Manuscript on parchment of 1) Bartholomaeus de Chaimis (de Mediolano, d. c. 1496), OFM, Confessionale. 2) Ps.-Anselmus Cantuariensis (Pseudo-Anselm of Canterbury), Interrogationes faciendae infirmo morienti
Description:
In Latin., Script: copied by one hand writing a small and rather uneven Humanistica Textualis Libraria, highly abbreviated, especially in the quotations of authorities., Headings in purplish red. Alternately red and blue paragraph marks and 1- and 2-line plain initials with guide letters. Decorated initials: f. 1r (Prologue), 7-line white vinestem initial followed by text line in fancy Capitalis; f. 2r (Part 1), 4-line Humanistic dentelle initial; f. 12r (Part 2), 4-line white vinestem initial; f. 18v (Part 3), 4-line Humanistic dentelle initial; f. 127v (Part 4), idem. Running headlines in Capitalis in purplish red., and Binding: original brown leather over bevelled beech boards, both covers blind-tooled with fillets and small tools in ropework design. Sewn on three split leather thongs. Spine damaged. Remnants of three clasps, one at the top, one at the bottom and one at the side edge of the covers, each attached with three engraved nails to the front cover; quadrangular decorated brass catches on the rear cover, engraved with the initial “S” and each fixed with four nails.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bartholomaeus, de Chaimis. and Franciscans.
Subject (Topic):
Confession, Catholic Church, Extreme unction, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Lorenzo Valla, Confutationes. 1) Antidotum in Poggium, Books I-III. 2) Antidotum in Poggium, Book IV. 3) Dialogus in Poggium, Book I. 4) Confutatio prior in Benedictum Morandum
Description:
In Latin., Script: Written in a round humanistic script by a single scribe, above top line., Illuminated page (f. 1r) with partial border in outer and lower margins, white vine-stem ornament on predominately green and red ground, with some blue and white dots, framed by thin gold bars. In lower border, unidentified mutilated coat of arms, against blue ground. Seven illuminated initials, 4- to 2-line, gold, against blue, green and red grounds with white vine-stem ornament and white dots. Headings and marginal annotations in pale red., and Binding: ca. 1900, England. Red goatskin case with gold-tooled title "Valla In Poggium MS" and turn-ins. Gilt edges. Bound by Zaehnsdorf (London, 1842-1930).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Valla, Lorenzo, 1407-1457.
Subject (Topic):
Dialogues, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper of C. Iulius Caesar (100-44 B.C.), De bello Gallico; De bello civili; De bello Alexandrino; De bello Africo; De bello Hispaniensi
Description:
In Latin., Script: Copied by one scribe writing a small Gothico-Humanistica with features close to Gothica Semitextualis Libraria., Pale red headings in Humanistica Textualis, sometimes missing, especially towards the end of the codex. Running headlines in the same colour and by the same hand, “L” in the middle of the verso page, the number in the middle and the title at right on the recto page. Gothic initials at the head of the subdivisions of the text as sketched above (including f. 69r): (1) foliate initials in Lombard style in red and green, filled with blue heightened with white penwork, on a square gold background, up to f. 51r; the opening one (f. 1r) is 9 lines high and has penwork extensions ending in leaves in the left and upper margin (the latter interfering with the heading); the others are 4-5 lines high and have similar sprays in the left margin only; (2) Starting f. 68v (art. 2) blue flourished initials (4-6 lines) with red penwork, the latter extending in the margin., and Binding: ca. 1700 (repaired in 1993 by P. Dusel). Brown sprinkled calf over cardboard, gold-tooled: the covers decorated with a double fillet frame, the spine, with seven raised bands, richly decorated. In the second compartment a red title label with gold-tooled inscription “CESARIS / COMMENT/ARII .Ms.” Red edges.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Caesar, Julius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History, Military
Manuscript on paper of a Paraphrase of the Creed, by Antonio Beccari, known as Credo di Dante, as well as rules for the Confraternita della Morte on how to accompany and comfort the condemned to death; Laudi to comfort those condemned to death, and moral and biblical quotations related to death
Description:
In Italian and Latin., Script: copied by three scribes: A, writing Gothica Semitextualis Libraria, copied ff. 1r-28r, line 5; 30r-79v; B, writing Gothico-Humanistica Semitextualis Libraria/Formata, copied ff. 28r, line 6 -29v and 80r-87r; C, writing Gothico-Humanistica Semitextualis Libraria, copied ff. 88r-91r. Headings in red. Paragraph marks and 2-line plain initials alternately blue and red. In the texts copied by hand B decorated 2-line initials and red stroking of the majuscules. On f. 1r 7-line initial on square gold background with marginal extensions, and in the lower margin three painted wreaths, in the two outer ones the initials A and L, in the larger central one the emblem of the Fraternity of Death: a black skull surmounted by a cross; in the upper right corner a label has been pasted containing a now erased coat of arms. On f. 2r a 4-line gold initial on square blue background., Antonio da Ferrara (Antonio Beccari, 1315- c. 1373), paraphrase in verse of the Creed, dealing also with the sacraments, the Ten Commandments, the mortal sins, the Lord's Prayer and the Hail Mary, known as Credo di Dante, and often attributed to Dante Alighieri. The manuscript also contains rules for the members of the Confraternita della Morte in the Ospedale di Santa Maria della Morte in Bologna, on how to accompany and comfort the condemned to death, as well as Laudi to comfort those condemned to death, moral quotations related to death, and quotations from the Bible and the Church Fathers, in Latin on the verso pages, in Italian translation on the facing rectos., and Binding: 19th century, blind-tooled brown leather over pasteboard. Spine with three raised bands. The parchment flyleaves are palimpsest fragments from a Latin biblical manuscript (Italy, s. XII) written in two columns; a few parts of Daniel 10:16-17 are still legible On the rear pastedown printed label of the "Legatoria L. Muratori, Bologna" (active 1932-1968), probably added at the occasion of a repair.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Beccari, Antonio, 1315-approximately 1371.
Subject (Topic):
Christian literature, Italian, Consolation, and Manuscripts, Medieval
Antoninus, Saint, Archbishop of Florence, 1389-1459
Published / Created:
15th century
Call Number:
Beinecke MS 947
Image Count:
64
Resource Type:
unspecified
Abstract:
Manuscript on paper of Antonius Florentinus's Confessionale in Italian
Description:
In Italian., Script: copied by one hand writing Humanistica Cursiva under Gothic influence. Headings in smaller handwriting. On f. 1r a 2-line plain initial in red, with guide letter., Antoninus Florentinus (1389-1459), Confessionale, Italian version beginning “Curam illius habe”, also known as Medicina dell anima., and Binding: binding is missing. Sewn on four leather thongs.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Antoninus, Saint, Archbishop of Florence, 1389-1459.
Subject (Topic):
Christian literature, Italian, Manuscripts, Medieval, Repentance, and Christianity
Manuscript on parchment (goatskin) of Marcus Tullius Cicero (106-43 B.C.), Laelius de amicitia. With marginal corrections by the scribal hand and interlinear and marginal glosses and variants by various contemporary hands
Description:
In Latin., Script: Copied by one hand in Gothico-Humanistica Libraria., The decoration is missing, but there are guideletters and spaces for 1-line initials (for the interlocuting personages) and 2-line initials (f. 1v). At the opening of the text space for a 7-line initial., and Binding: Nineteenth century. Greyish brown paper over cardboard. On the spine a black leather label with the gold-tooled title “CICERO DE AMICITIE. - MS.”.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Dialogues, Latin, Friendship, and Manuscripts, Medieval
Manuscript on paper of 1) Cicero, De amicitia. 2) Cicero, Paradoxa Stoicorum
Description:
In Latin., Watermarks: similar in design to Piccard Schere III.918-19., Script: Written in poorly formed humanistic script with some gothic and cursive elements, perhaps by more than one scribe, above top line., Decoration, all of poor quality, executed by several contemporary hands. On f. 1r, black penwork initial with floral design in center, on square pale red-orange ground, outlined in black; large rectangular frame, in black, connects initial to unidentified arms (or a castle [tower?] proper surrounded by vine, in chief azure [with label of cadency of 4 points argent?] with charge [stars or crosses?] argent) in lower margin. On f. 26r, angular scroll, green with pale red and orange trim, unfurls to form the letter A, 5-line, with an arrow shot through the two shafts to serve as crossbar; green foliage sprouting above. Initials, 5- to 2-line, of similar scroll design for each paradoxon. Rubric on f. 1r in a different hand from those in rest of manuscript. Many elegant pointing hands with fancy cuffs in margins., and Binding: Nineteenth century, Italy. Quarter bound in vellum with blue, red, and yellow woodblock paste-paper sides. Traces of inscription on fore-edge (contemporary?) and on vellum strip.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin essays, Manuscripts, Medieval, and Stoics
Manuscript on parchment of works by Cicero, Plutarch, Petrus Diaconus, Marcus Valerius Probus, Leonardo Bruni, and Plato
Description:
In Latin., Script: Written in humanistic bookhand below the top line by two persons: Scribe 1) ff. 1r-128r and 149r-191v; Scribe 2) ff. 129r-148v and 192r-207v., Initials, 5- to 2-line, ff. 1r, 39v, 71r (space for additional initials on ff. 105v and 149r), gold edged in black with white-vine ornament, against crimson, green and light blue; white-vine extensions in upper and inner margins. On f. 1r a coat of arms in lower margin surrounded by a wreath with a ribbon. 3-, 2-, and 1-line initials in red or blue. Rubrics throughout., Water damage has obliterated several words in the lower left of f. 1r., and Binding: 17th-18th centuries. Brown/red calf, gold-tooled. Paste decorated edges. On spine, stamped in gold but nearly effaced: "Ciceronis et aliorum varia. MSS 1465".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius.
Subject (Topic):
Classical literature, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Philosophy, and Roman law
Manuscript on paper (medium weight, sturdy) of 1) Aristotle, De anima. Followed by a Latin translation of Aristotle's De anima, sometimes ascribed to William of Moerbeke. 2) Simplicius, In Aristotelis De anima libros Commentarius. 3) Paraphrasis of art. 1. 4) Plotinus, Enneades I.1-8.6 line 27. 5) Aristotle, De interpretatione
Description:
In Greek and Latin., Watermarks on f. ii similar to Briquet Main 10713; ff. 1-48 similar to Harlfinger Homme 21; f. 49 similar to Briquet Ancre 428; ff. 51-67 similar to Briquet Chapeau 3384; ff. 69-80 similar to Briquet Balance 2506; ff. 81-96 similar to Briquet Lettre R 8938., Script: The manuscript is divided into 4 parts, which do not correspond precisely with the divisions of the text. Part I (ff. 1r-50v): Written in small, neat Greek minuscule. The parallel Latin translation (ff. 1r-9v only) is in italic, about the same size as the Greek; probably added later, since it is written around some marginal rubrics for the Greek text. Part II (ff. 51r-67r): Written in a rather large Greek minuscule, with a thick pen which ran out of ink every few words; marginal and interlinear notes much smaller, but possibly by same hand. Part III (ff. 67v-80r): Greek minuscule very similar to that in Part I. Part IV (ff. 81r-96v): Same scribe as Part II; signed on f. 96v: George, son of Constantine., Part I: Space for a 5-line initial at the beginning of the Greek text was not filled; 2-line initials in red at beginning of sections; headings in red, also marks in margin for chapters. Part II: Spaces for initials, 7-line or larger, were not filled in, but two initials similar to those in Part IV were sketched in (ff. 51r and 56r). Part III: Spaces for 8-line initials not filled. Part IV: 7-line initials in black and orange-tinted red; stylized leaves and vines, with a bird on f. 83v. Diagrams in red traced over black., and Binding: Nineteenth century. Tan calf case deeply indented and gold- and blind-tooled. Similar to the bindings of MSS 255 and 256 and probably by the same binder. According to A. R. A. Hobson the binder may be Whitaker.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholia
Manuscript on paper of 1) Leonicenus Omnibonus, De arte metrica. 2) Donatus, De Barbarismo et soloecismo (Ars maior, Part 3). 3) Lorenzo Guglielmo Traversagni de Savone, O. F. M. (1425-1503), Opusculum de re rhetorica. 4) Pseudo-Priscian, De accentibus
Description:
In Latin., Watermarks: similar to Briquet Balance 2489., Script: Written by a single scribe in italic for the text and marginal notes, and in modified capitals for headings., Decorative initial and border outlined in red, but uncolored, appear on f. 1r. Frequent use of red ink in headings, marginalia and for long sections of the text., Water and ink stains throughout; some loss of text., and Binding: Nineteenth century. Brown calf, blind- and gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bonisoli, Ognibene, ca. 1412-1474.
Subject (Topic):
Latin language, Grammar, Manuscripts, Medieval, and Rhetoric
