Title from ms. note added to mount., Date of publication from unverified data from local card catalog record., Artist's attribution trimmed with loss of text., Sheet trimmed within design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to24 x 33 cm. Ms. title on mount: Tartini's dream.
Title from text above image., Date of publication based on watermark., Two lines of dialogue below image: "Oh my goodness Mary if there is'nt one of the monkeys got out! La how he stares at you! ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Smith & Allnutt 1831.
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... wher [sic] political and other caricatuers are daily publishing, the largest collections in England., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Seven captioned images on plate: Cross bun; A votary of Hy-men; Portrait of Locke; Currant jam; A turn-up raddish; A bad tempered bit of steel; One of the tribe of Aaron
Description:
Title from heading above image., In upper right corner: Price 1s., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Titles from captions below images., Four designs on one plate, each separately titled., Sheet trimmed within plate mark on right and left edges., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Sheet trimmed within plate mark on upper edge., Temporary local subject terms: Tories -- Dissolution of Parliament -- Policemen -- Scarlett, Sir James York, 1799-1871., and Numbered in ms. at top of sheet: 240.
Publisher:
Pub. May 2d, 1831, by T. McLean, 26 Haymarket
Subject (Name):
Peel, Robert, 1788-1850, Londonderry, Charles William Vane, Marquis of, 1778-1854, Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838, and Ellenborough, Edward Law, Earl of, 1790-1871
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[February 1831]
Call Number:
831.02.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Grey as schoolmaster stands on a low dais in profile to the right, addressing nine schoolboys (Tories); he holds an open book, 'Reformers First Primer', and leans on his desk, saying, 'Say after Me I Shou'd Reform Thou Shoudst Reform He Shoud Reform We Shou'd Reform You Shou'd Reform They Shou'd Reform'. Behind him is the front portion of an ornate chair, as in the French print. Brougham stands full-face, as usher, holding a big birch-rod (see British Museum Satires No. 15535). Four pupils sit on the front bench behind them is another row of four; Wellington stands behind on a stool (invisible) wearing a fool's cap, like an extinguisher, decorated with bells. He holds a torn primer, and with his fingers to his mouth says 'I Can't Reform'. Peel is the only boy who looks at Grey. The pupils are ill-drawn and badly characterized; two are Lyndhurst and Goulburn, wearing spectacles. All (except Lyndhurst, who is in wig and gown) wear boyish dress, with white neck-frills or collars, some wearing pinafores."--British Museum online catalogue
Alternative Title:
Conjugation of the verb To reform
Description:
Title from text below image., Digit "3" in year "1831" in imprint is printed backwards., and Numbered in ms. at top of sheet: 213.
Publisher:
Pub. Feb. 1831 by S. Gans, Southampton St., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Grey, Charles Grey, Earl, 1764-1845, Peel, Robert, 1788-1850, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Goulburn, Henry, 1784-1856
Subject (Topic):
Politicians, Lecterns, Teachers, Books, Reform, Students, Chairs, and Fools' caps
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject headings: Chokier, Erasme Surlet, Baron de, 1769-1839.
Titles from text below images., Date of publication based on watermark from related print at The Lewis Walpole Library., Four designs on one plate, each individually titled., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Charles Tilt, 86, Fleet Street
Subject (Topic):
Arcimboldesque figures, Occupations, and People associated with commercial & service activities
Title from text below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : lithograph on wove paper, hand-colored ; sheet 25.5 x 20.3 cm., Imperfect; imprint of publisher C. Tilt has been erased from sheet., and Partial watermark.
Publisher:
Published by C. Tilt, Fleet Street and G.E. Madeley, lith., 3 Wellington Stt., Strand
"Wetherell (left), an invalid in dressing-gown and night-cap, reclines in an arm-chair, exhausted but laughing. Facing him stands Eldon in deep dejection, saying, with both hands raised, 'Poor Boroughbridge! how is it with you?' Cumberland, on the extreme right, stands behind Eldon, covering his face with his handkerchief; he says: 'Facetious to the last!--It is quite affecting!' Horace Twiss leans on the back of Wetherell's chair; Chandos, dressed as a woman, stoops over the patient; both are smiling. Wetherell: 'All over my friends! just in time to hear my "last speech and dying words"! But dont look so grave about it, I assure you we treat the matter in our house as if it was an excellent joke--to be sent out of the world with a dose of Russell's purge"! is so droll; & then, we are to have such a merry funeral'. On a commode is a bottle labelled 'Russell's purge'. Peel, smiling, and Goulburn, holding a handkerchief to his face and leaning on Peel, watch from the background."--British Museum online catalogue
Description:
Title from text below image., Print signed with the monogram "HB," which was used by John Doyle., and Series title and number at top right.
Publisher:
Published by Thos. McLean, 26 Haymarket and Printed by C. Motte, 25 Leicester Sqre
Subject (Geographic):
Great Britain
Subject (Name):
Wetherell, Charles, Sir, 1770-1846, Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Buckingham and Chandos, Richard Plantagenet Temple Nugent Brydges Chandos Grenville, Duke of, 1797-1861, Twiss, Horace, 1787-1849, Peel, Robert, 1788-1850, Goulburn, Henry, 1784-1856, Russell, John Russell, Earl, 1792-1878., and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Commodes, Crying, Deathbeds, Government officials, and British
"Wetherell (left), an invalid in dressing-gown and night-cap, reclines in an arm-chair, exhausted but laughing. Facing him stands Eldon in deep dejection, saying, with both hands raised, 'Poor Boroughbridge! how is it with you?' Cumberland, on the extreme right, stands behind Eldon, covering his face with his handkerchief; he says: 'Facetious to the last!--It is quite affecting!' Horace Twiss leans on the back of Wetherell's chair; Chandos, dressed as a woman, stoops over the patient; both are smiling. Wetherell: 'All over my friends! just in time to hear my "last speech and dying words"! But dont look so grave about it, I assure you we treat the matter in our house as if it was an excellent joke--to be sent out of the world with a dose of Russell's purge"! is so droll; & then, we are to have such a merry funeral'. On a commode is a bottle labelled 'Russell's purge'. Peel, smiling, and Goulburn, holding a handkerchief to his face and leaning on Peel, watch from the background."--British Museum online catalogue, description of the original version of the print
Description:
Title from text below image., Print signed with the monogram "HB," which was used by John Doyle., Probably a piracy of a print published 7 March 1831 by T. McLean. The publisher S. Gans was known to issue piracies of McLean prints; see British Museum online catalogue., For the original version of the print, see no. 16602 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11., and Imperfect; sheet trimmed with loss of imprint statement from bottom edge. Imprint supplied from impression in the John Johnson Collection, Bodleian Library, University of Oxford, shelfmark: Political Cartoons 5 (101).
Publisher:
Pub. by S. Gans, Southampton Street, Strand
Subject (Geographic):
Great Britain
Subject (Name):
Wetherell, Charles, Sir, 1770-1846, Eldon, John Scott, Earl of, 1751-1838, Ernest Augustus, King of Hanover, 1771-1851, Buckingham and Chandos, Richard Plantagenet Temple Nugent Brydges Chandos Grenville, Duke of, 1797-1861, Twiss, Horace, 1787-1849, Peel, Robert, 1788-1850, Goulburn, Henry, 1784-1856, Russell, John Russell, Earl, 1792-1878., and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Commodes, Crying, Deathbeds, Government officials, and British
"William IV stands, very erect and stern, in profile to the right, holding at arm's length a birch-rod inscribed 'Reform'. Behind him, as ushers, on the extreme left, Brougham and Grey stand in consultation. The King says to a body of discomfited schoolboys (right): 'Get you gone and never let me see your faces again till you are Reformed'. The boys are (left to right) Wellington, wearing a peaked cap and an old, over-large, military coat, and carrying a bag, walks hand in hand with Peel who wears an ill-fitting policeman's tunic and holds a slate on which is scrawled the figure of a policeman (see British Museum satires no. 15768, &c). Beside and behind them are Sadler and Wetherell. In front of Peel walks Twiss with a book under his arm; next him is the small Sugden wearing a pinafore. Taller than the others are Hunt wearing a hunting-cap and holding ajar of his blacking (see British Museum satires no. 16575) and Sir R. Wilson wearing a smock and a cap and holding a slate inscribed 'Bob Wilson'. Wellington to Peel: 'Oh Bobby--Bobby what shall we do now?' Wetherell, looking back, says (as late M.P. for Boroughbridge, cf. British Museum Satires No. 16602): 'I am afraid I shall never be admitted into the school again'. Hunt: 'Who would have thought I should have been Hunt-ed out already'. Wilson: 'Its a shocking bad Job' [cf. British Museum Satires No. 16646]."--British Museum online catalogue
Alternative Title:
Headmaster turning out the incorrigibles
Description:
Title etched below image., Signed with Henry Heath's monogram in lower right corner., and Month of publication from the British Museum catalogue.
Publisher:
Pubd. 1831 by S. Gans, Southampton Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Peel, Robert, 1788-1850, Grey, Charles Grey, Earl, 1764-1845, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Sadler, Michael Thomas, 1780-1835, Wetherell, Charles, Sir, 1770-1846, Twiss, Horace, 1787-1849, Sugden, Edward Burtenshaw, 1781-1875, Hunt, Henry, 1773-1835, Wilson, Robert, Sir, 1777-1849, and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Taxation, School principals, School children, and Punishment devices
Title from captions below images., Date of publication based on watermark., Four designs on one plate, each individually titled., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1831.
Title from heading above image., Publication information from ms. note on print and from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms:, and Original imprint statement erased from sheet and replaced with ms. note: Pubd. by S.W. Fores, 41 Piccadilly, London.
Title from heading above image., Publication information from ms. note on print and from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J Whatman 1827., and Original imprint statement erased from sheet and replaced with ms. note: Pubd. by S.W. Fores, 41 Piccadilly, London.
Title from heading above image., Publication information from ms. note on print and from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Original imprint statement erased from sheet and replaced with ms. note: Pubd. by S.W. Fores, 41 Piccadilly, London., and Watermark: J Whatman 1827.
Title from heading above image., Publication information from ms. note on print and from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Original imprint statement erased from sheet and replaced with ms. note: Pubd. by S.W. Fores, 41 Piccadilly, London.
Title from heading above image., Publication information from ms. note on print and from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Imprint statement erased from sheet and replaced with ms. note.
Title from heading above image., Publication information from ms. note on print and from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Imprint statement in ms. on sheet.
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Three homely women sit in the parlour discussing the threat of invasion by the French revolutionaries
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: French Revolution 1830.
Title from caption below image., The last digit of the publication year was erased from sheet and replaced with an ms. '1'., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Scottish tam.
Publisher:
Pubd. 183[1] by S. Gans, Southampton St., Strand
Subject (Topic):
Animals in human situations, Cats, Monkeys, and Musicians
Two soliders shown full-length, one facing forward and the other in profile looking left
Description:
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. April 13, 1831, for W. Heath at 56 Quadrant Regent Street
Subject (Topic):
Daggers & swords, Military uniforms, British, Bayonets, and Rifles
Title from caption below center image., Ten designs on one plate, three of which have individual titles., One print in a series. Variant series name on one other print: General rules for the art of tormenting., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. March 30, 1831, for W. Heath at 56 Quadrant Regent Street
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
1831.
Call Number:
831.02.00.11+
Image Count:
1
Resource Type:
still image
Abstract:
A mustached Polish soldier dressed in a green military uniform drops his unsheathed saber and struggles under the weight of a massive grizzly bear (Russia) that straddles his back. Fallen on the floor are the soldier's hat and a staff of liberty inscribed 'Poland & Liberty'. A satirical treatment of the Polish-Russian War, 1830-1831 or the 'November Uprising'.
Description:
Title from caption below image. The word "bear" in unbearable is underscored., Imprint mostly burnished from plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by S. Gans, Southampton St., Strand, Fed
Subject (Geographic):
Poland, Poland., Russia., and Russia
Subject (Topic):
History, Grizzly bears, Soldiers, Foreign relations, and Daggers & swords
Title from text above images., Printmaker and date of publication from later prints in series., Fifteen small designs on one plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1830.
Title from text above images., Printmaker and date of publication from later prints in series., Sixteen small designs on one plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text above images., Printmaker and date of publication from later prints in series., Fifteen small designs on one plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text above images., Fourteen small designs on one plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from text above images., Twelve small designs on one plate., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Three caricatured heads surrounded by the words of the title which are formed by etched human figures in various poses and other scenes showing figures from a variety of trades (including a dustman), fighting, boxing, courting, etc
Description:
Title from text above image, Date of publication from unverified data in local card catalog record., Possible title page to a series of prints., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A tall, fashionable young woman walks with her arm linked in the arm of a short, obese, red-face man who grins as he looks up at her. He carries a walking stick. She wears a large hat and holds a eyeglass
Description:
Title from caption below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by S. Gans, Southampton Street, Covent Garden
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
March 26th, 1831.
Call Number:
831.03.26.01+
Image Count:
1
Resource Type:
still image
Abstract:
A satire on the electoral Reform Bill of 1831, which was passed soon after this print was issued. Grant shows the figure of blind Justice leaning out from a mass of billowing clouds and holding her scales labelled "Reform 1813". The load on the left side labeled "People', though containing fewer documents -- Magna Carta, Economy & Retrenchment, Peace of Plenty, Extension of the Electi[c] Franchise, Cheap Government -- is heavier than the other plate "Oligarchy" which is weighted down by: Bribes, Corruption, Six Acts, Corn Law, Church, Rotten Boroughs, Corporation Charters, Law & Iniquity, Taxes, Imposts, Holy Alliance, [F?]onal Debt. A group of four men in the left foreground include a judge; the one man says "Behold! a mere feather turns the ballance in our favour and saves us from revolution & disgrace." Just beyond them in the middle distance the King stands firmly and says "The triumph of this great & vital cause will fix my crown more firm upon my head." On the right a group of over six men including a clergyman who wipes his brow and cries "The draft is in their favor. Our cause is lost. Oh dictatorium, dictatorium, dic-". Another gentleman behind him cries "They may vainly recken on a paltry unit, we have yet power to rent it peicemeal [sic]." In the distance a crowd cheers, and some hold signs for "Reform" and "Support the King & his ministers", etc
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. by John Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, Cabinet officers, Clergy, Crowds, Demonstrations, Judges, Justice, and Scales
Title from central prominent design., Date of publication from unverified data from local card catalog record., Captions from other scraps include: Tiger Lilly; Honorary members of the temperence society; 1st of September; "Alas poor ghosts!", Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Titles from captions below images., Printmaker and date of publication from later print in series., Four designs on one plate, each individually titled., Sheet trimmed within plate mark on right and left edges., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below center image., Artist from signature on other prints in the series., Five designs on one plate, each individually titled., One print in a series. Other prints in the series published with series title: The art of tormenting., Description based on imperfect impression; sheet mutilated in upper right corner with possible loss of plate number., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Jany. 1831 by Chas. Tilt, 86, Fleet Street
Title from text above and below image., Text in speech bubble begins: Beg pardon, hope no offence ..., Description based on imperfect impression; most of the text in speech bubble has been erased and replaced with manuscript text., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below center image., Artist from signature on other prints in the series., Six designs on one plate, five of which have individual titles., One print in a series. Variant series name on one other print: General rules for the art of tormenting., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Stocks (Punishment).
Title from caption below center image., Artist from signature on other prints in the series., Six designs on one plate, five of which have individual titles., One print in a series. Variant series name on one other print: General rules for the art of tormenting., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Couples.
Title from caption below leftmost image in center of design., Ten designs on one plate, six of which have individual titles., One print in a series. Variant series name on one other print: General rules for the art of tormenting., Description based on imperfect impression; sheet trimmed within plate mark on lower edge and mutilated in upper right corner with possible loss of plate number., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Jany. 1831 by Charles Tilt, 86 Fleet Street
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... where political and other caricatuers are daily pub., the largest collection of any house in London., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"John Bull as a Chinese, in Chinese costume, hugely corpulent sits full-face in an arm-chair, legs extended, hands resting on the sides of his paunch. He looks to three doctors on the left, the foremost being Grey, who leans towards him, pointing to his colleagues (left), and saying suavely, 'This deformity is quite inconsistent, believe me, with the Nature of your Constitution & therefore must be got rid of, I will undertake with your approbation, to remove it & my assistant Doctor Russell here will prepare you for the Operation'. Lord John Russell, on the extreme left, speaks confidentially to Althorp who is in back view: 'I once thought that a case of this description ought to be treated with great caution and even wrote as well as talked a great deal about it, but now I am quite of a different opinion I think there is nothing like cutting away thro' thick & thin!' J. B.: 'I ca'nt say that my bodily health was ever better, or that I ever felt stronger tho' to be sure I am not growing younger; but then every one is telling me how deformed I am grown of late & this tumour which I have had from my infancy is all a Mass of Corruption'. On the right and slightly farther from the picture-plane, the rival doctors, Peel and Wellington, are in consultation. The Duke: 'I say the Man has no defect in his Constitution & that what they call corruption is necessary to his existance--but now because he would not believe me, but choses rather to submit to the experiments of these rash operators --Wharnecliffe who is a sensible Man lays all the blame on me'. Peel: 'Yet I begin to think we could have done better, when we found him determined to think that his Constitution was impaired, to have tried--just in the way of soothing, a gentle alterative Course'."--British Museum online catalogue, description of a variant state
Alternative Title:
John Bull and the doctors
Description:
Title from text below image., Print signed with the monogram "HB," which was used by John Doyle., Variant state lacking C. Motte's printer statement in lower right. Cf. No. 16666 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11., and Temporary local Medical Library subject terms: Politics, British.
Publisher:
Published by Thos. McLean, 26, Haymarket
Subject (Geographic):
Great Britain and England.
Subject (Name):
Hoo Loo, 1799-1831., Grey, Charles, 2nd Earl, 1764-1845, Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Russell, John Russell, Earl, 1792-1878, Spencer, John Charles Spencer, Earl, 1782-1845, and Wharncliffe, James Archibald Stuart-Wortley, Baron, 1776-1845.
Subject (Topic):
Politics and government, John Bull (Symbolic character), Tumors, Surgery, Politicians, and Obesity