"A fox (Fox) climbs up a signpost from which hangs the sign of the Crown. The gibbet-shaped post is wreathed with a vine with large bunches of grapes. Fox seizes a branch and gapes greedily for a bunch just within his reach. His left leg is supported on a pile of papers, one bundle of which is inscribed 'Libels'. The topmost paper is an open book: 'Review of the Charges against Warren Hasting[s] Publishd by Stockdale'. In the doorway of the Crown Inn (right) stands Pitt, grotesquely thin except for his head; he wears an apron over the legs of a skeleton. Alarmed at the fox, he drops a tankard of beer on which is a crown. Behind him appears Thurlow, in Chancellor's wig and gown, with an expression of gloomy apprehension."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on two edges., and Temporary local subject terms: Allusion to John Stockdale, 1749-1816 -- Alleged libel -- Libellous pamphlets -- Signs -- Signboards -- Inns: Crown -- Gibbet-shaped signpost -- Allusion to trial of Warren Hastings -- Political grapes -- Chequerboards -- Literary allusion to Aesop's fable: The fox and the grapes -- Allusion to John Logan's pamphlet, published by Stockdale: Review of the charges against Warren Hastings -- Allusion to Fox's February 14, 1788 speech -- Chancellor's wig and gown.
Publisher:
Pubd. Feby. 18th, 1788, by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
"A stage-coach is driven (left to right) uphill at a gallop, the horses having human heads as in BMSat 7323. The arm of a signpost on the extreme left points 'To the Temple of Honor'. Thurlow drives, lashing furiously. George III, in profile to the right, is seated in the boot at the back of the coach holding a musket with a fixed bayonet. The Queen sits on the roof as an outside passenger, dressed as an old market-woman ; she holds a basket of 'Golden Eggs' on her knee, and another basket at her side in which is a goose which hisses at the King. Within the coach Hastings (left) and Mrs. Hastings (right) sit facing each other; he is in oriental dress; she wears a jewelled turban with a crown, and her neck is covered with jewels. The coach is 'Licens'd by Royal Authority'; on its panel are the royal arms. On the box under Thurlow's legs are a star and ribbon, a coronet, and feathers. The leaders have the faces of Pitt1 and Sydney, the wheelers are Dundas and Pepper Arden. The horses are galloping uphill and the sky is clear, contrasting with the scene in BMSat 7323."--British Museum online catalogue
Description:
Title from text below image in lower left., Printmaker from British Museum catalogue., Three lines of verse below image: "The very stones look up to see, such very gorgeous harlotry, shaming an honest nation.", Companion print to "Opposition," also by Gillray and published by Fores on the same day. See no. 7323 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Sheet trimmed within plate mark.
Publisher:
Pubd. May 20th, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Hastings, Warren, 1732-1818, Hastings, Anna Maria Apollonia von Chapuset, 1747-1837, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Pitt, William, 1759-1806, Sydney, Thomas Townshend, Viscount, 1733-1800, and Melville, Henry Dundas, Viscount, 1742-1811
Title etched below image., 1st state [?] with trimmed title and imprint replaced by ms., Sheet trimmed within plate mark., and Temporary local subject terms: Allusion to Geoffrey Chaucer, 1340?-1400: Canterbury tales -- Robbing of Lambeth palace -- Robbers -- Bag of plunder -- Bankrupt Foxites -- Conspirator's hats -- Boat hooks -- Boats -- Suppressed titles.
Publisher:
Pub'd Nov'r 5th 1788 by SW Fores, No. 3 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, and Hanger, George, 1751?-1824
Title etched below image. and Temporary local subject terms: Allusion to Archbishop -- Anticipation of effects of insanity of King George III -- Mitres -- Allusion to Regency crisis.
Publisher:
Pub, Nov'r 5th 1788 by S.W. Fores No. 3 Piccadilly
"A lady stands in profile to the left removing her gloves; her head is turned to the spectator. Against the wall of the room, which appears from the carpet and an oval mirror in a carved frame to be a drawing-room, stands a commode, which if the lid were closed would resemble an ordinary chair. She wears the projections at bust and waist which were the subjects of caricature c. 1786-7 (cf. BMSats 6874, 7099, &c). Her hat, poised sideways, has a steeple crown."--British Museum online catalogue
Description:
Title etched below image. and Suggested attribution to Kingsbury in the British Museum catalogue.
Publisher:
Pub'd March 6 1788, by S.W. Fores, No. 3 Piccadilly
"Pitt, Hastings, and Thurlow sit at a circular dinner-table on which is the King's head in a large dish. The dish is ornamented with a crown and the words 'Mal. y . Pense'. Pitt (left) sits in profile to the right cutting off a piece of the tongue with a knife and fork. Thurlow, in his Chancellor's wig and gown, faces him, using two large spoons greedily (cf. BMSat 7166), he is taking brains from a hole in the King's forehead. Hastings, in oriental dress, sits between them gouging out an eye with a spoon and fork. Besides Pitt is a sauce-boat inscribed 'Sauce', beside Thurlow a bottle inscribed 'Vinegar'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark on top edge., Temporary local subject terms: Male costume: Oriental costume -- Royal motto: Honi soit qui mal y pense., and Inscribed in ink below signature in an unidentified hand: Gillray's early feigned signature.
Publisher:
Pubd. March 28th, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, and Thurlow, Edward Thurlow, Baron, 1731-1806
On the left a thin man stands in profile holding a large muff, his head thrown back. He has a haughty look on his face as he looks down his nose a very stout man on the right who stands full-face at the viewer. The larger man has his hands behind his back as he looks quizzically at his companion, a small smile on his face
Alternative Title:
Fat and lean antiquarian
Description:
Title from item., Plate from: Rules for drawing caricaturas / by F. Grose. London : Printed by A. Grant, 1788., and Matted to 49 x 36 cm.
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Buildings: East India House -- Declaratory Act., and Watermark.
Publisher:
Pubd. April 24, 1788 by Josa. Baldrey, No. 19 H. Holborn, London
Subject (Geographic):
Great Britain.
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Hastings, Warren, 1732-1818, Rumbold, Thomas, Sir, 1736-1791, and East India Company.
Subject (Topic):
Portraits, Impeachment, Taxation, Tax assessment, Justice, Donkeys, Stores & shops, Shutters, Lawyers, and Britannia (Symbolic character)
"The head of a lady in profile to the right, yawning violently. A mob-cap perched on her hair has long lappets which fall on her shoulders."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray by Wright., and Temporary local subject terms: Yawns -- Female hats: mob cap.
Publisher:
Pub. 22 May 1788 by H. Humprey [sic], N. 51 New Bond St.
George III in profile to the right on a white horse rides down a stag which is under the hoofs of his rearing horse. He wears the Windsor uniform (blue coat with red collar and cuffs) and holds a riding-whip above his head. A wooded landscape suggests Windsor Park. Etched below title: "A Hint to Mr West for a Painting in St George's Hall'.
Alternative Title:
Modern Saint George
Description:
Imprint from British Museum catalogue., George suggests James Bearblock as engraver., Sheet trimmed within plate mark., Temporary local subject terms: Stags -- Windsor uniform -- Windsor Park., and Mounted to 34 x 35 cm.
Publisher:
Pubd. Jany. 1788 for I. and I.B. by R. Clamp, Holborn
Subject (Name):
George, Saint, -303., West, Benjamin, 1738-1820, and George III, King of Great Britain, 1738-1820
"Four men, their feet cut off by the lower margin, play whist at a rectangular table; each has one card in his hand and is about to play the last trick, the tricks piled on the table show that each side has six tricks. Sir Joseph Mawbey (left) looks at his partner (right), a very stout man wearing a legal wig, both hold court cards (diamonds). The man seated on the farther side of the table looks sideways at Mawbey, saying, "O---h! you've brought your Pigs to a fine Market!" His partner, in back view, is a very thin man whose hair extends grotesquely on each side of his head; he holds the five of diamonds. From Mawbey's pocket projects a document, 'Surrey Commission', and a book, 'Burn Justice' (Burn's well-known 'Justice of the Peace and Parish Officer', used by all acting J.P.s, not an exhortation to incendiarism as Evans supposes). Above his head is a picture of a pig feeding from a trough."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Mr. Stevenson, fl. 1788 -- Allusion to "Account of Elections for Survey" by Sir Joseph Mawbey, 1730-1798 in Gentleman's Magazine: 1788.ii.975, 1052-3 -- Allusion to "Justice of the Peace and Parish Officer by John Burns[?], 1743-1839 -- Quarrels: Allusion to Mawbey vs. his steward -- Pictures amplifying subject -- Feeding pigs -- Gaming tables -- Whist.
Publisher:
Pubd. Decr. 10th, 1788, by S.W. Fores, No. 3 Piccadilly
"Burke sleeps in a half-reclining position, his arms folded, legs extended, spectacles pushed up on his forehead. On a pedestal above his head (right) is a bust inscribed 'Mahomet', a fierce-looking, mustachioed man. A hanging lamp burns before it. On the right is Burke's reverie or dream: A Turk sits cross-legged on a divan holding out his arms eagerly to a young girl who is being brought to him by his mother, an elderly woman, who says, grinning, "I have procured another Lamb for my Lord"; the girl turns away with a gesture of distress. Above the Turk's head is an open book inscribed 'Koran'. Beside Burke in the foreground (right) is propped an open book inscribed: '... I have observed that the greatest Degree of Respect is paid to Women of Quality in the East and that the strongest Instances of Maternal Affection & filial Duty prevail there. Note Begum ... The Viziers Mother frequently procures one of the most beautiful Virgins whom she adorns with Pearls and precious stones and brings to the Vizier whom she calls her Lion and desires him to take her to his Arms, this he most religiously performs and she is afterwards consig[ned] to the Zenana with 200 others whom he never sees a second Time.'"--British Museum online catalogue, description of another version of the same design
Description:
Title etched below image., Signed with the monogram of James Sayers., Another version, with slight differences in text and design, of no. 7307 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted to 37 x 25 cm.
Publisher:
Publd. 26 April 1788 by Thos. Cornell, Bruton Street
Subject (Geographic):
Turkey.
Subject (Name):
Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, and Dimitrie Cantemir, Voivode of Moldavia, 1673-1723.
"Burke sleeps in a half-reclining position, his arms folded, legs extended, spectacles pushed up on his forehead. On a pedestal above his head (right) is a bust inscribed 'Mahomet', a fierce-looking, mustachioed man. A hanging lamp burns before it. On the right is Burke's reverie or dream: A Turk sits cross-legged on a divan holding out his arms eagerly to a young girl who is being brought to him by his mother, an elderly woman, who says, grinning, "I have procured another Lamb for my Lord"; the girl turns away with a gesture of distress. Above the Turk's head is an open book inscribed 'Koran'. Beside Burke in the foreground (right) is propped an open book inscribed: 'And I have observed that the greatest Degree of Respect is paid to Women of Quality in the East and that the strongest Instances of Maternal Affection & filial Duty prevail there. Note Begum - The Viziers Mother frequently procures one of the most beautiful Virgins whom she adorns with Pearls and precious stones and brings to the Vizier whom she calls her Lion and desires him to take her to his Arms, this he most religiously performs and she is afterwards consig[ned] to the Zenana with 200 others whom he never sees a second Time.'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching on laid paper ; plate mark 18.7 x 16.7 cm, on sheet 20.7 x 18 cm., and Mounted on leaf 44 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 26th April 1788 by Thos. Cornell, Bruton Street
Subject (Geographic):
Turkey.
Subject (Name):
Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, and Dimitrie Cantemir, Voivode of Moldavia, 1673-1723.
"Burke sleeps in a half-reclining position, his arms folded, legs extended, spectacles pushed up on his forehead. On a pedestal above his head (right) is a bust inscribed 'Mahomet', a fierce-looking, mustachioed man. A hanging lamp burns before it. On the right is Burke's reverie or dream: A Turk sits cross-legged on a divan holding out his arms eagerly to a young girl who is being brought to him by his mother, an elderly woman, who says, grinning, "I have procured another Lamb for my Lord"; the girl turns away with a gesture of distress. Above the Turk's head is an open book inscribed 'Koran'. Beside Burke in the foreground (right) is propped an open book inscribed: 'And I have observed that the greatest Degree of Respect is paid to Women of Quality in the East and that the strongest Instances of Maternal Affection & filial Duty prevail there. Note Begum - The Viziers Mother frequently procures one of the most beautiful Virgins whom she adorns with Pearls and precious stones and brings to the Vizier whom she calls her Lion and desires him to take her to his Arms, this he most religiously performs and she is afterwards consig[ned] to the Zenana with 200 others whom he never sees a second Time.'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 60 with three other prints.
Publisher:
Publd. 26th April 1788 by Thos. Cornell, Bruton Street
Subject (Geographic):
Turkey.
Subject (Name):
Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, and Dimitrie Cantemir, Voivode of Moldavia, 1673-1723.
George III drinks from a stream pouring from a pump labelled Cheltenham. The queen stands near him pulling on his coat to stop his drinking as two of the princesses stand behind her, one saying "My Papa will leave none for us."
Description:
Title from item. and Watermark: J Whatman.
Publisher:
Pub. July 28, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
England and Cheltenham.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
"The Prince and Britannia stand on each side of the Coronation Chair as in BMSat 7386. Its Gothic carvings are altered to satyrs' heads. On the back of the Chair is a small money-bag inscribed Virtue. The Prince and Britannia stand as before, but the foot which she places on the step inscribed 'The Voice of the People' is a cloven hoof. The next step, 'Publick Safety', is badly cracked; the other steps are blank. No words come from Britannia's mouth; the Prince says, "I woud do the best to please my People". Liberty and Justice are transformed into Sheridan and Fox. Sheridan, wearing ragged clothes, holds the cap of 'Liberty' on a broom; he puts one hand on the Prince's shoulder while he steals a handkerchief from his coat-pocket. Fox, in place of Justice's sword, holds a bludgeon in the head of which is an eye which drips blood (in the coloured version); he holds up an evenly-balanced pair of scales, formed of two dice-boxes. His eye-bandage is pushed up on his forehead and he says, "I have the Voice of the People in my Eye". 'Commerce' is transformed from a comely young woman into a drunken hag who holds up a glass of gin. The Mayor says, "We have not been taxed this twelvemonth". Pitt, instead of being the colleague of the Furies, attacks them: in his left hand he holds up a large conical extinguisher with which he is about to put out the torch of 'Rebellion'. He says, "I could soon extinguish these Puppet Shew Vapours if properly supported". The Fury holds up two torches, one of 'Rebellion', the other 'Puppet Shew'. He puts his left foot on the prostrate head of 'Envy', who is holding up a fire-brand. The third fury (Falsehood) has disappeared. The British Lion looks from behind Britannia's shield snarling ferociously in defence of Pitt."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Temporary local subject terms: Lord William Gill, 1720-1798: Mayor of London -- Lord Mayors -- Chairs: Satyrs' heads on coronation chair -- Broom as staff of liberty -- Emblems: drunken hag / commerce -- Scales: dice boxes -- Huge candle snuffers -- British lion -- Furies -- Regency crisis., and Mounted to 31 x 47 cm.
Publisher:
Pub. Decr. 29, 1788, by S. Fores No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
"The patient sits in profile to the left with chattering teeth, holding his hands to a blazing fire on the extreme left Ague, a snaky monster, coils itself round him, its coils ending in claws like the legs of a monstrous spider. Behind the patient's back, in the middle of the room, Fever, a furry monster with burning eyes, resembling an ape, stands full-face with outstretched arms. On the right the doctor sits in profile to the right at a small table, writing a prescription, holding up a medicine-bottle in his left hand. The room is well furnished and suggests wealth: a carved four-post bed is elaborately draped. On the high chimney-piece are 'chinoiseries' and medicine-bottles. Above it is an elaborately framed landscape."--British Museum online catalogue, description of an earlier state
Alternative Title:
Ague and fever
Description:
Title etched below image., Reissue, with new imprint statement, of print published in 1788 by T. Rowlandson. Cf. No. 7448 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed within plate mark., Companion print to: The hypochondriac., One line of quoted text below image, etched on either side of title: "And feel by turns the bitter change of fierce extremes, "extremes by change more fierce. Milton., Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 226-7., Temporary local Medical Library subject terms: Ague -- Demons & devils -- Prescription of drugs., and 1 print : etching and aquatint, hand-colored ; plate mark 41.2 x 56.9 cm.
Publisher:
Pubd. Novr. 5, 1792, by S.W. Fores, No. 3 Piccadilly
On the left Thurlow represents the world with his stomach in the shape of a globe and his clothes labelled with country names. He faces Hastings who is attired in Oriental dress and his head is bound in a large feathered turban encircled with jewels, the end of which expands into a cornucopia. Hastings' belt is inscribed 'Virtues', through it are thrust an axe, a halter, and two (?) clubs
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. for the proprietor by W. Moore, No. 48 New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818 and Thurlow, Edward Thurlow, Baron, 1731-1806
Four elderly men sit and stand round a small circular table on which are glasses, a bottle, a paper of tobacco. A man in profile to the left is reading
Description:
Title etched below image., Two figures are tentatively identified as Dr. Robert Bragge and Dr. Michael Lort., and Plate from: Grose, F. Rules for drawing caricaturas. London : Printed by A. Grant, 1788.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Lort, Michael, 1725-1790 and Bragge, Robert, Dr. 1700-1777
A very stout man with a pear-shaped head sits full-face in an armchair, looking at the spectator, with his right hand raised as if addressing an audience. Subject is perhaps Jeremiah Milles, president of the Society of Antiquaries. See British Museum catalogue
Description:
Title etched below image., Plate from: Grose, F. Rules for drawing caricaturas. London : Printed by A. Grant, 1788., and Watermark.
Three elderly antiquarians stand together; one, lean and knock-kneed, reads a catalogue through spectacles. Another, very stout and in back view, faces him, bending to the left. The third (right) stands erect in profile to the left, his hands behind his back
Description:
Title from item., Plate from: Rules for drawing caricaturas / by F. Grose. London : Printed by A. Grant, 1788., and One of the caricatures possibly Dr. Robert Bragge, art dealer.
"Pitt, very drunk, leans against the wall of a room, his right arm rests on a map inscribed 'Gold Coast Bengal'; he points to the former name, saying, "de Claret - Claret - Claret - Tory - tory - tory." His chair (right) has been overturned, under his feet are papers inscribed 'List of India Directors'; in his left hand is the 'de-Claretory Bill'. On a table (left) are wine-glasses and a decanter of Claret, empty bottles lie on the ground."--British Museum online catalogue
Description:
Title etched below image., Questionable attribution to Kingsbury from British Museum catalogue., and Temporary local subject terms: Walpole refers to subject of print -- Tablecloth of green baize -- Maps: Bengal -- Declaratory Bill.
Publisher:
Pub. Marh. 17, 1788, by S.W. Fores, No. 3 Piccadilly
"Lord Howe (left) sits cross-legged on a tailor's shop-board working at a naval coat which lies across his knees. He holds up a threaded needle in his right hand; in his left are shears with which he is about to cut the thread. He says, "I have now finish'd my Seven Years Plan of the N-v-l Uniform; next the Marines must be Blue, faced with White, & White Buttons. I shan't let the Guardships cruize as formerly, a bad plan, give me young Officers that know little, then I may shew my skill - The word Merit should be expung'd from the Dictionary. Next Year I must set a few more of the old Ninety Two's aside, & have smart young Admirals. I'll have a general reform soon." Beside him is a tailor's goose, &c. Behind him (right) five naval coats in course of completion hang from a row of pegs, two have elaborately wide cuffs, one of which is decorated with an anchor. Beneath the board on which Howe sits are demons from whose operations smoke rises to surround him. Two grotesque nude creatures (left), one very thin, the other obese, are on the top of a circular platform which rests on a mast flying an ensign. They are cooking a goose, a cabbage, and a cucumber, all emblems of the tailor, cf. BMSat 5805, &c. The place where the 'cabbage' (pilfered cloth) was kept was called Hell. Grose, 'Dict. Vulgar Tongue', 1796. Next them a large devil with a gridiron under his arm stretches out his talons, saying, "And I'll have a general Reform soon as I shall get you before you are aware of it. I've ting'd your Heart so may safely leave you to go on."--British Museum online catalogue
Alternative Title:
Black-Dick turned taylor and Black-Dick turned tailor
Description:
Title etched below image., Printmaker from British Museum catalogue., and Watermark: Strasburg Lily.
Publisher:
Pubd. Feby. 4th, 1788, by G. Humphrey, No. 48 Long Acre
Subject (Name):
Howe, Richard Howe, Earl, 1726-1799 and Great Britain. Royal Navy
"Fox, followed by Burke and Sheridan, hastily leaves a vaulted archway from which issue smoke and flames. George Hanger (left) runs in front, holding a burning firebrand; behind him is the White Tower in flames. Fox carries the crown which he partly conceals under his voluminous coat. Burke, dressed as a Jesuit (cf. BMSat 6026), holds the sceptre; he looks with satisfaction at Sheridan, who takes his arm. Sheridan holds the orb; in his hat is an election favour inscribed 'Townsend'. Hanger wears a cocked hat with an election favour, his military coat and tight breeches are in rags; under his arm is a sack labelled 'Unmill'd Coin'. Torn bills pasted on the wall behind Fox's head are inscribed 'the Westminster Election; for the Interest of Lord J. Townsd', and 'Leak's Pills'."--British Museum online catalogue
Alternative Title:
Blood and Co. setting fire to the tower and stealing the crown and Blood and Company setting fire to the tower and stealing the crown
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Following imprint: Price 1 s., Sheet trimmed within plate mark., and Temporary local subject terms: Allusion to Lord John Townshend, 1757-1833 -- Allusion to Captain Mason, fl. 1671 -- Allusion to Thomas Blood, 1618?-1680 -- Tower of London -- Burning of White Tower -- Medical Signs: Pills -- Leake's -- Crowns -- Sceptres -- Orbs -- Election favours -- Attempted thievery: Blood and Mason, 1671 -- Perogatives: Fox's attempt to steal -- Torches: firebrand.
Publisher:
Pubd. July 26th, 1788, by H. Humphrey, New Bond Street
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Hanger, George, 1751?-1824, Townshend, John, Lord., and Great Britain. Parliament
"Thurlow, in his Chancellor's wig and gown, wades waist-deep in the sea, advancing towards the spectator. On his shoulders sits Hastings, in oriental dress, holding in each arm a large money-bag inscribed '£4.000.000'. Thurlow scowls; Hastings has a serene and contented expression. In the water (a sea of blood) are the mutilated corpses of Indians: three heads tied together by the hair float in the water; a man floats with a rope round his neck; there are also a scourge and birch-rod."--British Museum online catalogue
Description:
Title etched below image. and Attributed to Gillray in British Museum catalogue.
Publisher:
Pubd. March 1st, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India.
Subject (Name):
Hastings, Warren, 1732-1818 and Thurlow, Edward Thurlow, Baron, 1731-1806
"Thurlow, in his Chancellor's wig and gown, wades waist-deep in the sea, advancing towards the spectator. On his shoulders sits Hastings, in oriental dress, holding in each arm a large money-bag inscribed '£4.000.000'. Thurlow scowls; Hastings has a serene and contented expression. In the water (a sea of blood) are the mutilated corpses of Indians: three heads tied together by the hair float in the water; a man floats with a rope round his neck; there are also a scourge and birch-rod."--British Museum online catalogue
Description:
Title from item., Attributed to Gillray in British Museum catalogue., Sheet trimmed within plate mark., and A later state with the number '30' in the upper right corner. Cf. No. 7278. in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Publisher:
Pub'd March 1st, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India.
Subject (Name):
Hastings, Warren, 1732-1818 and Thurlow, Edward Thurlow, Baron, 1731-1806
"Half length portraits of Dr. Willis and Sheridan in close proximity, repeated twice, the doctor being on the extreme left and right, the two Sheridans in the middle. One couple (left) is inscribed 'Sunday', the other (right) 'Saturday'. The doctor in both cases answers a question in a label which projects into the design from an unseen inquirer: 'Doctor, how is your Patient to Day'. On the left he answers with a contented expression: "Better thank God"; his neighbour angrily shouts "Damnation". On the right he has an expression of melancholy anxiety, the head of his cane held to his lip; he answers: "Rather worse - Sir - ". Sheridan, with a satisfied and cunning smile, says, "Ha - ha - rare news"."--British Museum online catalogue
Description:
Title from item., Possibly by Rowlandson. See British Museum catalogue., and Temporary local subject terms: Francis Willis, 1718-1807 -- Allusion to regency crisis -- Blue and buff.
Publisher:
Pub. Decr. 31, 1788 by S. Fores N. 3 Piccadilly
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and George III, King of Great Britain, 1738-1820
Dent, William, active 1783-1793, printmaker, publisher
Published / Created:
[26 November 1788]
Call Number:
788.11.26.01+ Impression 1
Image Count:
1
Resource Type:
still image
Description:
Title from item., Temporary local subject terms: Reference to Horace Walpole -- Trades: Apothecary -- Newspapers: Morning Herald -- Regency crisis., and Mounted to 28 x 40 cm.
Publisher:
Pub. by W. Dent Nov 26th 1788 ; sold by W. Moore Oxford St. of whom may be had the flight to Switzerland
Subject (Geographic):
Great Britain.
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Hall, Edward, active 1784-1793, and Hanger, George, 1751?-1824
"Hastings (right) shrinks in terror at the apparition of Chait Singh (left) who emerges from clouds, a rope round his neck, his left hand raised threateningly. His turban is inscribed 'Cheyt Sing.' They stand on opposite sides of a rectangular table covered with a fringed cloth, behind which sits a lady reading a book which lies on the table: 'The State of India'. Her dress and large feathered hat are heavily decked with jewels. Hastings, who wears oriental dress with a jewelled turban, has overturned his chair; on its back are the initials 'W H.' Two Indian servants (right) stand behind Hastings. In the centre of the wall, behind the lady, are shelves on which are money-bags, some inscribed 'Rupees' and 'Pagod[as]', jewels, and a large turban inscribed 'Cheyt Syng.'"--British Museum online catalogue
Alternative Title:
Chait Singh
Description:
Title etched below image., Variant state of no. 7315 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires v. 6. The 'y' in May is partly visible under 'r' engraved over it., and Sheet trimmed leaving thread margins.
Publisher:
Pub'd Mar. 9 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India and India.
Subject (Name):
Hastings, Warren, 1732-1818, Chait, Singh, rajah of Benares, fl. 1775-1781, and Nandakumara, Mahārāja, -1775
Subject (Topic):
Impeachment, Politics and government, Ghosts, Gems, Jewelry, Servants, Tablecloths, Turbans, Men, and Clothing & dress
Title from item., Plate from: Rules for drawing caricaturas / by F. Grose. London : Printed by A. Grant, 1788., and Temporary local subject terms: City militias -- Military uniforms -- Militia uniforms -- Marching.
Title from item., Artist and printmaker's names appear above title., Companion print by same publisher on same date: Tragedy., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. June 30, 1788 by T. Macklin. No. 39 Fleet Street
Three elderly men stand together inspecting a medal. Two face each other in profile, the third who stands between and behind them is a parson in gown and bands
Description:
Title etched below image. and Date from British Museum catalogue.
"Warren Hastings, in oriental dress, kneels full-face on one knee between two cards; he holds out in each hand a lozenge, the diamond of a pack of cards: that on his right is a knave with the head of Thurlow, that on his left is a king with the head of George III (cf. BMSat 6969). Neither card has an indication of the suit: the hand of each appears ready to grasp the diamond held out by Hastings."--British Museum online catalogue
Description:
Title etched below image., Questionable attribution to J. Baldrey from British Museum catalogue., Text in upper left corner: Plate 1., and Temporary local subject terms: Oriental costume -- Playing cards -- Court cards -- Knave and King -- Print owned by Horace Walpole (NYPL) -- Male costume, oriental -- India -- Alleged bribery of Hasting's supporters.
Publisher:
Pubd. Feby. 8th, 1788, for S. Doughty and Co., No. 19 Holborn
Subject (Name):
George III, King of Great Britain, 1738-1820, Hastings, Warren, 1732-1818, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Mrs. Dawkins, fl. 1788 as Gloc -- Miss Pigott, fl. 1788 as Glum -- Regency crisis., and Mounted to 28 x 38 cm.
Publisher:
Pub Nov 16 1788 by SW Fores No. 3 Piccadilly
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806, George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Fitzherbert, Maria Anne, 1756-1837, and Fox, Charles James, 1749-1806
Fly to those that dwell in luxury's laws and Fly to those that dwel in luxurye's laws
Description:
Title and imprint from impression in the Mellon Collection H. 968., Description based on imperfect impression; sheet trimmed with loss of title and imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 29 x 37 cm.
Publisher:
Published July [the] 21st, 1788 by W.M. Covent Garden
"Dundas as a colossus (a shah or bashaw of the Indies) straddles across the ocean, one foot on the roof of the India House (left), the other on a piece of land on the extreme right representing Bengal. In the sea below his outstretched legs are several ships in full sail making for Bengal; the nearest is inscribed 'troops'. Dundas wears a turban and crown, a cloak and oriental tunic with a kilt, bare knees and tartan stockings. His turban is inscribed 'Charged Mr F------with a design to shift the Crown from the Monarch's to his own head. Mr D speech'. His arms are extended above his head pointing to, and nearly grasping, a sun in the upper left corner of the design and to a crescent moon in the upper right corner. Both have faces which look down with dismayed surprise at Dundas, who looks towards the sun. Beneath the title is inscribed: '"One Foot in Leadenhall Street, & the other in the Province of Bengal." Vide Mr D------s Speech.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Dundas's quarrel with East India Company -- Face on the sun -- Man in the moon -- Ships carrying troops to India -- Indian patronage -- Dundas's attack on the East India Bill -- Dundas as a Bashaw -- Hats -- Bengal -- East India House.
Publisher:
Pubd. March 7th, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Melville, Henry Dundas, Viscount, 1742-1811 and East India Company.
"The 'Election-Troops', headed by Major Topham, advance towards the barred gate of the 'Treasury', behind which stands Pitt, holding a large key. He says, "I know nothing of you my Friends, Lord H------d pays all the expences himself - Hush! Hush! go to the back-Door in Great George Street under the Rose!" Topham holds out to Pitt a paper inscribed 'For Puffs & Squibs and for abusing opposition', in his right hand is a newspaper. 'The World' (see BMSat 7210, &c). Behind him is a dwarfish and ragged newsboy holding his horn, on his cap is the word 'Star' above a star. Under his arm is a copy of 'The Star' newspaper, in his right hand a paper inscribed 'For changing Sides; for hiring of Ballad Singers & Grub Street Writers. . .' . Next him is a publican holding a paper inscribed 'For Eating & Drink[ing] for Jack Ass Boys'. Behind these, three of the Foot Guards march together, each holding a paper inscribed 'For the attack in Bow Street' (see BMSat 7352); one holds a bayonet dripping with blood. Across the front of their caps is the word 'Hood'. A ragged and dwarfish cobbler holding a pair of shoes holds out a paper inscribed 'Far Voting 3 times'; he walks next two ballad-singers, one, fat, ragged, and pregnant, holds in her right hand a paper inscribed 'For Singing Ballads at 5 Skill pr Day . .', in her left hand is a sheaf of broadsides inscribed 'A begging we will go --- --- A new Song'. The woman next her holds a similar account; her hat is inscribed 'Hood'. On the extreme left is a sailor with a bludgeon who holds out a paper: 'For kicking up a Riot'. Next him is a burly and grinning negro (cf. BMSat 7367). Between these two and the cobbler a bearded Jew holds up in both hands a paper inscribed 'For Perjury & procuring Jew Voters'. Behind are the heads of the rest of the crowd; most wear election favours in their hats with the word 'Hood'."--British Museum online catalogue
Description:
Title etched below image., "Price 1 s. 6.", Temporary local subject terms: Edward Thomas -- Reference to Horace Walpole -- Elections -- Military uniform of foot guards -- Naval uniform of sailors -- Negroes: Sailor with election favor in hat -- Newspapers: The World -- The Star., and Price mostly erased from sheet.
Publisher:
Pubd. Augt. 14th, 1788, by H. Humphrey, New Bond Street
Subject (Geographic):
England and London.
Subject (Name):
Pitt, William, 1759-1806, Topham, Edward, 1751-1820, Great Britain. Parliament, and Great Britain. Treasury.
Subject (Topic):
Elections, 1788, Political elections, Newspaper vendors, and Shoemakers
A reduced copy probably from a book and resembling the folding plates to the 'Hibernian Magazine'. The groups are arranged from left to right as in British Museum satire no. 7301, but each figure is reversed and the groups are in two rows, one above the other
Alternative Title:
Picture of the times
Description:
Title etched below image., Place of publication based earlier state. See British Museum catalogue., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark at top.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, William IV, King of Great Britain, 1765-1837, Fitzherbert, Maria Anne, 1756-1837, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Thurlow, Edward Thurlow, Baron, 1731-1806, Hastings, Warren, 1732-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Pigot, Hugh, 1721?-1792, Farren, Elizabeth, 1762-1829, Smith Stanley, Edward, 1752-1834, Greville, Charles, 1762-1832, Billington, Elizabeth, 1765-1818, and Archer, Sarah West, Lady, 1741-1801
Title from item., Text under title: with explanatory notes designed and sketched for the inspection of all modern professors and inscribed to H.W. Bunbury, Esq., Motto above imprint: Est[?] quod else videris., and Temporary local subject terms: Anodyne necklace -- Gambling games: dice box
Publisher:
Pubd by W. Dent, May 30th, 1788 and sold by W. Dickie opposite Exeter Change Strand and W. Moor No. 48 New Bond Street, London
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title etched below image., Day in imprint may have been re-etched from 10 to 29., Fourteen persons or groups forming discrete images arranged in two rows, each with caption in English and French., Temporary local subject terms: Lady Sarah Archer -- Captain Barclay., Ms. identifications on mounting sheet by W.S. Lewis., Mounted to 43 x 106 cm., and Attributed to Cruikshank on mat in an unknown hand.
Publisher:
Pub. July 29 1788 by S.W. Fores No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Bedford, John Russell, Duke of, 1766-1839, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, Humphries, Richard, d. 1827, Mendoza, Daniel, 1764-1836, Pigot, Hugh, 1721? -1792, Pitt, William, 1759-1806, Townshend, John, Lord, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title etched below image., Day in imprint may have been re-etched from 10 to 29., Fourteen persons or groups forming discrete images arranged in two rows, each with caption in English and French., Temporary local subject terms: Lady Sarah Archer -- Captain Barclay., Watermark: J Whatman., 1 print : etching on laid paper ; plate mark 34.3 x 48.5 cm., on sheet 36 x 55 cm., Incomplete: right plate with French title only., Some subjects identified in margins in an unknown hand., and Attributed to Cruikshank on mat in an unknown hand; attributed to Gillray on print, recto, in an unknown hand.
Publisher:
Pub. July 29 1788 by S.W. Fores No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Bedford, John Russell, Duke of, 1766-1839, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, Humphries, Richard, d. 1827, Mendoza, Daniel, 1764-1836, Pigot, Hugh, 1721? -1792, Pitt, William, 1759-1806, Townshend, John, Lord, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Burke (left), a very thin 'lay porter', addresses Thurlow (right), who is very obese and holds in his left a heart inscribed 'Humanity', from which a piece has been broken. He is Father Paul in Sheridan's 'Duenna' (III. v). They face each other in profile. Burke is dressed as a monk (cf. BMSat 6026), a rosary with a cross inscribed 'Impeachment' hangs from his girdle. In his hand is a paper inscribed 'Account of expences attending a Trial. . . Esqr.' He says, "We ask no more than is needfull, and so little have we had, that we are almost starved". Thurlow answers, "It's false; you feast and Gormandize, whilst we are wasting". (The words are adapted from 'The Duenna'.) On his goblet, inscribed 'Pleasure', is a scene of persons being sabred, while a body hangs from a gibbet. Behind Burke and Thurlow is a curtain which cuts off part of the room. Above it (centre) is the top of a jewelled turban, as worn by Hastings in caricature, surmounted by feathers inscribed 'Treasury Warrants'. From it ascends vertically a sword to whose blade are attached horizontal bunches of leaves; from these hang four hats inscribed respectively 'Middlet[on]', 'Impey', 'Holt', 'Ben'. A man (? Burges) looks through the curtain at Burke; in his hand are two scrolls: 'Profus[ion]', 'Oeconomy'. On the wall (left) is a picture of a bull inscribed: 'Decided either way Poor John is sure to pay.' His blood gushes out in a copious fountain into a pit inscribed 'Private Defence', while from another wound it merely drips into a hole inscribed 'Public Prosecution'. The frame is inscribed 'John Bull. Paymaster'. On the right is a placard, inscribed 'Good Entertainment Tuesdays, Wednesdays & Thursdays' (cf. BMSats 7313, 7314) and surmounted by a crown."--British Museum online catalogue
Alternative Title:
Father Paul and the lay porter and Particular state of particular expences
Description:
Title from item., Text following title: Published according to act of parliament., Printmaker from Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Altered quotation from literature: Richard Brinsley's The Duenna, Act III -- Richard Brinsley: 1751-1816 -- Debate on expenses -- Pictures amplifying subject., and Mounted to 37 x 25 cm.
Publisher:
Pubd, as the act directs by W. Dent, May 26th, 1788 ; sold by W. Dickie, opposite Exeter change Strand & W. Morre, N. 48 New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Pitt, William, 1759-1806, and Burke, Edmund, 1729-1797
"The Prince of Wales in a drunken frolic enters the King's bedroom, followed by Hanger and Sheridan. The King (right) lies under a tent-shaped canopy with curtains; he turns his head from his son, looking down with an expression of misery; his right arm is outstretched as if to ward off the intruders. By his bedside, between the Prince and the King, sits an elderly bishop, exclaiming in horror; in his hand is a paper inscribed 'A Prayer Restoration of Health Amen'. The Prince has overturned a circular table, a Communion cup lies on the ground. He reels drunkenly with folded arms, saying, '"Damme, come along, I'll see if the Old Fellow's------or not" --'. Hanger and Sheridan are dancing with glee. Hanger, wearing his hat, holds a bottle in both hands; Sheridan waves his hat. On the wall is a picture of 'The Prodigal Son', partly obscured by the label issuing from the Prince's mouth."--British museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Pictures amplifying subject: The Prodigal Son -- Clergy: Elderly Bishop -- Medical: invalid., and Mounted to 28 x 39 cm.
Publisher:
Pubd. Nov'r 25 1788 by S.W. Fores No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, and Sheridan, Richard Brinsley, 1751-1816
"Parodied by, or a parody of, British Museum Satires No. 7277. A design based on the tickets of admission to Westminster Hall, which bore the name and arms of Sir Peter Burrell, Deputy Great Chamberlain; [in right of his wife, Lady Priscilla Bertie, who with her sister was jointly hereditary Great Chamberlain of England] in the centre of the escutcheon were the arms of his wife: three battering-rams placed horizontally. The crest was an embowed arm holding an olive-branch. In place of the rams' heads of the battering-rams are the heads, in profile to the left, of Burke, frowning, of Fox, smiling, and of Francis with a fixed stare. The arm of the crest holds a scourge whose lashes terminate in scorpions and is inscribed 'Lex Parliamenti omnipotens'. Beneath the escutcheon is a motto on a scroll: 'Sub libertate Tyran' [sic] which replaces the original motto: 'Sub Libertate Quietem'. Two supporters have been added: Dexter, a weeping judge, his cap inscribed 'Common Law', holds a scroll whose words are scored through: '[Magna] Charta Judicium Parium aut Lex Terrae'. Sinister, Justice, looking up in terror at the scourge by which she is threatened, and dropping her scales. Beneath the escutcheon is a view in miniature of Westminster Hall showing clearly the Managers' box (left), in which Fox stands, violently declaiming; Burke sits next him frowning. A document inscribed 'First Article' hangs over the side of the box. The head of Hastings, a good profile portrait, is turned towards Fox; on the right, are his three counsel in back view. Behind them are the heads of the peers, wearing hats, and on each side the Commons (left) and the ladies (right) in the peeresses' seats. At the far end of the hall the throne with the Queen's box and the Prince of Wales s box are freely sketched. The foreground is decorated by branches of leaves (? olive) and an open book inscribed 'From Envy Hatred & Malice and all Uncharitableness Good Lord deliver us.'"--British Museum online catalogue
Alternative Title:
For the trial of Warren Ha : seventh day and Seventh day
Description:
Title etched within banner at top of image, the head of the figure of Justice obscuring the remaining letters of Hastings's name; "seventh day" etched along bottom of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., 1 print : etching on wove paper ; plate mark 17.6 x 12.6 cm, on sheet 20.2 x 14.7 cm., and Mounted on verso of leaf 42 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Hastings, Warren, 1732-1818, Sheridan, Richard Brinsley, 1751-1816, and Westminster Hall (London, England)
"Parodied by, or a parody of, British Museum Satires No. 7277. A design based on the tickets of admission to Westminster Hall, which bore the name and arms of Sir Peter Burrell, Deputy Great Chamberlain; [in right of his wife, Lady Priscilla Bertie, who with her sister was jointly hereditary Great Chamberlain of England] in the centre of the escutcheon were the arms of his wife: three battering-rams placed horizontally. The crest was an embowed arm holding an olive-branch. In place of the rams' heads of the battering-rams are the heads, in profile to the left, of Burke, frowning, of Fox, smiling, and of Francis with a fixed stare. The arm of the crest holds a scourge whose lashes terminate in scorpions and is inscribed 'Lex Parliamenti omnipotens'. Beneath the escutcheon is a motto on a scroll: 'Sub libertate Tyran' [sic] which replaces the original motto: 'Sub Libertate Quietem'. Two supporters have been added: Dexter, a weeping judge, his cap inscribed 'Common Law', holds a scroll whose words are scored through: '[Magna] Charta Judicium Parium aut Lex Terrae'. Sinister, Justice, looking up in terror at the scourge by which she is threatened, and dropping her scales. Beneath the escutcheon is a view in miniature of Westminster Hall showing clearly the Managers' box (left), in which Fox stands, violently declaiming; Burke sits next him frowning. A document inscribed 'First Article' hangs over the side of the box. The head of Hastings, a good profile portrait, is turned towards Fox; on the right, are his three counsel in back view. Behind them are the heads of the peers, wearing hats, and on each side the Commons (left) and the ladies (right) in the peeresses' seats. At the far end of the hall the throne with the Queen's box and the Prince of Wales s box are freely sketched. The foreground is decorated by branches of leaves (? olive) and an open book inscribed 'From Envy Hatred & Malice and all Uncharitableness Good Lord deliver us.'"--British Museum online catalogue
Alternative Title:
For the trial of Warren Ha : seventh day and Seventh day
Description:
Title etched within banner at top of image, the head of the figure of Justice obscuring the remaining letters of Hastings's name; "seventh day" etched along bottom of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., and Mounted on page 60 with three other prints.
Publisher:
publisher not identified
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Hastings, Warren, 1732-1818, Sheridan, Richard Brinsley, 1751-1816, and Westminster Hall (London, England)
"Parodied by, or a parody of, British Museum Satires No. 7277. A design based on the tickets of admission to Westminster Hall, which bore the name and arms of Sir Peter Burrell, Deputy Great Chamberlain; [in right of his wife, Lady Priscilla Bertie, who with her sister was jointly hereditary Great Chamberlain of England] in the centre of the escutcheon were the arms of his wife: three battering-rams placed horizontally. The crest was an embowed arm holding an olive-branch. In place of the rams' heads of the battering-rams are the heads, in profile to the left, of Burke, frowning, of Fox, smiling, and of Francis with a fixed stare. The arm of the crest holds a scourge whose lashes terminate in scorpions and is inscribed 'Lex Parliamenti omnipotens'. Beneath the escutcheon is a motto on a scroll: 'Sub libertate Tyran' [sic] which replaces the original motto: 'Sub Libertate Quietem'. Two supporters have been added: Dexter, a weeping judge, his cap inscribed 'Common Law', holds a scroll whose words are scored through: '[Magna] Charta Judicium Parium aut Lex Terrae'. Sinister, Justice, looking up in terror at the scourge by which she is threatened, and dropping her scales. Beneath the escutcheon is a view in miniature of Westminster Hall showing clearly the Managers' box (left), in which Fox stands, violently declaiming; Burke sits next him frowning. A document inscribed 'First Article' hangs over the side of the box. The head of Hastings, a good profile portrait, is turned towards Fox; on the right, are his three counsel in back view. Behind them are the heads of the peers, wearing hats, and on each side the Commons (left) and the ladies (right) in the peeresses' seats. At the far end of the hall the throne with the Queen's box and the Prince of Wales s box are freely sketched. The foreground is decorated by branches of leaves (? olive) and an open book inscribed 'From Envy Hatred & Malice and all Uncharitableness Good Lord deliver us.'"--British Museum online catalogue
Alternative Title:
For the trial of Warren Ha : seventh day and Seventh day
Description:
Title etched within banner at top of image, the head of the figure of Justice obscuring the remaining letters of Hastings's name; "seventh day" etched along bottom of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., Partial watermark upper left edge., and On verso, written in ink in a contemporary hand: Burlesque on the admission ticket to Hasting's trial. The three heads on the cannons are Burke, Fox, & Sheridan.
Publisher:
publisher not identified
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Hastings, Warren, 1732-1818, Sheridan, Richard Brinsley, 1751-1816, and Westminster Hall (London, England)
A satirical print rebuking the many writers who profited by writing memoirs of Samuel Johnson. On the left, Mrs. Piozzi is seated at her writing desk in her study. With a look of astonishment. she looks behind her at the ghost of Samuel Johnson in a night shirt who with his right hand points to the portraits of James Boswell and Sir John Hawkins on the wall and in his left hand holds a money purse. Another portrait on the far right depicts John Courtenay with a pen in his hand looking toward a bust of Prisian. On her desk is a letter "D Johnson ... Letters Dear Lady", implying that she has been concoting Johnson's letters to her. Immediately above her desk in the middle of the wall of books, a violin, an allusion to her second husband a musician, obscures the portrait of her first husband Henry Thrale
Alternative Title:
Frontispiece for the 2d edition of Dr. Johnson's letters
Description:
Title etched below image., Signed with the monogram of James Sayers., Twenty-four lines of verse in two columns below title: Madam! my debt to nature paid, I thought the grave with hallow'd shade would now protect my name ..., and Mounted on page 57 with one other print.
A satirical print rebuking the many writers who profited by writing memoirs of Samuel Johnson. On the left, Mrs. Piozzi is seated at her writing desk in her study. With a look of astonishment. she looks behind her at the ghost of Samuel Johnson in a night shirt who with his right hand points to the portraits of James Boswell and Sir John Hawkins on the wall and in his left hand holds a money purse. Another portrait on the far right depicts John Courtenay with a pen in his hand looking toward a bust of Prisian. On her desk is a letter "D Johnson ... Letters Dear Lady", implying that she has been concoting Johnson's letters to her. Immediately above her desk in the middle of the wall of books, a violin, an allusion to her second husband a musician, obscures the portrait of her first husband Henry Thrale
Alternative Title:
Frontispiece for the 2d edition of Dr. Johnson's letters
Description:
Title etched below image., Signed with the monogram of James Sayers., Twenty-four lines of verse in two columns below title: Madam! my debt to nature paid, I thought the grave with hallow'd shade would now protect my name ..., and Contemporary mss. note on verso.
A satirical print rebuking the many writers who profited by writing memoirs of Samuel Johnson. On the left, Mrs. Piozzi is seated at her writing desk in her study. With a look of astonishment. she looks behind her at the ghost of Samuel Johnson in a night shirt who with his right hand points to the portraits of James Boswell and Sir John Hawkins on the wall and in his left hand holds a money purse. Another portrait on the far right depicts John Courtenay with a pen in his hand looking toward a bust of Prisian. On her desk is a letter "D Johnson ... Letters Dear Lady", implying that she has been concoting Johnson's letters to her. Immediately above her desk in the middle of the wall of books, a violin, an allusion to her second husband a musician, obscures the portrait of her first husband Henry Thrale
Alternative Title:
Frontispiece for the 2d edition of Dr. Johnson's letters
Description:
Title etched below image., Signed with the monogram of James Sayers., Twenty-four lines of verse in two columns below title: Madam! my debt to nature paid, I thought the grave with hallow'd shade would now protect my name ..., 1 print : etching with stipple on laid paper ; plate mark 25 x 17.7 cm, on sheet 27.2 x 19.4 cm., and Mounted on leaf 39 of James Sayers's Folio album of 144 caricatures.
"Burke (three quarter length) as a showman bends over his magic lantern in profile to the right. In the upper part of the design is a draped sheet on which are the objects thrown by the lantern. These are (left to right): [1] an oddly shaped elephant chained to a stake inscribed 'A Benares Flea'. [2] Three mountains piled one upon the other, inscribed respectively, 'Ossa', 'Pelion', 'Olympus'; the whole is 'A Begum Wart'. [3] Four large eyes dripping tears float half-submerged in the water they have produced, inscribed, 'Begums Tears'. [4] A whale spouting is 'An Ouzle'. From the right side of the magic lantern the end of a slide (or slider, cf. British Museum Satires No. 6287) emerges; on it is an oriental seated cross-legged and smoking. Next the lantern (right) are the heads and shoulders of two spectators in back view who are applauding; one says "finely imagined"; the other, "poor Ladies they have cried their Eyes out". The 'profil perdu' of Lord Derby appears on the extreme right, saying, "very like an Ouzle [weasel]. "Polonius"" ['Hamlet', III. ii.]."--British Museum online catalogue
Description:
Title etched in bottom part of image., Signed with the monogram of James Sayers., and Mounted on page 61 with two other prints.
Publisher:
Publd. 6th May 1788 by T. Cornell, Bruton Street
Subject (Geographic):
Oudh (Princely State)
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, and Smith-Stanley, Edward, 1752-1834