans.
Subject (Topic):
Canon law, Literature, Medieval, Manuscripts, Medieval, and Scholasticism
William, of Ockham, approximately 1285-approximately 1349
Published / Created:
[between 1400 and 1450]
Call Number:
Marston MS 240
Image Count:
262
Resource Type:
unspecified
Abstract:
Manuscript on paper (thick, coarse, some deckle edges; watermarks indistinguishable) of William of Ockham, Summa logicae. With Walter Burley, De puritate artis logicae tractatus brevior, beginning of text only
Description:
In Latin., Script: Written by a single scribe in small, cramped and highly abbreviated gothic cursive. Art. 6 added by two different hands., Crude penwork initials on f. 1r in red and blue, 3-line. The first incorporates a five-pointed star in red, with blue dots, and terminates with a full-length marginal border in inner margin. The second incorporates a fleur-de-lis. Other plain initials in red and/or blue throughout. Headings and strokes on paragraph marks and majuscules in red., and Binding: Date?, Italy? Backs of quires cut in for sewing. Plain limp vellum case with holes in each cover for two ribbons.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Burlaeus, Gualterus, 1275-1345? and William, of Ockham, approximately 1285-approximately 1349.
Antoninus, Saint, Archbishop of Florence, 1389-1459
Published / Created:
[between 1450 and 1475]
Call Number:
Marston MS 163
Image Count:
522
Resource Type:
unspecified
Abstract:
Manuscript on paper of St. Antoninus of Florence, Summa moralis (extracts on sins, virtues and vices arranged thematically).
Description:
In Latin., Watermarks, buried in tight binding: unidentified flower., Script: Written by multiple scribes in small informal styles of gothic bookhand with humanistic features, below top line., Decorative initials, 9- to 5-line, for main text divisions, blue with red penwork designs (red much faded); headings, initials (5- to 3-line), paragraph marks in bright red; initial strokes in yellow., and Binding: 17th-18th centuries, Northern Italy. Resewn and bound in alum tawed pigskin, blind-tooled. Lower board cut in for the strap. The boards and cover are probably early (15th century) and reworked and reshaped to fit the text block, given the large number of later blank leaves inserted at end of text and the way the text block appears to have been trimmed at the tail and the new endbands added. In addition, the title written twice, 15th century, on upper cover ("Rationale diuinorum offitiorum" of Guilielmus Durandus) does not correspond to the present text. Title, written in ink, on a square paper label on spine mutilated and largely illegible. Strip of liturgical manuscript with musical notation, 15th century?, used as spine lining.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Antoninus, Saint, Archbishop of Florence, 1389-1459.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, Vices, and Virtues
Manuscript on paper of Leonardus de Giffono O.F.M. (d. 1407), Summula Ecclesiae sacramentorum, in fact a Confessionale or manual of penitence; with magical formulas against the plague, a table of contents, and additional prayers and indexes
Description:
In Latin and Italian., Script: The main text (artt. 2-3) is copied by a single hand in Gothico-Humanistica Libraria, while artt. 1, 4, 5 and 6 are written in Humanistica Cursiva by various hands., Decoration: Red headings; stroking of majuscules in red; red or blue paragraph marks; alternately red and blue 1-line versals with penwork in the contrasting color, and 1- or 2-line flourished initials in blue with red penwork. Note a 5-line brown initial, in art. 3 (f. 13r), on a red background decorated with gold penwork, with a coat of arms resting on two adossed green birds in the lower margin., and Binding: Original brown leather over wooden boards, sewn on two double cords. Both covers are blind-tooled with quadruple fillets, rope and flower motifs, and quadrangular small stemps. The remnants of two clasps are attached to the front cover, associated with brass catches fixed to the rear cover. The flyleaves (art. 7) are part of a single leaf from a 12th or 13th century manuscript on parchment, written in a late Beneventan script.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Giffono, Leonardus de, d. 1407.
Subject (Topic):
Manuscripts, Medieval, Sacraments, and Catholic Church
Manuscript on parchment (goatskin) of Nicolaus de Osimo (Auximo) OFM (d. after 1453), Supplementum Summae Pisanellae, an alphabetically arranged supplement to the Summa de casibus conscientiae of Bartholomew of Pisa (Bartholomaeus de Sancto Concordio, d. 1347). Produced at the Franciscan convent of Santa Maria degli Angeli near Milan
Description:
In Latin., Script: Apparently 8 scribes, all writing Southern Gothica., Decoration: The decoration of artt. 1-4 consists of heightening of the majuscules in yellow; blue or red paragraph marks. In art. 3 the chapters normally open with a 2-line (rarely 3-line) flourished initial with penwork extensions in the left margin or in the intercolumnar space, alternately red with purple or blue penwork and blue with red penwork; the first lemma of each letter opens with a 3- or 4-line flourished initial filled with foliage and with more developed marginal extensions. The text opens on f. 5v with a 5-line dentelle initial with green and blue background heightened with gold and white, followed by 5 lines of text mostly in majuscules. The decoration of art. 7 is similar to that of art. 3 but less carefully executed., and Binding: Eighteenth century (?). White parchment over pasteboard, with two modern brass clasps fixed to the front cover. On the spine green leather label with gold-tooled title "SUMA MAGISTRA". On the bottom edge the title "Summa Pisa****" is written.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Osimo, -1453. and Franciscans
Subject (Topic):
Manuscripts, Canon law, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment (palimpsest) of Ps.-Cicero, Synonyma
Description:
In Latin., Script: Written in a well formed round gothic bookhand by a single scribe., Initials, 5-line, at beginning of text: red with delicate black penwork designs. Heading and each verbum in red; synonyms connected by a curving red line., and Binding: Nineteenth century, Italy. Original sewing on three slit straps. Quarter bound in white sheepskin. The beech boards are early, 15th century, with title written twice on front and once on back. A leaf-shaped catch on the lower board, the upper one cut in for a clasp strap. Spine covering and clasp strap are recent additions.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ps.-Cicero.
Subject (Topic):
Latin letters, Manuscripts, Medieval, and Synonyms
Manuscript on paper of 1) Life of Terence. 2) Terence, Andria. 3) Terence, Eunuchus. 4) Terence, Heautontimoroumenos. Artt. 5-24: Cicero, Epistolae. 25) Commentary, partly in Italian, on the first letter of Cicero to Lentulus Spinther (some loss due to trimming).
Description:
In Latin., Unidentified watermarks buried in gutter include horn, mermaid in a circle; two distinct birds in circles similar to Briquet Oiseau 12203 and 12220., Script: Written by multiple scribes in various styles of round humanistic and gothic scripts. One hand supplied most of the glosses on Terence and Cicero and the texts on ff. 143r-145v in italic., Crude initials mark beginning of each section; rubrics throughout; many letters stroked in red., and Binding: Seventeenth century. Limp vellum case with title lettered in ink down the spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Terence.
Subject (Topic):
Latin drama (Comedy), Latin letters, and Manuscripts, Medieval
Manuscript on paper and parchment containing texts on St. Jerome
Description:
In Italian., Script: copied by one hand in a peculiar form of Southern Gothica Textualis Libraria under Humanistic influence as visible in the total lack of compression; special features are: the sloping hairline at the top of the second stroke of e, parallelled by the sloping stroke on i; h with exceptionally long curved extension under the baseline; the forked lower ending of f and straight s on or under the baseline and the forked descender of p; and the very fancy majuscules., Headings in pale red, often difficult to read. Yellow heightening of the majuscules. Initials, with guide letters written in the space reserved for the initial: (1) flourished initials (3-4 lines) in red with pale red (or brown) penwork or in blue with red penwork, sometimes with marginal penwork extensions; (2) at the beginning of each text a larger initial; the letters following this type of initial are majuscules. F. 3r: 12-line blue initial of the littera duplex type with extensive penwork in red and some blue, with decorative border in the same colours in the inner and lower margin and tendrils in the other margins containing flowers and acorns; the border of the lower margin terminates in a medallion containing a coat of arms; ff. 8r, 41r: 9-line initial of the same type and in the same colours; f. 47v: 6-line, idem; f. 77v: 7-line black initial. The lower margin of f. 62 torn off., The manuscript contains: 1) Ownership inscription and note on the scribe, followed by a variant form of a Biblical quotation (Lamentations 3:27-28). 2) Legend of St. Jerome in Italian, with special attention for miraculous events, as an introduction to artt. 4-6. Quotes Iohannes Belet (12th century), St. Augustine, Prosper of Aquitaine, Isidore of Seville, Sulpicius Severus. 3) Ps.-Eusebius, Epistula de morte Hieronymi (BHL 3866), Italian translation. 4) Ps. -Augustinus Hipponensis, Epistola de magnificentiis Hieronymi (BHL 3867), Italian translation. 5) Ps.-Cyrillus, Epistola de miraculis Hieronymi (BHL 3868), in Italian translation. 6) History of abbot Daniel living in Thebais and his disobedient servant, to whom he tells the life of a virtuous man they have met, called Eulogius, who eventually became patricius and praefectus praetorio in Constantinople at the time of emperor Justinus I (518-527); due to the loss of one or more quires the major part of the text, containing the intervention of the Virgin, is missing., and Binding: quarter binding of bevelled wooden boards (worm-eaten) and brown leather; spine with three raised bands and paper title label with handwritten 17th-century inscription: "Vita / di S. / Girola." On the boards marks of one clasp attached to the front board and on the front board the ca. 1800 inscription "JO." written in black ink. Possibly the binding once belonged to another manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jerome, Saint, -419 or 420.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Latin letters, and Manuscripts, Medieval
Manuscript on parchment (thin, good quality) of 1) Tacitus, Annales XI-XVI. 2) Tacitus, Historiae I-V. Written for King Matthias Corvinus of Hungary (1458-90), perhaps by Italians at his palace of Buda
Description:
In Latin., Script: Written by a single scribe in a well formed humanistic script., Twelve initials, 7- to 2-line, at beginning of each book (2 at the beginning of the Annales), gold edged in black, with white vine ornament, against a panelled ground of blue, green and mauve, with white dots, outlined with one or two thin white and one black line; ivy, drawn or pen, with triangular gold leaves or dots, projecting from corners into margins. On f. 1r, the initial includes a putto in the vinework; in the lower margin, coat of arms of Corvinus, type A (quarterly, first and fourth barry of 8 gules and argent [Hungary]; second and third gules, a lion rampant and queue-fourche argent [Bohemia]; an inescutcheon azur with raven sable holding an annulet or, with bordure or [Hunyadi family]. Workmanship of fair quality; style Northern Italian (?)., Binding: Fifteenth century. Sewn on three tawed, slit straps laid in channels in beech boards. The straps are pegged and the channels filled in with plaster as are the endband grooves and the edge channels cut out for the clasps. The primary endband is plain, wound, and sewn on a tawed core and the secondary is beaded and colored. The core is laid in a groove and pegged. The square spine is given a slightly round shape by the bevelling of the boards and is lined with a tawed skin. Covered in dark, brick-red goatskin with a cusped shield azur, charged with a crow sable (Hunyadi family), in the center of each board; blind-tooled rope work, punch dots and other ornamentation gilt, gold-tooled or painted. "Cornelius Tacitus" is tooled along the head of the lower cover and is also written down the fore-edge with black ink. There are four fastenings, the brass catches on the lower board, with three of them covered over with added leather. The clasps are the same color as the cover and are reinforced with parchment. They are pegged in channels at the edges of the board, underneath the cover. The clasps and a little leather of the spine and the upper board are wanting., and Accompanied by typewritten description of the manuscript, entitled "The Yale Manuscript of Tacitus (Codex Budensis Rhenani): Its History and Affiliation", housed separately.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Matthias I, King of Hungary, 1443-1490. and Tacitus, Cornelius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin prose literature, Manuscripts, Medieval, and History
