"Fourteen small children amuse themselves uproariously in a small space. Four little girls in party-dresses, dance holding hands round a lady who tosses an infant; two of them hold up dolls. A fat and grinning cook stands in the doorway with a tray of jelly-glasses, cake, and fruit. The biggest boy rides a rocking-horse, giving a view-hallo; another boy with an overturned chair for horses, drives in a professional manner a high-slung rectangular cradle (left) in which sits a little girl holding a doll and an open umbrella. A little boy with a wooden sword tries to storm a table, defended by two others, with drum, trumpet, and Union Jack. These children are dressed up to suit their parts. In the foreground (right) two children build a card-house on the floor, with skipping-rope, toy soldiers, and horse and cart beside them. On the left are a top and whip, and an Eaton Latin Grammar. On the wall is pinned a caricature of Dr Syntax [see BM Satires 11507, &c] with birch-rod and book."--British Museum online catalogue
Alternative Title:
Masters & Misses Twoshoes Christmas party and Masters and Misses Twoshoes Christmas party
Description:
Title from caption below image. and Imprint date altered in mss. to 1825.
Publisher:
Pubd. Jany. 3d 1826 by S. Knights Sweetings Alley Royl. X'Change
"A front elevation of a theatre-box crammed with delighted children fills the design. In the front row are a lady and four little girls. In the middle sits the father, one small boy on his knee, an arm round another child. Eight more children fill the box. Behind them a lady chooses fruit from an old woman's basket. Two men stand behind. Over the front of the box hangs a playbill: During the Xmas Holidays--Pantomime of Harliquin--Clown by Mr G [Grimaldi]."--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. Decr. 26th, 1826, by S. Knights, Sweetings [A]lley, Royal Exchange
Title from caption below image., Text below title: This is not my hat? It must be yours, sir, there's no other left., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title etched below image., Text below title: "I wish I hadn't bought the tickets!", Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A group stand in a churchyard, as two men lower the coffin into a grave. The one sexton has two patches on his britches
Description:
Title from text above image., Print caption: Running to earth or in at the death. Finnis Coronat Opus., Sheet trimmed within plate mark on three edges., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 20, Tichborne Street, Haymarket
Title from text above image., Print caption: "O Pan, Tegean. God be here propitious." Virgil, Georgic, 1st verse 17., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 20, Tichborne Street, Haymarket
Title from caption below image., Plate from book: Joe Lisle's play upon words, pub by Thomas McLean, 1828., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A party of two well-dressed couples, the women holding umbrellas, are caught in a wind and rain storm as they travel in a open carriage. A coachman and footman attend the party
Description:
Title etched below image., Sheet trimmed to plate mark on one side., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published August 8th, 1826 by T. Gillard, 40 Strand
"'General' [See BM Satires 15162], with the same jockey beside him, stands dejectedly, while a second horse (left), held by a jockey who says I'm the Boy for a make weight, is having weights shackled to his fore-feet: one inscribed 12.00, the other 200. The man doing this smiles slyly, saying, There! now I have him as secure as the Hampshire Hog in the Pound. Three betting men stand together. One looks over his shoulder to say: That will do the Thing! I'll bet the Craven Stakes to leg-Alley! A fat man says to the third: I'll bet you 1200 to 200! The other leans forward insinuatingly: Come I say shew your Spice make it Thousands. The former answers: No, No, I dont want to be done up. A man on horseback, looking towards the second horse, says: Aye, Aye Squirrel against Panic now for 300 Gs."--British Museum online catalogue
Description:
Title etched below image., Three lines of text alongside title: We'll dash back to town now, don't mind that break down now ..., and Temporary local subject terms: Male costume: Riding habit -- Epsom -- Horse racing.
"George IV sits on a small stone among tall bulrushes at the water's edge in profile to the left, fishing, his rod being a sceptre. Leaning forward, he looks anxiously at his tautening line. On his head is poised a small but massive crown, a creel hangs at his back; he wears quasi-military dress, white gauntlet gloves, and breeches with jack-boots (cf. British Museum Satires No. 14220). In the foreground, looking up at him, is a kingfisher. In the background, at the water's edge, is a small thatched peasant's cottage behind which is Windsor Castle, on its wooded hill, flying the Royal Standard (cottage and castle being mere symbols). Below the title is a circular garter inscribed Honi. Soit. Qui. Mal. Y. Pense."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Fairburn published a similar print two months later (13 July 1826) entitled "A king-fisher, and a water-wag-tail," which depicts the king fishing alongside Lady Conynham; see Lewis Walpole Library call no.: 826.07.13.01. This later Fairburn print, in turn, was likely a copy of a print of the same scene published by S.W. Fores in June 1826; see no. 15137 in the Catalogue of prints and drawings in the British Museum, v. 10., and Removed from a blue paper mount leaving residue on verso.
Publisher:
Fairburn, Broadway, Ludgate Hill
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Windsor Castle,
"George IV sits fishing under a little pavilion; his rod is a sceptre, larger than that in Britis Museum Satires No. 15126. He has hooked a frog, which Lady Conyngham, kneeling beside him, is about to scoop with a landing-net. She says: Oh what a beautifull fish! I think its something of the Gudgeon kind, but a most Noble one. A large kingfisher stands on the opposite bank watching them. The King sits on an ornate stool, resting a gouty leg on a smaller one. He wears a bell-shaped top-hat, the plain high-collared coat of recent portraits with knee-breeches. Beside him are creel and bait-box. The pavilion is merely an ornate canopy for his stool, decorated with onion domes like that of the Pavilion, bells, and a crown. Lady Conyngham wears a décolletée dress with long gloves, and roses in her hair. Behind is a realistic view of the Cottage, with a peacock in front of it, and Windsor Castle."--British Museum online catalogue
Description:
Title etched below., Attributed to Charles Williams in the British Museum catalogue., Temporary local subject terms: Male costume: top hat -- Fishing net., and Watermark: Fellows 1824.
Publisher:
Pubd. June, 1826 by S.W. Fores 41 Piccadilly
Subject (Geographic):
Virginia Water (England : Lake), and Windsor Great Park (England),
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Windsor Castle,
A caricature of George IV fishing on Virginia Water, using his scepter as a rod, watched by a kingfisher and a wagtail. On the end of his line is a frog, which is being netted by Lady Conyngham, his mistress
Description:
Title etched below image., Sheet trimmed within plate mark at top and bottom., Another version, probably a copy, of a print published June 1826 by S.W. Fores with the shorter title "A king-fisher"; see no. 15137 in the Catalogue of prints and drawings in the British Museum, v. 10., Fairburn published a similar print two months earlier (May 1826), entitled "A king-fisher" and depicting the king fishing alone; see no. 15126 in the Catalogue of prints and drawings in the British Museum, v. 10., Not in the Catalogue of prints and drawings in the British Museum., and Laid down on card.
Publisher:
Pubd. Jul. 13, 1826, by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Windsor Castle,
Title from captions below image., Attribution to H. Heath and questionable year of publication from description in British Museum catalogue of first print in series; cf. no. 15181 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Dutchman -- Wooden shoes -- Barrels -- French soldier -- Dining -- Lobster -- Dutch Herring -- Maid -- Crab -- Parrot -- Monkies -- Fish.
The president stands at a table before a group of men and women many with solemn and stern expressions on their faces. On the walls behind them is a large portrait of a man with a large, caricatured face flanked by two paintings; on the left two preachers addresss a group of native people in a tropical setting; on the right a ship in full sail approaches a tropical land
Description:
Title from heading above image. and Three lines of text below image: President, "To conclude, we have preach'd the word in all the uninhabitated parts of the earth & have translated it into 500 unknown languages & have not the least doubt but that we shall be enabled to render it equally intelligable in as many more, aided by the liberal subscriptions of this evening. Vide, the news of Sunday, April 24, 1826- Oriental Quarterly Magazine.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Topic):
Indigenous peoples, Missions, Preaching, and Religious meetings
A fashionably dressed man holding an egg cup in his left hand, knocks over his breakfast table as he turns away in disgust, upsetting his tea urn and tea set. His dog looks on with concern. The floor is covered in an elaborately decorated rug
Description:
Title from caption below image., Sheet trimmed within plate mark on three edges., and Watermark: J. Whatman Turkey Mill 1825.
A man in fashionable clothes stands awkwardly in a dressing room
Description:
Title from caption below image., Text below title: Deuce takem! It fits like a pursers shirt on a hanspike!, Sheet trimmed within plate mark., Variant state published by T. Gillard. For state published by Thomas McLean see no. 15482 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Watermark: J Whatman Turkey Mill 1824.
A man in fashionable clothes stands awkwardly on a city street outside the shop of McSight Hatter; he has a distressed look on his face as he holds his hat on. A dog at his feet has an umbrella on its back and turns and looks at the man with alarm
Description:
Title from caption below image., Text below title: Zounds! it pinches me like the very devil!!, Portion of imprint statement illegible due to paper damage; sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. [March], 1826 by T. Gillard, 40 Strand
Subject (Geographic):
England
Subject (Topic):
City & town life, Clothing & dress, Dogs, Hats, Hat industry, Umbrellas, and Men's clothing
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Combs -- Female barbers.
Publisher:
Artist's Depository, 37 Charlotte St., Fitzroy Square, London
Subject (Topic):
John Bull (Symbolic character), Shaving, and Barbers
"Portrait of John Farquhar, whole length, standing, face in profile to the left, wearing tailcoat and trousers with patches."--British Museum online catalogue
Description:
Title etched below image. and Matted to 41 x 33 cm.
Publisher:
Pubd. Octr. 1826 by G. Humphreys, 24 St. James St.
Title from caption below image., Date of publication from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Sewing -- Parlors -- Pictures amplify subject -- Walts -- Violins -- Coal fireplaces -- Mantels.
Title from caption below image., Above image Title from caption above and below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A crowd of Londoners enjoying a variety of activities on the Nore
Description:
Title from caption below image., Shortshanks is the pseudonym of Robert Seymour., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1827.
"The fashionable guests, many being probably portraits and almost all elderly and plain, stand in conversation except for four at a card-table in the foreground, and for a military officer (? Prince Leopold) who lounges on a sofa. The room is bare except for a huge pier-glass and for heavily fringed and draped curtains, and for a bust of Napoleon on a pedestal which dominates the guests. An ugly little embodiment of acrid pedantry gazes up at it. There is an elaborate gas chandelier."--British Museum online catalogue
Description:
Title from caption below image.
Publisher:
Pubd. Feby. 3d 1826 by G. Humphrey 24 St. James's Street St. James's
Title from heading above image., One line of dialogue below image: I say Sall, you arnt broke hany of your harms or legs, are you?, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Fainting -- Carts -- City life.
An accident between a carriage and gentleman's cart on a city street
Description:
Title from heading above image., Two lines of dialogue below image: Well good fellow it is of no use saying anything about it now, but it was a magnificent smash, Julia, was it not?, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Topic):
Accidents, Couples, Carriages & coaches, Carts, and City & town life
Title from text below image., Attribution to William Heath and date of publication from pencil note "Heath 1826" in lower left; also present is the note "McCleary" in lower right., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local Medical Library subject terms: Clyster -- Animals, prevention of cruelty to.
Publisher:
publisher not identified
Subject (Topic):
Animal welfare, Veterinary medicine, Medical equipment & supplies, Goats, Donkeys, Dogs, and Cattle
"A man sits in profile to the left over a steaming bowl, tilting his chair and blowing the contents of his spoon. He has a grotesque profile; wears a fashionable travelling ulster; his hat and umbrella are on a chair by the small round table. Through a window, above low green slatted blinds, are seen snow-covered roofs and falling snow."--British Museum online catalogue
Description:
Title from caption below image. and Sheet trimmed to plate mark.
Publisher:
Pubd. by Geoe. Hunt, 18, Tavistock Strt. Covent Garden
Title from text above images., Eight designs on one plate, each individually titled., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Fellows 1824.
Title from caption below image., Number "3" in "1835" in imprint has been erased and replaced with number "2" written in ms., Reissue of no. 15189 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published 1826 by S. Knights., and Temporary local subject terms: Holidays.
Publisher:
Pubd. Augt. 1st, 18[2]5, by Thos. McLean, 26, Haymarket
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily publishing., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Scene in a school-room, pupils performing for admiring relations and friends. Eight little girls in party frocks do dance-steps while an agitated dancing-master leans angrily towards them, playing his fiddle. Other little girls watch from a bench (right). Boys sit in two tiers on an improvised platform from which they have stuck pens in the wig of an aged schoolmaster who is greeting a visitor. A dressed-up old woman hands a tray of refreshments to caricatured guests seated on the left, while four dandified men stand on the right. An ugly old woman snuffs a candle while she menaces the group of boys. On the wall are a sampler and drawings perpetrated by the pupils. There is a hanging gas chandelier."--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed within plate mark., Reissue of no. 15187 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published Dec. 12, 1826, by S. Knights., and Mounted to 25 x 33 cm.
Publisher:
Pubd. Augt. 1st, 1835, by Thos. McLean, 26 Haymarket
"A phrenologist, De Ville, in his consulting room, feels the forehead of a loutish gaping youth who kneels on a cushion at his feet. Behind the boy stands his stupid-looking mother, grinning with delight at her son. De Ville, who wears plain old-fashioned dress, has a grotesquely shaped skull fringed with scanty hair; his left hand rests on an open book on his table on which is a skull, numbered phrenologically and resting on a paper: Thurtell [murderer] shown to be Craniologically an Excellent Character. Behind him stands an assistant with a porcine profile writing in a note-book: Very large Wit N° 32. A large book-case covers much of the wall (right). There are also portrait heads illustrating grotesque misshapen features, and a bust on a pedestal with a satyr-like profile."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Sheet trimmed within plate mark., Four lines of quoted text below title: "Pores o'er the cranial map with learned eyes, Each rising hill and bumpy knoll descries, Here secret fires, and there deep mines of sense, His touch detects beneath each prominence.", and For an earlier state before aquatint added, see no. 15157 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. Feby. 24th, 1826, by G. Humphrey, 24 St. James's Strt., London
Subject (Geographic):
England.
Subject (Name):
De Ville, J. and Thurtell, John, 1794-1824.
Subject (Topic):
Phrenology, Costume, Caricatures and cartoons, Bookcases, and Muffs
Burns's recipe for tameing a shrew and Burns's recipe for taming a shrew
Description:
Title from caption below image., Text above image begins: Curst is the man the poorest wretch in life ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Birdcages -- Parrots -- Dogs -- Cats -- Wives and husbands -- Pictures on wall amplify subject.
"A phrenologist, ugly and dandified, standing behind a table, lectures to an informally grouped and stupid-looking audience; he holds his naturalistic brown wig, revealing a bald head covered with reddened protuberances. His Concluding Address is engraved in the lower margin: Ladies and Gentlemen Having thus concluded the hundred and thirty ninth article, under the Head or Section of Propensities: I shall take my leave until the next lecture, by clearly elucidating in my own person an instance of Due Proportion of Faculties: Talkativeness with Gulling, standing First: and further beg to testify, beyond all doubt, . . . that on the Craniums of this highly gifted and scientific Audience, the Organ of Implicit faith Under Evident Contradictions, Stands beautifully develop'd to a Surprising and Prominent degree Dear Ladies Worthy Gentlemen; adieu. Nearest the lecturer is a family party: anxious wife, amused husband, and small boy with a head abnormally protuberant at the back. Two bald men anxiously feel their bumps; an agitated woman presses her forehead. A man inspects a skull. On the lecturer's table, with one of Gall's plaster heads mapped out in numbered compartments, are writing materials and books, two with titles: Treatise on Elementary and Logic. Portrait busts, all bald, stand on the floor; busts illustrating different propensities decorate the room. Two are placed conspicuously on the floor in front of the table, Dr. [sic] Ville [see British Museum Satires No. 15157] and Gall. Others are of Spurzhim [sic], Scott, Shakespeare, W. Clive, and Tremaine. Two of a group of skulls are inscribed Thirtell [Thurtell, the murderer, executed 1824] and Pollard. The busts featuring character (with appropriate expressions) are Gazing Faculty, Slyness, Pride, Sleepiness, Consequence. The book-case behind the lecturer contains, besides books, a skull and a large jar of coloured liquid inscribed Gall, it stands on a large book, Opinions on Men and things; beside this are Lock on Understanding and Aristotle (propped by a skull). The other books with titles are Moore, Lavater [two volumes], Lectures on Nothing [? Outinian Lectures, see British Museum Satires No. 14773]; a rolled document, Doctrino Particularum, lies on two large books: Self Knowledge and Commentana Critica. Treatise on Magic, Harriette Wilson [see British Museum Satires No. 14828, &c], Duty of Man, Mackenzie ['Man of Feeling'], Treatise on Doubt, Philosophers Stone, Combe [two volumes], Treatise on Gold Making, Bells Brain [two volumes, 'New Idea of the Anatomy of the Brain', 1811]. On the wall are three pictures: Bumps, two little boys boxing with huge spherical gloves; Life's a Bumper, a fat 'cit' toping in an arm-chair; Tony Lumpkin, who cracks a whip, and shouts as in Goldsmith's play. Below these are pinned up a pictorial advertisement and three prints. The first is headed by a human eye and the inscription, Sold by Royal Patent Phrenological Hats Adapted to Every Protuberance of Faculty or Organ Yet Discovered, above a cluster of misshapen hats and a little man wearing such a hat; below: To be Had [in] Caster . . . Two prints illustrate bust portraits: Abstraction and Suspicion. The third, Prying, is a print of Paul Pry, see British Museum Satires No. 15138."--British Museum online catalogue
Alternative Title:
Phrenological lecture
Description:
Title from text above image., Atrributed to Henry Thomas Alken in the British Museum online catalogue, registration no.: 1895,0617.455., Text below image begins: Concluding address: Ladies and gentlemen, having thus concluded the hundred and thirty ninth article ..., Sheet trimmed within plate mark on top edge., Temporary local Medical Library subject terms: Lectures., and 1 print : soft-ground etching, hand-colored ; plate mark 24.9 x 32.6 cm, on sheet 30.3 x 39.6 cm.
Publisher:
Published Sepr. 1826 for the artist at St. Peters alley Corn Hill
"A phrenologist, ugly and dandified, standing behind a table, lectures to an informally grouped and stupid-looking audience; he holds his naturalistic brown wig, revealing a bald head covered with reddened protuberances. His Concluding Address is engraved in the lower margin: Ladies and Gentlemen Having thus concluded the hundred and thirty ninth article, under the Head or Section of Propensities: I shall take my leave until the next lecture, by clearly elucidating in my own person an instance of Due Proportion of Faculties: Talkativeness with Gulling, standing First: and further beg to testify, beyond all doubt, . . . that on the Craniums of this highly gifted and scientific Audience, the Organ of Implicit faith Under Evident Contradictions, Stands beautifully develop'd to a Surprising and Prominent degree Dear Ladies Worthy Gentlemen; adieu. Nearest the lecturer is a family party: anxious wife, amused husband, and small boy with a head abnormally protuberant at the back. Two bald men anxiously feel their bumps; an agitated woman presses her forehead. A man inspects a skull. On the lecturer's table, with one of Gall's plaster heads mapped out in numbered compartments, are writing materials and books, two with titles: Treatise on Elementary and Logic. Portrait busts, all bald, stand on the floor; busts illustrating different propensities decorate the room. Two are placed conspicuously on the floor in front of the table, Dr. [sic] Ville [see British Museum Satires No. 15157] and Gall. Others are of Spurzhim [sic], Scott, Shakespeare, W. Clive, and Tremaine. Two of a group of skulls are inscribed Thirtell [Thurtell, the murderer, executed 1824] and Pollard. The busts featuring character (with appropriate expressions) are Gazing Faculty, Slyness, Pride, Sleepiness, Consequence. The book-case behind the lecturer contains, besides books, a skull and a large jar of coloured liquid inscribed Gall, it stands on a large book, Opinions on Men and things; beside this are Lock on Understanding and Aristotle (propped by a skull). The other books with titles are Moore, Lavater [two volumes], Lectures on Nothing [? Outinian Lectures, see British Museum Satires No. 14773]; a rolled document, Doctrino Particularum, lies on two large books: Self Knowledge and Commentana Critica. Treatise on Magic, Harriette Wilson [see British Museum Satires No. 14828, &c], Duty of Man, Mackenzie ['Man of Feeling'], Treatise on Doubt, Philosophers Stone, Combe [two volumes], Treatise on Gold Making, Bells Brain [two volumes, 'New Idea of the Anatomy of the Brain', 1811]. On the wall are three pictures: Bumps, two little boys boxing with huge spherical gloves; Life's a Bumper, a fat 'cit' toping in an arm-chair; Tony Lumpkin, who cracks a whip, and shouts as in Goldsmith's play. Below these are pinned up a pictorial advertisement and three prints. The first is headed by a human eye and the inscription, Sold by Royal Patent Phrenological Hats Adapted to Every Protuberance of Faculty or Organ Yet Discovered, above a cluster of misshapen hats and a little man wearing such a hat; below: To be Had [in] Caster . . . Two prints illustrate bust portraits: Abstraction and Suspicion. The third, Prying, is a print of Paul Pry, see British Museum Satires No. 15138."--British Museum online catalogue
Alternative Title:
Phrenological lecture
Description:
Title from text above image., Atrributed to Henry Thomas Alken in the British Museum online catalogue, registration no.: 1895,0617.455., Text below image begins: Concluding address: Ladies and gentlemen, having thus concluded the hundred and thirty ninth article ..., Sheet trimmed within plate mark on top edge., Temporary local Medical Library subject terms: Lectures., and Mr. De Ville of the Strand identified by ms. note in a contemporary hand in lower left of sheet.
Publisher:
Published Sepr. 1826 for the artist at St. Peters alley Corn Hill
A caricature on the prevalence of bribery during elections, most probably that of 1826. The successful liberal candidate stands on a platform before a cheering crowd and people waving from the windows of adjoining building. In the 'Committee Room' behind him, an official pays a man holding a sign inscribed 'No bribery or corruption' with the word 'and' between bribery and corruption scored through. On the right is an armchair and behind it stand two large flags; two flowers on the chair match the flower on the lapel of the candidate
Description:
Title written in ink in bottom left corner of image, in an unidentified hand (possibly Theodore Lane's)., Statement of responsibility written in ink on verso, in an unidentified hand (possibly Theodore Lane's)., Date supplied by cataloger., A small hole in the lower right and two small looses along left edge., Probably the original drawing for a lithograph published in 1829; Cf. Lewis Walpole Library call no.: 829.06.01.02+., and A companion drawing: Rejected candidate.
Subject (Geographic):
Great Britain.
Subject (Topic):
Political corruption, Elections, Cheering, Corruption, Crowds, Political elections, Politicians, and Signs (Notices)
Title from captions below image., Attribution to H. Heath and questionable year of publication from description inBritish Museum catalogue of first print in series; cf. no. 15181 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Alcholic beverages -- Obesity -- Drinking.
Title from caption below image., Plate from book: Joe Lisle's play upon words, pub by Thomas McLean, 1828., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from heading near top of sheet., Date of publication from unverified data from local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Posters (advertisements) on walls -- Pills -- Quack medicine -- Wigs -- Rules of the Fleet and Bench -- Prison discipline., Watermark: J Whatman Turkey Mill., and Mounted to 25 x 31 cm.
Title from text above images., Peter Pasquin is pseudonym of William Henry Pyne. Cf. Halkett and Laing., Six designs on one plate, each individually titled., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1825.
Title from text above images., Peter Pasquin is pseudonym of William Henry Pyne. Cf. Halkett and Laing., Six designs on one plate, each individually titled., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text above images., Peter Pasquin is pseudonym of William Henry Pyne. Cf. Halkett and Laing., Six designs on one plate, each individually titled., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from heading above image., Two colums of dialogue below image: Well "how's the patient? Bolus said, John shook his head ... vide Peter Pinder., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partially trimmed watermark.
Publisher:
Published by H. Jenkins ol Bear Street, Leicester Square
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Farmers -- Poverty -- Farm houses -- Scarecrows -- Rural areas., and Watermark: J. Whatman Turkey Mill 1828.
"An exhibition in the 'Great Room' of the Horticultural Society, containing portraits of officials and caricatures of spectators; the exhibits embody political and other allusions. The three officials command the room from seats at a raised table, each with a sloping desk. The chairman, hammer in hand, sits between the Secretary and Assistant Secretary. His desk is inscribed: A most respectable Cauliflower always in order -. He is John Elliot, F.R.S. (1764-1829, Treasurer, and one of four Vice-Presidents; he often presided). On his right Joseph Sabine (1770-1837, Hon. Sec. of the Society 1816-30); on his desk: The friend of Maecenas--"arvum cælumq Sabinum non cessat laudare"--Hor. Epist. On Elliot's left, John Turner, Assistant Secretary, wearing spectacles: on his desk: An highly cultivated specimen requires Glass. The exhibits are on an oblong counter against and below that of the officials, and also on a slightly lower annexe to it, having a curved front which corresponds to the horse-shoe benches facing it. Immediately below the officials are four exhibits: [1] a miniature rocky mountain or crag on a dish, with mining apparatus projecting from its summit and having berried sprigs attached to it, labelled Vapor Vincit Omnia et Omnium. Round the rock is a scroll: Comparative Declension -- Mine -- Miner -- Minus -- New Lat Gr. The berries are placarded: The New Golden Drop or Marvel of Peru--a native of No-Mans land To be bought in the City -- only -- £500 pr leaf! Cheap as dirt & production beyond beleif. [2] A few ears of corn labelled Matchless Specimen stand in a blacking-bottle inscribed Rye Coffee By Act of Parliament -- Almighty Roasters!! - H H [Henry Hunt] Radical Corn Doctor--& General Polisher of Mankind. [3] A cannon-like brass cylinder projects horizontally from the back of a kettle, its muzzle being filled with a bunch of grapes; it is fixed to a stand inscribed Perkins's New Grape House Forced by Steam NB -- Warrented [sic] not to end in Smoke. Beside it is a second bunch of grapes; a poker leans against the kettle. [4] Two small squared pieces of wood ticketed: Specimens of American Acasia NB these Trees must not be too much exposed they require warmth & thrive best in a Register. The exhibits on the projecting table are of naturalistic fruit, with one exception: a basket inscribed Keen's Seedling A Hot Bed Plant contains a plump manikin (Kean), naked except for buskins and a head-dress like a strawberry, with a spray of leaves attached to it. He holds up a grinning mask decorated with antlers. This is ticketed NB Does not thrive in America. A bunch of grapes has the inscription: a bunch of Grapes from Lady Bacchus which upon Dissection will on a Moderate Computation afford 1/2 a grape & one stone to each man of taste -- NB Beware of Drunkenness & appoplexey. Two huge pears, placed like the Green Bags of BM Satires 13735, are in a dish inscribed Sure such a Pear -- was never seen. A giant apple: "A most Prodigious Pippin" -- Byron. Two plates of apples: Sundry Specimens of forbidden Fruit NB le Meilleur de son Espéce [sic]. The spectators [Footnote: Identifications by Reid are doubtful, and it is not always clear to whom they refer: they are here given in quotation marks.] are in the foreground, some standing over the exhibits, others on or beside the green-covered benches. Each has a punning caption in the lower margin. A dandy, 'Mr. West', stands on the extreme left, holding the head of a slim cane to his mouth; he is The Pink of Fashion or Dandy-Lion [cf. BM Satires 13029]. Next him sits Alderman Cox with antlers sprouting from his bald head; he clutches an umbrella and stares through an opera-glass at 'Keen's Seedling'. He is A variety of Horn-beam -- a double bearer (an allusion to his wife's two lovers). A gouty old man, frenzied with pain and rage, shouts at a dandified supercilious-looking fellow who plants the heel of his Hessian boot on his swollen toe; they are 'Mr Rogers' and 'Mr Wilbraham': A Passionflower in full bloom and A Species of Misletoe. Seated on the front bench in back view is a vast, shapeless, and plainly dressed woman, with a child, a small replica of herself, seated beside her; each has placed next her on the seat a flat broad-brimmed straw hat. They are A Bulb from Holland with Offset. A stout man fingers fruit, furtively stuffing a capacious pocket; he is A Monstrous Medler in full bearing ('Mr Richard Salisbury'). A dandy, out at elbows and with patched trousers, stands aggressively in back view: A Sprig of Nobility running to seed -mem-while in this state not to be trusted out of doors-if kept under lock & key it will receive the benefit of the Act [for the relief of debtors] ('Mr. Motheaux', i.e. John Motteux, d. 1843, a Vice-President of the Society, and very rich). On the seat behind him are two open books: Hortl Transtns Letters from Corresponding Mr-Mustard & Cress how to choose the seed-Essay on a Radish with highly finished Engravings. Another volume of the same: . . . On the Best mode of planting a-Pip &c. A grotesquely tall cavalry officer stands in profile to the left: A Scarlet Runner ('Captain Maxwell'), (? identification intended for the naval officer), more convincingly identified by E. Hawkins as Captain Scarlett (1799-1871). An ugly scowling fellow stands in profile to the left, with folded arms, grasping a stick with a knob carved in a portrait-head of himself: An English Crab-a Native of this Country. He is 'Dr Henderson', i.e. Alexander Henderson, M.D., 1780-1863, a Vice-President of the Society. Behind him stands a naval officer with an empty right sleeve, a patch of sticking-plaster on his forehead, and a fixed smile: Heart of Oak-with its timber lopp'd-little cultivated at present the old plants vegetate in the background. Identified by E. Hawkins as Murray Maxwell (see BM Satires 12999) whom he resembles apart from the sleeve; by Reid (improbably) as 'Lord Verulam'. He may stand for the brave but neglected naval officer, with attributes both of Nelson and Maxwell. On the extreme right a brandy-faced undergraduate with a gold-tasselled cap bestrides a bench as if on a horse, hands placed as if holding whip and reins: Hortus Cantab- propagated at Newmarket ('Mr Labouchere'; ? Henry Labouchere, 1798-1869, an Oxonian). On the pilastered wall are three pictures and a portrait bust: [1] A large picture of a burly man wearing a loin-cloth only, linked to three naked children by a root which they all gnaw. This is An Irish Potatoe Plant with young ones dressed in their Jackets after the fashion of the Country. [2] The portrait of Sir Joseph Banks, still belonging to the Society, realistically copied, with the title Hortus Siccus-The Flower of the Flock. [3] A bust of George IV as a Roman Emperor, resembling the Coriolanus of BM Satires 13677: Penny Royal- used for various purposes raised by slips-offsets &c-vide Dictiony. (This bust of the then Regent (as patron of the Society) was commissioned from Goblet for £12). [4] A portrait of a pregnant woman (Lady Ann Monson) standing in a garden, inscribed, Arethusa Bulbosa-a Species of Egg Plant-hatches once a Year & bears fruit in all Climates--Introduced by Dr Fothergill A. 1778, as appears from Miss Lee -- daughter of a nursery-man -- it grows wild occasionally -- reports speak of a specimen presented to Society Anno 1 & cultivated for amusement, by one Adam. Perhaps a portrait belonging to the Society is burlesqued."--British Museum online catalogue
Description:
Title from caption below image., Imprint from mss. note. See Lewis Walpole Library 826.01.01.01.2+., Later state as described in the British Museum catalogue., and Temporary local subject terms: National stereotypes -- Irish -- Pictures amplifying subject -- Plants -- Dandies.
"Each has a caption in the upper margin. They stand in profile to the left, except [3] who is full face. [1] Romancing Molly. A maidservant, basket on her arm, house-key in her hand. She asks: Hav'nt you no Rum-ances in 5 Wollums?--[2] Sir Larry Luscious--, spindle-shanked and elderly; he asks: Have you the last of Harritte Wilson--? [see BM Satires 14828, &c.]. [3] A burly Political Dustman--, his shirt-sleeves rolled up: I vants a Cobbett [i.e. a 'Political Register']. [4] Frank a la Mode, a heavily whiskered dandy, holding his eye-glass, asks: Pray is a Waverley's New Novel out? [cf. BM Satires 14825]. Beside him is a poodle clipped in the French manner."--British Museum online catalogue
Description:
Title from caption below image., Text above image: Romancing Molly, Sir Larry Luscious, Political dustman, Frank à la mode., Sheet trimmed within plate mark on lower edge., and Temporary local subject terms: Dustmen -- Reading -- Female servants.
Publisher:
Published Augt. 7th 1826 by J. Fairburn Broadway Ludgate Hill
Title from captions in lower part of image., Questionable year of publication from related print in British Museum catalogue. Cf. No. 15180 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Fellows 1824.
Title from caption below image., Date of publication from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Date of publication from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1823.
Publisher:
Pubd. by J.L.[?] Marks, 17 Artillery St., Bishopgate
Title from captions below image; series title and number etched above image., Attribution to H. Heath and questionable year of publication from description in British Museum catalogue of first print in series; cf. no. 15181 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"The mother sits beside an open work-table, receiving the children whom a black footman ushers in, looking round the door and grinning broadly. The eldest girl has rushed into her mother's arms; a little boy stands beside her, gleefully welcoming a younger girl who is running forward. The eldest boy, on whom his mother's eyes are fixed, advances nonchalantly, blowing a trumpet. A cockatoo screeches on its perch. There are two pictures: Harvest Home and Happy Return, a woman at her cottage door greeting a youth."--British Museum online catalogue
Alternative Title:
Commencment of the holidays and Commencement of the holidays
Description:
Title from caption below image., Number "3" in "1835" in imprint has been erased and replaced with number "2" written in ms., Reissue of no. 15188 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published 1826 by S. Knights., Temporary local subject terms: Holidays -- Black servants -- Parlors -- Families -- Pictures amplify subjects -- Parrots -- Joy -- Horns., and Watermark: 1834.
Publisher:
Pubd. Augt. 1st, 18[2]5, by Thos. McLean, 26 Haymarket
Subject (Topic):
Blacks, Children, Cockatoos, Dogs, and Sewing equipment & supplies
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Hunt, George, active 1824-1831, printmaker, publisher
Published / Created:
[1826?]
Call Number:
826.00.00.53+
Image Count:
1
Resource Type:
still image
Alternative Title:
How are ye off for fish
Description:
Title from caption below image., Text below title: a a soal whiting haddock skait a a., Sheet trimmed within plate mark on upper and lower edges., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by Geo. Hunt, 18, Tavistock Street, Covent Garden
Title from caption below image., Date of publication from unverified data from local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Horses -- Country folk -- Hunting., and Mounted to 30 x 22 cm.
Title from caption below image., Date of publication from unverified data from local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Horses -- Directions., and Mounted to 30 x 23 cm.
Title from caption below image., Eight lines of verse below title: I had nae thought to dae her wrang, but round her waist my arms I flang ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Scottish dress -- Couples -- Tartan., and Watermark: J Whatman Turkey Mill 1827.
Title from caption below image., 'A. Crowquill' was a psuedonym used jointly by Alfred Henry Forrester and Charles Robert Forrester., Sheet trimmed within plate mark., Reissue with date modified by etching. For state pub. 12 Feb. 1825 cf. no. 14904 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Temporary local subject terms: Illness -- Medicines -- Demons -- Carpets -- Watchmen -- Cooks -- Wash stand -- Sitting rooms.
Publisher:
Pubd. Dec. 12th, 1825 by S. Knight, Sweetings Alley, Royal Xchange
Title from caption below image., Date of publication from unverified data from local card catalog record., Plate numbered in lower left corner: No. 4., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published, by H. Fores, No. 16 Panton Street, Haymarket
Title from heading above image., Four lines of dialogue below image: Do you know who I am fellow? I am the Deputy Port Admiral ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms.
A bearded man in a riding habit with a top hat races against a dustman with a brush in his hand who rides a donkey. A crowd on the left cheer them on.
Description:
Title from text above image., Eight lines of verse below image: Since jockeying the general's now all the rage, to escape from the panic, levanters are sage ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. June 1826, by S.W. Fores, 41 Piccadilly
Subject (Topic):
Audiences, Horse racing, Riding habits, and Social classes
Title from caption below image., Sheet trimmed within plate mark on right and left edges., and Temporary local subject terms: Quadrille -- Costume, 1826 -- Reference to Paul Pry -- Skeletons: The Living Skeleton.
Publisher:
Pubd. for the proprietor by Geo. Hunt, 18 Tavistock Stt., Covt. Garden
Title from text above images., Other title information from text above the upper left image., Six designs on one plate, each individually captioned., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text above images., Other title information from the captions below the images, beginning with the upper left., Six designs on one plate, each individually captioned., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text above images., Other title information from caption below uppermost image., Four designs on one plate, each individually captioned., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms.
Publisher:
Published by Thos. McLean 20, Tichborne Street, Haymarket
Title from text above images., Other title information from text above the upper left image., Six designs on one plate, each individually captioned., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text above images., Other title information from caption below upper left image., Five designs on one plate, each individually captioned., Sheet trimmed within plate mark on three edges., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Two dandies meet on a open field and have a brief conversation
Description:
Title from caption below image., Text below title begins: How are ye? ..., Companion print to: Parting., Sheet trimmed within plate mark on three edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey MIll 1824.
Title from text above images., Eight designs on one plate, each individually titled below., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1822.
"A Park promenade, with wind-swept fashionables. In the foreground (left) are three tiny children, almost hidden by their huge wide-brimmed straw hats, below which ankle-length drawers are seen. With them is a wasp-waisted lady also in a big flat hat, and with inflated sleeves connected by a tiny corsage. A soldier wearing a flat cap looks down on the roof of hats with astonishment. A dandy resembling one of the Crowquills in BM Satires 15156, and holding a similar cane, is arm-in-arm with a tall man draped in high-collared and tasselled cape reaching to the ground. They meet and address two ladies. A grotesquely obese woman ogles a passer-by. The new developments in costume are trousers pinched at the knee, and inflated above and below it, and for women large flat hats with flexible brims (cf. BM Satires 15017, 15059), much-defined breasts, and draped shoulder-capes tied at the back, with a general impression of swirling draperies."--British Museum online catalogue
Alternative Title:
Monstrosities of 1825 and 6
Description:
Title from caption below image., Sheet trimmed within plate mark., Temporary local subject terms: Fashion -- French., and Watermark: J. Whatman 1827.
Publisher:
Pubd. Feby. 10th 1826, by G. Humphrey 24 St. James's Strt. St. James's
Title from caption below image., Publication statement, artist attribution, and printer information inscribed on mount., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Actors in character,, Mounted to 28 x 21 cm., and Text on mount: Designed and drawn on stone by Richard J. Lane. Published Novr. 24th, 1826 by J. Dickinson, New Bond Strt. Printed by C. Hullmandel.
Publisher:
Published Novr. 24th, 1826 by J. Dickinson, New Bond Strt
"A landscape is patterned with tiny children under huge wide-brimmed hats. Two girls in back view hasten towards three little boys who swagger forward, arm-in-arm; the hat of the tallest boy projects far beyond the heads of the others, who wear round peaked caps. All wear childish trousers gathered at the ankle in a dandyish manner. One boy rides a hobbyhorse, one child has fallen prone, and is almost covered by its hat. In the foreground grow genuine mushrooms."--British Museum online catalogue
Description:
Title from item., Title from caption below image., and Watermark: J Whatman 1827.
Publisher:
Pubd. Jany. 24, 1826 by G. Humphrey, 24 St. James's St. James's [sic]
Title from caption below image., Text below title begins: Well a-- Good morning! ..., Companion print to: Meeting., Sheet trimmed within plate mark on two edges., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text above image., Two lines of text below image: But my honest man, why let even the pig come in? ..., and Temporary local subjects headings: Irish stereotypes -- Smoking -- Families -- Bible tracts-- Families -- Poverty -- Hearths.
Publisher:
Pubd. Feby. 17th 1826 by G. Humphrey 24 St. James's Strt. St. James's
"Two men skating, one of them holding an umbrella that hits the other on the nose, his hat falling on a hole on the ice to the right and he's about to fall on his back; in the right background two men pulling another on skates."--British Museum online catalogue
Alternative Title:
Just going to "drop in"
Description:
Title from text below image., Publication date based on watermark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1826.
Title from text below image., Date of publication from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. by Ingrey & Madeley, Lithogc. Office, 310 Strand
Title etched below image., Publication statement flanks both sides of title., Text below title: They even stooped to the most degrading submission to obtain tickets., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Five couples, finely dressed men and ladies at an outdoor luncheon party are stampeded by bees. Confusion is made worse by one man who falls backwards from a bench, which he tilts up, clutching the table-cloth and dragging over a bowl of punch. One of the ladies (left) has fainted and is being revived by a gentleman who pours a glass of water on her face. The dog on the right barks at the confusion
Alternative Title:
Picnic party disturbed by a swarm of bees
Description:
Title from caption below image., Questionable attribution to G. Cruikshank from British Museum catalogue, Sheet trimmed to plate mark., and Watermark: J. Whatman 1825.
Publisher:
Pubd. June 1st 1826 by G. Humphrey 24 St. James's Street
Title from caption below image., Date of publication from unverified data from local card catalog record., Two lines of dialogue below title: Fait sir! and I'd be mighty sorry to be after taking y'e at your own valuation!, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Four men skating, colliding with each other in a mangle, one of them about to fall head first into a whole in the ice, holding a man's skate with his right hand and another's coat with his left, his right foots hitting the man who's coat he is holding on the forehead, this man in turn hits another's nose; a sing of 'Dangerous' to the left, and other figures on the background."--British Museum online catalogue
Alternative Title:
Christmas quadrille party
Description:
Title from text above and below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A scene with two men in a sitting room decorated with a rug, curtains, and a wall full of framed sporting prints: The one gentleman sits at a table playing a flute. The other gentleman is practicing fencing moves, a manual on the floor beside him. His lunge at the target on the back of the door has impaled the butler on the other side in the chest causing him to drop the tea service tray
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Accidents, Fencing, Daggers & swords, Servants, and Flutes
"A Portuguese soldier and a British soldier, facing each other, co-operatively seize Ferdinand VII, who is putting his left foot across a line dividing Spain (right) from Portugal. Each holds a musket without bayonet. The Englishman's right hand is on Ferdinand's shoulder; the Portuguese clutches one of the King's ass's ears. Ferdinand wears a crown, a long cloak, and a spiky ruff. A French officer on the extreme right makes off to the right, shocked and alarmed; he looks over his shoulder, exclaiming, Sacré dieu! le pauvre bete est attrappée."--British Museum online catalogue
Description:
Title etched below image., From British Museum online catalogue Curator's comments: The Frenchman is evidently the Marquis de Moustier, French Ambassador at Madrid, who appeared covertly to countenance Ferdinand's support of the Portuguese refugees, and was recalled in disgrace., and Original price "2/-" written in ink in lower right corner of sheet.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Geographic):
Spain
Subject (Name):
Ferdinand VII, King of Spain, 1784-1833 and Moustier, Clément Edouard, Marquis de, 1779-1830.
Subject (Topic):
History, Soldiers, British, Portuguese, Military officers, French, and Firearms
Title from text above images., Seven designs on one plate, each individually titled., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Fellows 1824.
A caricature on the prevalence of bribery during elections, most probably that of 1826. The distraught rejected candidate, shown full-length and facing left is red in the face and pulling at his hair. His election placard lies on the floor and two notes are visible on the mantelpiece above a grill with fireplace tools: 'Tavern expenses 500' and 'Bringing voters from London 800'. Through the window on the right, with flags flying, a cheering crowd carries the successful candidate in a chair above their heads
Description:
Title written in ink in bottom right corner of image, in an unidentified hand (possibly Theodore Lane's)., Statement of responsibility written in ink on verso, in an unidentified hand (possibly Theodore Lane's)., Date supplied by cataloger., A small hole in the lower right., Probably the original drawing for a lithograph published in 1829; Cf. Lewis Walpole Library call no.: 829.06.01.01+., and A companion drawing: The chosen candidate.
Subject (Geographic):
Great Britain.
Subject (Topic):
Political corruption, Elections, Anger, Corruption, Crowds, Political elections, and Signs (Notices)
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Sheet trimmed within plate mark., Imprint continues: ... where political and other caricatuers are daily publishing., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1828.
Title from caption below image., Shortshanks is the pseudonym of Robert Seymour., Description based on imperfect impression; sheet trimmed within plate mark on upper edge with loss of text., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title etched below image., Four lines of verse alongside title: The doating father anxious to approve, the Classic studies of the son he loves ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Books -- Classics -- University education., and Watermark: J. Whatman 1826.
A man and woman in a parlor with carpet, mirrorand paintings on the wall, and a parrot on a stand. The man bows toward the woman who stands beside an open trunk. Four lines of dialogue below image: Madamoiselle, I love you well I long to kiss your toe. Oh! no Mounsieur my lips are here; you need not stoop so low!!
Description:
Title from heading above image., Evidence of plate burnishing within imprint statement., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Date of publication from unverified data from local card catalog record., Portion of imprint statement burnished from plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Fellows 1827.
Title etched below image., Text immediately below image corresponds to figures in design: Half price, full price, high price, low price., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. 1826 at the Artist's Depy., Charlotte St., 87
Title from text above image., Print caption: Parson: What did your godfathers & godmothers then for you? Boy: Nothing sir, rot'em for I never had none., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A man in a top hat paints the words "Huntsm[...] [...]la ..." on wall that surrounds an estate
Description:
Title etched below image., Sheet trimmed within plate mark. Mounted with 5 other prints in the series on blue album paper., "Daily paper"--Upper right corner., "Pt. 4"--Upper left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A scene outside the Ram Inn (with a ram above the sign "Dealer in foreigh wintes"), part of whose front forms a background. Yokels are crowded in a wagons with banners, fiddlers, and trumpeter, all wearing favors, and accompanied by many pedestrians (including women and children with dogs) and one or two mounted men. They are witnesses, &c., in a lawsuit on the claim of the vicar of Berkeley, Mr. Carrington, to the great tithes of Gloucester; on a verdict against the vicar they are about to go in procession to Berkeley for a celebration near the vicarage, with a roasted ox, firing of small cannon, &c.
Description:
Title from caption below image., Sheet trimmed within plate mark., and Watermark: J Whatman Turkey Mill.
"A dandy grasping a slim umbrella walks, left to right, on tiptoe, looking down. In the roadway behind him a small stage-coach with two horses drives right to left. An outside passenger wearing a cape raises his hand to salute the pedestrian. Behind is a wall topped with trees, with many bills. Below the title: "The second--is the Cut Infernal--This consists in Casting "Your Eyes suddenly down towards the gloomy abode "of the inexorable Pluto, (In this case you must suppose "Cuttee to be above you, a Cockney in a goneby Tilbury "or a respectable Man outside the Clapham Coach) "--rating the Commissioners soundly In the irregularity of "the pebbles:--Horridly they do pave London now--/ "the same puddle was here last week -- I declare! "--By this time Cuttee has passed, the Clapham Coach gone by --And you acclaim with Macbeth You are a Man again!""--British Museum online catalogue
Description:
Title from caption below image., Ten lines of text below title: "The second is the cut infernal. This consists in casting ...", Sheet trimmed within plate mark., One of a set of three prints. See nos. 15483 and 15485 for other titles., and State with a different imprint: Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10, no. 15484.
Publisher:
Pubd. by T. Gillard, 40, Strand
Subject (Topic):
Clothing & dress, Carriages & coaches, Dandies, and British
Title from caption below image., Date of publication from unverified data from local card catalog record., Three lines of dialogue below title: Egad, my worldly friend, it seems I have just hit your hour. Yes you generally do., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Dining -- Servants -- Hearths -- Pictures amplify subject.
A man with a look of surprise on his face sits at a table, fork and knife in hand as a coachman arrives at the door. A coach can be seen in the large windown behind him
Description:
Title etched below image., Date from other prints in this series., Sheet trimmed within plate mark. Mounted with 5 other prints in the series on blue album paper., "Sundy [sic] paper"--Upper right corner., "Pt. 9"--Upper left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A courtroom scene in which the lawyer in wig and robes points to a piece of paper as he questions the man in the dock
Description:
Title etched below image., Date from other prints in this series., Sheet trimmed within plate mark. Mounted with 5 other prints in the series on blue album paper., "Sunday paper"--Upper right corner., "Pt. 7"--Upper left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
