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1. A Welch K-t roasted and baisted [graphic].
- Published / Created:
- [1745]
- Call Number:
- 745.02.00.02
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a kitchen, Sir Watkin Williams-Wynn is shown on a spit being basted by bills, petitions, etc
- Alternative Title:
- Welch Knight roasted and baisted and Welsh Knight roasted and basted
- Description:
- Title etched above image., Sheet trimmed within plate mark., and Publication date from the British Museum catalogue.
- Publisher:
- publisher not identified
- Subject (Geographic):
- Great Britain
- Subject (Name):
- Williams-Wynn, Watkin, Sir, 1692-1749
- Subject (Topic):
- Politics and government
- Found in:
- Lewis Walpole Library > A Welch K-t roasted and baisted [graphic].
2. A Welch K-t roasted and baisted [graphic].
- Published / Created:
- [1745]
- Call Number:
- Folio 724 C2 738
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a kitchen, Sir Watkin Williams-Wynn is shown on a spit being basted by bills, petitions, etc
- Alternative Title:
- Welch Knight roasted and baisted and Welsh Knight roasted and basted
- Description:
- Title etched above image., Sheet trimmed within plate mark., Publication date from the British Museum catalogue., and With spine title: Caricatures anglaise 1740.
- Publisher:
- publisher not identified
- Subject (Geographic):
- Great Britain
- Subject (Name):
- Williams-Wynn, Watkin, Sir, 1692-1749
- Subject (Topic):
- Politics and government
- Found in:
- Lewis Walpole Library > A Welch K-t roasted and baisted [graphic].
3. A courier just setting out (who has any letters to send?) sketch'd from [the] life while his boots were greasing [graphic].
- Published / Created:
- [1745]
- Call Number:
- 745.03.00.01.2 Impression 1
- Image Count:
- 1
- Resource Type:
- still image
- Description:
- Title from item., Publication date from British Museum catalogue., Six lines of verse below the figures in the image: At length old O----d [i.e., Orford] must depart, helped on by medicinal art ..., Temporary local subject terms: Medicine: prescriptions -- Canes: gold-headed cane -- Broad Bottoms -- Animals: ass with human head -- Reference to quackery -- Whips -- Letters, and Watermark: countermark IV.
- Publisher:
- publisher not identified
- Subject (Name):
- Walpole, Robert, Earl of Orford, 1676-1745, Carteret, John, Earl Granville, 1690-1763, Bath, William Pulteney, Earl of, 1684-1764, Mead, Richard, 1673-1754, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Cotton, John Hynde, Sir, 1686-1752
- Found in:
- Lewis Walpole Library > A courier just setting out (who has any letters to send?) sketch'd from [the] life while his boots were greasing [graphic].
4. A courier just setting out (who has any letters to send?) sketch'd from [the] life while his boots were greasing [graphic].
- Published / Created:
- [1745]
- Call Number:
- Folio 724 C2 738
- Image Count:
- 1
- Resource Type:
- still image
- Description:
- Title from item., Publication date from British Museum catalogue., Six lines of verse below the figures in the image: At length old O----d [i.e., Orford] must depart, helped on by medicinal art ..., Temporary local subject terms: Medicine: prescriptions -- Canes: gold-headed cane -- Broad Bottoms -- Animals: ass with human head -- Reference to quackery -- Whips -- Letters, and With spine title: Caricatures anglaise 1740.
- Publisher:
- publisher not identified
- Subject (Name):
- Walpole, Robert, Earl of Orford, 1676-1745, Carteret, John, Earl Granville, 1690-1763, Bath, William Pulteney, Earl of, 1684-1764, Mead, Richard, 1673-1754, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Cotton, John Hynde, Sir, 1686-1752
- Found in:
- Lewis Walpole Library > A courier just setting out (who has any letters to send?) sketch'd from [the] life while his boots were greasing [graphic].
5. A policy for the Three-Thumb Assurance Office of St. A- W- [graphic].
- Published / Created:
- [1745?]
- Call Number:
- 745.00.00.17
- Image Count:
- 1
- Resource Type:
- still image
- Alternative Title:
- Policy for the Three-thumb Assurance Office of St. Anne's, Westminster
- Description:
- Title from item., Publication date from an unverified card catalog record. Dated in British Museum catalogue: ca. 1770., Twelve lines of verse below image: A significant justice, a burgess and stump, their sap-sculls together had lay'd ..., Temporary local subject terms: Elections: St. Anne's Parish, Westminster -- St. Anne's Parish, Westminster: allusion to insurance and its disposition -- Thumbs: tyrannical thumbs of the City Companies -- Gallows -- City Companies: Barbers -- City Companies: Pewterers -- City Companies: Carpenters -- Emblems: thumbs as City Companies tyranny -- Allusion to assurance offices -- Poll-books -- Poll-clerks -- Allusion to voters' freedom -- Tools: barbers' implements -- Tools: pewterers' implements -- Tools: carpenters' implements -- Hallmarks: pewterer's 'touch'., and Watermark: Pro patria.
- Publisher:
- publisher not identified
- Found in:
- Lewis Walpole Library > A policy for the Three-Thumb Assurance Office of St. A- W- [graphic].
6. All hands to a court martial [graphic].
- Published / Created:
- April 26, 1745, publish'd according to act of Parliament.
- Call Number:
- 745.04.26.01+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A satire on Admirals Thomas Mathews and Richard Lestock and other officers who had been engaged in the fight off Toulon, and who subsequently became subjects of a Court Martial. A street scene, on the left a portico, from which a goup of persons is led by the figure of Britannia towards a dockyard; with letterpress inscriptions, verses in four columns
- Description:
- Title from item., Four columns of verse below image begins: Shall British glory rise again, and wipe the degen'rate stain ..., Later state, with publisher's name burnished from plate. Cf. No. 2682 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Temporary local subject terms: Buildings: portico of the Admiralty's Building -- Admiralty: satire on admiralty inscribed on portico -- British Lion -- Personifications: Justice -- Trade -- Symbols: Hand of Providence -- Lightning bolts -- Reference to the Battle of Toulon, 1744 -- Reference to the War of the Austrian Succession, 1740-1748 -- Court martial -- Emblems: laurel wreath -- Balance -- Weapons: sticks as cudgels -- Architectural details: busts -- Naval uniforms -- Gates: dockyard at Deptford -- Reference to Bremen and Verden., and Watermark: countermark IV.
- Publisher:
- publisher not identified
- Subject (Name):
- Torrington, George Byng, Viscount, 1663-1733, Blake, Robert, 1599-1657, Mathews, Thomas, 1676-1751, Lestock, Richard, 1679?-1746, and Norris, John, Sir, 1660?-1749
- Subject (Topic):
- Britannia (Symbolic character) and Sedan chairs
- Found in:
- Lewis Walpole Library > All hands to a court martial [graphic].
7. Briton's association against the Pope's bulls [graphic].
- Published / Created:
- Octr. 21, 1745.
- Call Number:
- 745.10.21.01 Impression 1
- Image Count:
- 1
- Resource Type:
- still image
- Description:
- Title etched above image., Sixteen lines of verse in four columns below image: I Perkin young and bold, my father me has sent here ..., Temporary local subject terms: Military -- Weapons: espontoons -- Military uniforms -- Cardinal -- Playing cards: Nine of Diamonds (Curse of Scotland)., and Watermark: countermark IV.
- Publisher:
- publisher not identified
- Subject (Geographic):
- Tweed River (Scotland and England),
- Subject (Name):
- Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Tencin, Pierre Guérin de, 1679-1758, and Edinburgh Castle (Edinburgh, Scotland),
- Subject (Topic):
- Britannia (Symbolic character), Neptune, Jacobite Rebellion, 1745-1746, Bulls, Devil, and Clergy
- Found in:
- Lewis Walpole Library > Briton's association against the Pope's bulls [graphic].
8. Broad-bottoms [graphic].
- Published / Created:
- [1745]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Satirical frontispiece to a tract entitled "An Address of Thanks to the Broad-Bottoms, for the Good Things they have done, and the Evil Things they have not done, Since their Elevation . ." on the coalition government, called broad-bottomed because it included Tories as well as opposition Whigs, and its failure to keep promises made in opposition to reduce taxes. The bare bottoms of members of the government are shown from the rear piled on top of one another over a pointed arch facing the rising sun. In the centre of the group Sir John Hynde Cotton is recognisable from his profile and his size. The members are defecating on to a group of asses beneath. Each ass carries a load labelled with the name of a tax: salt, land, soap, malt, candles, wine and tea. The burden on one ass is lettered "Septan", i.e. "Septennial", referring to Opposition promises to reduce the years between elections from seven to three. Another ass carries "Lottery" and "Annuities", and another includes in its pack "Black Act" (which created the capital offence of blackening the face, as a disguise, when committing a crime).--British Museum online catalogue
- Description:
- Title from item., Publication information from the book for which this plate was printed., Frontispiece from: An address of thanks to the Broad-Bottoms ... . London : Printed for M. Cooper, at the Globe in Pater-Noster Row, MDCCXLV [1745]., Two lines of verse below image: Believing, we lifted [the] up among the mighty, yet our drivers have join'd, increasing our loads., "Jeffrey Broadbottom" was a pseudonym of William Guthrie, pamphleteer in the Pelham interest., Not by Hogarth, as has been claimed. Cf. Felbrigg, p. 122, ref. to Nichols, 3rd edition, p. 449 "a palpable imposition" (to call it by Hogarth)., Ms. note in Steevens's hand above print: See Mr. Nichols's book, 3d edit., p. 449., and On page 122 in volume 2. Sheet trimmed within plate to: 16 x 8.3 cm.
- Publisher:
- M. Cooper
- Subject (Geographic):
- Great Britain
- Subject (Name):
- Cotton, John Hynde, Sir, 1686-1752, Carteret, John, Earl Granville, 1690-1763, and Pelham, Henry, 1695?-1754
- Subject (Topic):
- Taxation, History, Defecation, Donkeys, and Politicians
- Found in:
- Lewis Walpole Library > Broad-bottoms [graphic].
9. Broad-bottoms [graphic].
- Published / Created:
- [1745]
- Call Number:
- 745.00.00.02
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Satirical frontispiece to a tract entitled "An Address of Thanks to the Broad-Bottoms, for the Good Things they have done, and the Evil Things they have not done, Since their Elevation . ." on the coalition government, called broad-bottomed because it included Tories as well as opposition Whigs, and its failure to keep promises made in opposition to reduce taxes. The bare bottoms of members of the government are shown from the rear piled on top of one another over a pointed arch facing the rising sun. In the centre of the group Sir John Hynde Cotton is recognisable from his profile and his size. The members are defecating on to a group of asses beneath. Each ass carries a load labelled with the name of a tax: salt, land, soap, malt, candles, wine and tea. The burden on one ass is lettered "Septan", i.e. "Septennial", referring to Opposition promises to reduce the years between elections from seven to three. Another ass carries "Lottery" and "Annuities", and another includes in its pack "Black Act" (which created the capital offence of blackening the face, as a disguise, when committing a crime).--British Museum online catalogue
- Description:
- Title from item., Publication information from the book for which this plate was printed., Frontispiece from: An address of thanks to the Broad-Bottoms ... . London : Printed for M. Cooper, at the Globe in Pater-Noster Row, MDCCXLV [1745]., Two lines of verse below image: Believing, we lifted [the] up among the mighty, yet our drivers have join'd, increasing our loads., "Jeffrey Broadbottom" was a pseudonym of William Guthrie, pamphleteer in the Pelham interest., and Not by Hogarth, as has been claimed. Cf. Felbrigg, p. 122, ref. to Nichols, 3rd edition, p. 449 "a palpable imposition" (to call it by Hogarth).
- Publisher:
- M. Cooper
- Subject (Geographic):
- Great Britain
- Subject (Name):
- Cotton, John Hynde, Sir, 1686-1752, Carteret, John, Earl Granville, 1690-1763, and Pelham, Henry, 1695?-1754
- Subject (Topic):
- Taxation, History, Defecation, Donkeys, and Politicians
- Found in:
- Lewis Walpole Library > Broad-bottoms [graphic].
10. Colonel Jack robbing Mrs. Smith going to Kentish Town [graphic]
- Creator:
- Basire, Isaac, 1704-1768, printmaker
- Published / Created:
- [1745?]
- Call Number:
- 745.00.00.01
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Scene on a road near St. Pancras church, which is visible in the background; two women and two men stand in road, one woman with her arms tied and a look of anguish on her face, the other woman raises her arm as one of the men points towards her; illustration to Johnson's 'History of ... Highwaymen"--British Museum online catalogue
- Description:
- Title etched below image., Publication date from an unverified card catalog record., 'Page 120.'--Upper left corner of plate., The fictional character, Colonel Jack, is the hero of Defoe's The history and remarkable life of the truly honorable Col. Jacque ... (1722)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: countermark H.
- Publisher:
- publisher not identified
- Subject (Geographic):
- Kentish Town (Camden, London, England)
- Subject (Name):
- Defoe, Daniel, 1661?-1731.
- Subject (Topic):
- Robberies
- Found in:
- Lewis Walpole Library > Colonel Jack robbing Mrs. Smith going to Kentish Town [graphic]
11. Columbine Harlequin. [graphic]
- Published / Created:
- [1745?]
- Call Number:
- 745.00.00.43
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In an open landscape, an elegantly dressed Columbine is seated on a rock and taking a pinch of snuff from a large snuffbox. Her head is turned back slightly towards Harlequin who stands behind her gesturing dramatically
- Alternative Title:
- Harlequin
- Description:
- Title engraved below image., Dated by costume., Sheet trimmed to plate mark., Eight lines of verse in two columns (four lines under each name): Columbine. What would'st thou have fonr Harlequin? ... Harlequin. My charmer all I mean is love ..., One of a series of prints with the Commedia dell'arte characters., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 17 x 17 cm, window mounted to 23 x 19 cm.
- Publisher:
- publisher not identified
- Subject (Topic):
- Commedia dell'arte
- Found in:
- Lewis Walpole Library > Columbine Harlequin. [graphic]
12. Columbine [graphic].
- Published / Created:
- [1745?]
- Call Number:
- 745.00.00.49
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In an open landscape, Harlequin is sitting on a rock, holding a little boy across his lap and whipping his bare bottom with a birch rod. Columbine, coming up from behind them, tries to intervene
- Alternative Title:
- Harlequin
- Description:
- Title from item., Dated based on another print in this series: Columbine. Harlequin., Imperfect; sheet trimmed within plate mark resulting in loss of most of the plate number in upper right corner., Eight lines of verse in two columns (four lines under each name): Columbine. Will whipping ever mend a child? ... Harlequin. Pray hold yr. tongue how shoud you know ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Pro patria.
- Publisher:
- publisher not identified
- Subject (Topic):
- Commedia dell'arte
- Found in:
- Lewis Walpole Library > Columbine [graphic].
13. Courtship and marriage [graphic].
- Published / Created:
- [ca. 1745?]
- Call Number:
- 745.00.00.03
- Image Count:
- 1
- Resource Type:
- still image
- Description:
- Title from captions below both images., Sheet trimmed to plate mark., Reversible head image labeled "Courtship" in one direction and "Marriage" in the other. Title taken from title on each side of image., Dated by costume., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: horn on crowned shield, with initials LVG below.
- Publisher:
- publisher not identified
- Found in:
- Lewis Walpole Library > Courtship and marriage [graphic].
14. Harlequin Columbine. [graphic]
- Published / Created:
- [1745?]
- Call Number:
- 745.00.00.44
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In an open landscape, Harlequin is seated on a large rock, holding Columbine in his lap. They are posed in a kiss
- Alternative Title:
- Columbine
- Description:
- Title engraved below image., Date from companion print: Columbine ; Harlequin., Sheet trimmed within plate mark., Eight lines of verse in two columns (four lines under each name): Harlequin. Is not this earnest? -- Han't I swore ... Columbine. Ay! if 'twoud last I should be blest ..., One of a series of prints with the Commedia dell'arte characters., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 18 x 16 cm; window mounted to 23 x 19 cm.
- Publisher:
- publisher not identified
- Subject (Topic):
- Commedia dell'arte
- Found in:
- Lewis Walpole Library > Harlequin Columbine. [graphic]
15. Marriage a-la-Mode. [graphic] / Plate II
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Sotheby 17++ Box 300
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a dishevelled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures. The decor includes an elaborate ormulu clock, chinese porcelain and figures (including a Buddha), a bust of a Roman matron, old master paintings (one, evidently erotic, is screened by a curtain).
- Alternative Title:
- Marriage a-la-Mode. Plate 2
- Description:
- Title engraved below image., State from Paulson, and After the painting "Tête à Tête" in the National Gallery, London.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Buddhas, Couples, Dogs, Gambling, Interiors, Interior decoration, Marriage, Musical instruments, Paintings, Rake's progress, Sculpture, Servants, and Stewards
- Found in:
- Lewis Walpole Library > Marriage a-la-Mode. [graphic] / Plate II
16. Marriage a-la-Mode. [graphic] / Plate II
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- according to act of parliament, April 1st 1745.
- Call Number:
- Kinnaird 14K Box 300
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
- Alternative Title:
- Marriage à-la-Mode, Pl. 2.
- Description:
- Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., Sheet trimmed within plate mark., and Image 'touched': Stray hair and lock added in ink, presumably by Hogarth.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Couples, Dogs, Gambling, Interiors, Interior decoration, Marriage, Musical instruments, Parables, Paintings, Sculpture, Servants, and Stewards
- Found in:
- Lewis Walpole Library > Marriage a-la-Mode. [graphic] / Plate II
17. Marriage a-la-Mode. [graphic] / Plate II
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- according to act of parliament, April 1st 1745.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
- Alternative Title:
- Marriage à-la-Mode, Pl. 2.
- Description:
- Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., Sheet trimmed within plate mark., Touched in ink eyelid and stray hair on left but no lock., and Formerly on page 112 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Couples, Dogs, Gambling, Interiors, Interior decoration, Marriage, Musical instruments, Parables, Paintings, Sculpture, Servants, and Stewards
- Found in:
- Lewis Walpole Library > Marriage a-la-Mode. [graphic] / Plate II
18. Marriage a-la-Mode. [graphic] / Plate II
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- according to act of parliament, April 1st 1745.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
- Alternative Title:
- Marriage à-la-Mode, Pl. 2.
- Description:
- Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., Sheet trimmed within plate mark., Lock on wife's forehead added in ink., and On page 113 in volume 2. Sheet trimmed to: 38.6 x 45.6 cm.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Couples, Dogs, Gambling, Interiors, Interior decoration, Marriage, Musical instruments, Parables, Paintings, Sculpture, Servants, and Stewards
- Found in:
- Lewis Walpole Library > Marriage a-la-Mode. [graphic] / Plate II
19. Marriage a-la-Mode. [graphic] / Plate II
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- according to act of parliament, April 1st 1745.
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
- Alternative Title:
- Marriage à-la-Mode, Pl. 2.
- Description:
- Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., and Plate 17 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Couples, Dogs, Gambling, Interiors, Interior decoration, Marriage, Musical instruments, Parables, Paintings, Sculpture, Servants, and Stewards
- Found in:
- Lewis Walpole Library > Marriage a-la-Mode. [graphic] / Plate II
20. Marriage a-la-Mode. [graphic] / Plate II
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- according to act of parliament, April 1st 1745.
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
- Alternative Title:
- Marriage à-la-Mode, Pl. 2.
- Description:
- Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 46.5 cm, on sheet 45 x 56 cm., and Leaf 17 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Couples, Dogs, Gambling, Interiors, Interior decoration, Marriage, Musical instruments, Parables, Paintings, Sculpture, Servants, and Stewards
- Found in:
- Lewis Walpole Library > Marriage a-la-Mode. [graphic] / Plate II
21. Marriage a-la-Mode. [graphic] / Plate II
- Creator:
- Baron, Bernard, 1696-1762, printmaker
- Published / Created:
- according to act of parliament, April 1st 1745.
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
- Alternative Title:
- Marriage à-la-Mode, Pl. 2.
- Description:
- Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., and Plate 17 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Couples, Dogs, Gambling, Interiors, Interior decoration, Marriage, Musical instruments, Parables, Paintings, Sculpture, Servants, and Stewards
- Found in:
- Lewis Walpole Library > Marriage a-la-Mode. [graphic] / Plate II
22. Marriage a-la-mode. Plate I
- Creator:
- Scotin, Louis Gérard, 1690- printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Sotheby 16++ Box 300
- Collection Title:
- Plate 16. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
- Alternative Title:
- Marriage a-la-mode. Pl. I
- Description:
- Title engraved below image., State from Paulson., and After the painting "The Marriage Settlement" in the National Gallery, London.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Contracts, Couples, Dogs, Dowry, Families, Fathers, Interiors, Lawyers, Marriage, Merchants, Nobility, Paintings, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. Plate I
23. Marriage a-la-mode. Plate I
- Creator:
- Scotin, Louis Gérard, 1690- printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Collection Title:
- Plate 16. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
- Alternative Title:
- Marriage a-la-mode. Pl. I
- Description:
- Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., and On page 111 in volume 2. Sheet trimmed to: 37.9 x 46.5 cm.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Contracts, Couples, Dogs, Dowry, Families, Fathers, Interiors, Lawyers, Marriage, Merchants, Nobility, Paintings, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. Plate I
24. Marriage a-la-mode. Plate I
- Creator:
- Scotin, Louis Gérard, 1690- printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 16. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
- Alternative Title:
- Marriage a-la-mode. Pl. I
- Description:
- Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., 1 print : etching on laid paper ; plate mark 38.2 x 46.8 cm, on sheet 46 x 59 cm., and Plate 16 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Contracts, Couples, Dogs, Dowry, Families, Fathers, Interiors, Lawyers, Marriage, Merchants, Nobility, Paintings, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. Plate I
25. Marriage a-la-mode. Plate I
- Creator:
- Scotin, Louis Gérard, 1690- printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 16. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
- Alternative Title:
- Marriage a-la-mode. Pl. I
- Description:
- Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., 1 print : etching on laid paper ; plate mark 38.2 x 46.8 cm, on sheet 46 x 59 cm., and Plate 16 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Contracts, Couples, Dogs, Dowry, Families, Fathers, Interiors, Lawyers, Marriage, Merchants, Nobility, Paintings, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. Plate I
26. Marriage a-la-mode. [graphic] / Plate I
- Creator:
- Scotin, Louis Gérard, 1690- printmaker
- Published / Created:
- according to act of Parliament April 1st, 1745.
- Call Number:
- Kinnaird 13K Box 300
- Collection Title:
- Leaf 16. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
- Alternative Title:
- Marriage a-la-mode. Pl. I
- Description:
- Title engraved below image., State from Paulson., and Sheet trimmed within plate mark.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Contracts, Conversation, Couples, Dogs, Dowry, Families, Fathers, Interiors, Lawyers, Marriage, Merchants, Nobility, Paintings, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate I
27. Marriage a-la-mode. [graphic] / Plate I
- Creator:
- Scotin, Louis Gérard, 1690- printmaker
- Published / Created:
- according to act of Parliament April 1st, 1745.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Collection Title:
- Leaf 16. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
- Alternative Title:
- Marriage a-la-mode. Pl. I
- Description:
- Title engraved below image., State from Paulson., Sheet trimmed within plate mark., Sheet trimmed to: 38 x 46.3 cm., and Formerly on page 110 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Contracts, Conversation, Couples, Dogs, Dowry, Families, Fathers, Interiors, Lawyers, Marriage, Merchants, Nobility, Paintings, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate I
28. Marriage a-la-mode. [graphic] / Plate I
- Creator:
- Scotin, Louis Gérard, 1690- printmaker
- Published / Created:
- according to act of Parliament April 1st, 1745.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
- Alternative Title:
- Marriage a-la-mode. Pl. I
- Description:
- Title and state from Paulson., Sheet trimmed within plate mark., Ms. note in Steevens's hand in pencil on folio page: See Nichols's book, 3d edit, p. 262, &c., Ms. note in Steevens's hand in pencil at bottom of print: Given me by Mr. Henderson [?]., Ms. note in brown ink below image at bottom right: Scotin fe. aqua forti., and Formerly on page 109 in volume 2. Removed from Steevens volume by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Contracts, Conversation, Couples, Dogs, Dowry, Families, Fathers, Interiors, Lawyers, Marriage, Merchants, Nobility, Paintings, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate I
29. Marriage a-la-mode. [graphic] / Plate I
- Creator:
- Scotin, Louis Gérard, 1690- printmaker
- Published / Created:
- according to act of Parliament April 1st, 1745.
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Leaf 16. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction. The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
- Alternative Title:
- Marriage a-la-mode. Pl. I
- Description:
- Title engraved below image., State from Paulson., Sheet trimmed within plate mark., 1 print : etching on laid paper ; plate mark 38.4 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 16 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Contracts, Conversation, Couples, Dogs, Dowry, Families, Fathers, Interiors, Lawyers, Marriage, Merchants, Nobility, Paintings, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate I
30. Marriage a-la-mode. [graphic] / Plate III
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Sotheby 18++ Box 300
- Collection Title:
- Plate 18. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his left, he threatens him with his raised cane. A large, well-dressed woman looks angrily at the young man and opens a knife, while the quack polishes his glasses, at his side a skull on the table. The room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, two mummies, a skeleton, and two pictures, one of a two-headed hermaphrodite and the other an anthropophagi (see Paulson). and After the painting "The Inspection" in the National Gallery, London
- Alternative Title:
- Marriage a-la-mode. Plate 3
- Description:
- Title devised by cataloger., Series title engraved below image., and State from Paulson.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Crocodiles, Medical equipment & supplies, Nobility, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, Skeletons, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate III
31. Marriage a-la-mode. [graphic] / Plate III
- Creator:
- Baron, Bernard, 1696-1762 printmaker
- Published / Created:
- according to act of Parliament, April 1st 1745.
- Call Number:
- Kinnaird 15K Box 300
- Collection Title:
- Leaf 18. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his left, he threatens him with his raised cane. A large, well-dressed woman looks angrily at the young man and opens a knife, while the quack polishes his glasses, at his side a skull on the table. The room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, two mummies, a skeleton, and two pictures, one of a two-headed hermaphrodite and the other an anthropophagi (see Paulson).
- Alternative Title:
- Marriage a-la-mode. Plate 3
- Description:
- Ttitle and number engraved below image., State from Paulson., and Sheet trimmed within plate mark.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate III
32. Marriage a-la-mode. [graphic] / Plate III
- Creator:
- Baron, Bernard, 1696-1762 printmaker
- Published / Created:
- according to act of Parliament, April 1st 1745.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Collection Title:
- Leaf 18. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his left, he threatens him with his raised cane. A large, well-dressed woman looks angrily at the young man and opens a knife, while the quack polishes his glasses, at his side a skull on the table. The room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, two mummies, a skeleton, and two pictures, one of a two-headed hermaphrodite and the other an anthropophagi (see Paulson).
- Alternative Title:
- Marriage a-la-mode. Plate 3
- Description:
- Ttitle and number engraved below image., State from Paulson., Sheet trimmed within plate mark., Sheet trimmed to: 38.3 x 46.4 cm., and Formerly on page 114 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate III
33. Marriage a-la-mode. [graphic] / Plate III
- Creator:
- Baron, Bernard, 1696-1762 printmaker
- Published / Created:
- according to act of Parliament, April 1st 1745.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Collection Title:
- Leaf 18. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his left, he threatens him with his raised cane. A large, well-dressed woman looks angrily at the young man and opens a knife, while the quack polishes his glasses, at his side a skull on the table. The room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, two mummies, a skeleton, and two pictures, one of a two-headed hermaphrodite and the other an anthropophagi (see Paulson).
- Alternative Title:
- Marriage a-la-mode. Plate 3
- Description:
- Ttitle and number engraved below image., State from Paulson., Sheet trimmed within plate mark., and On page 115 in volume 2. Sheet trimmed to: 38.8 x 46.2 cm.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate III
34. Marriage a-la-mode. [graphic] / Plate III
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 18. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his left, he threatens him with his raised cane. A large, well-dressed woman looks angrily at the young man and opens a knife, while the quack polishes his glasses, at his side a skull on the table. The room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, two mummies, a skeleton, and two pictures, one of a two-headed hermaphrodite and the other an anthropophagi (see Paulson). and After the painting "The Inspection" in the National Gallery, London
- Alternative Title:
- Marriage a-la-mode. Plate 3
- Description:
- Title devised by cataloger., Series title engraved below image., State from Paulson., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 18 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Crocodiles, Medical equipment & supplies, Nobility, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, Skeletons, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate III
35. Marriage a-la-mode. [graphic] / Plate III
- Creator:
- Baron, Bernard, 1696-1762 printmaker
- Published / Created:
- according to act of Parliament, April 1st 1745.
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Leaf 18. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The scene is the interior of a dispensary with the Viscount sitting in a chair, his child-mistress at his knee. The young girl holds a handkerchief to her mouth as if to hide a sore. With his right hand he holds a pill-box out to the doctor; with his left, he threatens him with his raised cane. A large, well-dressed woman looks angrily at the young man and opens a knife, while the quack polishes his glasses, at his side a skull on the table. The room contains numerous medical and scientific objects, including machines for straightening shoulders and for drawing corks, a dried crocodile, a narwhal's tusk, two mummies, a skeleton, and two pictures, one of a two-headed hermaphrodite and the other an anthropophagi (see Paulson).
- Alternative Title:
- Marriage a-la-mode. Plate 3
- Description:
- Ttitle and number engraved below image., State from Paulson., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 45 x 56 cm., and Leaf 18 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Children, Crocodiles, Medical equipment & supplies, Nobility, Rake's progress, Physicians, Prostitutes, Quacks, Scientific equipment, Sexually transmitted diseases, and Skeletons
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate III
36. Marriage a-la-mode. [graphic] / Plate IV
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Sotheby 19++ Box 300
- Collection Title:
- Plate 19. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
- Description:
- Title engraved below image., State from Paulson., and After the painting "The Toilette" in the National Gallery, London.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain.
- Subject (Topic):
- Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV
37. Marriage a-la-mode. [graphic] / Plate IV
- Creator:
- Ravenet, Simon François, 1706-1774, printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Kinnaird 16K Box 300
- Collection Title:
- Leaf 19. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
- Description:
- Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., and Sheet trimmed within plate mark.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain.
- Subject (Topic):
- Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV
38. Marriage a-la-mode. [graphic] / Plate IV
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Collection Title:
- Plate 19. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
- Description:
- Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., and On page 117 in volume 2. Sheet trimmed to: 38.3 x 46.4 cm.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain.
- Subject (Topic):
- Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV
39. Marriage a-la-mode. [graphic] / Plate IV
- Creator:
- Ravenet, Simon François, 1706-1774, printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Collection Title:
- Leaf 19. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
- Description:
- Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., Sheet trimmed to: 38.6 x 46.1 cm., and Formerly on page 116 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain.
- Subject (Topic):
- Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV
40. Marriage a-la-mode. [graphic] / Plate IV
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 19. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
- Description:
- Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain.
- Subject (Topic):
- Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV
41. Marriage a-la-mode. [graphic] / Plate IV
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 19. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
- Description:
- Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.6 cm, on sheet 46 x 59 cm., and Plate 19 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain.
- Subject (Topic):
- Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV
42. Marriage a-la-mode. [graphic] / Plate IV
- Creator:
- Ravenet, Simon François, 1706-1774, printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Leaf 19. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess holds a morning levée in her lavishly decorated bedroom. Her hairdresser curls her hair as she chats with her lawyer, Silvertongue, who is making arrangements to meet her at a masquerade (as shown on the screen). Others in the room include a female friend and her husband; a castrato singer accompanied by a flautist; a young black man who serves chocolate to the party; and a small black boy who points to the horns of a figure of Actaeon purchased at an auction with other objects, including a fake mermaid and a plate with the scene of Leda and the swan; playing cards and invitations are on the floor in the lower right. On the walls are paintings of biblical stories and mythology, including Lot's Daughters, Jupiter and Io, and Rape of Ganymede
- Description:
- Title engraved below image., State from Paulson., After the painting "The Toilette" in the National Gallery, London., Sheet trimmed within plate mark., 1 print : etching and engraving on laid paper ; plate mark 38.7 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 19 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain.
- Subject (Topic):
- Adultery, Blacks, Boudoirs, Children, Couples, Hairdressing, Interiors, Marriage, Musicians, Paintings, Seduction, Servants, and Rake's progress
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate IV
43. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Sotheby 20++ Box 300
- Collection Title:
- Plate 20. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 5
- Description:
- Title engraved below image., State from Paulson., and After the painting "The Bagnio" in the National Gallery, London.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
44. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Collection Title:
- Plate 20. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 5
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., Ms. note, and On page 119 in volume 2. Sheet trimmed to: 38.1 x 46.1 cm.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
45. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Collection Title:
- Leaf 20. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 4
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
46. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 20. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 5
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
47. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Leaf 20. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 4
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 20 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
48. Marriage a-la-mode. [graphic] / Plate V
- Creator:
- Ravenet, Simon François, 1706-1774 printmaker
- Published / Created:
- [1 April 1745]
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 20. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
- Alternative Title:
- Marriage a-la-mode. Plate 5
- Description:
- Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V
49. Marriage a-la-mode. [graphic] / Plate V.
- Creator:
- Ravenet, Simon François, 1706-1774, printmaker
- Published / Created:
- according to act of Parliament April 1st 1745.
- Call Number:
- Kinnaird 17K Box 300
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
- Description:
- Title engraved below image., The engraver's initials 'R.F. Ravenet' are a mistake for 'S.F.' or Simon François., and Sheet trimmed within plate mark.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Allegorical prints, Biblical events, Brothels, Fighting, Homicides, Interiors, Judges, Masquerades, Rake's progress, and Spouses
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate V.
50. Marriage a-la-mode. [graphic] / Plate VI
- Creator:
- Scotin, Louis Gérard, 1690-, printmaker
- Published / Created:
- according to act of Parliament, April 1st, 1745.
- Call Number:
- Kinnaird 18K Box 300
- Collection Title:
- Leaf 21. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
- Alternative Title:
- Marriage a-la-mode. Plate 6
- Description:
- Title devised by cataloger., Series title and number engraved below image., State from Paulson., After the painting "The Lady's Death" in the National Gallery, London., and Sheet trimmed to plate mark.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate VI
51. Marriage a-la-mode. [graphic] / Plate VI
- Creator:
- Scotin, Louis Gérard, 1690-, printmaker
- Published / Created:
- according to act of parliament, April 1st, 1745.
- Call Number:
- Sotheby 21++ Box 300
- Collection Title:
- Plate 21. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
- Alternative Title:
- Marriage a-la-mode. Plate 6
- Description:
- Title etched below image.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate VI
52. Marriage a-la-mode. [graphic] / Plate VI
- Creator:
- Scotin, Louis Gérard, 1690-, printmaker
- Published / Created:
- according to act of parliament, April 1st, 1745.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize)
- Collection Title:
- Plate 21. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
- Alternative Title:
- Marriage a-la-mode. Plate 6
- Description:
- Title etched below image., Sheet trimmed to: 38 x 46.3 cm., and On page 121 in volume 2.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate VI
53. Marriage a-la-mode. [graphic] / Plate VI
- Creator:
- Scotin, Louis Gérard, 1690-, printmaker
- Published / Created:
- according to act of Parliament, April 1st, 1745.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Collection Title:
- Leaf 21. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
- Alternative Title:
- Marriage a-la-mode. Plate 6
- Description:
- Title devised by cataloger., Series title and number engraved below image., State from Paulson., After the painting "The Lady's Death" in the National Gallery, London., Sheet trimmed to plate mark., and Formerly on page 120 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate VI
54. Marriage a-la-mode. [graphic] / Plate VI
- Creator:
- Scotin, Louis Gérard, 1690-, printmaker
- Published / Created:
- according to act of parliament, April 1st, 1745.
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 21. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
- Alternative Title:
- Marriage a-la-mode. Plate 6
- Description:
- Title etched below image., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 46.6 cm, on sheet 46 x 59 cm., and Plate 21 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate VI
55. Marriage a-la-mode. [graphic] / Plate VI
- Creator:
- Scotin, Louis Gérard, 1690-, printmaker
- Published / Created:
- according to act of parliament, April 1st, 1745.
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 21. Queen Charlotte's collection of Hogarth works.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
- Alternative Title:
- Marriage a-la-mode. Plate 6
- Description:
- Title etched below image., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 46.6 cm, on sheet 46 x 59 cm., and Plate 21 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate VI
56. Marriage a-la-mode. [graphic] / Plate VI
- Creator:
- Scotin, Louis Gérard, 1690-, printmaker
- Published / Created:
- according to act of Parliament, April 1st, 1745.
- Call Number:
- Folio Greenberg 75 H67 753
- Collection Title:
- Leaf 21. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
- Alternative Title:
- Marriage a-la-mode. Plate 6
- Description:
- Title devised by cataloger., Series title and number engraved below image., State from Paulson., After the painting "The Lady's Death" in the National Gallery, London., Sheet trimmed to plate mark., 1 print : etching and engraving on laid paper ; plate mark 38.6 x 46.2 cm, on sheet 45 x 56 cm., and Leaf 21 in: Album of William Hogarth prints.
- Publisher:
- Wm. Hogarth
- Subject (Topic):
- Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
- Found in:
- Lewis Walpole Library > Marriage a-la-mode. [graphic] / Plate VI
57. Mezzetin Columbine. [graphic]
- Published / Created:
- [1745?]
- Call Number:
- 745.00.00.46
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In an open landscape, Mezzetin and Columbine are sitting on a large rock. She turns away from her companion who, with a drunken expression, holds upside down an empty wine bottle in one hand and a goblet in another
- Description:
- Title from item., Sheet trimmed within plate mark., Eight lines of verse in two columns (four lines under each name): Mazzetin. My flask is empty, I've no coin ... Columbine. I said when you began to roam ..., One of a series of prints with the Commedia dell'arte characters., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 17 x 16 cm., window mounted to 20 x 19 cm.
- Publisher:
- publisher not identified
- Subject (Topic):
- Commedia dell'arte
- Found in:
- Lewis Walpole Library > Mezzetin Columbine. [graphic]
58. Mezzetin Columbine. [graphic]
- Published / Created:
- [1745?]
- Call Number:
- 745.00.00.45
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In an open landscape, Mezzetin is sitting on the ground leaning against Columbine who supports herself, half sitting on a large rock. She is pouring wine from a bottle into his mouth. An empty bottle is in her other hand
- Description:
- Title from item., Sheet trimmed within plate mark., Eight lines of verse in two columns (four lines under each name): Mazzetin. When the mind's with cares possest ... Columbine. If wine can thus your sorrow warm ..., One of a series of prints with the Commedia dell'arte characters., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 17 x 17 cm., window mounted to 20 x 20 cm.
- Publisher:
- publisher not identified
- Subject (Topic):
- Commedia dell'arte
- Found in:
- Lewis Walpole Library > Mezzetin Columbine. [graphic]
59. Sawney in the bog-house [graphic]
- Creator:
- Hogarth, William, 1697-1764, atrributed name
- Published / Created:
- [1745]
- Call Number:
- Folio 75 H67 800 v.3 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A satire on a Highland soldier's attempts to use a lavatory in London. A Scot in Highland dress and wearing a feathered cap is seated in a latrine, his legs thrust down two holes in the board as he urinates onto the floor. Behind and to the right on the stone wall are posted various drawings and broadsides. His sword is to his right
- Description:
- Title etched below image., Spurious attribution?, Sheet trimmed to plate mark on all sides but top., Ms. note in pencil in Steevens's hand above print: Spurious., Ms. note in pencil below print: A forgery by Darley., and On page 231 in volume 3.
- Publisher:
- publisher not identified
- Subject (Topic):
- Ethnic stereotypes, Caricatures, Privies, and Urination
- Found in:
- Lewis Walpole Library > Sawney in the bog-house [graphic]
60. Sawney in the bog-house [graphic]
- Creator:
- Hogarth, William, 1697-1764, attributed name
- Published / Created:
- [1745]
- Call Number:
- 745.00.00.11
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A satire on a Highland soldier's attempts to use a lavatory in London. A Scot in Highland dress and wearing a feathered cap is seated in a latrine, his legs thrust down two holes in the board as he urinates onto the floor. Behind and to the right on the stone wall are posted various drawings and broadsides. His sword is to his right
- Description:
- Title from other copies of this image., Attribution to Hogarth spurious. See The Lewis Walpole Library, Yale University Steevens collection of Hogarth's plates, p. 231., Imprint and price mostly burnished from plate., Sheet trimmed within plate mark resulting in loss of title on the Lewis Walpole Library impression., "[Price] 3d."--Lower right corner., and Mounted to 23 x 17 cm.
- Publisher:
- To be had [...]
- Subject (Topic):
- Ethnic stereotypes, Caricatures, Privies, and Urination
- Found in:
- Lewis Walpole Library > Sawney in the bog-house [graphic]
