Title from item., Printmaker & imprint data from British Museum catalogue., Originally published by S.W. Fores Jany. 2d, 1804. Cf. No. 10346 of Catalogue of prints and drawings in the British Museum. Division I, political and personal satires v. 8., Sheet trimmed to plate mark., Temporary local subject terms: Lighting -- Food Pot -- Kitchen., and Watermark.
"A provincial Assembly Room, with dancers in violent action in the background, in country dance or cotillion. In the foreground is an ugly foppish and conceited fellow standing with raised coat-tails and his back to the fire. He holds cocked hat and cane, and grimaces and bows towards a pretty young woman, one foot on a fragment of her dress. She walks away from him to the left., taking her chair with her. Another pretty girl sits against the wall (r.) holding a closed fan. The dancers are bucolic and ugly. The walls are decorated with candle-sconces; a clock on the chimney-piece points to 1.25."--British Museum online catalogue
Description:
Title etched below image., Printmaker from Wright., Print signed using Brownlow North's device: A compass pointing north., and Watermark: J. Whatman 1829.
Publisher:
Publish'd November 20th, 1804, by H. Humphrey, No. 27 St. James's Street
Subject (Topic):
Ballrooms, Clocks & watches, Dancers, Fireplaces, and Sconces
"A provincial Assembly Room, with dancers in violent action in the background, in country dance or cotillion. In the foreground is an ugly foppish and conceited fellow standing with raised coat-tails and his back to the fire. He holds cocked hat and cane, and grimaces and bows towards a pretty young woman, one foot on a fragment of her dress. She walks away from him to the left., taking her chair with her. Another pretty girl sits against the wall (r.) holding a closed fan. The dancers are bucolic and ugly. The walls are decorated with candle-sconces; a clock on the chimney-piece points to 1.25."--British Museum online catalogue
Description:
Title etched below image., Printmaker from Wright., Print signed using Brownlow North's device: A compass pointing north., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 25.4 x 38.4 cm, on sheet 28.4 x 41.8 cm., and Mounted on leaf 28 of volume 11 of 12.
Publisher:
Publish'd November 20th, 1804, by H. Humphrey, No. 27 St. James's Street
Subject (Topic):
Ballrooms, Clocks & watches, Dancers, Fireplaces, and Sconces
Title from item., Plate numbered '326' in the lower left corner., From the Laurie & Whittle series of Drolls., Two lines of caption below title: "These are a capital pair of boots, a'n't they Dad." They seem so indeed Harry." "I got them on a new principle." "What you paid for them then I suppose." "No, no I order'd another pair to be ready for next week, & promis'd to recommend the shop ; that did the business.", and Temporary local subject terms: Boots.
Publisher:
Publish'd Jany 12th, 1804 by Laurie & Whittle, 53 Fleet Street, London
Title from item., Two columns of verse below design: By little cupids warmest passion led, when Daddy and Momma were gone bed ..., One of six plates in a series: Specimens of dramatic phrensy., Temporary local subject terms: Military Uniform: Regimental -- Male Costume: Cocked Hat -- Furniture: Bed -- Female Costume: 1804 -- Female Costume: Feathered Hat -- Male Costume: Night Shirt -- Male Costume: Night Cap -- Weapons: Blunderbuss -- Lighting: Lantern., Watermark: J Whatman., and Plate number burnished from plate.
Publisher:
Januy. 1st, 1804 by S.W. Fores, No. 50, Piccadilly
Title from item., Two columns of verse below design: By little cupids warmest passion led, when Daddy and Momma were gone bed ..., One of six plates in a series: Specimens of dramatic phrensy., Temporary local subject terms: Military Uniform: Regimental -- Male Costume: Cocked Hat -- Furniture: Bed -- Female Costume: 1804 -- Female Costume: Feathered Hat -- Male Costume: Night Shirt -- Male Costume: Night Cap -- Weapons: Blunderbuss -- Lighting: Lantern., 1 print on laid paper : etching, stipple, & roulette ; sheet 29 x 37.5 cm, Watermark: J Whatman., and Sheet trimmed within plate mark.
Publisher:
Januy. 1st, 1804 by S.W. Fores, No. 50, Piccadilly
Title etched below image., Plate numbered '380' in the lower left corner., From the Laurie & Whittle series of Drolls., Two lines of caption below title: "Why you have cut your friend Jack to day?" "Yes, I dislike walking with him, the girls quiz him so, on account of his in-knees..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Decr. 24, 1804 by Laurie & Whittle, 53 Fleet Street, London
"Sheridan (l.) sits in an arm-chair at his writing-table, pen in hand. He slouches forward, peering at a large playbill in his left hand. 'Tom Hickathrift \ and the \ Giants \ a new Growlo Drama \ with \ Wittington \ and his \ Cat \ a Pur-letta \ in which a real \ Cat and Mice \ will be Introduced \ - Due Notice will be given \ of Mr Carlo's next \ Performance.' He says: "Now I have got my head down Water I am determined to go on Swimmingly." The Newfoundland dog 'Carlo' (his massive padlocked collar so inscribed) who played in 'The Caravan', faces Sheridan holding in his mouth a basket labelled 'Raw Materials for New Subjects'; these are rolled MSS. inscribed: 'Dog-Matical Essays', 'Bark-shire Poems', 'Bones to Pick'. Fox (r.), immensely fat stands beside Carlo, in profile to the left., r. hand on the dog's head, l. in his coat-pocket. He says: "You are a very good Dog Namesake - a very good Dog indeed - I wish you would Spin me a little Money thes hard times - it would be very acceptable." Behind Sheridan are book-shelves; from a shelf inscribed 'Glass Slippers as good as New' two slippers dangle. The titles of the (bulky) books are: 'Jack the Giant Killer', 'Goody Two Shoes', 'little Red Riding Hood', 'Tom Thumb', 'Seven Champions [of Christendom]'; actually these tales were best known in penny chap-books"--British Museum online catalogue
Alternative Title:
Preparations for next season
Description:
Title from item., Sheet trimmed to plate mark on two sides., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., and Mounted to 29 x 40 cm.
Publisher:
Pubd. Feby. 6th, 1804 by S.W. Fores, 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806 and Sheridan, Richard Brinsley, 1751-1816
"A doctor addresses a cobbler who is working in his booth on the pavement, with a woman listening to their conversation."--British Museum online catalogue
Alternative Title:
Grave physician and lively cobler, Grave physician & lively cobbler, and Grave physician and lively cobbler
Description:
Title etched above image., Plate numbered '347' in the lower left corner., From the Laurie & Whittle series of Drolls., Four lines of text below image: Doctor "Bless me what could bring a man of science like you to mend shoes, I shou'd advise you to practice physic, it wou'd be more profitable." ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Trades: Cobblers -- Cobbler's Shops.
Publisher:
Publish'd May 12, 1804, by Laurie & Whittle, 53 Fleet Street, London
"Lord Moira, a candle in each hand, stands in the doorway of his house. He wears a dressing-gown in place of a coat He has opened the door to a young officer, who steps forward unsteadily raising his cocked hat. An ugly watchman (l.) in Highland dress trudges to the left. holding his staff and lantern; he is the only figure who is caricatured. The architrave is surmounted by an earl's coronet. The dignified doorway is set in a wall of heavy stones and flanked by two windows high above the cobbled street."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Fifteen lines of verse in two columns below title: When loud the watchman cry'd the hour and call'd 'till he was hoarse ... Parody upon [the] Red Cross Knight., Temporary local subject terms: Cocked Hat -- Highland Dress -- Lantern -- Watchman -- Door knocker., and Mounted to 45 x 31 cm.
Publisher:
Publishd. July 9th, 1804, by H. Humphrey, 27 St. James Street
Subject (Name):
Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"Lord Moira, a candle in each hand, stands in the doorway of his house. He wears a dressing-gown in place of a coat He has opened the door to a young officer, who steps forward unsteadily raising his cocked hat. An ugly watchman (l.) in Highland dress trudges to the left. holding his staff and lantern; he is the only figure who is caricatured. The architrave is surmounted by an earl's coronet. The dignified doorway is set in a wall of heavy stones and flanked by two windows high above the cobbled street."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Fifteen lines of verse in two columns below title: When loud the watchman cry'd the hour and call'd 'till he was hoarse ... Parody upon [the] Red Cross Knight., Temporary local subject terms: Cocked Hat -- Highland Dress -- Lantern -- Watchman -- Door knocker., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 37.5 x 25.4 cm, on sheet 41.5 x 29.2 cm., and Mounted on leaf 23 of volume 11 of 12.
Publisher:
Publishd. July 9th, 1804, by H. Humphrey, 27 St. James Street
Subject (Name):
Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
Title etched below image., 'Argus' is a pseudonym for printmaker and artist Charles Williams., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Lawyers., and Watermark: Ansell 1829.
Title from item., From the Laurie & Whittle series of Drolls., Twelve paired lines of verse, each preceded by the name of a month: January -the first the knot was ty'd which prov'd I thought a happy day..., Plate numbered '373' in the lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Decr. 12, 1804 by Laurie & Whittle, 53 Fleet Street, London
"The Prince of Wales and McMahon ride side by side (r. to left.) past Carlton House, followed by a groom. The Prince, stout and dignified, sits very upright on a high-stepping horse. McMahon s much smaller mount canters; he rides (on the Prince's l.) with leg thrust forward like Bunbury's examples of mounted vulgarians, see BMSats 7233, 7235, 7242. Behind them runs a ragged little boy in top-hat and tattered tail-coat, apparently assuming the part of a running footman. A detailed representation of part of the screen and façade of Carlton House forms the background; half the gate appears on the extreme left.; beside it is a sentry-bos with a sentry at attention. ..."--British Museum online catalogue
Description:
Title etched at top of image., Nine lines of quoted verse in two columns below image: "Yet aft a ragged Cowte's been know "to make a noble Aiver ..., and Mounted on leaf 22 of volume 11 of 12.
Publisher:
Publish'd Feby. 25th, 1804, by H. Humphrey, 27 St. Jamess [sic] Street
Title from caption below image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Watermark: Strasburg Lily., and Modern ms. annotations on mount identify several figures in the print; mounted to 29 x 39 cm.
Publisher:
Pubd. June 26th, 1804 by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Erskine, James Francis, 1743-1806, Windham, William, 1750-1810, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Fox, Charles James, 1749-1806
"Lord Petersham sits erect on his horse in profile to the right, a large cocked hat in his right hand, the arm, in a long wrinkled sleeve dropped by his side. A family likeness to his father is stressed by the similarity of pose, see British Museum Satires No. 10294. His shoulders are oddly drawn, his waist pinched."--British Museum online catalogue
Alternative Title:
Noble aide-de-camp
Description:
Title etched at bottom of image., Leaf 68 in an album with the spine title: Characatures by Dighton., and Figure identified as "Lord Petersham" in pencil in lower left corner.
Publisher:
Pubd. by Dighton Junr., Charing Cross
Subject (Name):
Harrington, Charles Stanhope, Earl of, 1780-1851
Subject (Topic):
Military officers, British, Dandies, Horses, and Staffs (Sticks)
"Lord Harrington, in uniform, slim and upright, sits his horse in profile to the right. A cane dangles from his right wrist. He has a leopard's skin saddle-cloth."--British Museum online catalogue
Description:
Title etched at bottom of image., Leaf 67 in an album with the spine title: Characatures by Dighton., and Figure identified as "Earl of Harrington" in pencil at bottom of sheet.
Title from item., From the Laurie & Whittle series of Drolls., Two lines of caption below title: "We medical gentlemen affirm, nor can it be contradicted Madam, that all bitters are hot or heating"____"Indeed sir! well, I never knew that before : But pray Doctor what do you think of bitter cold weather"____"There indeed Ma'am I'm rather at a loss, I must study that.", Plate numbered '325' in lower left corner., and Temporary local subject terms: Doctors -- Furniture: curtains -- Musical instruments: Piano -- Music books -- Furniture: chairs -- Alussion to medicine bitters -- Male costume: Hessians -- Expressions of speech: Repartee.
Publisher:
Publish'd Jany. 12th, 1804, by Laurie & Whittle, 53 Fleet Street, London
"Napoleon, pushing an officer before him through a pillared doorway, looks back to speak to a monk and a sansculotte, shackled together, who drag a car in which is an imperial crown. They hold a large scroll inscribed: 'Most religious Sovereign - the benefactor of the church - the patron of liberty - the scourge of tyrants, and the defender of our most holy religion; may you long fill the Imperial Chair, and diffuse over a free and happy people all the blessings of your auspicious government.' Demons fly round a tricolour flag which floats from the car. Napoleon holds out a scroll headed: 'Address, &c. &c. &c. The Legions of France congratu - ', saying, "This token of your gratitude, my dear subjects will ever stimulate me to protect your liberties - to promote your happiness - and to preserve my empire from the ravages of war, tyranny and oppression." The officer, with a cynical smile, says: "Patron of Liberty - Defender of our most holy Religion - free and happy People - Ha! ha! ha! - What may we not expect? - Has he not got them under excellent subjection?" On the left is Napoleon's 'Secret Chamber': a table is covered with maps and plans; a large map, partly unrolled, shows Europe from '[En]gland to [Tur]key', including the 'Black Sea'; another map shows 'Suez' and the 'Red Sea'. A demon under the table holds up a large pile of papers: 'Plans against England'; on the floor are similar piles: 'Religion' and 'Treaties'. There are also 'Plans against Germany and Turkey', and a paper: 'Mem. the chance of the conquest of England is worth the sacrifice of one third of the people of France. Item. As Charlemaine not only conquered Italy, but the whole of Germany, and left the Imperial dignity hereditary in the Sovereigns of France, it is indispensably necessary to obtain possession of Germany, in order to support the dignity of the Gallic empire.' On the wall are three pictures: 'Sacking of Rome', 'Dissolution of the National Assembly' [see British Museum Satires No. 9426, &c], and 'View of Cairo' [see British Museum Satires No. 9358, &c.]. Below the design: 'Explanation. The two figures bringing the Imperial crown . . . represent . . . the bitter Enemies of Aristocracy, and the staunch Supporters of the late Monarchial Government, tackled to the National Machine, and reduced to the most abject State of Slavery by the Influence of the Military, whose congratulatory Address Bonaparte has received at the Hand of an Officer, and is introducing him into his Secret Chamber to receive Instructions. The Demons hovering over the Imperial Crown denote Five Years of Destruction; during which Period Bonaparte will overrun and ravage the greater Part of the Continent of Europe, be the Means of nearly depopulating Turkey, and finally be slain with the Sword, be cast out as an abominable Branch, and be left as Dung to rot on the Face of the Earth."--British Museum online catalogue
Description:
Title printed in letterpress above image., Text above imprint statement: For particulars respecting the ingress, progress and regress of the Gallic Empire, as represented in prophecy, see the publications entitled "The Prophetic Mirror," and "The Emperor of the Gauls," by L. Mayer; to be had at Parson's Library, Ludgate-Hill; and T. Williams, Stationers'-Court., Print was apparently sold separately, but also used as a folding plate in: Mayer, L. The prophetic mirror, or, A hint to England. London : Printed by C. Stower and sold by T. Williams, 1804., and "Price 1s. coloured."--Following imprint.
Publisher:
Published by L. Mayer, as the act directs and Bryer, printer, Bridge Street, Blackfriars
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Military officers, French, Monks, Flags, Ethnic stereotypes, Shackles, Crowns, Columns, Demons, and Maps
Title etched below image., Top margin of print contains the text 'Characters on board' followed by a list of ten names., Two columns of verse below design: So we made t'other tack and lay gunnel to, which soon gave a damp to our joy ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Jany. 2, 1804 by John Fairburn, 146 Minories
