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2.
- Creator:
- Rowlandson, Thomas, 1756-1827, printmaker
- Published / Created:
- [not before 1786]
- Call Number:
- Auchincloss Rowlandson v. 1
- Image Count:
- 1
- Resource Type:
- still image
- Alternative Title:
- How happy could I be with either, were t'other dear charmer away
- Description:
- Title etched below image., Date of publication based on publisher's active dates. See British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching, hand-colored ; sheet 22.1 x 18.5 cm., Imperfect; sheet trimmed within plate mark with loss of title, imprint, and statement of responsibility., Mounted to 23.4 x 20 cm., and Formerly mounted on leaf 8 of volume 1 of 14 volumes.
- Publisher:
- Publish'd as the act directs by H. Brookes, Coventry Street
- Found in:
- Beinecke Rare Book and Manuscript Library > "How happy could I be with either," "where tother dear charmer away" [graphic]
3.
- Creator:
- Gillray, James, 1756-1815, printmaker
- Published / Created:
- [ca. 1786?]
- Call Number:
- Auchincloss Gillray v. 7
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A haggard-looking man is seated in profile to the left in an armchair beside a small table on which are two candles (which light the room), a medicine phial, &c, and his breeches. He wears shirt, night-cap, ungartered stockings, and slippers. He regards his hands with an expression of intense melancholy. The room and its contents show that he is a fashionable rake struck down by disease. A fire burns in the grate; on the chimney-piece (left) is a clock surmounted by a figure of Time as a winged skeleton with a scythe. Above is a picture, the right part alone visible; it is a free rendering of pl. iii of Hogarth's 'Rake's Progress' (BMSat 2188) showing the ballad-singer bawling the 'Black Joke'. The frame of another picture is inscribed 'Macies et nova febrium': Pandora kneels holding open a box inscribed 'Pandora' into which Mercury (cf. BMSat 7592) drops a black spot. Above this is a tailless bird in a cage. A sash-window with a festooned curtain is partly shuttered. On the wall (right) is a large hat, a sword-belt, scabbard, and broken sword, and a pair of pistols. Below is a close-stool; torn papers lie on the floor, with a torn book: 'Fashionable Cypriad'. In the foreground is a dog. The floor is carpeted. Beneath the table is engraved: '"Non vanae redeat Sanguis imagini, "Quant virgd semel horridd "Nigro compulerit Mercurius gregi."'."--British Museum online catalogue
- Description:
- Title etched below image., Sheet trimmed within plate mark on lower edge with partial loss of text., and Mounted on leaf 35a (i.e. verso of leaf 34) of volume 7 of 12.
- Publisher:
- publisher not identified
- Found in:
- Beinecke Rare Book and Manuscript Library > "This is a sorry sight!" Macbeth, scene: a lodging in Bond Street. [graphic]
4.
- Published / Created:
- [2 April 1786]
- Call Number:
- Auchincloss Gillray v. 7
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Bust portrait of a good-looking lady, directed to the left. In the gauze projection which covers her bust are four small dogs. Her hair is not extravagantly dressed, and is decorated with three ostrich feathers, which suggest that she may be intended for Mrs. Fitzherbert."--British Museum online catalogue
- Alternative Title:
- Fashionable bosom
- Description:
- Title etched below image., The 'f' in 'fo' and the 'N' in 'No.' in imprint statement are etched backwards., and Mounted on leaf 32 of volume 7 of 12.
- Publisher:
- Publishd. the 2d fo [sic] Aprl. 1786 by G. Humphrey, No. 48 Long Acre, London
- Subject (Name):
- Fitzherbert, Maria Anne, 1756-1837.
- Found in:
- Beinecke Rare Book and Manuscript Library > A nest for puppies, or, The fashionable bosom [graphic].
5.
- Creator:
- Gillray, James, 1756-1815, printmaker
- Published / Created:
- [21 April 1786]
- Call Number:
- Auchincloss Gillray v. 2
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "George III and Queen Charlotte stand before the open gate of the Treasury, from which Pitt has just wheeled a barrow laden with money-bags. Pitt, the straps of the barrow round his shoulders, his coat-pocket bulging with guineas, obsequiously hands the king a money-bag. George III stands full-face, legs astride, a money-bag inscribed '£100000' under his right arm, another in his right hand and all his pockets overflowing with guineas. Queen Charlotte (left) stands on his right taking a pinch of snuff, and looking up at him with a smile of greedy and satisfied cunning; in her apron is a heap of guineas. Military officers wearing high cocked hats with feather trimmings (in a French fashion), and long pigtail queues, stand round the King and Queen, in a semicircle, in front of the spiked gates of the Treasury, playing musical instruments: fifes, bassoons, a horn, &c. The pockets of the two in the foreground (left and right) are crammed with guineas, those of the others, presumably equally full, are concealed. They represent the placemen and Ministerialists of the Treasury Bench. The most prominent (right) is probably Lord Sydney. In the foreground (left) an old sailor, armless and with two wooden legs, sits on the ground, his empty hat before him. On the right the Prince of Wales, in rags, hesitates to take a paper inscribed 'Accept £200000 from your Friend Orleans', which a slim and foppish Frenchman, in bag-wig and 'chapeau-bras', standing on the extreme right, offers him, taking his hand. He is very different from the heavily built Due d'Orléans (who succeeded his father in Nov. 1785) who had recently presented his portrait by Reynolds (now at Hampton Court) to the Prince of Wales. He had adopted the English manner of dress and made it fashionable in France ..."--British Museum online catalogue
- Description:
- Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Treasury building entrance -- Civil list -- National debt -- Miserliness -- Wooden legs -- Amputees -- Sailors -- Allusion to prodigal son., 1 print : etching on laid paper, hand-colored ; sheet 41.6 x 52.3 cm., and Mounted on leaf 3 of volume 2 of 12.
- Publisher:
- Pubd. April 21, 1786, by Willm. Holland, No. 66 Drury Lane
- Subject (Name):
- George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Sydney, Thomas Townshend, Viscount, 1733-1800, and Necker, Jacues, 1732-1804
- Found in:
- Beinecke Rare Book and Manuscript Library > A new way to pay the national-debt dedicated to Monsr. Necker / [graphic]
6.
- Published / Created:
- [18 July 1786]
- Call Number:
- Auchincloss Gillray v. 2
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "The reduction of the Prince of Wales's establishment at Carlton House is represented as the auction scene in 'The School for Scandal' (iv. 1). 'Lot 1', a portrait of the King and Queen, as a farmer and his wife, a copy of BMSat 6934 reversed, is being held up for sale by (?) Sheridan. The Prince, as Charles Surface, stands in the middle of the room, legs apart, his cane raised above his head, right hand in his breeches-pocket, saying, "Careless, Knock down the Farmer". George Hanger as Careless stands in a high-backed arm-chair (right), his hammer raised above his head, saying, "Going for no more than One Crown". Weltje, a stout man, stands beside the rostrum, his arms folded, looking down at a pile of plate at his feet inscribed 'Lot 6'. On the left stand three men: the bidder, pencil and note-book in his hand, saying, "Five shillings for that Lot", and two military officers, one stout, the other slim and foppish, looking through an eye-glass at the picture. 'Lot 2' and 'Lot 3' are pictures still on the wall, Three quarter length portraits of Mrs. Fitzherbert, her hands in a muff, and a lady wearing a large feathered hat, perhaps the Duchess of Devonshire, cf. BMSat 6961, &c. 'Lot 5' is a saddle on the floor beside a pair of top-boots. Through an open door (left) appears the corner of a building inscribed 'Tatersal's' (where the Prince's stud was sold) and a high phaeton which is 'Lot 1800' (see BMSats 6970, 6980)."--British Museum online catalogue
- Description:
- Title etched below image., Sheet trimmed within plate mark with loss of imprint statement. Imprint statement from British Museum catalogue., Temporary local subject terms: Auctions -- Contents of Carleton House -- Pictures amplify subject -- Tatersal's -- Prince of Wales' debts -- Richard Brinsley Sheridan's School for scandal., 1 print : etching on laid paper ; sheet 28.4 x 37.9 cm., Sheet trimmed within plate mark., and Mounted on leaf 5 of volume 2 of 12.
- Publisher:
- Published July 18, 1786, by S.W. Fores, N. 3 Piccadilly
- Subject (Name):
- George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Weltje, Louis, 1745-1810, Fitzherbert, Maria Anne, 1756-1837, and Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824
- Found in:
- Beinecke Rare Book and Manuscript Library > A scene in the School for scandal [graphic].
7.
- Creator:
- Rowlandson, Thomas, 1756-1827, artist
- Published / Created:
- [3 March 1786]
- Call Number:
- Auchincloss Rowlandson v. 2
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "The Duke of Richmond (left) sleeps in an arm-chair beside a table on which are playing-cards and bits of broken tobacco-pipes arranged to represent fortifications. On the right are two cannons, one on a gun-carriage ; a cat sits on its muzzle miaowing at Richmond, one paw on the table. By his side (left) are plans on rollers and a box of long tobacco-pipes. On the wall hang two pictures on rollers as if they were plans. In one (left) soldiers with wheelbarrows, &c. work on the sea-shore, off which dismantled ships lie at anchor. In the other, cannons and cannon-balls with one sentry lie along the sea-shore, off which are ships at anchor with brooms at their mast-heads to show that they are for sale. Richmond's hat, overcoat, and sword hang on the wall between the two pictures. At his feet is an open book inscribed 'Trial of Colol Debbeig'."--British Museum online catalogue
- Alternative Title:
- Planing of fortifications and Planning of fortifications
- Description:
- Title etched below image., Printmaker from Grego and British Museum Catalogue., Temporary local subject terms: House of Cards -- Card players -- Bill to fortify Portsmouth -- Fortifications -- Furniture -- Pictures that amplify subject -- Matches -- Pets., 1 print : etching on laid paper ; sheet 24.6 x 33.1 cm., Sheet trimmed within plate mark., and Mounted on leaf 41 of volume 2 of 14 volumes.
- Publisher:
- Published March 7th, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
- Subject (Name):
- Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
- Subject (Topic):
- Chairs, Sleeping, Tables, Playing cards, Pipes (Smoking), Cats, and Pictures
- Found in:
- Beinecke Rare Book and Manuscript Library > An ordinance dream, or, Planing of fortifications [graphic].
8.
- Creator:
- Gillray, James, 1756-1815, printmaker
- Published / Created:
- [2 December 1786]
- Call Number:
- Auchincloss Gillray v. 7
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Bowes, apparently very ill, is helped into court by two men who hold him by the arms. On the right., above the level of the court, the two judges, Ashurst (left) and Buller (right), look down at him. Beneath them stands the Clerk of Arraigns, in legal wig and gown, reading from a large document inscribed 'Articles of Charges'. The men holding Bowes wear riding-boots and long coats and hold cudgels; they appear to be two of the Bow Street Officers, McManus and others, who pursued Bowes with a writ and brought him back to London. Behind and on the right of Bowes is a crowd of spectators. The most prominent is a lady with her hands in a muff, her breasts immodestly exposed, with a maid or attendant who holds her arm, evidently Lady Strathmore and her maid Morgan."--British Museum online catalogue
- Description:
- Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Law & lawyers -- Kings Bench -- Divorce court -- Judges., 1 print : etching on wove paper ; plate mark 24.9 x 35.0 cm, on sheet 27.6 x 37.4 cm., and Mounted on leaf 37 of volume 7 of 12.
- Publisher:
- Pubd. Decr. 2d, 1786, by E. Jackson, Marybone Street, Golden Square
- Subject (Name):
- Bowes, Andrew Robinson Stoney, 1747-1810, Ashhurst, William Henry, Sir, 1725-1807, Buller, Francis, 1746-1800, and Strathmore, Mary Eleanor Bowes, Countess of, 1749-1800
- Found in:
- Beinecke Rare Book and Manuscript Library > Andrew Robinson Bowes, Esqr as he appeared in the Court of Kings Bench on Tuesday the 28th Novr. 1786 to answer the articles exhibited against him by his wife, the Countess of Strathmore. [graphic]
9.
- Creator:
- Gillray, James, 1756-1815, printmaker
- Published / Created:
- [21 November 1786]
- Call Number:
- Auchincloss Gillray v. 7
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A masonic feast: in the centre of the room on a platform is an empty armchair decorated with a masonic symbol. Below it and on the right is a table with punch-bowl, glasses, candles, &c, behind which are the English members of the Lodge, some seated, others standing. On the left sit the French members, the most prominent being Cagliostro; all wear masonic aprons. ... "--British Museum online catalogue
- Alternative Title:
- Masonic anecdote
- Description:
- Titles in English and French etched above image., Printmaker from British Museum catalogue., Captions in French and English etched under each title, respectively., Thirty lines of verse in French below image on left, under the heading, "Abregè de l'histoire du Comte Arabe": Nè Dieu sait où, maintenu Dieu sait comme ..., Thirty lines of verse in English below image on right, under the heading, "Abstract of the Arabian Count's memoirs": Born God knows where, supported God knows how ..., Sheet trimmed within plate mark, and imprint statement mostly erased from sheet; imprint from British Museum catalogue., Temporary local subject terms: Trades: hairdresser -- Hairdressers: Mr. Barker, King Street, Bloomsbury -- Opticians: Mr. Mash -- Interior of the Freemasons' Lodge of Antiquity -- Freemasons' symbols -- Furniture -- Upholstered chair -- Lighting: candlesticks -- Glass decanter -- Glass bottle -- Wine glasses -- Punch bowls., 1 print : etching with stipple on laid paper, hand-colored ; sheet 53.8 x 48.2 cm., Sheet trimmed within plate mark on right and left sides., and Mounted on leaf 36 of volume 7 of 12.
- Publisher:
- Publish'd November 21st, 1786, for the proprietor by H. Humphrey, New Bond Street
- Subject (Name):
- Cagliostro, Alessandro, conte di, 1743-1795
- Subject (Topic):
- Freemasonry, Quacks and quackery, Fraternal organizations, Interiors, Dining tables, Chairs, Candles, and Eating & drinking
- Found in:
- Beinecke Rare Book and Manuscript Library > Anecdote maçonnique [graphic]
10.
- Creator:
- Rowlandson, Thomas, 1756-1827, printmaker
- Published / Created:
- pubd. Augt. 18, 1789.
- Call Number:
- Auchincloss Rowlandson v. 2
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A pretty young woman leans from an open street-door towards a stout fishwoman who has planted a basket of fish on the step. A second fishwoman stands beside her, her basket on her head, hands on her hips. The house is a corner one, the door has a carved pediment. Behind are low-gabled houses with casement windows. Beneath the title: 'That Fish Madam's sweet! the girl made no reply, Afraid of her life {and to bid was to buy) The Fagg gave a volley her sister squard Trim Smell the fish! what it stinks Eh? you saucy young Brim'."--British Museum online catalogue, description of later state
- Description:
- Title etched below image., Earlier issue of a plate later published by S.W. Fores in 1795. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 8735., Plate originally published by Alexr. McKenzie in 1786. See Beinecke Library call no.: Auchincloss Rowlandson v. 2., Four lines of verse below title: That fish madam's sweet! The girl made no reply ..., Sheet trimmed to plate mark., Temporary local subject terms: Architecture: doorways -- Fish wives -- Baskets -- Lighting: street lights., 1 print : etching on laid paper, hand-colored ; sheet 21.5 x 15.7 cm., and Mounted on leaf 48 of volume 2 of 14 volumes.
- Publisher:
- publisher not identified
- Found in:
- Beinecke Rare Book and Manuscript Library > Billingsgate brutes [graphic]
