Title devised by cataloger., Image based on woodcut found on title page of: A True discourse of the two infamous upstart prophets, Richard Farnham weaver of White-Chappell, and John Bull weaver of Saint Butolphs Algate, now prisoners... / by Thomas Heywood. Printed at London for Thomas Lambert .., 1636., and Variant state of no. 134 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1.
Title from text above image., Sheet trimmed within plate mark on all sides., "Accurately copied from a supposed unique print"--Above title., Image is accompanied by verse., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published December 1, 1813, by R.S. Kirby, 11 London House Yard, St. Pauls
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Wellington, handsome and youthful, stands beside his white charger; he wears a star (K.G., 4 Mar. 1813) and a star dangles from his horse's head. A young officer runs up to him from the left hat in hand, proffering a field marshal's baton; he says: "General I greet you with the tydeings of complete Victory the Usurper and his Field Marshal have fled, and left all their Cannon, Amunition, Baggage, Military Chest, provision, and I here present you with Marshall Jourdans Baton of command!" Wellington says: "May this Trophy prove--our hope of future victory, and England once more restore Spain to her lawful Soveriegn!" Between and behind them stands a third officer, looking at Wellington with both arms raised ecstatically. On the extreme right and almost in back view an officer looks through a telescope saying, "There goes King Joey!" He looks towards tiny figures on a bluff (left) near the towers of Vittoria. They stand on raised ground in the foreground. Behind (left) English infantry run forward with fixed bayonets; bodies lie on the ground."--British Museum online catalogue
Alternative Title:
Wellington and glory, or, The victory of Vitoria, Victory of Vittoria, and Victory of Vitoria
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered "206" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Sheet trimmed within plate mark on bottom edge., and Leaf 63 in volume 3.
Publisher:
Thomas Tegg
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Joseph Bonaparte, King of Spain, 1768-1844.
Title from item., Sheet trimmed within plate mark on all sides., Variant state without plate and page numbers. Cf. No. 8935 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Mounted to sheet 25 x 32 cm.
Publisher:
Pubd. Aug. 13 1813 by Allen & West, 15 Paternoster Row
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A crowd of weary, distressed travelers stagger into a tavern having disembarked from a covered wagon. The innkeeper greets her guests at Dutch door. Above the inn door is a sign "Entertainment for man and horse".
Alternative Title:
Unloading a wagon
Description:
Title etched below image., Later state, with beginning of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. September 12, 1813, by Thos. Tegg, No. 111 Cheapside. Cf. Lewis Walpole Library call no.: 813.09.12.01.1+., Plate numbered "214" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured."--Lower right corner of design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 24.7 x 34.9 cm, on sheet 25.6 x 41.8 cm., and Leaf 71 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A crowd of weary, distressed travelers stagger into a tavern having disembarked from a covered wagon. The innkeeper greets her guests at Dutch door. Above the inn door is a sign "Entertainment for man and horse".
Alternative Title:
Unloading a wagon
Description:
Title etched below image., Later state, with beginning of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. September 12, 1813, by Thos. Tegg, No. 111 Cheapside. Cf. Lewis Walpole Library call no.: 813.09.12.01.1+., Plate numbered "214" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured."--Lower right corner of design., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A crowd of weary, distressed travelers stagger into a tavern having disembarked from a covered wagon. The innkeeper greets her guests at Dutch door. Above the inn door is a sign "Entertainment for man and horse".
Alternative Title:
Unloading a wagon
Description:
In lower right corner of design: Price one shilling coloured., Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to sheet 29 x 40 cm.
Publisher:
Pubd. September 12 1813 by Thos. Tegg No 111 Cheapside
"Bedroom scene: an invalid in a dressing-gown sits smiling in an arm-chair, while a fat yawning doctor, 'Quiet', puts a night-cap on his head. On the right 'Merryman', dressed as a zany or clown, with a gridiron painted on the back of his striped tunic, kicks Death towards the door (right), and presses his cap like an extinguisher against its grinning skull; he says: "Be Off! Be Off! you have no chance where Diet Merryman and Quiet practice!" Death answers: "Then my first job must be to quiet you and your partners will soon follow." Quiet: "Come now for a little quiet; Merrymans dose has opperated suficiently!" The patient holds a 'merrythought'. A fat cook, 'Diet', stands on the left inspecting a dish of bare chicken bones; he says, grinning broadly: "He'll do! Pick'd the bones clean! We shall beat the Charlotte Street Medical Board hollow!" A dinner-table, with an empty plate, a decanter of 'Madiera' and a loaf, is on the left, and behind it a large canopied bed. The chimneypiece (right), is covered with medicine-bottles. The floor is boarded. On it lie two piles of 'Carricatures', evidently the 'Caricature Magazine', on which the imprint is inscribed. There are also books lettered 'Jests'. A puff for Tegg's Magazine, cf. British Museum Satires No. 11976."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top edge., Numbered "380" in upper right corner of design., Temporary local subject terms: Bed curtains -- Doctors., Temporary local Medical Library subject terms: Dr. Diet -- Dr. Merryman -- Dr. Quiet -- *Charlotte Street Medical Board -- Skeleton as Death -- Diet., and 1 print : etching, hand-colored ; plate mark 245 x 346 mm.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Topic):
Death (Personification), Bedrooms, Physicians, Skeletons, Clowns, Draperies, Canopy beds, Cooks, Dining tables, Eating & drinking, Fireplaces, and Bottles
"Bedroom scene: an invalid in a dressing-gown sits smiling in an arm-chair, while a fat yawning doctor, 'Quiet', puts a night-cap on his head. On the right 'Merryman', dressed as a zany or clown, with a gridiron painted on the back of his striped tunic, kicks Death towards the door (right), and presses his cap like an extinguisher against its grinning skull; he says: "Be Off! Be Off! you have no chance where Diet Merryman and Quiet practice!" Death answers: "Then my first job must be to quiet you and your partners will soon follow." Quiet: "Come now for a little quiet; Merrymans dose has opperated suficiently!" The patient holds a 'merrythought'. A fat cook, 'Diet', stands on the left inspecting a dish of bare chicken bones; he says, grinning broadly: "He'll do! Pick'd the bones clean! We shall beat the Charlotte Street Medical Board hollow!" A dinner-table, with an empty plate, a decanter of 'Madiera' and a loaf, is on the left, and behind it a large canopied bed. The chimneypiece (right), is covered with medicine-bottles. The floor is boarded. On it lie two piles of 'Carricatures', evidently the 'Caricature Magazine', on which the imprint is inscribed. There are also books lettered 'Jests'. A puff for Tegg's Magazine, cf. British Museum Satires No. 11976."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on top edge., Numbered "380" in upper right corner of design., Temporary local subject terms: Bed curtains -- Doctors., and Temporary local Medical Library subject terms: Dr. Diet -- Dr. Merryman -- Dr. Quiet -- *Charlotte Street Medical Board -- Skeleton as Death -- Diet.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Topic):
Death (Personification), Bedrooms, Physicians, Skeletons, Clowns, Draperies, Canopy beds, Cooks, Dining tables, Eating & drinking, Fireplaces, and Bottles
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Elmeads & Pine 1808.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[August 1813]
Call Number:
813.08.00.01+
Image Count:
1
Resource Type:
still image
Alternative Title:
Mrs Etiquette driving the Prince from the fete at Vauxhall
Description:
Title from item., Attributed to Woodward., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Fetes -- Sir William MacMahon, 1st Bart., 1776-1837., and In contemporary hand, in ink below corresponding figures on print: Princess of Wales. McMahon. Sheridan. Prince Regent.
Publisher:
Pubd. August 1813 by J Johnston 98 Cheapside
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Sheridan, Richard Brinsley, 1751-1816
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly old-fashioned doctor, holding his gold-headed cane, sits bending forward to inspect the tongue of his agonized patient. The latter, grotesquely obese, sits in a low arm-chair (right) with his lean and hideous wife beside him; a thin grotesque footman, his hair standing on end, stands behind the doctor's chair, leaning towards his master. All three put out their tongues, and all register dismay; the equally ugly doctor gapes in unhelpful concern. The grotesque heads are closely grouped against a high window. A grandfather clock (left) shows that the time is 2.22. A thermometer hangs on the wall."--British Museum online catalogue, description of an earlier state
Alternative Title:
Toadstools mistaken for mushrooms
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 1st, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12145 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "210" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured"--Lower right corner of design., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 254., Temporary local subject terms: Doctor., 1 print : etching with stipple, hand-colored ; sheet 36.2 x 24.6 cm., and Sheet trimmed within plate mark.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly old-fashioned doctor, holding his gold-headed cane, sits bending forward to inspect the tongue of his agonized patient. The latter, grotesquely obese, sits in a low arm-chair (right) with his lean and hideous wife beside him; a thin grotesque footman, his hair standing on end, stands behind the doctor's chair, leaning towards his master. All three put out their tongues, and all register dismay; the equally ugly doctor gapes in unhelpful concern. The grotesque heads are closely grouped against a high window. A grandfather clock (left) shows that the time is 2.22. A thermometer hangs on the wall."--British Museum online catalogue, description of an earlier state
Alternative Title:
Toadstools mistaken for mushrooms
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 1st, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12145 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "210" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured"--Lower right corner of design., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 254., Temporary local subject terms: Doctor., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35 x 25 cm, on sheet 41.8 x 25.6 cm., and Leaf 67 in volume 3.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elderly old-fashioned doctor, holding his gold-headed cane, sits bending forward to inspect the tongue of his agonized patient. The latter, grotesquely obese, sits in a low arm-chair (right) with his lean and hideous wife beside him; a thin grotesque footman, his hair standing on end, stands behind the doctor's chair, leaning towards his master. All three put out their tongues, and all register dismay; the equally ugly doctor gapes in unhelpful concern. The grotesque heads are closely grouped against a high window. A grandfather clock (left) shows that the time is 2.22. A thermometer hangs on the wall."--British Museum online catalogue, description of an earlier state
Alternative Title:
Toadstools mistaken for mushrooms
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 1st, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12145 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "210" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured"--Lower right corner of design., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 254., and Temporary local subject terms: Doctor.
Title from item., Printmaker from British Museum catalogue., and Plate from: The satirist, xiii, 473.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821., Alexander I, Emperor of Russia, 1777-1825., Francis I, Emperor of Austria, 1768-1835., Frederick William III, King of Prussia, 1770-1840., and Maximilian I Joseph, King of Bavaria, 1756-1825.
Subject (Topic):
Leipzig, Battle of, Leipzig, Germany, 1813, Tigers, Hunting, and Spears
"A scene in the Empress's dressing-room. Marie Louise is horror-struck at the appearance of Napoleon who advances towards her in profile astride the back of a crawling Mameluke; he is held up by two other Mamelukes who support his arms and shoulders. He is terribly emaciated and appears moribund. He wears uniform; his legs, feet, and hands are swathed in bandages, his (former) ear and nose covered with black patches. The crawling Mameluke, presumably Roustan, holds out a bottle containing a pointed nose, and labelled 'Le Nez de l'Empereur'. Immediately behind Napoleon and his three supporters are two kneeling Mamelukes, each reverently holding a tasselled cushion supporting a bottle; one being labelled 'Les Doights [sic] de l'Empereur Napole . . .', the other, 'Les Oreilles de l'Empereur Napoleon'. Behind them (left) another Mameluke advances with a bottle labelled 'Les Doights du pied de l Empereur Bon . . .' The Mamelukes wear Turkish dress with turbans. Napoleon looks in tragic silence at his wife, who is seated in regal state but turns aside weeping with violent gestures of despair. A small terrestrial globe decorates her chair; her foot rests on a stool in the form of a flattened polar hemisphere on which the word 'Brit[ain]' is visible. Over her low-cut dress is an ermine-bordered robe clasped with a fleur-de-lis. She is supported by an emaciated court-lady, with a patched face, proffering a smelling-bottle, whose profile and a small crown show that she is one of Napoleon's sisters; two other ladies, wearing crowns, stand behind the Empress, registering consternation. A less conspicuous lady weeps. On the Empress's right kneels the Governess of the King of Rome, Mme de Montesquiou, holding the screaming child, and weeping noisily. He registers angry terror at the sight of his father; his little crown has fallen off. His features, though fore-shortened and distorted, resemble those of his father, cf. British Museum satires no. 11719. He wears an ermine-trimmed robe over his childish tunic and breeches. Behind the Governess is a draped dressing-table, the drapery decorated by a large fleur-de-lis, and the toilet boxes ornamented with crowns. A terrified monkey climbs up the mirror, clutching at the crown which surmounts it, and looking over its shoulder at the shocking spectacle presented by the Emperor. On the extreme right a lap-dog stands on a cushion barking furiously at Napoleon. On the ground on the extreme left are two large round coffers, one inscribed 'Coffre Pour la Bijoutère [sic] Russe', the other expectantly open. Voluminous draperies on the left and right, supported on the right by a pillar add to the regal character of the room."--British Museum online catalogue
Description:
Title etched below image. and Four lines of verse below title: Dishonest with lopp'd arms the man appears, spoil'd of his nose, and shorten'd of his ears. She scarcely knew him, striving to disown, his blotted form, and blushing to be known. Dryden's Virgil, Book Six.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Geographic):
Russia. and France.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Piombino, Elisa Bonaparte Baciocchi, principessa di, 1777-1820, Bonaparte, Paolina, 1780-1825, Caroline Bonaparte, consort of Joachim Murat, King of Naples, 1782-1839, and Roustam, 1782?-1845
Subject (Topic):
Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, Campaigns, Crowns, Dogs, Dismemberment, Dressing tables, Empresses, Ethnic stereotypes, Loss of consciousness, and Monkeys
"Napoleon, a little figure with a big head, stands with legs astride, head turned to the left, hair on end; his arms are extended, fingers spread, mouth open as if shrieking. He has a grotesque profile with corvine nose and wears high jack-boots with large spurs. At his feet lies a broken baton inscribed 'Magic Wand'. Five allies threaten him at point-blank range, and from a circle of cloud an arm emerges holding a conical 'Allied Extinguisher' above his head. On the extreme left Wellington aims a blunderbuss, saying, "Take a good aim at the Head Gentlemen, & we shall soon settle the Business." On Wellington's left stands Francis I, aiming a small pistol; by his head are the words: 'A way Mr Boney the Hand of Justice [see No. 12247] will put your Night Cap on at last.' On the extreme right a fat Dutchman, wearing a conical cap as in No. 12105, stands behind a small cannon holding a lighted match and a cannon-ball inscribed 'Orange Boven'; he says: "I'll deal out my Oranges to him Wholesale." Beside him are piled cannon-balls inscribed 'Orange'. In his hat are orange ribbons inscribed 'Orange Boven' and a tobacco-pipe. Next him the Tsar leans forward, aiming a large pistol; he says: "I'll rattle a few Snow Balls at his Cranium." On Alexander's right stands Bernadotte, aiming a small pistol; he says: "By gar we shall mak de head look like de plomb Pudding." All but the Dutchman wear uniform with cocked hats. A background of smoke or cloud is indicated."--British Museum online catalogue
Description:
Title from caption below image. and Offset from another impression on verso. Inscription from ...
Publisher:
Pud. Decr. 1813 by S. Knight, Sweetings Alley Royl
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Francis I, Emperor of Austria, 1768-1835, Alexander I, Emperor of Russia, 1777-1825, Charles XIV John, King of Sweden and Norway, 1763-1844, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Title etched below image., Verses begin: The white man's joy's are not like mine, Tho he look smart and gay ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Negroes -- Coconuts -- Banjos -- Songs.
Publisher:
Published August 1st, 1813, by Wm. Holland, No. 11 Cockspur Street
Title etched below image., Early state, before plate numbering altered. For a later state numbered "274" in upper right, see: Grego, J. Rowlandson the caricaturist, v. 2, page 265., Publisher and date of publication from later state described in Grego., Sheet trimmed within plate mark., Numbered "320" in upper right corner of design., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Thomas Tegg
Subject (Topic):
Gluttony, Eating & drinking, Food, Dining tables, Servants, Women domestics, and Dogs
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Later state, with altered plate numbering. For an earlier state numbered "320" in upper right corner, see Yale Medical Library call number: Print00257., Publisher and date of publication from Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Numbered "274" in upper right corner of design., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Cruet -- Night cap., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., and Leaf 37 in volume 5.
Publisher:
Thomas Tegg
Subject (Topic):
Gluttony, Eating & drinking, Food, Dining tables, Servants, Women domestics, and Dogs
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Later state, with altered plate numbering. For an earlier state numbered "320" in upper right corner, see Yale Medical Library call number: Print00257., Publisher and date of publication from Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Numbered "274" in upper right corner of design., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local subject terms: Cruet -- Night cap.
Publisher:
Thomas Tegg
Subject (Topic):
Gluttony, Eating & drinking, Food, Dining tables, Servants, Women domestics, and Dogs
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Coates in a pose suggesting Harlequin in a fencing-match (and like that of the clown in British Museum Satires No. 9003), sits on the stage, his trunk almost at right angles to his legs which slant stiffly towards the stage-box (left). He grins at the occupants, pointing his sword towards them and raising his left arm. He wears his jewelled hat with the enormous feathers, cloak, tunic, and sash, as in British Museum Satires No. 11769. He declaims Lothario's speech when he falls dying, after the duel with Altamont, beginning: "Oh Altamont! thy genius is the stronger, thou hast prevail'd . . ." [Rowe, 'Fair Penitent', iv. 1]. He lies on bright green ground, a garden scene with trees and skaters forming a background. Four persons in the box, much burlesqued, applaud, grinning broadly: "Encore--Encore"; "Bravo--bravo--Encore"; "Bravo--Encore"."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with beginning of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Marh. 6th, 1813, by Thos. Tegg, No. 111 Cheapside, London. Cf. No. 12128 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "190" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling coloured.", Watermark: 1817., and Leaf 44 in volume 3.
Title from item., In lower left corner of design: Woodward del., Variant state. Cf. No. 11473 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Temporary local subject terms: Gout -- Rheumatism.
Publisher:
Publish'd Jan. 27, 1813 by S. W. Fores 41 Piccadilly London
Sheet trimmed within plate mark on all sides., Date suggested by British Museum catalogue., Variant state of no. 12139 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Temporary local subject terms: Fireplace -- Writers -- Poverty -- Families -- Debt - Interiors -- Cradles.
Title, series, and imprint supplied by cataloger based on other prints in the series and contemporary mss. annotations., Description based on imperfect impression; sheet trimmed to image with loss of all text., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Kitchen equipment -- Fireplace -- Pulley -- Spit., In contemporary hand, in ink above print: Pursuits of literature no. 4., In contemporary hand, ink below print: The Business of the kitchen., and Mounted to 15 x 21 cm.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sea-monster (left) discharges flames and missiles against a British vessel, represented by a corner of the deck (right), the taffrail inscribed 'British Oak'. On this stands a sailor, clapping his right hand to his posterior; his left holds his sabre, inscribed 'British Steel', with which he steadies himself, the point resting on the deck. He looks over his shoulder at the monster with a contemptuous scowl. In his round hat is a broad blue ribbon inscribed in large letters 'True Blue Dreadnought'. The monster, or torpedo, is barrel-shaped, with fanged and gaping jaws, a huge eye, and smoke, flame, and thunderbolts rising from its nostrils. On its back stands a demon holding the American flag and pointing to a skeleton, Death, which stands, clenching its fists in a pugilistic attitude, in the flames rushing from the torpedo's jaws. The demon says to the skeleton: "Grapple him Citizen and I'll play one of my Infernal capers under his Bottom." The skeleton says to the sailor: "I'll tip you a Yankey Torpedo." The sailor: "Blow up my hull indeed-- you may Kiss my--tafferal--Mr Yankey doodle--"Shiver me--I'll tip you a taste of the Shannon and send you down to old Davy." From the torpedo's jaws, among the flames, come serpents; objects discharged against the ship are a cannon, pistol, powder-barrel, &c., all emitting fire, and also crowbar, scourge, chain-shot, spear, cross-bones, shears, hammer, pincers."--British Museum online catalogue, description of an earlier state
Alternative Title:
Yankee torpedo
Description:
Title etched below image., Later state, with beginning of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pub. Novr. 1st, 1813, by Thos. Tegg, 111 Cheapside, London. Cf. No. 12090 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "215" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., and Leaf 72 in volume 3.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A crowded turbulent scene in the market square, Norwich. In the foreground, on trestles, is the carcass of a bull which two butchers are cutting up. Men struggle or clamour for fragments, or gnaw and fight over bones. On the right a huge cask has been broached; women fill pitchers and pails; one lies senseless. In the background a dense crowd is in procession, backed by the houses of the city; a bonfire burns unattended. The cheering crowd moves from right to Ieft, following banners, one inscribed 'Downfall of the Tyrant', and an effigy of Napoleon raised high on a pole and surrounded by pikes."--British Museum online catalogue
Alternative Title:
Glory and gluttony
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "232" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Sheet trimmed to plate mark on bottom edge., and Leaf 8 in volume 4.
Publisher:
Pubd. November 22, 1813, by Thos. Tegg, No. 111 Cheapside
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A smiling bearded Cossack strides towards the spectator, spear in hand, with the left hand he places his conical furred cap over a tiny terrified Napoleon. He says: "I'll Extinguish Your little French-- Farthing--Rush light--Master Boney." Napoleon exclaims, trying to run away: "Death and Fury!--how I burn with Rage--those "Frightful--" Contempable [sic] Cossacks has Clouded all my hopes." They are on a plateau: the head of the Cossack's horse is on the extreme left; troops are marching on the plain, where a Cossack is galloping. In the background is the walled town of Leipzig, backed by mountains."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "217" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling coloured.", Annotation in ink in a contemporary hand on verso: Johnston., and Leaf 76 in volume 3.
Publisher:
Pubd. Nover. 10th, 1813, by Thos. Tegg - 111 Cheapside
A satire on Napoleon's Russian campaign. A large hound with the head of Napoleon in his bicorne hat with a feather colored red, white and blue, flees in terror towards the right, pursued by a pack of charging bears (Russia). The handle of a kettle with the words "Moskow tin-kettle etched in its side is tied to the hound's tail, its contents spilling out -- Famine, Oppression, Frost, Mortality, Destruction, Death, Horror, Moskow annihilation. The collar around his next reads "From Moskow" and the chain drags along on the ground. In the distance a city in flames
Description:
Title etched below image., Plate numbered in upper right corner: 191., "Price one shilling coloured."--Etched in image., and No. 71 in a volume letter on spine: Napoleonic caricatures.
Publisher:
Pudb. Marh. 7th 1813 by Thos. Tegg. 111 Cheapside, London
Subject (Geographic):
Russia.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Caricatures and cartoons, Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, and Campaigns
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A mêlée, in which British soldiers put Frenchmen to flight. In the foreground (left) a burly grenadier prods with his bayonet a ragged man from whose head falls a large sirloin and its dish which he had been trying to carry off. The man shouts; "Oh! Jean Bull vill you not let me have one little bit of Beef??!" [A catch-phrase, cf. British Museum Satires No. 5790.] John answers: "No, No, I'll be d--d if you take the Roast Beef with you." At their feet are a sack of coin, baskets of provisions, wine, bread; a large pot of 'soup meagre' is overturned. On the right a Highlander beside a cannon with a gun-carriage inscribed 'N', seizes a French ragamuffin by his long pigtail, and raises his sword, saying, "Stand out O' the way loons whilst I tak your Last Cannon (see British Museum Satires No. 12069)." In the middle distance French soldiers flee (left to right) before a bayonet charge from men wearing shakos. On a hill behind (left), Wellington on a curvetting white charger surveys the scene; a soldier stands beside him holding a Union flag; both wave their hats. A pendant figure on the right is Joseph Bonaparte fleeing to the right on a galloping ass, his crown falling from his head, his hair rising, and his hands together as if in prayer; he looks behind in terror, exclaiming: "O vat de devil vill Brother Nap say?!!" Beside him a signpost points 'To France'. In the centre a man holds up Marshal Jourdan spiked on his bayonet. Jourdan shrieks: "Oh! My Batoon (his baton falls from his hand)." The soldier answers: "it's oh your Bottom I think"."--British Museum online catalogue
Alternative Title:
Battle of Vitoria
Description:
Title etched below image., Plate numbered "201" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 55 in volume 3.
Publisher:
Pud. July 7th, 1813, by T. Tegg, 111 Cheapside
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Joseph Bonaparte, King of Spain, 1768-1844, and Jourdan, Jean-Baptiste, 1762-1833
Print shows a hideous old maid standing at right before her chair, supported on a crutched stick, as she addresses a comic doctor at left, who faces her, much disconcerted, with his gold-headed cane pressed to his chin. Her dress is antiquated, with high-heeled shoes; one foot is swollen with "Gout", the other with "Chilblains", and is also distorted with "Corns". Her person and costume are covered with the names of diseases in appropriate places: "Lightness" (on a feather nodding from her head), "Head Ache", "Stupor", "Dizziness", "Palsy", "Ague", "Sore Throat", "St Vit. Dance", "Asthma", . etc. Medicine bottles on a table beside her are labelled "Miss Grunt" and "T- Grunt". A little dog, shaved in the French manner, barks at the doctor. The room is a comfortably furnished parlour, with an iron balcony outside a window reaching to the floor, with a background of trees
Alternative Title:
Walking hospital
Description:
Title from item., From the Laurie & Whittle series of Drolls., Two columns of etched verse beneath title: Im loaded with ev'ry disease, it is true ... You're welcome to all, Sweet Miss's adieu!, and Plate numbered "525" in the lower left corner.
Publisher:
Publish'd July 24, 1813, by Jas. Whittle, & Richd. H. Laurie, Fleet Street, London
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"In the foreground is a low cliff or bank overlooking the sands; from this four elderly men are eagerly and delightedly looking through telescopes at naked ladies disporting in the sea. An angry woman (right) tugs at the coat-tails of one of them; she has a tiny sunshade, and like her husband is grossly fat. Bathing machines are in the water, with hoods covering the steps to the sea. A fat bathing woman pushes a lady up the steps of a machine. Behind the spectators is a 'Circulating Library'; above the lower floors is a large balcony from which more men are gazing through telescopes. On the extreme right is a doorway placarded: 'Hot Sea Baths'; a fat man with a crutch walks in. In the background a jetty projects from the sands, with a windlass, and packages of goods. Behind are small vessels."--British Museum online catalogue
Alternative Title:
Peep at the mermaids
Description:
Title etched below image., Probably reissue; first half of imprint statement has been burnished from plate., Date of publication from British Museum catalogue and Grego., Plate numbered "211" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling coloured."--Lower right corner of design., and Leaf 68 in volume 3.
Title from item., Sheet trimmed within plate mark on all sides., Variant state of no. 11789 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Temporary local subject terms: Swinging.
Publisher:
Pubd. October 1st 1813 by T Rowlandson N 1 James Street Adelphi
Title from two lines of verse inscribed below design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Hermits., and Mounted to sheet 27 x 21 cm.
Publisher:
Pubd. Augt. 27, 1813, by R. S. Kirby 11 London house Yard
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat Dutchman (right), with left leg raised high, has kicked Napoleon into the air, towards a large exulting Devil crouching before the flames of Hell (left). Napoleon's bicorne is falling to the ground, his sword flies up, attached to the belt. The Devil grasps Napoleon by the left ankle. He is a naked satyr with hairy legs, barbed tail, fierce talons, as in British Museum Satires No. 6283 by Rowlandson. The Dutchman holds a goblet above his head, in his left hand is a long tobacco-pipe. He wears the usual bulky breeches with short jacket, and has a big (orange) cockade in his high-crowned hat. In the background a second Dutchman lunges forward with a pitchfork pressed against the posterior of Joseph, who runs screaming towards the flames, his crown on the ground behind him. The scene is the sea-shore, with three ships (right) at anchor."--British Museum online catalogue
Alternative Title:
Plump to the devil we boldly kicked both Nap and his partner Joe
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "234" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Watermark: 1817., and Leaf 10 in volume 4.
Publisher:
Pubd. Novr. 30, 1813, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joseph Bonaparte, King of Spain, 1768-1844
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A mounted hussar receives in his arms a pretty young woman who is climbing down from a high wall. She puts her face to his, and rests her hand on his shoulders while he supports her ample posterior. The horse, directed to the right, is almost knee-deep in water. A corner of a house among trees appears over the wall (right)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 9, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12149 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "231" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Temporary local subject terms: Hussar., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 34.9 x 24.9 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 76 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A mounted hussar receives in his arms a pretty young woman who is climbing down from a high wall. She puts her face to his, and rests her hand on his shoulders while he supports her ample posterior. The horse, directed to the right, is almost knee-deep in water. A corner of a house among trees appears over the wall (right)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 9, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12149 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "231" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., and Temporary local subject terms: Hussar.
Design in an oval. 'Cits' fish in a small piece of water bordered by a fence with a high railing on the left, beyond which is a road flanked by a high wall. Across the water (right) is a house with a high-pitched roof. Five men, three of whom are smoking, fish in the foreground in close proximity, two others on the farther side; an eighth (left) approaches carrying his rod. This appears to be the extreme north corner of the reservoir, where it is narrowest. Cf. British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark on all sides., Variant state without page number. Cf. No. 8939 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Mounted to sheet 25 x 33 cm.
Publisher:
Pub. by Allen & West, 15 Paternoster Row
Subject (Geographic):
England and London.
Subject (Topic):
City & town life, Fishing, Pipes (Smoking), and Smoking
Plate from 'Town Talk', iv. 247. A procession of coaches through 'Cavendish Square', the houses of which form a background, together with a street which recedes in perspective on the left. The foremost coach (right) has a roof shaped like a Chinese pagoda and decorated with bells; on the apex is a seat occupied by an ape, dressed as a man, who rings a handbell and blows a horn. Bells are attached to the springs of the coach. The arms, surmounted by a coronet, are crossed whips, the crest a fool's head. A man seated on the box turns to the driver to say: "No bad scheme of Sr Harry's to get the Amateur [Coates] to perform today! tolerable attendance." The driver wears a conical hat with a vast brim, manifold capes, and a large nosegay, with top-boots. Two servants sit in the rumble; one points to the ape, saying, "What do you think Tom of our new fellow Servant! did Master get him from Bond Street." The other answers: "Oh No! hes not one of the Loungers [see No. 8377, &c.] Master had him from Exeter Change [menagerie] he has been well educated you see." The second equipage is the odd-shaped curricle of 'Romeo' Coates, see No. 11768, &c., drawn by four horses, whose harness, like the curricle, is decorated with cocks. He is dressed as Lothario, see No. 11769, &c., with three huge feathers towering from his hat. He says: "I scorn that odious uniform which would hide the graces of my form and those detestable boots would spoil a most delectable leg!--Bless us! how we draw, out of the theatre as well as in." The following coach is on the extreme left; its roof is a four-sided pinnacle topped with a spike; the driver is dressed like the man on the first coach. He says (of Coates): "I'll back him to spar with Molineaux at St Martins Court for the benefit of Carter." The man beside him answers: "Aye my Lord! or I'll take the chance of the day for my debt, and remove the execution from your carriage and horses." A man on horseback in the background shouts: "your lordship had better take the Opera House, as it will be for a charitable purpose." The road is crowded with spectators many of whom wave their hats. Tiny coaches proceed along the Square from right to left, to join the procession. In the foreground is a row of well-dressed spectators in back view. Shouts rise from the distant crowd: "The Hobbies! The Hobbies"; "Cock a-doodle do"; "The Monologue"; "Bravo Romeo." On the extreme right is the gilt equestrian statue of the Duke of Cumberland, erected in 1770.--British Museum onlne catalogue
Alternative Title:
Hints for a four in hand exhibition
Description:
Title from item., Sheet trimmed within plate mark., Printmaker's name from British Museum catalogue., Temporary local subject terms: Coaches -- Bells -- Horns., and In contemporary hand, in ink at top of print: 257.
Publisher:
Pubd. May 1st 1813 by the Proprietor of Town Talk
Subject (Name):
Coates, Robert, 1772-1848 and Peyton, Henry, Sir, fl. 1813
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A handsome rakish-looking man (left) puts his arms round the waist of a good-looking young woman, who draws away from him. Their words, in large labels above their heads, are from verses in the 'Examiner', 10 Jan. 1813 (by Tom Moore) [reprinted, 'The Twopenny Post-Bag', 1813, pp. 83-5, with an additional verse by the lady on 'an old Marquis [Headfort], in mischief grown hoary']: He (the first and last of four verses): "Come fly to these arms, nor let beauties so bloomy To one frigid owner be tied, The Prudes may revile, and the old ones look gloomy, But dearest we've Law on our side. . . . And ev'n should our sweet violation of duty By cold blooded jurors be tried, They can but bring it in, a "Misfortune" my beauty As long as we've Law on our side." She: "Hold! Hold my good Sir! go a little more slowly For grant I thus guiltily sigh'd, Such sinners as we are a little to lowly To hope to have Law on our side. Had you been a great Prince, to whose star shining oe'er 'em, Then people should look for thier [sic] guide, Then your Highness (and welcome) might kick down decorum, You'd always have Law on your side. . . . But for you Sir Crim Con. is a path full of troubles, By my advice therefore abide And leave the pursuit to those princes and nobles Who have such a Law on their side." On the right the Prince walks off in back view between Lady Hertford and Ellenborough, in wig and gown. He takes Ellenborough's left arm, his left arm is round Lady Hertford, whose right arm is round the Prince, her profile turned possessively towards him. Ellenborough declaims: "Too busy Senates with an over care, "To make us better than our kind can bear, "Have dash'd a spice of Envy in the laws, "And straining up to high have spoil'd the cause; "Yet some wise Nations break the cruel chains, "And own no laws but those which Love ordains." On the ground behind the group are two papers, one below the other and showing only the left margin: 'Trial / Mar[quis of Headfort] / Crim / Decem / -Dam / £20,00 .. Above it: "L'Amour par tyrannie obtient "ce qu'il demande, "S'il parle il faut ceder; Obeir "s'il commande "Et ce Dieux [sic], tout aveugle, et tout "enfant qu'it [sic] est, "Dispose de nos cœurs, quand et "comme il lui plait".--British Museum online catalogue
Alternative Title:
Crim-con modifyd and Crim-con modified
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text (from King Lear, IV. vi.) following title: "Plate sin with gold, "and the strong lance of justice hurtless breaks, "arm it in rags, a pigmy's straw doth pierce it., Plate numbered "195" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price 1/ cold."--Following imprint., Temporary local subject terms: Male costume, 1813 -- Female costume, 1813., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 49 in volume 3.
Publisher:
Pubd. May 2d, 1813, by T. Tegg, 111 Cheapside
Subject (Name):
Ellenborough, Edward Law, Baron, 1750-1818, George IV, King of Great Britain, 1762-1830, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A handsome rakish-looking man (left) puts his arms round the waist of a good-looking young woman, who draws away from him. Their words, in large labels above their heads, are from verses in the 'Examiner', 10 Jan. 1813 (by Tom Moore) [reprinted, 'The Twopenny Post-Bag', 1813, pp. 83-5, with an additional verse by the lady on 'an old Marquis [Headfort], in mischief grown hoary']: He (the first and last of four verses): "Come fly to these arms, nor let beauties so bloomy To one frigid owner be tied, The Prudes may revile, and the old ones look gloomy, But dearest we've Law on our side. . . . And ev'n should our sweet violation of duty By cold blooded jurors be tried, They can but bring it in, a "Misfortune" my beauty As long as we've Law on our side." She: "Hold! Hold my good Sir! go a little more slowly For grant I thus guiltily sigh'd, Such sinners as we are a little to lowly To hope to have Law on our side. Had you been a great Prince, to whose star shining oe'er 'em, Then people should look for thier [sic] guide, Then your Highness (and welcome) might kick down decorum, You'd always have Law on your side. . . . But for you Sir Crim Con. is a path full of troubles, By my advice therefore abide And leave the pursuit to those princes and nobles Who have such a Law on their side." On the right the Prince walks off in back view between Lady Hertford and Ellenborough, in wig and gown. He takes Ellenborough's left arm, his left arm is round Lady Hertford, whose right arm is round the Prince, her profile turned possessively towards him. Ellenborough declaims: "Too busy Senates with an over care, "To make us better than our kind can bear, "Have dash'd a spice of Envy in the laws, "And straining up to high have spoil'd the cause; "Yet some wise Nations break the cruel chains, "And own no laws but those which Love ordains." On the ground behind the group are two papers, one below the other and showing only the left margin: 'Trial / Mar[quis of Headfort] / Crim / Decem / -Dam / £20,00 .. Above it: "L'Amour par tyrannie obtient "ce qu'il demande, "S'il parle il faut ceder; Obeir "s'il commande "Et ce Dieux [sic], tout aveugle, et tout "enfant qu'it [sic] est, "Dispose de nos cœurs, quand et "comme il lui plait".--British Museum online catalogue
Alternative Title:
Crim-con modifyd and Crim-con modified
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text (from King Lear, IV. vi.) following title: "Plate sin with gold, "and the strong lance of justice hurtless breaks, "arm it in rags, a pigmy's straw doth pierce it., Plate numbered "195" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price 1/ cold."--Following imprint., Temporary local subject terms: Male costume, 1813 -- Female costume, 1813., and In contemporary hand, in ink at top of print: 151.
Publisher:
Pubd. May 2d, 1813, by T. Tegg, 111 Cheapside
Subject (Name):
Ellenborough, Edward Law, Baron, 1750-1818, George IV, King of Great Britain, 1762-1830, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
"The Duke of Clarence dances with a tall thin girl (right), holding both her hands; they face each other in profile. He is unrecognizable, a plainly dressed short and obese John Bull. She wears a cross suspended from a long necklace. The room, with boarded floor and small musicians' gallery, suggests an English provincial assembly-room rather than a Russian palace. Two couples stand against the wall (left), a lady and her partner sit on a bergère (right); a man stands near them. Two of the men have moustaches, as an indication that they are foreigners. All are much amused at the ill-matched partners."--British Museum online catalogue
Alternative Title:
Longitude and latitude of St. Petersburgh
Description:
Title from caption below image. and Temporary local subject terms: Dancing -- Sconces -- Russia.
Publisher:
Pub. May 18th 1813 by H Humphrey St James's Street
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A night scene, broadly burlesqued. Napoleon, in profile to the left, strides in furtive haste towards a massive gate, directing the beam of a dark lantern against it. From between his coat-tails a long white feather (see British Museum Satires No. 12613) floats behind him, emerging from a cluster of shorter ones. He wears an enormous bicorne, with a plume set in an ornament composed of a crown and olive-twigs (as in British Museum Satires No. 11998), a sash and sabre over his long coat, tasselled Hessians with huge spurs. A head wearing a night-cap looks through the bars which form the top of the gate under a stone arch, to say: "Rap--Rap--Ra--Who comes there--what Midnight disturbers are you." An officer (actually Caulaincourt) crouches at the gate holding the knocker which is set in a great lion's mouth, and beckons towards Napoleon, answering, "It's only Count Vincen"--Alias--Little Boney. the Imperial Fugitive--returned from Victory." The gate-keeper: "Alias-- who"--Alias the Divil you mean." In front of Napoleon's foremost foot a large frog leaps forward; behind him a lean fierce cur barks: "A Russian Cur-- Bow--Wow--Wow." A large label floats back from Napoleon's mouth, inscribed: "hist--is that the Croaking of Frogs I hear--I mistake--its' only the Sycophant Lads in Paris--hurra-ing at My unexpected and precipate [sic] return. thank my Luckey Stars--I have got out of the clutches of them Damd Cossack Curs"--or I should have been food for Bears--long before this time." Beside the gate is a sentry-box, in which a sentry completely muffled up and wearing a night-cap, sleeps, seated with folded arms, clasping his musket. A frog looks from behind the box."--British Museum online catalogue
Alternative Title:
Little Boney sneaking into Paris
Description:
Title etched below image., Plate numbered "186" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shillin [sic] coloured.", Watermark: 1817., and Leaf 39 in volume 3.
Publisher:
Pubd. by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Caulaincourt, Armand-Augustin-Louis de, duc de Vicence, 1773-1827
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"In the foreground on a hillock above the battlefield are Joseph and Jourdan, starting to run from right to left. The King wears crown and royal robe over Spanish costume with ruff and slashed breeches; his snuff-box lies at his feet. He looks over his left shoulder at Jourdan, saying, "Par Bleu Monsr Marshal we must run! a pretty piece of business we have made of it, if my Brother Nap sends for me to the congress the Divil a clean shirt have they left me! could you not try your skill at a convention again my dear Jourdan! as our friend Junot did in Portugal." Jourdan, in profile to the left, right hand on Joseph's shoulder, answers: "Convention! No ma foi! there is no tricking ce Lord Wellington, we have nothing to trust to but our heels, but I dont think they will save us, you need not be uneasy about a clean shirt for the congress Monsr Joe Allons donc run like de Devil! run like your Brother Nap from Russia!" At his feet lie a telescope, his baton (see British Museum Satires No. 12072), and a sceptre. In the middle distance British infantry put French infantry to flight with the bayonet. In the background (right) on a hill is Wellington with his staff, tiny figures. At the base of the hill British soldiers stand at attention, with Frenchmen kneeling abjectly at their feet. In the distance are tiny baggage wagons. On the left is the town of Vittoria."--British Museum online catalogue
Alternative Title:
Off they go and Peep at the French commanders at the Battle of Vittoria
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "205" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price 1/ colored."--Following imprint., and Leaf 60 in volume 3.
Publisher:
Pubd. July 9th, 1813, by Thos. Tegg, 111 Cheapside
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Joseph Bonaparte, King of Spain, 1768-1844, and Jourdan, Jean-Baptiste, 1762-1833
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A jovial sailor bestrides a mis-shapen horse with panniers, a foot in each basket. In each basket sits a bedizened prostitute, each holding one of his arms. He grins amorously towards the one on his right who is immensely fat, with a patched face and coarse features. She wears long gloves, holds up a parasol, and a reticule dangles from her arm. The other, who is less repulsive, drinks from a bottle; from her pannier dangles a jar of 'British Spirits'. Both wear feathered hats and low-cut dresses with very short sleeves, necklaces, and ear-rings. They are in a wide cobbled street leading to the Thames, which resembles the sea; behind a corner shop (left), inscribed 'Dealer in Maritime Stores', appears the stern of a ship flying an ensign."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with beginning of imprint statement burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Octor. 29, 1813, by Thos. Tegg, 111 Cheapside, London. Cf. No. 12159 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "216" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 74 in volume 3.
Title from item., Two columns of dialogue below title: Dialogue. Mrs. Bull: "Why bless me, John, be that you yourself? Why, I didn't know you agen! What on airth ha' ye letten your beard grow for, man? ..., In upper right corner of design: 216., and Temporary local subject terms: Jewelry.
Publisher:
Pubd. Octor. 29 1813 by Thos. Tegg 111 Cheapside London
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"An elaborate sign-post on a pillar, with five arms topped by a fool's cap, stands in the centre of a landscape. The directions are: 'To Love--you are requested not to pluck the Roses till they fall off. To Prison. NB The Courts of Law will shew the way, and take care of your Luggage. To Honour carry Arms with you as you will not get through without a Duel. To Matrimony Caution--Travel this road in boots and wear gloves it being overrun with Nettles. To the Undertakers Observe--the nearest way through the Apothecary Shop.' On the column: 'If you cannot read you must take your Chance.' A well-dressed English traveller (left) addresses a sturdy Irishman (right): "Why Pat! you have a variety of curious Roads here, but hav'nt you any Road to Preferment?" Pat answers: "Arrah my Jewel, but that Road has been removed to England ever since the Union; you pass through it to the Kings Palace and I['m] tould it's the dirtiest Road in Great Britain!"."--British Museum online catalogue
Alternative Title:
Lifes finger post
Description:
Title etched below image., Date of publication from British Museum catalogue., Four lines of quoted text following title: "Howe'er 'tis well, that while mankind "through lifes perverse meanders errs, "some can imagin'd pleasures find, "to combat against real cares. Prior., Plate numbered "313" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 11 in volume 5.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A Frenchman, tall and gaunt, his thin legs engulfed in post-boy's boots, addresses John Bull (left), shrugging his shoulders and extending his hands: "by Gar Mr Jean Bull you Var much alter Should not know you var Jean I was as big as you now." John, an elderly cit, still paunchy, but with clothes hanging in wrinkles, turning his head in profile to the left, contemptuously smokes a short pipe, the smoke inscribed 'Puff'. His right hand rests on a cudgel inscribed 'Wellington Oake'. He answers with a fierce scowl: "why look you Mounseer Parley Vou tho I have got Thinner my Self I have a little Sprig of Oake in my hand thats as strong as ever and if you give me any of your Parlerver I'll be D--d if you shant feel the wait of it"."--British Museum online catalogue
Alternative Title:
John Bull come to the bone
Description:
Title etched below image., Printmaker, publisher, and date of publication from British Museum catalogue., Plate numbered "234" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Watermark: 1817., and Leaf 78 in volume 4.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A plump Jewess leans over the wooden barrier across the street doorway, to kiss a sucking-pig which her husband holds out to her, affectionately putting his arm round her shoulders. He is bearded, with a long coat, with a bag slung from his arm, showing that he deals in old clothes. A sow (right) looks up anxiously at the pig. A comely young woman wearing a necklace and ear-rings leans over Mrs. Shevi, admiring the pig. From an adjacent window or doorway, an elderly Jew leans, registering outraged horror. The doorway is vaulted, and has a heavy wooden door. A caged bird hangs just inside. On a wall (right) is a bill: 'Lost supposed to have been Stolen a Sow and Seven Pigs Whoever gives Information Five Pound Reward'."--British Museum online catalogue, description of an earlier state
Alternative Title:
Mrs. Shevi in a longing condition
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 20th, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12146 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "213" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., "Price one shilling colourd.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 254-5., Watermark: 1817, Numbers scribbled in ink in a comtemporary hand on both sides of title., and Leaf 70 in volume 3.
