"A pretty young woman leans back in an arm-chair while a hairdresser applies paint to her face from a small box. She wears a morning-gown which leaves her breast much exposed. A woman (left) stands full-face behind her chair pouring out a glass of 'Hollands'. On the right is a dressing-table. L. & W., No. 127 (where the title continues, 'of an Impure's Face')."--British Museum online catalogue
Description:
Title from item., Printmaker from the British Museum catalogue; original drawing is in the Huntington Library., No. 127 in Laurie & Whittle Drolls series., Temporary local subject terms: Trades: hairdressers -- Female costume: morning dress -- Furniture -- Domestic service: woman-servant -- Beverages., and Watermark (partial): Strasburg bend, top of sheet.
Publisher:
Published 13th Octr. 1794 by Laurie & Whittle, No. 53 Fleet Street, London
Subject (Topic):
Cosmetics, Dressing tables, Women domestics, and Wine
Title from item., No. 121 in Laurie & Whittle series of Drolls. See British Museum catalogue., and Temporary local subject terms: Male costume: smocks -- Dishes: tankards -- Beverages: ale -- Furniture: chairs.
Publisher:
Published 21st. July 1794 by Laurie & Whittle, No. 53 Fleet Street, London
"A huge bull, snorting fire, rushes with lowered head towards a French fort (left) from which cannon-balls descend upon him. Beneath the fort sansculottes on one knee fire at the bull while standing French soldiers, correctly dressed, also fire. On the fortress stand Frenchmen, firing and waving their hats; they shout: "Vive la republic, Blood & plunder, no Quarter to John Bull!" A huge tricolour flag has a staff surmounted by a skull. To the bull's back is strapped a bundle inscribed 'Debt Debt'. One horn has been shot off and lies on the ground. To his left hind leg is chained a heavy weight inscribed 'Subsidies'. Nevertheless, he cries: "Now my brave Allies let us all stand firm together & make a bold push, & I'll be Answerable for the Event." But behind him (right) his allies have all turned their backs and are departing in directions indicated by signposts. A fat Dutchman smoking a pipe goes 'To Amsterdam', saying, "I care not who beats, I'll join the Strongest Party". Frederick William II (father-in-law of the Duke of York) walks off 'To Berlin', saying, "I've fingerd the Cash from both Sides, & will now employ it to Secure the Partition of Poland"; "Negociate with Robertspierre privately & then - Damn Relationship!!!" Next, a Spanish don, Charles IV, goes 'To Madrid', saying, "Whats the Bourbon Family to me when they Impede my Interest. Hush!! I am now treating for a Separate peace with that Blackguard Roberspere to Secure my own Crown - I must enlarge the Powers of the Inquisition". On the extreme right Francis II and Mack in a two-wheeled gig, on which is the Habsburg eagle, are driving off 'To Vienna'. The Emperor says: "Well Mack we have made a Glorious Campaign of it; of what use are the Low Countries without they continue to fill my Coffers? As for John Bull, let him settle the business as he can he loves to be meddling"."--British Museum online catalogue
Alternative Title:
John Bulls last effort to oblige his false friends
Description:
Title etched below image., Attributed to Isaac Cruikshank in the British Museum catalogue., Sheet trimmed to plate mark., and Matted to 39 x 52 cm.
Publisher:
Pub. July 17, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Mack von Leiberich, Karl, 1752-1828, Frederick William II, King of Prussia, 1744-1797, Robespierre, Maximilien, 1758-1794., Charles IV, King of Spain, 1748-1819, Francis I, Emperor of Austria, 1768-1835, Frederick William II, King of Prussia, 1744-1797., and Mack von Leiberich, Karl, 1752-1828.
Subject (Topic):
Great Britain, Foreign relations, John Bull (Symbolic character), Bulls, Ethnic stereotypes, Caricatures and cartoons, English wit and humor, Pictorial, and Satire, English
"Vesuvius in eruption ejects an inverted cone of flame, while streams of flaming lava pour down its sides and have already surrounded 'Flanders' and 'Holland' (both indicated by windmills (left)). Another stream has almost reached London, which is directly in front of the mountain and is represented by St. Paul's and the gateway of St. James's Palace. In order to avert the calamity a ramshackle procession advances in the foreground from the right. Sheridan, as a cardinal, walks in profile to the left, holding up the head of Fox in both hands. His hat has the crown of a bonnet-rouge. His tattered robes are held up by two train-bearers, the diminutive M. A. Taylor and Lord Derby; their rents reveal a bare thigh and ill-gartered stockings over bare feet. Beside Sheridan walks a dog with a human profile, Grafton, as in BMSat 8457. [Identified by Wright and Evans as General Fox, who was serving with distinction in Flanders.] In front of Sheridan walks Lauderdale, carrying bell, book ('Lauderdale's Jests', a paper emerging from his pocket), and candle (a conspirator's lantern). Behind (and towering above) the two train-bearers are the Duke of Norfolk holding up his cap of 'Libertas' on his staff of hereditary Earl-Marshal, and Lord Stanhope holding two bundles of flaming matches. Their followers on the extreme right are indicated by caps, spears, and a tricolour flag inscribed 'Vive la Repub[lique]'. Heavy clouds cover the sky, from it fall stones or lava upon 'Vienna' and 'Berlin'. A thunderbolt descends upon 'Rome', which is in flames. All the sansculottes are literally without breeches and all have bonnets-rouges. They appear more ready to welcome the catastrophe than anxious to avert it. In the coloured impression the flame and lava from Vesuvius and the robes of Sheridan are tricolour."--British Museum online catalogue
Alternative Title:
Horrors of the "Bocca del Inferno"
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Mouth of Hell -- Clergy: cardinals -- Views: St. Paul's Cathedral -- Views: St. James's Palace -- Cap of Liberty -- Emblems: staff of Earl-Marshal -- Allusion to the French Revolution -- Reference to St. Januarius -- Allusion to the lazzaroni -- Emblems: conspirator's lantern -- Flags: French flag -- Male costume: bonnet rouge -- Bells.
Publisher:
Pubd. July 25th, 1794, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Lauderdale, James Maitland, Earl of, 1759-1839, Norfolk, Charles Howard, Duke of, 1746-1815, and Stanhope, Charles Stanhope, Earl, 1753-1816
"Vesuvius in eruption ejects an inverted cone of flame, while streams of flaming lava pour down its sides and have already surrounded 'Flanders' and 'Holland' (both indicated by windmills (left)). Another stream has almost reached London, which is directly in front of the mountain and is represented by St. Paul's and the gateway of St. James's Palace. In order to avert the calamity a ramshackle procession advances in the foreground from the right. Sheridan, as a cardinal, walks in profile to the left, holding up the head of Fox in both hands. His hat has the crown of a bonnet-rouge. His tattered robes are held up by two train-bearers, the diminutive M. A. Taylor and Lord Derby; their rents reveal a bare thigh and ill-gartered stockings over bare feet. Beside Sheridan walks a dog with a human profile, Grafton, as in BMSat 8457. [Identified by Wright and Evans as General Fox, who was serving with distinction in Flanders.] In front of Sheridan walks Lauderdale, carrying bell, book ('Lauderdale's Jests', a paper emerging from his pocket), and candle (a conspirator's lantern). Behind (and towering above) the two train-bearers are the Duke of Norfolk holding up his cap of 'Libertas' on his staff of hereditary Earl-Marshal, and Lord Stanhope holding two bundles of flaming matches. Their followers on the extreme right are indicated by caps, spears, and a tricolour flag inscribed 'Vive la Repub[lique]'. Heavy clouds cover the sky, from it fall stones or lava upon 'Vienna' and 'Berlin'. A thunderbolt descends upon 'Rome', which is in flames. All the sansculottes are literally without breeches and all have bonnets-rouges. They appear more ready to welcome the catastrophe than anxious to avert it. In the coloured impression the flame and lava from Vesuvius and the robes of Sheridan are tricolour."--British Museum online catalogue
Alternative Title:
Horrors of the "Bocca del Inferno"
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Mouth of Hell -- Clergy: cardinals -- Views: St. Paul's Cathedral -- Views: St. James's Palace -- Cap of Liberty -- Emblems: staff of Earl-Marshal -- Allusion to the French Revolution -- Reference to St. Januarius -- Allusion to the lazzaroni -- Emblems: conspirator's lantern -- Flags: French flag -- Male costume: bonnet rouge -- Bells., and 1 print on wove paper : etching & aquatint ; plate mark 32.6 x 38.2 cm., on sheet 34 x 40 cm.
Publisher:
Pubd. July 25th, 1794, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Lauderdale, James Maitland, Earl of, 1759-1839, Norfolk, Charles Howard, Duke of, 1746-1815, and Stanhope, Charles Stanhope, Earl, 1753-1816
Title from caption below image., Printmaker from British Museum online catalogue., Design consists of eight pairs of figures in two rows, with lines of dialogue etched above each figure., Sheet trimmed within plate mark., For other prints in the set, see no. 8545 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Numbered in upper right corner: Pl. 4., Temporary local subject terms: Male costume: Dressing gown -- Lawyers -- Female costume, 1794 -- Legal wigs -- Reference to Newmarket., Watermark: 1818 IIS&S., and Restrike.
Publisher:
Published Nover. 1st, 1794, by S.W. Fores, No. 3 Piccadilly
Title from caption below image., Printmaker from British Museum catalogue., Restrike. Date of printing based on watermark., Design consists of eight groups of figures in two rows, with lines of dialogue etched above each group., Sheet trimmed within plate mark on three edges., Plate numbered in upper right corner: Vol. 1, pl. 6., Temporary local subject terms: Clergy: Tutors -- Prosperity -- Physicians -- Booksellers., Watermark: J. Whatman 1822., and Restrike.
Publisher:
Publish'd Novemr. 1st, 1794, by S.W. Fores, No. 3 Piccadilly
Title from caption below image., Printmaker from British Museum catalogue., Artist's signature, imprint, and plate number lightly etched and faintly visible., Design consists of eight pairs of figures in two rows, with lines of dialogue etched above each figure., Sheet trimmed within plate mark., Numbered in upper right corner: Pl. 2., Temporary local subject terms: Physicians -- Gout -- Gardeners -- Male costume: Smock -- Parsons -- Justices of the Peace., and Watermark: John Hall.
Publisher:
Publish'd Novemr. 1st, 1794, by S.W. Fores, No. 3 Piccadilly
Title from caption below image., Restrike. Date of printing based on watermark., Design consists of eight pairs of figures in two rows, with lines of dialogue etched above each figure., Sheet trimmed within plate mark on three edges., Numbered in upper right corner: Pl. 1., For earlier state with "June" in place of "Nover." in imprint, see no. 8541 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Male costume, 1794 -- Riding habit -- Female costume, 1794 -- Naval uniforms -- Clergy: Church warden., and Watermark: J. Whatman 1822.
Publisher:
Published Nover. 1st, 1794, by S.W. Fores, No. Piccadilly
Effects of disapointment and Effects of disappointment
Description:
Title from caption below image., Design consists of eight pairs of figures in two rows, with lines of dialogue etched above each figure., For other plates in the set, see no. 8545 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Numbered in upper right corner: Pl. 3., Temporary local subject terms: Bachelors -- Domestic service: Footmen -- Elections -- Children's nurses -- Male costume: Dressing gown -- Physicians., and Watermark: John Hall.
Publisher:
Pubd. Novr. 1st, 1794, by S.W. Fores, No. 3 Piccadilly
