"A provincial Assembly Room. A musicians' gallery (right) is above a recess which is the entrance from the street. In this a young woman changes pattens for dancing-shoes, supporting herself on the arm of a stout woman with a pin-cushion slung from her arm. A lighted lantern stands on the floor. In the foreground a couple advances from this entry, meeting a younger pair. In the background against the wall couples are dancing, facing each other, the man holding his partner's wrist. An absurd couple on a settee (left) flirt, the lady holding a tumbler, the man fanning her. Behind, two men delightedly inspect a paper headed 'Election 1812'. On the wall is a bill: 'Sir Toby Spendall returns his most grateful thanks to the worthy Freemen for thier kind support during the late Election.' From the pocket of an elderly man near the door hang two papers: 'State of the Pole' and 'To the Worthy Freemen'. In the foreground (right) a pair of half-boots, a cane, and a hat lie together. The room is lit by hanging candelabra and candle-sconces."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Musician's gallery -- Pattens -- Fiddle.
Publisher:
Pubd. April 28th 1813 by H. Humphrey No. 27 St. James's Strt
Title from item., Printmaker suggested by cataloger., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Military guards -- Hyde Park -- Reference to Windsor -- Reference to Blackheath -- Headcold, medical.
Publisher:
Pubd. March 1813 by S Knight 3 Sweetings Alley Royal Exchange
Subject (Geographic):
England
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, and George IV, King of Great Britain, 1762-1830
"The daughter of Count Platoff stands full face, erect, dashing, and alluring, on a snowy mound. Her right hand supports a spear from which floats a banner inscribed: 'I General Count Platoff. promise to give my Daughter in Marriage and 2000 Rubles - to any Cossack, Russian, Prusian, German, Sweede, Turk, John Bull, Sauny Bull Paddy Bull or any other Bull, who shall bring Me the Head of Little Bony dead or a live.' She wears fur-trimmed cap with a long hussar-bag, long high-waisted fur-bordered pelisse, with a cape, fur-trimmed boots, and large ear-rings. The words 'Hih "ho" for a Husband' issue from closed and smiling lips. With her left hand she points behind her to the right and to the little figure of Napoleon on skates, wearing a large plumed bicorne, and brandishing his sabre; he deserts his snow-bound army, saying, "O" ho" bygare I had best be Off." He strides past the heads of soldiers emerging from snow, together with bayonets, and a French flag; behind him the French army marches in close ranks, with one eagle and one flag. On the left is another column of tiny soldiers indicated by heads, bayonets, an eagle, and flags. In the clouds, airborne as in No. 11992 (British Museum catalogue), are two bands of galloping Cossacks, one (right) seems about to swoop down on Napoleon. Heavy clouds frame slanting rays which make a background for Platoff's daughter. At her feet are two money--bags both inscribed '1,000 Rubles', which disgorge coins. Behind them a kneeling Cupid aims his bow towards the 'cloud of Cossacks' on the left."--British Museum catalogue
Alternative Title:
Tit-bit for a Cossack and Platoff prize, for the head of Buonaparte
Description:
Title etched below image., Plate of publication etched following date., Plate numbered in upper right corner: 184., and A satire on Napoleon in Russia.
Publisher:
Pubd. by Thos Tegg, 111 Cheapside
Subject (Geographic):
Russia.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Platov, Matveĭ Ivanovich, graf, 1751-1818.
Subject (Topic):
Caricatures and cartoons, Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, Campaigns, Cupid, Armies, British, Russian, and Women
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A farm-house kitchen. The farmer's wife (left) sits beside a table on which are a tray of tea-things and a tankard. She carves a loaf, holding it on her lap, and asks: "I dont understand what they mean by they Debates, cans't thee tell Robins?" The stout farmer sits full-face, holding a newspaper: 'Liverpool Journal'. He answers: "Why I take it it means this!-- th' men ith Parliament up at Lunnon makes sham quarrels; and then grins at us folk ith country for believen un to be in Arnest!!" The son, a young man wearing a smock, sits in the ingle-nook (right) holding a knife and slice of bread, and eagerly watched by a dog. He says: "Eh Feather! why that be just like Dr Solomon w'th folks that swallow his balm of Gulllad [Gilead]"."--British Museum online catalogue
Alternative Title:
Shrewd guess, or, The farmers definition of parliamentary debates and Farmers definition of parliamentary debates
Description:
Title etched below image., Date of publication from British Museum catalogue., Three lines of quoted text following title: "He laughs at him, in's face too, "O you mistake him; t'was an humble grin. "The fawning joy of courtiers and of dogs. Dryden., Plate numbered "311" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., Temporary local subject terms: Tea things -- Fireplace., 1 print : etching on wove paper, hand-colored ; plate mark 24.5 x 35.1 cm, on sheet 25.6 x 41.8 cm., and Leaf 8 in volume 5.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A farm-house kitchen. The farmer's wife (left) sits beside a table on which are a tray of tea-things and a tankard. She carves a loaf, holding it on her lap, and asks: "I dont understand what they mean by they Debates, cans't thee tell Robins?" The stout farmer sits full-face, holding a newspaper: 'Liverpool Journal'. He answers: "Why I take it it means this!-- th' men ith Parliament up at Lunnon makes sham quarrels; and then grins at us folk ith country for believen un to be in Arnest!!" The son, a young man wearing a smock, sits in the ingle-nook (right) holding a knife and slice of bread, and eagerly watched by a dog. He says: "Eh Feather! why that be just like Dr Solomon w'th folks that swallow his balm of Gulllad [Gilead]"."--British Museum online catalogue
Alternative Title:
Shrewd guess, or, The farmers definition of parliamentary debates and Farmers definition of parliamentary debates
Description:
Title etched below image., Date of publication from British Museum catalogue., Three lines of quoted text following title: "He laughs at him, in's face too, "O you mistake him; t'was an humble grin. "The fawning joy of courtiers and of dogs. Dryden., Plate numbered "311" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Sheet trimmed within plate mark., and Temporary local subject terms: Tea things -- Fireplace.
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Wellington on the extreme left, seated in profile on his white horse, looks down at three officers who heap trophies at his feet. He says: "Why! here's enough for three nights Illumination!" An officer answers: "Three times Three! My Lord!!" Another, holding two eagles with their tattered tricolour flags, holds out a marshal's baton, saying, "Here's Marshal Jordens Rolling-pin." The third, wearing hussar uniform, and holding an eagle with a flag inscribed 'La Emperu . . .', points behind and to the right, saying, "And here comes their Last Cannon!!" In the middle distance a soldier is dragging after him downhill a cannon by a rope attached to the muzzle; he says, grinning, "By St Patrick I think we have taken all they brought from Parts!"; a drummer bestrides the gun beating his drum and shouting, and a third man stands astride it on the gun-carriage, waving a Union flag and his shako and shouting "Huzza Huzza". Two asses are harnessed tandem to the gun-carriage and are being dragged backwards, one slides on its haunches the other rears; on each is a French soldier wearing a bonnet rouge; one says: "By Gar every ting goes backwards with us." On the hill lies a dead soldier' burlesqued and wearing a bonnet rouge, his legs raised from the ground by his huge spurs; near him is a decapitated body with the detached head still wearing a grenadier's cap. In the foreground (right) are sacks of coin, and a chest inscribed 'Plunder', heaped with church plate."--British Museum online catalogue
Alternative Title:
Scene after the Battle of Vitoria, More trophies for White-hall, and More trophies for Whitehall
Description:
Title from text above and below image., Plate numbered "202" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 57 in volume 3.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The representatives of six of the Allies, the most prominent being John Bull, stand on a bluff (left) tugging at a rope by which they pull a row of seven uniform Dutch men-of-war from the opposite coast. The ships are small, their sails are inflated by a favourable wind; they fly Dutch flags, one inscribed 'Texell Fleet'; John Bull, a stout 'cit', pulls side by side with a Spaniard in slashed tunic, ruff, and feathered hat. Behind this pair a Russian wearing a fur hood steadies the rope. A Prussian Death's Head Hussar hauls at the end of the rope, his back to the sea, but looking over his shoulder. Beside him is an Austrian officer, while a Portuguese or Sicilian waves a feathered cap. On the extreme right, behind the Dutch fleet, are two little figures making frantic gestures: Napoleon waving his sword exclaims: "Oh Brother Joe--I'm all Fire, My Passion eats me up Such unlooked for Storms of ills fall on me It beats down all my cunning, I cannot bear it My ears are fill'd with Noise my Eyes grow dim And feeble shakings seize every Limb." Joseph stands behind, his crown at his feet, saying: "Oh Brother Nap Brother Nap we shant be left with half a Crown apiece [see British Museum Satires No. 12068]." The ships are filled with Dutch sailors; others are on the shore (right) pushing at the stern of the nearest ship in order to launch her. This partly obscures the others, which are in line, diminishing in perspective. A ship's boat rows towards the horizon. A large sun (right), irradiated and inscribed 'Sunset of Tyranny', sinks into the sea. Between it and the coast (left) is a row of five men-of-war at anchor, flying the flags of the Allies, their poops in a line. The ship on the right, nearest Holland, flies a Russian flag, the next, with the highest masts, flies British flags. In the foreground (left), lying at the base of the bluff on which the Allies stand, are two casks inscribed 'Real Hollands Best Double Proof' and 'Genuine Spirit Neat as Imported'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "233" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Sheet trimmed to plate mark on bottom edge., Watermark: 1817., Imprint statement in lower right corner is lightly printed, with the ends of both lines of text barely visible., and Leaf 9 in volume 4.
Publisher:
Publishd. by Thos. Tegg, 1813 Novr. 25, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joseph Bonaparte, King of Spain, 1768-1844
"An Eurasian, Portuguese, or English lady, sallow, with black hair, sits on a stool in profile to the right in the centre of a bare room, attended by six Indian women. She dips both hands into a shallow open box held by a woman seated on the floor. Another stands beside her, watching. On the right an ayah nurses a doll-like infant. Another servant stands holding up a bell-shaped implement with a long handle. A fourth (left) sits full-face, apparently on a low stool, using a slab to pulverize something on a board; beside her are a small earthenware pot and a three-legged pot with a lid. A low oblong stool stands on the floor. Behind, a young Indian girl approaches from the left holding a jug and an oval tray or mirror. There is a large door or window (left) closed with persiennes; before this is a table on which are a closed oblong box and a (?) wine-bottle. Another large window-space is open to the sky. The Indians are almost black, except for the strong whites of their eyes, and wear coloured draperies. There are heavy shadows. Apparently a companion plate to No. 11165 by the same artist, probably an amateur. Cf. also No. 11832, &c."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: India.
Publisher:
Pubd. 1813, by Willm. Holland, Cockspur Street, of whom may be had a humorous collection of East & West India caricatures
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat lady, much décolletée, whose hair is blazing, in her frantic gestures has overturned a chair; tea- and coffee-things lie on the ground. Screaming servants rush in from the right, headed by two footmen; one holds up a table-cloth to fling over her head, but is hampered by his companion, a negro, who flings the liquid contents of a (?) large flowerpot in her face, but stands on the cloth. A fat cook follows; a pretty young woman kneels on the ground throwing up her arms, a dog howls. Four older servants look through the doorway. Two candles, the cause of the disaster, blaze on the chimneypiece where a clock shows that it is 2.25."--British Museum online catalogue, description of an earlier state
Alternative Title:
Miss Fubby Fatarmin's wig caught fire
Description:
Title etched below image., Reissue, with beginning of imprint statement burnished from plate., Date of publication based on earlier state with the complete imprint "Pubd. September 20th, 1813, by Thos. Tegg, No. 111 Cheapside." Cf. No. 12147 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Text following title: Vide Bath guide., Plate numbered "212" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., "Price one shilling coloured."--Lower right corner of design., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 255., Temporary local subject terms: Negro., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 69 in volume 3.
