Twelve carciatures of a clergyman delivering sermons from a pulpit with his clerk sitting below, satirizing the words etched above the clergyman
Description:
Title etched below image., Imprint repeated on the sheet without the title, with slight change in date: Published by William Holland, No. 50 Oxford Street, October 23, 1789., Two lines of verse below title: For modes of faith let graceless zealots fight ..., Publisher's advertisement below image on sheet without title: Lately pubd. The prince's bow, Old maids at a cat's funeral, English slavery, Meeting an old friend with a new face, The city assembly, all prints on the Irish embassy, &c. &c., Publisher's announcement on the sheet with title: In Holland's exhibition rooms may be seen the largest collection in Europe of humorous prints and drawings. Admittance one shilling., Cf. No. 7643 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Both sheets joined and then cut into three strips.
An grocer stands in the center of his shop, legs astride and hands in his pockets. His hair is fashionably dressed and wears a ruffled collar along with an apron. Behind him on the floor is a barrel of sugar and on the shelves canisters of various teas and coffee. A pair of scales hangs from a post
Description:
Title from item., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Engraved below image, eight lines of verse: Peter! When I a baboon see, It always makes me think of thee. They face & shape'd so very like, Who is the man is does not strike? ..., Watermark: countermark C B., and Mounted to 39 x 29 cm.
A satire of Pitt's return to office in 1804. Pitt is shown in the chamber of Britannia. Britannia sits listlessly on a bed, holding a sword in one hand. Next to her, leaning against the bed, is her shield and olive branches. Pitt holds aloft a bottle labelled "Constitutional Restorative" as he kicks another man, a caricature of Addington, through the door. Addington is in the process of dropping a bottle labelled "Composing Draft". With his other foot, Pitt steps on the face of a flailing and prostrate Fox, who holds a bottle labelled "Rebublican Balsam" towards Britannia. From Fox's pocket dice and a dice container labelled "Whig Pills" have fallen. Emerging from behind the bed curtains, the figure of Death, a skeleton with the face and plumed bicorne of Napoleon, overturns a table and upsets bottles of medicine and points his sword toward the unsuspecting Britannia
Description:
Title etched below image. and In paper frame: 450 x 330 mm. Stamped in upper right corner: "84."
Publisher:
Publish'd May 20th 1804 by H. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
Subject (Topic):
Britannia (Symbolic character) and Politics & government
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a penny-barber's shop showing one corner of a small raftered room lit by a lamp hung from the roof and inscribed 'Shave with Ease & Expedetion for one Penny'. The barber (right) flourishes his razor above the head of a lean client whose face a boy (left) coats with lather, using a large brush; a bucket hangs on the boy's arm. In the background (right) a second customer in back view is also being shaved. Two wig-blocks lie on the ground (right)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; plate has been slightly cut down with removal of imprint statement from bottom edge, and plate number has been added to upper right corner., Date of publication inferred from imprint on earlier state: Pubd. as the Act directs June 20, 1789, by Mrs. Lay, on the Steine, Bright-helmstone. Cf. No. 7604 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate numbered "63" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., Companion print to: A penny barber., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 257., 1 print : etching and aquatint on wove paper, hand-colored ; plate mark 35.8 x 23.3 cm, on sheet 41.8 x 25.6 cm., and Leaf 75 in volume 2.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Topic):
Barbershops, Shaving equipment, Signs (Notices), and Wigs
A satire of Pitt's return to office in 1804. Pitt is shown in the chamber of Britannia. Britannia sits listlessly on a bed, holding a sword in one hand. Next to her, leaning against the bed, is her shield and olive branches. Pitt holds aloft a bottle labelled "Constitutional Restorative" as he kicks another man, a caricature of Addington, through the door. Addington is in the process of dropping a bottle labelled "Composing Draft". With his other foot, Pitt steps on the face of a flailing and prostrate Fox, who holds a bottle labelled "Rebublican Balsam" towards Britannia. From Fox's pocket dice and a dice container labelled "Whig Pills" have fallen. Emerging from behind the bed curtains, the figure of Death, a skeleton with the face and plumed bicorne of Napoleon, overturns a table and upsets bottles of medicine and points his sword toward the unsuspecting Britannia
Description:
Title etched below image., 1 print : etching on wove paper, hand-colored ; plate mark 25.5 x 37.5 cm, on sheet 28.9 x 41.5 cm., and Mounted on leaf 73 of volume 5 of 12.
Publisher:
Publish'd May 20th 1804 by H. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
Subject (Topic):
Britannia (Symbolic character) and Politics & government
"A three quarter length portrait of Dr. Messenger Monsey walking towards the spectator; his right arm rests on the shoulder of a Chelsea pensioner; both men walk with sticks. Monsey wears a hat and wig, the pensioner holds his hat in his right hand. The background is the north front of Chelsea Hospital showing its pediment and eastern portion. This is very freely sketched, as are two pensioners with crutches by the doorway. Beneath the title is etched: 'Epitaph on the late Dr Monsey, supposed to have been written by himself. Here lie my old limbs - my vexation now ends, For I've liv'd much too long for myself & my Friends As to church-yards & grounds which the Parsons call holy, Tis a rank piece of priestcraft, & founded on folly; In short, I despise them; and as for my Soul, Which may mount the last day with my bones from this hole I think that it really hath nothing to fear From the God of mankind, whom I truly revere. What the next world may be, little troubles my pate If not better than this, I beseech thee, Oh! Fate, When the bodies of millions fly up in a riot, To let the old carcase of Monsey lie quiet. Peter Pindar.'"--British Museum online catalogue
Alternative Title:
Peep into the last century and Epitaph on the late Dr. Monsey, supposed to be written by himself
Description:
Title etched above image., Printmaker from British Museum catalogue., Temporary local subject terms: Chelsea Hospital: exterior, north front -- Dr. Messenger Monsey's epitaph -- Chelsea pensioners' uniforms -- Clock on pediment of Chelsea Hospital., Temporary local Medical Library subject terms: Dissection -- Veteran's hospitals., 1 print : etching on wove paper ; plate mark 31.6 x 27.8 cm, on sheet 38.4 x 29.0 cm., Watermark: J. Whatman., and Mounted on leaf 53 of volume 7 of 12.
Publisher:
Pubd. Jany. 19th, 1789, by H. Humphrey, New Bond St.
Subject (Geographic):
Great Britain.
Subject (Name):
Monsey, Messenger, 1693-1788 and Royal Hospital (Chelsea, London, England),
Subject (Topic):
Hospitals, Clocks & watches, Physicians, Crutches, and Veterans
"A satirical representation of the duel between the Duke of York and Lennox. The Duke (left), calm and dignified, fires his pistol in the air; Lennox (right), his knees bending in obvious alarm, holds a pistol in each hand, saying, "I hope your H--gh--ss is satisfied now that I am a Man of Honor, by my firing thro' your hair? & that you will retract the opinion of my being a Coward". The Duke, whose hat is on the ground, answers, "Satisfied? yes I am satisfied! that your whole race are a set of dastards! - & you may fire at me till the day of Judgment, e'er I will retract my opinion - or honor a Coward, by putting him out of the World!" The seconds stand behind their principals: 'Lord Raw--n', in profile to the right, a pistol in each hand, says, "Gunpowder is disgrae'd when used upon such reptiles! make them eat their own words, till they are choak'd, thats the way to quiet Charles's-bastard-brood" (cf. BMSat 7507); 'Lord Wine--l--a' (right), looking very frightened, holds an arsenal of pistols under his left arm, a blunderbuss in his right hand, saying, "Would that I had not meddl'd in the business, or, that I could get over to the other side." All wear military uniform; Winchilsea was a Lord of the Bedchamber, Lennox Lt.-Col. in the Coldstream, the Duke's regiment. In the background stands an empty post-chaise."--British Museum online catalogue
Alternative Title:
Prince and a poltron
Description:
Title etched below image., Printmaker from British Museum catalogue., "Price 1 s./6 plain.", Sheet trimmed within plate mark., Temporary local subject terms: Duels: Duke of York and Lt.-Col. Lennox, 26 May, 1789 -- Guns: pistols -- Blunderbuss -- Military uniforms: lieutenant colonel, 35th Foot -- Military uniforms: Lord of the Bedchamber -- Coaches: post-chaise -- Poltroon: coward --Allusion to Charles II., 1 print : etching on laid paper, hand-colored ; plate mark 25.1 x 35.2 cm, on sheet 27.2 x 38.7 cm., and Mounted on leaf 58 of volume 7 of 12.
Publisher:
Pubd. May 27th, 1789, by J. Aitken, Castle Street, Leicester Field
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Richmond and Lennox, Charles Lennox, Duke of, 1764-1819, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, and Winchilsea, George Finch, Earl of, 1752-1826
"An opera dancer, on one foot, strikes an attitude with her right arm extended, left arm held above her head. She is grotesquely thin; her face with upturned head shows a long muscular neck, her arms are emaciated and muscular and her hands are almost those of a skeleton. Her mouth is large, tightly set, and drawn down at the corners in an expression of grim determination. She is simply dressed and wears a feathered hat."--British Museum online catalogue, description of a variant state of the same composition
Alternative Title:
Celebrated Mademoiselle Guimard or Grimhard from Paris
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue, but this attribution has subsequently been questioned. See British Museum online catalogue., Artist attribution to "Mr. Batty" is based on a manuscript note on an impression in the British Museum. See British Museum catalogue., Variant state, with different publisher's street address in imprint, or a print issued with the publication line "Publd. as the act directs by E. Humphrey, May 26th, 1789, at No. 51 New Bond Strt." Cf. No. 7589 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed within plate mark on right and left edges., and Mounted on leaf 57 of volume 7 of 12.
Publisher:
Publd. as the act directs by E. [sic] Humphrey, May 26th, 1789, No. 18 Old Bond Strt
"A lady (left) lies in bed, baring her breast and looking amorously at the Duke of York, who takes her hand and is climbing into the bed. Her husband (in back view) leaves the room by a door on the right, saying, "A good night to your R . . . l High . . . s!!! Bon Soir, my lady; I'm no peeping Tom of Coventry". The Duke's breeches an military coat, with its star, are on a chair by the door. The bed is drape with a heavy curtain; the floor is covered with a patterned carpet."--British Museum online catalogue, description of a later state of the same composition
Alternative Title:
Kind cuckold sent to Coventry; coming York over her, or what you like and Kind cuckold sent to Coventry; coming over her, or what you like
Description:
Title etched below image; 'York' in title is scored through with etched lines but conspicuously legible., Printmaker from British Museum catalogue., Early state, before alterations to title and text in speech bubble. Cf. Nos. 7530 and 7530A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., "Pr. 1 s. 6 d.", and Mounted on leaf 55 of volume 7 of 12.
Publisher:
Pubd. May 15th, 1789, by J. Aitken, Castle Street, Leicester Fields, London
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Tyrconnel, George Carpenter, Earl of, 1750-1805, and Tyrconnel, Sarah Hussey
A lady (left) lies in bed, baring her breast and looking amorously at the Duke of York, who takes her hand and is climbing into the bed. Her husband (in back view) leaves the room by a door on the right, saying, "A good night to your R . . . l High . . . s!!! Bon Soir, my lady; I'll be back to Breakfast! so let the butter'd bun be ready for Jerry". The Duke's breeches an military coat, with its star, are on a chair by the door. The bed is draped with a heavy curtain; the floor is covered with a patterned carpet. See British Museum online catalogue
Alternative Title:
Tyrconnel's delight! Coming York over her, or what you like and Tyrconnel's delight! Coming over her, or what you like
Description:
Title etched below image; 'York' in title is scored through with etched lines but conspicuously legible., Printmaker from British Museum catalogue., Later state, with changes to Tyrconnel's words in speech bubble. Cf. No. 7530 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., "Pr. 1 s. 6 d.", Price partially erased from sheet., and Mounted on leaf 54 of volume 7 of 12.
Publisher:
Pubd. May 15th, 1789, by J. Aitken, Castle Street, Leicester Fields, London
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Tyrconnel, George Carpenter, Earl of, 1750-1805, and Tyrconnel, Sarah Hussey
