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1. Marriage a-la-mode. [graphic] / Plate I
- Creator:
- Scotin, Louis Gérard, 1690- printmaker
- Published / Created:
- according to act of Parliament April 1st, 1745.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
- Alternative Title:
- Marriage a-la-mode. Pl. I
- Description:
- Title and state from Paulson., Sheet trimmed within plate mark., Ms. note in Steevens's hand in pencil on folio page: See Nichols's book, 3d edit, p. 262, &c., Ms. note in Steevens's hand in pencil at bottom of print: Given me by Mr. Henderson [?]., Ms. note in brown ink below image at bottom right: Scotin fe. aqua forti., and Formerly on page 109 in volume 2. Removed from Steevens volume by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Contracts, Conversation, Couples, Dogs, Dowry, Families, Fathers, Interiors, Lawyers, Marriage, Merchants, Nobility, Paintings, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate I
2. Marriage a-la-mode. [graphic] / Plate VI
- Creator:
- Scotin, Louis Gérard, 1690-, printmaker
- Published / Created:
- according to act of Parliament, April 1st, 1745.
- Call Number:
- Kinnaird 18K Box 300
- Collection Title:
- Leaf 21. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
- Alternative Title:
- Marriage a-la-mode. Plate 6
- Description:
- Title devised by cataloger., Series title and number engraved below image., State from Paulson., After the painting "The Lady's Death" in the National Gallery, London., and Sheet trimmed to plate mark.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate VI
3. Marriage a-la-mode. [graphic] / Plate VI
- Creator:
- Scotin, Louis Gérard, 1690-, printmaker
- Published / Created:
- according to act of parliament, April 1st, 1745.
- Call Number:
- Sotheby 21++ Box 300
- Collection Title:
- Plate 21. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
- Alternative Title:
- Marriage a-la-mode. Plate 6
- Description:
- Title etched below image.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate VI
4. Marriage a-la-mode. [graphic] / Plate VI
- Creator:
- Scotin, Louis Gérard, 1690-, printmaker
- Published / Created:
- according to act of parliament, April 1st, 1745.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Collection Title:
- Plate 21. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
- Alternative Title:
- Marriage a-la-mode. Plate 6
- Description:
- Title etched below image., Sheet trimmed to: 38 x 46.3 cm., and On page 121 in volume 2.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate VI
5. Marriage a-la-mode. [graphic] / Plate VI
- Creator:
- Scotin, Louis Gérard, 1690-, printmaker
- Published / Created:
- according to act of Parliament, April 1st, 1745.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Collection Title:
- Leaf 21. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
- Alternative Title:
- Marriage a-la-mode. Plate 6
- Description:
- Title devised by cataloger., Series title and number engraved below image., State from Paulson., After the painting "The Lady's Death" in the National Gallery, London., Sheet trimmed to plate mark., and Formerly on page 120 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate VI
6. Marriage a-la-mode. [graphic] / Plate VI
- Creator:
- Scotin, Louis Gérard, 1690-, printmaker
- Published / Created:
- according to act of parliament, April 1st, 1745.
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 21. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
- Alternative Title:
- Marriage a-la-mode. Plate 6
- Description:
- Title etched below image., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 46.6 cm, on sheet 46 x 59 cm., and Plate 21 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate VI
7. Marriage a-la-mode. [graphic] / Plate VI
- Creator:
- Scotin, Louis Gérard, 1690-, printmaker
- Published / Created:
- according to act of parliament, April 1st, 1745.
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 21. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
- Alternative Title:
- Marriage a-la-mode. Plate 6
- Description:
- Title etched below image., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 46.6 cm, on sheet 46 x 59 cm., and Plate 21 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate VI
8. Marriage a-la-mode. [graphic] / Plate VI
- Creator:
- Scotin, Louis Gérard, 1690-, printmaker
- Published / Created:
- according to act of Parliament, April 1st, 1745.
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Leaf 21. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
- Alternative Title:
- Marriage a-la-mode. Plate 6
- Description:
- Title devised by cataloger., Series title and number engraved below image., State from Paulson., After the painting "The Lady's Death" in the National Gallery, London., Sheet trimmed to plate mark., 1 print : etching and engraving on laid paper ; plate mark 38.6 x 46.2 cm, on sheet 45 x 56 cm., and Leaf 21 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate VI
9. Marriage a-la-mode. Plate I
- Creator:
- Scotin, Louis Gérard, 1690- printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Sotheby 16++ Box 300
- Collection Title:
- Plate 16. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
- Alternative Title:
- Marriage a-la-mode. Pl. I
- Description:
- Title engraved below image., State from Paulson., and After the painting "The Marriage Settlement" in the National Gallery, London.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Contracts, Couples, Dogs, Dowry, Families, Fathers, Interiors, Lawyers, Marriage, Merchants, Nobility, Paintings, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. Plate I
10. Marriage a-la-mode. Plate I
- Creator:
- Scotin, Louis Gérard, 1690- printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Collection Title:
- Plate 16. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
- Alternative Title:
- Marriage a-la-mode. Pl. I
- Description:
- Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., and On page 111 in volume 2. Sheet trimmed to: 37.9 x 46.5 cm.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Contracts, Couples, Dogs, Dowry, Families, Fathers, Interiors, Lawyers, Marriage, Merchants, Nobility, Paintings, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. Plate I
11. Marriage a-la-mode. Plate I
- Creator:
- Scotin, Louis Gérard, 1690- printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 16. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
- Alternative Title:
- Marriage a-la-mode. Pl. I
- Description:
- Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., 1 print : etching on laid paper ; plate mark 38.2 x 46.8 cm, on sheet 46 x 59 cm., and Plate 16 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Contracts, Couples, Dogs, Dowry, Families, Fathers, Interiors, Lawyers, Marriage, Merchants, Nobility, Paintings, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. Plate I
12. Marriage a-la-mode. Plate I
- Creator:
- Scotin, Louis Gérard, 1690- printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 16. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
- Alternative Title:
- Marriage a-la-mode. Pl. I
- Description:
- Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., 1 print : etching on laid paper ; plate mark 38.2 x 46.8 cm, on sheet 46 x 59 cm., and Plate 16 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Contracts, Couples, Dogs, Dowry, Families, Fathers, Interiors, Lawyers, Marriage, Merchants, Nobility, Paintings, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. Plate I
13. Marriage a-la-mode. [graphic] / Plate I
- Creator:
- Scotin, Louis Gérard, 1690- printmaker
- Published / Created:
- according to act of Parliament April 1st, 1745.
- Call Number:
- Kinnaird 13K Box 300
- Collection Title:
- Leaf 16. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
- Alternative Title:
- Marriage a-la-mode. Pl. I
- Description:
- Title engraved below image., State from Paulson., and Sheet trimmed within plate mark.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Contracts, Conversation, Couples, Dogs, Dowry, Families, Fathers, Interiors, Lawyers, Marriage, Merchants, Nobility, Paintings, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate I
14. Marriage a-la-mode. [graphic] / Plate I
- Creator:
- Scotin, Louis Gérard, 1690- printmaker
- Published / Created:
- according to act of Parliament April 1st, 1745.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Collection Title:
- Leaf 16. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
- Alternative Title:
- Marriage a-la-mode. Pl. I
- Description:
- Title engraved below image., State from Paulson., Sheet trimmed within plate mark., Sheet trimmed to: 38 x 46.3 cm., and Formerly on page 110 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Contracts, Conversation, Couples, Dogs, Dowry, Families, Fathers, Interiors, Lawyers, Marriage, Merchants, Nobility, Paintings, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate I
15. Marriage a-la-mode. [graphic] / Plate I
- Creator:
- Scotin, Louis Gérard, 1690- printmaker
- Published / Created:
- according to act of Parliament April 1st, 1745.
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Leaf 16. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
- Alternative Title:
- Marriage a-la-mode. Pl. I
- Description:
- Title engraved below image., State from Paulson., Sheet trimmed within plate mark., 1 print : etching on laid paper ; plate mark 38.4 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 16 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Contracts, Conversation, Couples, Dogs, Dowry, Families, Fathers, Interiors, Lawyers, Marriage, Merchants, Nobility, Paintings, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate I
16. [Cromwell Mortimer] [graphic]
- Creator:
- Rigaud, Jacques, 1681-1754, printmaker
- Published / Created:
- [1745?]
- Call Number:
- 745.00.00.04 Impression 1
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A man sits at a table in his library leaning his head on his hand as he contemplates the sheets of paper before him. An owl sits on the table with a ink well suspended from his mouth and a quill resting in the well. A demon behind the reader holds in his left hand a staff with a jester's head (personification of folly?) and in his right a very large feather. On the scholar's feet a strewn books with words on their spines: Borrow; Boyle; Newton; Radclife; Friend; Mead, etc. Temporary local subject terms: The pictures on the wall are portraits labelled 'Cromwell' and 'Mortimer' but depict Olver Cromwell and Mortimer, Earl of March
- Description:
- Title and publication date from British Museum catalogue., Two lines of verse above image: Here folly, ignorance and pride combine, to prove him of the true Duncean line., Six lines of quotation below image: Studious he sate, with all his books around, sinking from thought to thought a vast profound ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 8., and Mounted to 32 x 39 cm.
- Publisher:
- publisher not identified
- Subject (Name):
- Mortimer, Cromwell, -1752 and Pope, Alexander, 1688-1744.
- Subject (Topic):
- Libraries (Rooms & spaces), Owls, Quacks, and Demons
- Found in:
- Lewis Walpole Library > [Cromwell Mortimer] [graphic]
17. Marriage a-la-mode. [graphic] / Plate IV
- Creator:
- Ravenet, Simon François, 1706-1774, printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Kinnaird 16K Box 300
- Collection Title:
- Leaf 19. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
- Description:
- Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., and Sheet trimmed within plate mark.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain.
- Subject (Topic):
- Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV
18. Marriage a-la-mode. [graphic] / Plate IV
- Creator:
- Ravenet, Simon François, 1706-1774, printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Collection Title:
- Leaf 19. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
- Description:
- Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., Sheet trimmed to: 38.6 x 46.1 cm., and Formerly on page 116 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain.
- Subject (Topic):
- Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV
19. Marriage a-la-mode. [graphic] / Plate IV
- Creator:
- Ravenet, Simon François, 1706-1774, printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Leaf 19. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
- Description:
- Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 38.7 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 19 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain.
- Subject (Topic):
- Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV
20. Marriage a-la-mode. [graphic] / Plate V.
- Creator:
- Ravenet, Simon François, 1706-1774, printmaker
- Published / Created:
- according to act of Parliament April 1st 1745.
- Call Number:
- Kinnaird 17K Box 300
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
- Description:
- Title engraved below image., The engraver's initials 'R.F. Ravenet' are a mistake for 'S.F.' or Simon François., and Sheet trimmed within plate mark.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, Rake's progress, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V.
21. Marriage a-la-mode. [graphic] / Plate IV
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Sotheby 19++ Box 300
- Collection Title:
- Plate 19. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
- Description:
- Title engraved below image., State from Paulson., and After the painting "The Toilette" in the National Gallery, London.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain.
- Subject (Topic):
- Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV
22. Marriage a-la-mode. [graphic] / Plate IV
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Collection Title:
- Plate 19. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
- Description:
- Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., and On page 117 in volume 2. Sheet trimmed to: 38.3 x 46.4 cm.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain.
- Subject (Topic):
- Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV
23. Marriage a-la-mode. [graphic] / Plate IV
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 19. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
- Description:
- Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain.
- Subject (Topic):
- Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV
24. Marriage a-la-mode. [graphic] / Plate IV
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 19. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
- Description:
- Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain.
- Subject (Topic):
- Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV
25. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Sotheby 20++ Box 300
- Collection Title:
- Plate 20. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 5
- Description:
- Title engraved below image., State from Paulson., and After the painting "The Bagnio" in the National Gallery, London.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
26. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Collection Title:
- Plate 20. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 5
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., Ms. note, and On page 119 in volume 2. Sheet trimmed to: 38.1 x 46.1 cm.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
27. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Collection Title:
- Leaf 20. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 4
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
28. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 20. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 5
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
29. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Leaf 20. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 4
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 20 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
30. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 20. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 5
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V