Manuscript on parchment (hair side quite yellow) of Paulus de Sancta Maria (of Burgos; 1353-1435), Scrutinium Scripturarum. With Passages concerning the conversion of Jews to Christianity; (a) unidentified; (b) Letter of Pope Gregory I to Pascasius, bishop of Naples
Description:
In Latin., Script: Arts. 1 and 3 written below top line in fere-humanistic script by a single scribe who frequently erased and rewrote the text; art. 2 added in another hand. Some later marginalia., Crudely executed initial and full border on f. 9r: gold initial, 11-line, on blue rectangular ground, with white vine-stem ornamentation highlighted in green; border in gold, blue, pale pink, mauve and green, consisting of swirling acanthus leaves, flowers, birds, gold dots and leaves around bar border in upper and outer margin, and with putti supporting laurel wreath (arms effaced) in lower margin. One penwork initial of pathetic quality, 8-line, red and blue divided body accompanied by red and blue penwork designs, on f. 125v. Table of contents (art. 1) and headings throughout, in bright red. Remains of notes to rubricator., and Binding: 18th-19th centuries. Red goatskin, with green, gold-tooled labels. Yellow edges.
Subject (Geographic):
Connecticut, New Haven., and Naples (Italy)
Subject (Name):
Paulus de Sancta Maria.
Subject (Topic):
Conversion, Christianity, Illumination of books and manuscripts, Medieval, Judaism, and Manuscripts, Medieval
Manuscript on parchment of John Chrysostom, Sermo de dignitate humanae originis, translated into Latin by Ambrogio Traversari. The text is preceded by a dedicatory letter, here directed to Rene d'Anjou (King of Sicily and Naples, 1435-42).
Description:
In Latin., Script: Written by a single scribe in humanistic cursive script, below top line., 3 large initials of modest quality, 8- to 7-line, gold on blue or blue and red grounds with white dots and white vine-stem ornament. 1 smaller initial, 3-line, gold on red and blue ground with white dots. Plain initials in blue and red, one in gold, some with penwork flourishes in red. Rubrics throughout. Paragraph marks in red or blue. Guide letters for initials., and Binding: Fifteenth century, Italy. Original sewing on three tawed skin, slit straps laced through tunnels in the edge to channels on the outside of beech boards and nailed. Beige and white chevron endbands are sewn on tawed skin cores laid in grooves on the outside of the boards. The spine is lined with green tawed skin between supports. Covered in brown, originally tan, calf with corner tongues, blind-tooled with a triple cross in a border of rope interlace. Spine: sewing bands defined and panels diapered with triple fillets. Two truncated diamond catches with a flower in a circle on the lower board, the upper one cut in for the red fabric straps attached with star-headed nails.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John Chrysostom, Saint, -407. and Traversari, Ambrogio, 1386-1439.
Subject (Topic):
Catechetical sermons, Fathers of the church, Illumination of books and manuscripts, Medieval, Literature, Medieval, Manuscripts, Medieval, and Sermons
Manuscript on paper of Leonardus de Datis Florentinus OP (Leonardo Dati, c. 1365-1425), Sermones quadragesimales de flagellis peccatorum. Moral sermons for Lent addressed to a Florentine audience, each dealing with a particular vice
Description:
In Latin., Watermarks: mountain, var. Briquet 11663 or 11652?., Script: Copied by one hand in small and even Gothica Hybrida Libraria with very few abbreviations. The Biblical themes with which the sermons open are by the same hand writing a large Northern Gothica Textualis Formata (Textus Rotundus) of mediocre quality., Red headings and 3-line (4-line f. 1r) plain initials at the beginning of each sermon in the same colour., Waterstains in the upper and in a lesser degree in the lower margins, but especially in the fold, where the text in the first part and towards the end of the codex is badly affected., and Binding: Contemporary quarter brown leather and square-edged wooden boards, the leather secured by means of a strip of parchment (largely lost) fixed with iron nails with floral engraved head. Spine repaired in parchment, three raised bands. Remnants of two clasps attached to the front cover; one engraved brass catch preserved on the rear cover. Handwritten title in ink at the top of the rear board, very faded: “Sermones Quadragesimales” (16th century?).
Manuscript on paper of a selection of sermons by Agostino della Scarperia
Description:
In Italian., Script: copied by a single hand in Italian Hybrida Libraria/Currens (Mercantesca); the final lines, on the singleton f. 25, are in a more rapid hand. There is space for 3-line initials (a 4-line initial on f. 1r) at the opening of the sermons, but these have not been executed. The headings open with a decorative majuscule S(ermone). Otherwise the manuscript is undecorated., Ps.-Augustinus Hipponensis (Pseudo-Augustine), Sermones ad fratres in heremo, Italian translation of a small selection of the sermons by Agostino da Scarperia (c. 1320-end of the 14th century). Our manuscript contains the first eight sermons only., and Binding: sewn on, no covers.
Manuscript on paper of a collection of sermons. The author is nowhere mentioned; the sermons are all in the learned style of Caracciolo (Robertus Caracciolus, Robertus de Licio OFM, 1425-1495), but only a few of them can be identified, so the authorship of most is not certified. With a list of impediments to Communion. The margins, inserted leaves and leaflets are covered with abundant additional material and notes in the same and in other contemporary hands, generally in Latin, some in Italian. In the text, the additions, and the notes a very large number of classical, patristic and medieval authors are quoted
Description:
In Latin., Watermarks: Bird, Briquet 12202; Human head, Briquet 15705; Hunting horn, var. Briquet 7698; Standing human figure, var. Briquet 7537; unidentified watermark., Script: Copied by one hand writing a very small and highly abbreviated Gothica Hybrida Currens. The additional texts and notes covering margins and inserted leaves are in the same type of script by the same and various other contemporary hands; the writing in the margins is in horizontal or in vertical sense., Red paragraph marks and underlining. Headings in larger size or in fancy Capitals, heigthened in red., and Binding: Nineteenth century. Quarter binding of brown marbled paper (spine) and green paper covers over cardboard. On the spine brown paper label with handwritten title “Sermones. / Mss.”.
Manuscript on paper, composed of two independant sections. Part I (ff. 1r-121v): Sermons, excerpts and treatises. With works by Thomas de Hibernia and Albertus de Padua. Part II (ff.122r-180v): Works by St. John Chrysostom; with a treatise on temptations and special Mass prayers
Description:
In Latin., Script: Part I: Copied by one hand in small Gothica Hybrida Currens. Some additions in a larger and more formal handwriting. Marginal captions. The scribe is Iohannes de Lovanio (John of Louvain), called (de) Dynen, lector in the convent of the Hermits of St. Augustine in Venice. Part II: Copied by the priest Jean Frassent in Gothica Cursiva Formata (Bastarda), which is less carefully executed on the final pages. Calligraphic extensions at the ascenders on the top line., Part I: Underlining and plain initials. Headings underlined or framed or written in red. Framed running headlines on the pages where a new article begins. Part II: Headings, heightening of the majuscules, and red 2-line plain initials in art. 41. The heightening is continued up to f. 137v, but the initials have not been executed from art. 42 onwards. Guide letters for all initials., and Binding: Contemporary Northern French or Flemish binding, which no doubt was made for Part II and rebacked when Part I was added: blind-tooled brown calfskin over bevelled wooden boards; the decoration consists of frames and a lozenge pattern traced in triple fillets, the lozenges filled with three tools: a rose, an acorn motif and a standing figure (?). Remnants of two clasps attached to the rear cover, with engraved brass catches on the front cover. On the 19th-century (?) spine the gold-tooled inscriptions "SERMONES" / and "IOANNES / CHRYSOSTOMUS".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Albertus, de Padua, d. 1328., John Chrysostom, Saint, -407., and Thomas, of Ireland, approximately 1265-approximately 1329.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Sermons, Latin
Manuscript on paper of 1) Table of Contents. 2) Praefatio in Gregorii Nazianzeni orationes, translated into Latin by Rufinus of Aquileia (Rufinus Aquileiensis, c. 345-411). 3) Gregory of Nazianzus (Gregorius Nazianzenus, d. c. 390), Apologeticus, Latin translation by Rufinus of Aquileia. 4) Gregory of Nazianzus, De epiphaniis sive de natali Domini. 5) Gregory of Nazianzus, De luminibus, quod est de secundis epiphaniis. 6) Gregory of Nazianzus, In semetipsum de agro regressum. 7) Gregory of Nazianzus, Ad cives Nazianzenos gravi timore perculsos et praefectum irascentem. 8) Gregory of Nazianzus, De Pentecoste et de Spiritu Sancto. 9) Gregory of Nazianzus, De reconciliatione et unitate monachorum. 10) Gregory of Nazianzus, De grandinis vastatione. Ends incomplete. 11) Gregory of Elvira (Gregorius Illiberitanus, d. after 392), De fide orthodoxa. Missing beginning. Often ascribed to Gregory of Nazianzus and erroneously considered a Latin translation by Rufinus of Aquileia
Description:
In Latin., Watermark: var. Briquet 2482., Script: Copied by one hand in small Humanistica Cursiva Libraria., Pale red headings. Plain initials (Capitals) in pale red ink, 2-3 lines., The paper is at places slightly damaged by the acid ink., and Binding: Nineteenth century. English brown polished calf over pasteboard, both covers and turn-ins framed with gold-tooled fillets. Back repaired. Gold-tooled title on spine "GREGORI NAZIANZENIS OPUSCULA LATINA INTERPRETE RUFFINO. M.S. CART 1494". Grey paper endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory, of Nazianzus, Saint.
Subject (Topic):
Doctors of the Church, Manuscripts, Medieval, Sermons, and Theology
Augurelli, Giovanni Aurelio, approximately 1456-1524?
Published / Created:
28 January 1495.
Call Number:
Mellon MS 22
Image Count:
80
Resource Type:
unspecified
Abstract:
Manuscript (holograph?) on parchment of nineteen poems, dedicated to Niccolo Franco, Bishop of Treviso (d. 1499), and other members of the literary circle in Treviso with whom Giovanni Aurelio Augurello (ca. 1440-1524) was actively connected as a famous private teacher and distinguished poet from 1491 until his death. Only the seventeenth poem of MS 22 is directly related to alchemy, but it is above all a literary exercise
Description:
In Latin and Greek., Script: Written by a single scribe in a good humanistic cursive., Large capital letters, mostly plain, at the beginning (written in the left margins) and dedication of each poem in pale red. On f. 1v (blank on the recto) is a drawing in delicate wash of a tree, lower left, against the base of which leans a small book in a red cover; extending upward from the treetop to the sun, at extreme top right, is the inscription in red capitals: "VTCVNQ[VE] TIBI." On f. 2r, opposite the dedicatory drawing just described, there is further decoration in the same delicate wash colors: a leaf in the margin beside the dedication to Niccolo Franco, Bishop of Treviso; light tracery ornament surrounding the capital "F" in the left margin at the beginning of the first poem; and Franco's arms, surmounted by the Bishop's mitre and surrounded by green twigs tied with red ribbons, in the lower margin. At the end of the manuscript, beneath the colophon, there is a further drawing and inscription in green wash, referable to the final poem: a small Roman sarcophagus with a little book in red binding lying atop it, and the inscription "POSTERITATI SACRUM" below., and Binding: Apparently original. Blind-stamped red goatskin (now darkened), repaired, sides paneled with blind fillets, two rows of differing knotwork tools, four clasps and catches now lacking, two asterisk-headed brass nails for each clasp remaining on upper cover, plain edges, modern leather label on backstrip with three faintly raised original bands.
Subject (Geographic):
Connecticut, New Haven., and Treviso (Italy)
Subject (Name):
Augurelli, Giovanni Aurelio, approximately 1456-1524?
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, and Manuscripts, Medieval
