The collection contains correspondence, photographs, writings, an address book, a newspaper clipping, and a bookmark relating to Natalie Barney collected by Joan Schenkar, Box 1 contains correspondence, photographs, a legal document, an address book, and a newspaper clipping. The correspondence is among Barney, Bettina Bergery, Berthe Cleyrergue, Laura Dreyfus-Barney, Marcelle Fauchier-Delavigne, Nadine Hwang, Janine Lahovany, André Rouveyre, and Crédit Suisse Berne, dated 1935-1973. The bulk of the correspondence consists of eighty-five letters from Barney to Cleyrergue, dated 1940-1968. The photographs depict several individuals, including Barney, Dolly Wilde, Valery Larbaud, Hwang, Eva Palmer, Mina Loy, Djuna Barnes, Antoinette Gentien, Renée Vivien, Laura Dreyfus-Barney, and Marie Laurencin. The legal document is a typescript copy of a page from an April 1918 voir dire, detailing the troubled marriage between Colette and Henry de Jouvenal. The newspaper clipping is an undated cartoon of the temple de l'amitié in Barney's garden. The leather-bound address book belonged to Barney and contains two cartes de visite, Box 2 contains a photographic portrait of Barney at age sixteen, and Box 3 contains a metal bookmark with a butterfly design that belonged to Barney
Description:
Joan Schenkar is an American playwright and biographer., Natalie Clifford Barney (1876-1972) was a poet, playwright, novelist and essayist, whose salon in Paris, while serving as a gathering point for writers in general, aimed to promote the writings of women., Accompanied by a vendor list (in box 1)., and In French and English.
Oval toned plaster plaque reproducing in low relief an engraved portrait of African American poet Phillis Wheatley used as the frontispiece of Wheatley's Poems on Various Subjects, Religious and Moral (London: Printed for A. Bell, bookseller, Aldgate; and sold by Messrs. Cox and Berry, King-Street, Boston, 1773). The engraving was made after a portrait attributed to African American slave and artist Scipio Moorhead. As in the engraving, the words "Phillis Wheatley, Negro Servant to Mr. John Wheatley of Boston" appear around the perimeter of the plaque. It is not signed or dated; the attribution to Meta Warrick Fuller was made by Grace Nail Johnson, sister-in-law of the donor
Description:
Meta Vaux Warrick Fuller (1877-1968), African American sculptor, painter, and poet who lived and worked in Paris and Philadelphia in the early twentieth century., Phillis Wheatley (1753-1784), African American poet in Boston, Massachusetts., Lettering in English., and Title from lettering on plaque.
Subject (Geographic):
United States.
Subject (Name):
Fuller, Meta Warrick, 1877-1968. and Wheatley, Phillis, 1753-1784
Subject (Topic):
African American sculptors, African American women poets, Poets, American, and Sculptors