"An opera-dancer, Mme Rose Didelot, is poised on her right toe, her head turned in (sharp-featured) profile to the left, holding up a long garland of roses. She wears a pseudo-classical costume, defining her person, the edge of the skirt bordered with roses, a wreath of roses in her hair which is almost short. The scenery is of trees with a landscape background."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Didelot, Marie Rose Paul,---1803--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Burke (left) as a shambling beggar, holds out his hat towards the Duke of Bedford who looks between the folding gates of Bedford House, holding one side to keep them almost closed. Their words float upwards from their mouths: Burke says: ""Pity the Sorrows of a poor old Man, add a trifle to what has been bestowed by Ministry to stop my Complaints: - O give me opportunity of recanting once more! - Ah! remember me in your Golden Dreams! - great Leviathan of liberty, let me but play & frolick in the Ocean of your royal Bounty, & I will be for ever your Creature; - my Hands, - Brains, - my Soul & Body, - the very Pen through which I have spouted a torrent of Gall against my original Friends, and cover'd you all over with the Spray, every thing of me, & about me, shall be yours - dispence but a little of your Golden store to a desolate Old Man". Bedford says: "Hark'ee, old double Face, - its no use use [sic] for you to stand Jawing there, if you gull other people, you won't bother us out a single Shilling, with all your canting-rant, - no, no, it wo'nt do, old Humbug! - let them bribe you, who are afraid of you, or want your help, - your Gossip wont do here: -" Burke wears the red and blue of the Windsor uniform, his dress is tattered, one foot protrudes through his shoe. In his right hand is a sheaf of broadsides: 'Last Dying Speech of Old Honesty the Jesuit' [cf. BMSat 6026, &c.]. On his back is a sack inscribed '£4000 pr Annum' indicating his two pensions. From his back protrudes a book inscribed 'Reflections upon Political Apostacy'. The design is framed by the stone gateway of Bedford House, each side surmounted by a sphinx (cf. BMSat 8639)."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, Francis Russell,--Duke of,--1765-1802--Caricatures and cartoons., Burke, Edmund,--1729-1797--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"The two members for Middlesex simultaneously address a meeting of freeholders from a hustings against a building (The Mermaid, at Hackney) which forms a background. Both lean forward in profile to the right. Byng (left), thin and elegant, gesticulates with clenched fist, right arm above his head. He frowns, while Mainwaring (right) grimaces insinuatingly, his hands held out deprecatingly. From Byng's pocket issues a paper: 'Treatise on the use of Cocoa'. On the extreme left, behind Byng, stands Fox, holding Byng's hat. The other men on the platform, all wearing hats, are freely sketched. On the wooden barrier of the hustings are two bills, the lower part of which is concealed by the heads of the spectators, which reach across the lower edge of the design: 'Mermaid Hackney Meeting of the Freeholders for obtaining a Repeal of the odious, detestable, obnoxious, unconstitutional oppressive treasonable . . .' and 'Address to his Majesty by the Freeholders.'"--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Byng, George,--1764-1847--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Mainwaring, William,--1735-1821--Caricatures and cartoons.
"Two chairmen carry (left to right) a lady in a sedan chair. The roof is raised and through it projects an enormous ostrich feather, rising from an aigrette and curls, which also extend above the roof. To the second chairman's back is strapped the base of a long curving rod which supports an umbrella to protect the feather. Through the window of the chair appears the lady's profile. She holds a half-closed fan before her face. Behind (left) is a plain town house of three stories behind its area-railings; it is next a high curving wall (right). Probably from a design by an amateur."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Miss Farren and Lord Derby, both in profile to the right, walk together inspecting pictures. She, very thin and tall, looks over his head through a glass at a picture in the second row of 'Zenocrates & Phryne'. He looks at the picture immediately below, 'The Death', a huntsman holding up a fox to the hounds. The frame is decorated by an earl's coronet with horses, cf. BMSat 9074, &c. Lord Derby, much caricatured, very short and obese, wears riding-dress with spurred boots and holds a whip. Miss Farren wears no hat, a dress hanging from the shoulders and trailing behind her, short sleeves and gloves. Both hold an open 'Catalogue'. Behind, a man (left) and two ladies in back view and arm-in-arm inspect a picture of 'Susan[nah and the] Elders'. The lady in the centre wears a high, twisted turban (cf. BMSat 8755) with an enormous feather, the other wears a round hat."--British Museum online catalogue.
Alternative Title:
Tally-ho & his Nimeney-pimmeney taking the morning lounge and Tally-ho and his Nimeney-pimmeney taking the morning lounge
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Derby, Elizabeth Farren Stanley,--Countess of,--1759 or 62-1829--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An elderly man displays scientific experiments. He stoops forward, in profile to the left, holding a rod horizontally between his fingers, in the left hand is a glass. A small still, phials, &c, and an elaborate appliance (right) are on the long table behind which he stands. On the wall are two medallion profile-portraits, one (left) being that of Priestley. A serpent, a scroll with cabalistic signs, a terrestrial globe on a bracket, are also on the wall, which is lit by a single candle with a curiously shaped reflector."--British Museum online catalogue, description of an alternate version of similar composition.
Description:
Another version, apparently published the following day, of a print published with the imprint: Pubd. March 28th, 1796, by H. Humphrey, No. 37 New Bond Street. Cf. No. 8887 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Printmaker from description of alternate version in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, No. 37 New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Priestley, Joseph,--1733-1804--Caricatures and cartoons., and Walker, A.--(Adam),--1730 or 1731-1821--Caricatures and cartoons.
"An elderly man displays scientific experiments. He stoops forward, in profile to the left, holding a rod horizontally between his fingers, in the left hand is a glass. A small still, phials, &c, and an elaborate appliance (right) are on the long table behind which he stands. On the wall are two medallion profile-portraits, one (left) being that of Priestley. A serpent, a scroll with cabalistic signs, a terrestrial globe on a bracket, are also on the wall, which is lit by a single candle with a curiously shaped reflector."--British Museum online catalogue.
Description:
Printmaker identified as Gillray in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 37 New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Priestley, Joseph,--1733-1804--Caricatures and cartoons., and Walker, A.--(Adam),--1730 or 1731-1821--Caricatures and cartoons.
"Sir David Dundas on horseback, in profile to the left, drills a line of cavalry at some distance. He holds a gold-headed cane in place of a whip and sits his horse in the manner of a bad rider. His foot is thrust forward so that his boot projects beyond the animal's chest (cf. Nos. 7233, 7242); he holds the curb rein only, and this is merely placed between his hand and the cane; the snaffle lies on the horse's neck. The animal is clumsy, with shaggy fetlocks. Under the saddle is a leopard-skin. Dundas is on rising ground above the level of the soldiers who are drawn up facing some tents."--British Museum online catalogue, description of a later state of the same composition.
Description:
Earlier state of No. 11256 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Thomas Adams is one of the pseudonyms used by Gillray. See British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Dundas, David,--Sir,--1735-1820--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A spectacled man, wearing riding-dress with spurred top-boots, seizes a stout lady by the hair and flourishes a riding-whip, saying, "Pro bono Patriae". A younger man (left) puts his hand on his shoulder, saying, "I'll support you". He is wildly cheered by an election crowd (left), who wave their hats. The lady's feathered bonnet lies on the ground, her hair streams down her back, and she holds out her arms in terror. A group of cathedral clergy stand on the right watching with gestures and expressions of alarm and disapproval. Behind is a square church tower (right) with pinnacles."--British Museum online catalogue.
Alternative Title:
Proof of the refined feelings of an amiable character ...
Description:
CtY-LW, Printmaker and questionable date of publication from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Elections: reference to elections, 1796 -- Clergy: cathedral clergy -- Buildings: cathedral -- Abuse of women., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"John Bull (left), a stout countryman wearing jack-boots, rides (right to left) through a wood on a wretched hack, ready to fall under his weight. Pitt kneels on the ground (right) in profile to the left, aiming a blunderbuss (which is supported on crossed sticks) point-blank at John; it is inscribed 'Standing Army'. He masquerades as a beggar: his dress is tattered, on the ground is his hat, containing coins; he says: "Good Sir, for Charity's sake \ "have Pity upon a poor ruin'd Man; - \ "drop if you please, a few bits of \ "Money into the Hat, & you shall \ "be rewarded hereafter -" From his coat-pocket project a cocked pistol and a paper: 'Forced Loan in reserve'. He points to a document on the ground beside him: 'Humble Petition, for Voluntary - Contribution Subscriptions & new Taxes, to save the Distres'd from taking worse Courses.' John Bull has dropped his righteins and holds his hat, full of guineas; he looks with melancholy distrust at Pitt, but drops guineas into his hat. His horse, disfigured with sores, is evidently the white horse of Hanover, its head-band is red and blue, the Windsor uniform (cf. BMSat 8691, &c). From the bushes behind Pitt emerge the heads and shoulders of (right to left) Dundas, Grenville, and Burke, each with a pistol levelled at John Bull. Dundas wears Highland dress, Grenville peer's robes and a grenadier's cap with the letters 'Wm R' (cf. BMSats 7479, 7494, &c.): he looks down reflectively at Pitt instead of at his victim, implying that he is his cousin's henchman; Burke has a pen in his hat. On the left is a signpost pointing (right) 'From Constitution Hill' (cf. BMSat 8287) and (left) 'To Slavery Slough by Beggary Corner.'"--British Museum online catalogue.
Alternative Title:
John Bull escaping a forced loan
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"A burlesque of the discovery by Cymon of Iphigenia asleep. A fat country-woman, whose dark skin and coarse features give her a negroid appearance, leans against a sandy bank. A hideous yokel, advancing from the right, stoops towards her, dropping his stick and gaping with delighted surprise."--British Museum online catalogue.
Alternative Title:
Cymon and Iphigenia
Description:
Garrick's 'Cymon and Iphigenia', 1767, adapted from Dryden's version of Boccaccio's tale, made the story familiar and popular. It was the subject of a picture by Reynolds., Thomas Adams is one of the pseudonyms used by Gillray., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A Dutch soldier (left) and his wife (right), joining hands, dance round a tree of Liberty to music supplied by a foppish French soldier on the extreme left who beats a drum and blows a trumpet, and by a stout Dutchman on the extreme right who plays bagpipes inscribed 'Vader-lands Liefde' (Love of Country). The 'tree' is a pole surmounted by a milk-churn inscribed 'Vryheid \ Gellykheid \ Broederscha[p]', [This inscription (Liberty, Equality, Fraternity) occurs on Dutch prints after the French invasion, e.g. Van Stolk, No. 5299; Muller, No. 5385.] above which is a cap of Liberty shaped like a fool's cap, and a tricolour flag inscribed 'Hollandia Regenerate[a]'. On the churn sits a parroquet, 'trying to imitate the patriotic accents of his French brothers'. A monkey climbs up the pole as in BMSat 8831. Texts, 'Acts', vii. 41, and 'Job', xviii. 16."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "1" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Military uniforms: Dutch uniforms -- Dutchmen -- Holland: civil discord -- Tree of Liberty -- Cap of Liberty -- Emblems: dove as emblem of peace -- Monkeys -- Kitchen utensils: milk churns -- Musical instruments: drum -- Bagpipes -- Musical instruments: trumpets, Title etched above image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"The Convention, a creature with the body of a stout woman and with seven monstrous and demoniac heads, sits full-face in an accoucheur's chair. A little demon on the ground holds up a pitchfork. A French surgeon, smiling (right), with shirt-sleeves rolled up, holds a clumsy pair of forceps; a Dutch accoucheur, fat and senile, peers into a folio volume: 'Sectio Caes: et Sectio Synchondroseos'. '. . . L'accoucheur Français, homme experimenté, prévoit ses terribles convulsions, et s'est déja muni du forceps. Son collegue Hollandais, dont les craintes vont encore plus loin, repete la théorie de l'incision Caesarienne. Il faudrait effectivement un Caesar, pour couper court à tout proces.' Text, 'Isaiah', xiv. 29. Her fruit shall be a fiery flying serpent."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "19" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Conventions -- Surgeons -- Medical instruments: forceps -- Physicians: Dutch accoucheurs -- Monsters., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Fox and Sheridan officiate at the wedding of Lady Lucy Stanhope and an apothecary who is made up of medical implements. The bride is a pretty girl wearing a feathered hat from which a transparent veil falls over her face. Stanhope (left), without breeches, and wearing a bonnet-rouge, stooping in profile to the right, pushes her towards the bridegroom who is placing a ring on her finger; from his coat-pocket protrudes a three-masted vessel flying a tricolour flag (see BMSat 8640). The bridegroom, Taylor, is also a sansculotte; his posteriors are formed of a syringe, his body is a mortar, from which issues a pestle supporting a bonnet-rouge. His arm is made of two medicine-phials. Fox stands full-face behind the altar balustrade holding open Paine's 'Rights of Man' (see BMSat 7867, &c). He wears surplice and bands. Sheridan stands (right) in profile to the left, reading from 'Thelwal's Lectures' (cf. BMSat 8685), he wears a lay coat with bands; both wear bonnets-rouges. On the wall which forms a background, and immediately above Fox, is a large picture, 'Shrine of Equality': three men wearing bonnets-rouges officiate at a guillotine; the blade is about to fall on a man wearing a ducal coronet; other peers stand (right) waiting their turn. On the ground by the guillotine lie coronets which have just been chopped off."--British Museum online catalogue.
Alternative Title:
Alliance a la Franc̦aise, Union of the coronet & clyster pipe, and Union of the coronet and clyster pipe
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Stanhope, Charles Stanhope,--Earl,--1753-1816--Caricatures and cartoons.
"A birch-rod placed diagonally, the handle (tied with rope) in the lower left corner of the design. From among the twigs ten heads (caricature portraits) project, also (right) the head of a boar and posteriors emitting smoke. 'O peuple aveugle et endormi! . . . C'est la liberté qui a formé pour ton éducation cette verge salutaire. . . .' Text, 'Ezekiel', vii. II."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "18" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Emblems: birch rod., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"On a small plateau on the top of a mountain the Princess of Wales (left) reaches up to kiss the Prince of Wales (right), who has the body, horns, and beard of a fat goat. He kneels on one knee, his forelegs round her waist; her arms are round his neck. A star and ribbon are indicated on his body. She wears her coronet with three tall feathers, and her draperies swirl about her. In the middle distance are two rocky pinnacles; on one (left) three men dance hand in hand: Loughborough in back view wearing his Chancellor's wig and gown, the Duke of York wearing a cocked hat and his star, and Lord Cholmondeley. From the other, Lady Jersey (with the arms and legs of a goat) staggers backwards, she has horns, and three feathers fall from her head. Lord Jersey, with the body of a goat and long horns, is about to fall. They are being hurled from the rock by thunderbolts inscribed with the words 'What? - What? - What?' (the King's well-known phrase) which issue from heavy clouds, showing that it is the King who has overthrown them. Behind them is the sea with a small island flying a flag inscribed 'Jersey'."--British Museum online catalogue.
Alternative Title:
Shon-ap-Morgan's reconcilement to the fairy princess
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Caroline,--Queen, consort of George IV, King of Great Britain,--1768-1821--Caricatures and cartoons., Cholmondeley, George James Cholmondeley,--Marquess of,--1749-1827, Frederick Augustus,--Duke of York and Albany,--1763-1827--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jersey, Frances Villiers,--Countess of,--1753-1821--Caricatures and cartoons., Jersey, George Bussey Villiers,--Earl of,--1735-1805--Caricatures and cartoons., and Rosslyn, Alexander Wedderburn,--Earl of,--1733-1805--Caricatures and cartoons.
"Lady Buckinghamshire (left) and Lady Archer (right) stand side by side in the pillory, heads and hands closely confined, their heads in profile to the right, weeping angrily. Both wear tall feathers in their hair and large pendent ear-rings. Lady Buckinghamshire is forced to stand painfully on tip-toe, a short petticoat exposes her fat legs. On the front of the platform is a placard: 'Cure for Gambling Publish'd by Lord Kenyon in the Court of Kings Bench on May 9th 1796'. This is raised above the (freely sketched) heads of the crowd, with grinning upturned faces in the foreground. Eggs, a cat, &c. fly through the air; the pillory and the dresses of the victims are bespattered. On the right is a house with spectators in the windows."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Archer, Sarah West,--Lady,--1741-1801--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Buckinghamshire, Albinia Hobart,--Countess of,--1738-1816--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A scene in Lady Jersey's bedroom. Lady Jersey as an old hag (cf. BMSat 8806) lies in a magnificent bed. Lord Jersey, carrying the Prince of Wales on his back, supports himself by resting his hands on the foot of the bed. The Prince, very fat in his famous Light Horse uniform (see BMSat 8800), wearing helmet, gloves, and spurred boots, and the Garter ribbon, holds Jersey's scraggy queue in the manner of a rein; he holds up two fingers, saying (as in BMSats 8809, 8816), "Buck! Buck! - how many Horns do I hold up?" Jersey, who is very thin, leers towards the Prince out of the corners of his eyes, saying, "E'en as many as you please!" Both are in profile to the right; the Prince's eyes are hidden by the brim of his helmet as in BMSat 8816. The Princess's coronet, with its triple plume, is conspicuous on a circular close-stool (left) which is decorated with a large 'J' and earl's coronet. On the wall above it, in an ornate oval frame, is a picture of Cupid piping to an old sow who dances on her hind-legs. The fringed pelmet of the bed is decorated with earl's coronets from which spring horns."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jersey, Frances Villiers,--Countess of,--1753-1821--Caricatures and cartoons., and Jersey, George Bussey Villiers,--Earl of,--1735-1805--Caricatures and cartoons.
"A later state with the same inscriptions. The contour of the Prince is altered: he is very obese, his head bulges slightly at the back, and his legs are thicker. The position of his right hand is altered."--British Museum online catalogue and "A whole length portrait of the corpulent Prince Frederick William Charles of Wurtemberg, standing 'chapeau-bras' in profile to the right, wearing a ribbon; his right hand on his waistcoat, his left on the hilt of his sword. He has a very heavy double chin, thick lips, staring eye, high narrow head, and an expression of good-natured surprise."--British Museum online catalogue, description of an earlier state of similar composition.
Alternative Title:
Sketch'd at Wirtemberg
Description:
Later state, with changes to the plate. Cf. No. 8827 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Printmaker from British Museum catalogue., and Title etched at top of image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederick--I,--King of Württemberg,--1754-1816--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"George Hanger rides in profile to the left on a pony with a heavy body and short legs; his right foot thrust forward, the end of his bludgeon resting on the right toe. He wears a round hat tilted over the right eye, a striped neck-cloth, and prominent shirt-frill. Behind is the corner of (lower) 'Grosvenor Street', showing the door and a window of the famous coffee-house, 'The Mount', the name inscribed over the door."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Hanger, George,--1751?-1824--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Lord Malmesbury drives in a chaise with the royal arms drawn by four wretched hacks, only the hind-quarters (right) of the leaders being visible. Behind the coach stand three stolid English footmen. The chaise-doors are open, a fish-wife has entered from each side; both embrace Malmesbury who puts out his hands in dismay. Beside him (left) sits his secretary, a pen behind his ear. Another woman is getting into the chaise (left) and a fourth stands beside it, arms outspread, and grinning broadly; two fish are attached to her petticoat. All the spectators are cheering wildly. In the foreground are (left to right) a dwarfish boy, an officer wearing a feathered cocked hat and tattered coat, a ragged man wearing jack-boots and a bag-wig, waving a bonnet-rouge; a sansculotte, wearing sabots, a dagger in his belt. These are in back view. Beyond and behind the chaise bonnets-rouges are being wildly waved by a freely sketched crowd. A French postilion in military dress, a horn slung round his neck, flourishes a whip."--British Museum online catalogue.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Malmesbury, James Harris,--Earl of,--1746-1820--Caricatures and cartoons.
"An old woman of repulsive and disreputable appearance sits full-face surrounded by quack doctors. Her cap is inscribed 'Rep: Bat' (Batavian Republic), her petticoat is decorated with the seven [The artist has arranged the arrows in groups of five, not seven] arrows of the United Provinces. Her feet are in a tub of water. One doctor (left) holds her arm, the blood from which gushes into a bowl on her lap. Another (right) applies a cupping-glass to her left shoulder. A man (right) stands primly in profile to the left holding his cane; from his pocket protrudes a book: 'Traité sur la Reconaissance'. (He is 'Citoyen L' who owes everything to the ex-Stadholder.) Two military officers also watch the treatment, one (left) has a clyster-pipe under his arm. Standing behind, and on a higher level, is the zany (cf. BMSat 6398, &c), holding up a club wreathed with a serpent in his right hand, a bottle inscribed 'Tinct. Univer.' in the left. On the ground is a prescription inscribed 'R. P M: Mere' [i.e. Merc]. Text, 'Jeremiah', li. 9."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "15" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: health committee -- Quacks -- Quacks' zanies -- Military uniforms: French uniforms -- Medical instruments: clyster pipes -- Medical procedures: bleeding -- Emblems: Caduceus -- Medicine: mercury -- Water tubs -- Allusion to the Batavian Republic., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"A water-side scene with a broken tree (right) in the middle distance. A stork stands with an eel in its mouth looking down at a duck; a tortoise walks off. 'Jamais les Droits Seigneuriaux n'ont mieuxêté administré que depuis que la bassecour s'en mêle. 'Pourquoi ce jeune arbrisseau meurt-il? . . . On a coupé ses racines; il aurait pu devenir trop haut. II faut de l'égalité dans les républiques.' Text, 'Jeremiah', xiii. 18."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "10" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: law -- Storks -- Eels -- Ducks -- Tortoises., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"A skeleton (cf. BMSat 8825), representing the reorganized Dutch army, stands on a rectangular pedestal, inscribed 'De \ niewwe \ orga= \ nio \ satie. \ 1795. \ Het Ith Jaar der \ Batavsche Vryhyd'. It wears a cocked hat and short military coat (showing its ribs - 'un bel uniforme à la Française'), and smokes a pipe. Two French officers are on the left, one turns his back on the skeleton and rides his cane, like a hobby horse, his sabre against his shoulder. The other holds up an admonishing arm towards two dejected Dutch officers of unmilitary appearance: one appears to be a member of the National Guard, the other, a hunch-back, wearing jackboots and sword but leaning decrepitly on a cane, tramples on 'Traité sur l'honeur Milita[ire]'. He is 'General S.' Text, 'Jeremiah', xlviii. 14."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "3" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Emblems: skeletons as Dutch army -- Holland: reorganization of the army -- Military uniforms: French uniforms -- Hunchbacks -- Military national guards: Dutch national guard -- Holland: civil discord -- Committees: military committee., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"The five members are somnolent. One stands with closed eyes, a lighted candle in each hand, with one of which he negligently sets fire to the wig of a member asleep in his chair (left). The candlesticks are inscribed 'P. V.O.' (? Prins van Oranje). Behind and on the right two sit asleep at a table on which are glasses, a tall bottle of 'Vaderlander Schied[am]', and a pipe. On the ground behind, a man lies face downwards, a glass clasped in his hand. On the floor are a paper headed 'Rotterdam' and a decapitated cock, so dealt with to prevent the crowing of the vigilant bird, which might have disturbed them. Text, 'Isaiah', xxix. 10."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "8" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: vigilance committee -- Lighting: candles -- Drunkenness., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Four grotesque men, all crippled or deformed, are in a row before a set of druggist's shelves headed 'Staats Apotheek'. Those on the extreme left and right stand, the others sit. A knock-kneed hunchback (left), smoking a long pipe, the smoke inscribed 'Hellebr . . .', holds a paper: 'Recipe'. A ragged and lame National Guard picks the pocket of his neighbour. Above the shelves, and forming the apex of the design, a fury, Discord, with snaky locks, leans from clouds, holding a flaming sword and looking down threateningly at the conference. On the top shelf are a 'Guillotine' and a bull, 'Phalaris', a block inscribed 'Menschen lief de' next a gallows, a demon. Below are bottles: 'Quint Ess: de Robespierr, Sel de Marat, Recipes en Assignaten [see BMSat 8849], Rotten gift [poison for mice], Alb: Graec:' On the wall hang a sword and shackles. Text, 'Luke', xii. 26."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "2" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Seven men, closely grouped, fight and scuffle confusedly. On the ground (left) are the arrows of the seven United Provinces, broken and separated, a cat plays with the ribbon which binds them (the symbolical bond of union, cf. BMSat 5712). A National Guard has taken one of the arrows and drives it into the head of a man whose eye he tries to gouge out, and who grasps another antagonist by the wig. One raises a chair to smite, another empties a wine-bottle on an opponent."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "17" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: confederation committee -- Emblems: seven arrows of the United Provinces, broken -- Military national guards: Dutch national guard -- Fighting -- Furniture: ladderback chairs., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Two French officers stand behind three Dutchmen: one looking into a peep-show (left) inscribed 'L'Armée du Prince Frederic d'Orange', the other two seated in arm-chairs. One of the latter (centre) holds up his hands in pleased surprise; he looks through spectacles held by one Frenchman while the other is about to put a net over his face. The other (right) looks through a telescope; his shrivelled legs are in boots which may conceal cloven hoofs; he wears a cocked hat. On the ground is a torn paper, 'Garantie du Stadhouderat'; a pair of scissors grips the seal which is about to be cut off. Behind it a tiny demon digs with a spade. Text, 'Jeremiah', xiv. 14."--British Museum online catalogue.
Alternative Title:
The committee of foreign affairs.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "13" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: foreign affairs -- Military uniforms: French uniforms -- Peep-shows -- Eyeglasses -- Telescopes - Scissors -- Demons -- Allusion to the Prince of Orange's army -- Documents -- Seals., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Two committee-men make requisitions from a peasant and a barrow-woman. One takes a fish from the creel on the fisherman's back, and puts it into a small cornucopia which he holds. The victim, who wears trousers and sabots filled with straw, holds a paper, 'Recepisse' (see BMSat 8849), and clenches his fist, furious at receiving a receipt instead of cash. The other, in back view, has taken a handful of turnips, the old woman looks at him with a hungry, puzzled stare."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "7" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: provisions committee -- Dutchmen -- Male dress: sabots., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Four members of the committee surround a treasure-chest, dismayed to find it empty of ducats and occupied by a grinning demon who points derisively at one of them, the Secretary (wearing a bonnet-rouge with a pen in it) who holds upside down an empty bag inscribed 'ils ont emigrè'. One of them, his back to the chest, takes from a Jew (left) wearing a fur cap a dish on which a little demon is excreting coins. On the right a large cupboard falls forward shooting the huge packages it contains, inscribed 'Recepissen' and 'Assignats', on to the backs of two of the committee, the more prominent is the president of the Committee of Accounts in BMSat 8850. '. . . les beaux ducats! ils ont passé chez nos frêres, les Français! dit le Secretaire....' The Jew sells a figure which he assures the purchaser will, if nourished with the tears of the Orangists, give fifty ducats daily. This is better than the piles of assignats which threaten ruin. Text, 'Ecclesiasticus, Jesus Sirach', xl. 13."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "4" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Committees: finance committee -- Jews -- Treasury chests -- Demons -- Finances: assignats -- Receipts -- Money: coins -- Holland: civil discord., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Two French officers collect requisitioned goods from two Hollanders. One holds out smiling an empty sack, directing an abject Dutchman on the extreme right to put in the two money-bags which he holds. The other clenches his fist and seizes the wig of a fat Dutchman. Beside him (left) are two barrels. On the ground lies a large paper book inscribed 'Requisition. \ 500 Boeufs hollandais \ 100 Millions de Numerair[e] \ 600 Moutons. 11000 Quint: de Ris. \ 60000 Frontages. \ d'Edam \ 3000 Toneaux \ de Genevre etc.' Behind (right) is a baggage-wagon, its canvas tilt inscribed 'Republique Françoise'. It is filled with packing-cases, one inscribed 'Cabinet d'Hist: nat': Two men (left) carry off sacks and cases (marked 'N° 105' and 'N° 56'). Above the design: 'Les Battus paÿent l'amende'. Text, 'Jeremiah', xiii. 19."--British Museum online catalogue.
Alternative Title:
Battus paÿent l'amende
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "14" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: requisition committee -- Military uniforms: French uniforms -- Dutchmen -- Wagons: baggage-wagon -- Plunder -- Money: bags of money -- Barrels., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Three men are on the sea-shore, close to a small boat (right) with a tattered sail. One, wearing a cocked hat and military gaiters, has a basket slung round his neck containing bundles of matches for sale. He stands looking to the left, the others are behind: one (left) holds a damaged anchor on an anvil, trying to straighten it with a hammer. The other (right) sits on a three-legged stool repairing a ragged sail. The explanation ends ironically, 'Bientot les Bataves regneront sur les mers, et feront la loi à la glorieuse Albion!' Text, 'Ezekiel', xxvii. 36."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "6" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committes: commerce committee -- Committees: navigation committee -- Dutchmen -- Dutch boats., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Three men gorge at a dinner-table laden with food and wine. A fat man with the table-cloth tucked under his chin gnaws a bone. A more elegant man (left), perhaps the 'President' of BMSat 8850, but wearing ear-rings, offers a bare bone to a little ragged boy. A third (right) drinks. A man-servant stands behind, another (right) with bludgeon and clenched fist drives back a starving couple who stand in the doorway making gestures of supplication. Above the design: 'Charité bien ordonnée commence par soimême'. Text, 'James', ii. 15, 16. Similar prints in England are directed against parish officers, cf. BMSat 6877."--British Museum online catalogue.
Alternative Title:
Charité bien ordonnée commence par soimême
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "11" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: public assistance -- Opulence vs. poverty -- Glutony vs. starvation -- Food: roast -- Beverages: wine., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Two French commissaries stand (left), each with a book under his arm, holding out their demands for assignments on the exchequer; one has a paper inscribed 'Payer'. Their president, as in BMSat 8849, shrugging his shoulders, answers 'Impossible!' Another man seated on a bale (right) counts on his fingers; before him are figures giving a total of 'o'. A third holds up a paper: '2 /2 /3/', looking at it through an eye-glass. On the wall is a 'Tafel van Multiplicatie' and beside it shelves in which are books and bundles of papers, one inscribed 'Pretentions des Trouppes Suisses'. A shelf is inscribed 'Insolvable'. Text, 'Ecclesiasticus, Jesus Sirach', xli. 24."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "5" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Frenchmen -- Dutchmen -- Committees: finance committee -- Holland: civil discord., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"The interior of a church or crypt, indicated by a stone wall with funeral monuments, and a flagged floor in which old graves have been violated. A soldier tramples on a skeleton, another levers up a flag-stone. Behind, a boy in military uniform, in back view, urinates upon a skull. A citizen raises a mallet in both hands to deface a large monument against the wall, on which is the figure of a bearded man in sixteenth-century armour, which partly obscures the lettering on the tomb: 'Wil. . . [F]riso Princ .... Araus Na ...'. A tomb beside it (right), headed by a pyramid of skulls, is 'F. W: \ com: Nassov. \ Obiit \ Anno . . \.' There are other broken tombstones, one inscribed 'Princ: Araus'. A plumed helmet and blazoned shield lie on the ground. 'C'est ainsi qu'en Frise les amis de la liberté ont détruit jusqu'à la mémoire de leurs anciens tyrans. . . .' Text, 'Leviticus', xviii. 27."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "16" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: removal committee -- Churches: Dutch churches -- Tombs -- Skeletons -- Military uniforms -- Graves: violation of graves -- Monuments: destruction of monuments., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"The patriots (known as 'Bataves', who had emigrated in 1787 after their defeat by the Anglo-Prussian alliance, see BMSat 7178, &c.) approach the committee (apparently two French Représentants en Mission) with requests for money and clothes. Four men stand obsequiously on the right, two with papers inscribed 'Request'. From the pocket of one (right), dressed as a soldier, projects a carriage-lamp (which he is alleged in the text to have stolen). One Frenchman (wearing a scarf inscribed 'Representant'), holding a pair of breeches, puts money into an outstretched palm. The other haughtily watches the suppliants. On the left an old Jew measures a patriot wearing sabots, his coat inscribed 'N° 25', for a suit of clothes. Behind him is a wall from which projects a sign: 'Nathan Levi Uitdraager en Kleermaaker' [broker and tailor]. On the wall are four pegs, from one hangs a 'Capts Pack': coat, boots, and sword, from another a 'Lts Pack': coat and sword. Between them hangs a small empty bag of 'Courage Militais' [sic], and on the right a mask. Behind the suppliants is a door (right) above which is a notice surmounted by a cap of liberty: 'Nederlandsche \ Societeÿt \ Vry Wÿn en Moll' [Wine and beer gratis]. On the door: 'gebranndte Waateren te koop' [brandy for sale]. Text, 'Proverbs', xiii. 21."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "12" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: refugee committee -- Frenchmen -- Lamps: carriage lamps -- Jews -- Trades: tailors -- Brokers -- Military uniforms: Dutch uniforms -- Cap of liberty., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"A lamp-lighter (left) stands dejectedly on his ladder which rests against a stone obelisk supporting a lamp whose glass is broken. The light has been extinguished by a blast from the head of a cherub emerging from clouds (right). A man wearing a cocked hat standing by the lamp-post tries in vain to get a spark from a flint. A stout citizen bends over a cup held by an old woman seated on the right, he stirs it and blows upon it, evidently trying to kindle a light. A dog befouls the obelisk. '. . . Ce Committé se donne bien dela peine pour allumer la grande lanterne. Mais - le vent siffie - les verres sont cassé - comment les raccomoder ? - ' Text, 'Job', xviii. 5."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "9" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Committees: committee of public instruction -- Lamp-lighters -- Lighting: lamps -- Dutchmen., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Bond Street, the pavement receding diagonally from left to right, is thronged with fashionable pedestrians. In the foreground five fashionably dressed men advance, forming a phalanx which pushes on to the cobbled roadway a lady, dressed rather for the ball-room than the street, to whose arm clings a little girl; both are in back view. The men smile or leer. The lady's neck diminishes to a point, tresses of hair hang from her turban (cf. BMSat 8755), which is trimmed by a gigantic erect feather. Her over-dress hangs from her shoulders and swells into folds which sweep the ground. She holds a fan. (Small copy in Grego.) Behind (right) three ladies walk arm-in-arm in the roadway: a fat woman in a riding-habit, looking through an opera-glass, and two younger women, one with her face covered by a transparent veil reaching nearly to the (knees, the other looking demurely down. Among the crowd in the background a man arm-in-arm with a military officer in back view (? Lord Moira) resembles Fox."--British Museum online catalogue.
Alternative Title:
Politesse du grande monde
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Subject (Topic):
Clothing & dress--England--1790-1800., Crowds., Etiquette., Show windows., and Window displays.
"The Prince of Wales, on horseback, figures as a life-like equestrian statue (of the future George IV) mounted on a pedestal of three rectangular blocks, diminishing in size. On the middle block: 'PATER URBIUM subscribi Statuis." Juvel'. The Prince, in regimentals, very fat, sits in profile to the left, holding a drawn sabre. He holds the left curb rein, the snaffle lying on the animal's neck. The toe of his spurred boot is in the stirrup. He wears a feathered cocked hat, a star on his breast and on his hat, a broad sash round his ample waist. A large holster hangs from the saddle beneath which is a leopard-skin with a 'GR' and crown on each corner. The horse's near foreleg and off hind leg are raised. Beneath the design: '"------"I saw him with his Beaver on "His Cuisses on his Thighs gallantly arm'ed "Rise from the ground like feather 'd Mercury "And vaulted with such ease into his seat "As if an Angel dropt down from the Clouds, "To turn & wind a fiery Pegasus "And witch the world with noble Horsemanship - Kg Henry 4th'."--British Museum online catalogue.
Alternative Title:
Pater urbium subscribi statuis
Description:
Thomas Adams is one of the pseudonyms used by Gillray. and Title etched at top of image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"John Bull, blind, maimed, and ragged, walks (right to left) near a chasm, the edge of which stretches across the foreground of the design. His wooden right arm terminates in a hook to which is attached a cord from the collar of a lean greyhound with the head of Pitt (as in BMSat 8794). Pitt drags him forward and slightly towards the gulf; in his mouth is a large bare bone, his collar is inscribed 'Licenc'd to Lead'. In John Bull's left hand is a staff, on his back a burden inscribed 'Loans'. He has a wooden leg, which a dog with the head of Sheridan and a collar inscribed 'Licenc'd to Bite' is biting savagely. Behind and on the extreme right is a dog with the head of Grey, and a collar inscribed 'Grey Hound'; he bites John Bull's coat. Fox, a mastiff with a fox's brush, stands behind Pitt, glaring fiercely, on his collar is 'Licenc'd to Bark'. Behind is grass and a tree (left) and in the distance the roofs and spires of London, showing St. Paul's."--British Museum online catalogue.
Alternative Title:
John Bull and his dog Faithful
Description:
A satire on a Dog Tax, April 1796., Printmaker from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and St. Paul's Cathedral (London, England),--depicted.
Subject (Topic):
Artificial limbs., Blindness., Debt., Dogs., John Bull (Symbolic character)--Caricatures and cartoons., People with disabilities. , and Taxation of personal property--Great Britain.
"A handsome mulatto woman walks from left to right and slightly towards the spectator. Her hair is a mop of carefully arranged curls. She wears a high-waisted, trailing dress, defining her limbs, with a shoulder-scarf, bare arms and neck, and much quasi-barbaric jewellery. On the wall (right) half of a picture of 'Havanna' is visible. A patterned carpet completes the design."--British Museum online catalogue.
Alternative Title:
Doublure de Madame Tallien
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A lady, young and handsome, stands in profile to the left holding a closed fan in both hands. She wears one garment only, a quasi-classical tunic, its waist immediately below the breasts which are almost bare. It is slit at the side to show a leg with gartered stocking. Her hair is bound with a ribbon and falls loosely on forehead and shoulders. In it are three ostrich feathers. A panelled wall, with a candle-sconce and showing part of a large mirror (left), forms a background. There is a patterned carpet. Perhaps a portrait of Lady C. Campbell."--British Museum online catalogue.
Description:
Printmaker identified as Gillray in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bury, Charlotte Campbell,--Lady,--1775-1861--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A fashionable crowd, with two card-tables, a round table in the foreground (left) at which four persons play Pope-Joan; the most conspicuous is a pretty young woman directed to the left, her loose semi-transparent draperies revealing her person and leaving her breasts almost uncovered. A leering man stands behind her chair, negligently holding candle-snuffers to a candle on the table, in order to peer down her décolletage. A stout lady in back view, sitting on a stool (identified as Lady Buckinghamshire, but (?) Duchess of Gordon), a little girl, and an elderly man (identified as Dr. Sneyd) complete the table. On the right is another card-table at which three persons are playing. Standing figures freely sketched form a background, the whole design being dominated by the erect feathers of the ladies, usually springing from a turban."--British Museum online catalogue.
Alternative Title:
Peeping-Tom spying out Pope-Joan
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, Georgina Gordon,--Duchess of,--1781-1853--Caricatures and cartoons., Buckinghamshire, Albinia Hobart,--Countess of,--1738-1816--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Didelot dances on the stage between two women, both very lightly clad in quasi-classical costume, and wearing 'cothurnes'. He wears a feathered hat, tunic, and cloak, and looks towards Mme Parisot (right); she strikes an attitude with right leg raised and arms extended, and looks alluringly towards him, her right breast bare. Mme Rose (left), his wife, dances with more restraint, her sharp-featured profile turned austerely towards her husband. All wave their arms above their heads, and their attitudes are in fact graceful (though caricatured). Two plump 'danseuses' (left and right) whirl on one toe in the background. Behind Didelot is an irradiated sun, with features looking down disapprovingly at the dancer."--British Museum online catalogue.
Alternative Title:
Operatical finale to the ballet of Alonzo e Caro
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Didelot, Charles Louis,--1767-1837--Caricatures and cartoons., Didelot, Marie Rose Paul,---1803--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Ricciardi, Domenico. Alonzo e Cora.
"A sailor (right) and a fat, ugly, disreputable woman (left) dance with tipsy joviality. They face each other, each holding the other's left hand. He holds up a small covered jug (holding the publican's dram). Her feet appear through tattered shoes and stockings; one eye is closed. He wears a round hat, pigtail, short jacket, petticoat, and long striped stockings."--British Museum online catalogue.
Alternative Title:
My Poll and my partner Joe
Description:
Illustration to a popular song by Charles Dibdin: The waterman., Thomas Adams is one of the pseudonyms used by Gillray., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Four designs on one plate. [1] 'English Convenience - the Water Closet'. A grossly obese alderman of repulsive appearance sits full-face, clasping his sides. He wears his gown and chain, one gouty leg is swathed in bandages. On the wall behind his head are two placards: 'Bill of Fare, - Turtle Soup Fish Poultry H . . .' and a broadside, 'Roast Beef of old England headed by a sirloin'. For the history of this English contribution to civilization see M. and H. B. Quennell, 'Hist. of Everyday Things in England 1733-1851', 1933. It derives from an invention of Sir John Harington, see P. Lindsay, 'One Dagger for Two', 1932, p. 178. [2] 'Scotch Convenience - the Bucket'. A woman seated in back view on a pair of tongs across a bucket in some sort of permanent shelter composed of ramshackle planks. On this are two papers: 'The Sweets of Edinbro' to the Tune of Tweedside' (cf. BMSat 5941) and 'Croudie a Scotch Reel'. In the foreground are pigs and poultry. [3] 'French Convenience - le Commodites'. A pretty young woman, full-face, in a latrine with three apertures. She crouches with one foot on the ground, one on the seat. On the wall are two papers: 'Caira nouvelle chanson' and 'Soupe Maigre petit Chanson.' [4] 'Dutch Convenience - the Lake'. A stout man (? or woman) in back view sits on a rail, smoking a pipe. In the foreground is shallow water with ducks. Behind and in close proximity are town houses with high crow-stepped gables."--British Museum online catalogue.
Description:
Dutch convenience: the lake., English convenience: the water closet --, French convenience: le commodites --, Scotch convenience: the bucket --, and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 2 of 2) | Folder I-89
Image Count:
1
Resource Type:
Prints & Photographs
Abstract:
"Queensberry (right), walking beside a buxom young milliner, puts out an arm to touch her. His left hand is in a large muff. He wears a star and from his coat-pocket issue bottles labelled 'Renovating Balsam' and 'Velno's Vegetable Syrup' (see British Museum Satires No. 7592). She carries an arched-topped coffer (as in British Museum Satires No. 4923) and seems not unwilling."--British Museum online catalogue.
Alternative Title:
Old Quiz the old goat of Piccadilly
Description:
Temporary local subject terms: Male dress: Muffs -- Trades: Milliners -- Medicine: Velno's vegetable syrup -- Renovating balsam -- Containers: Milliners' coffer., Title etched below image., and Two lines of text below image: A shining star - in the British Peerage, and a usefull ornament to society, fudge.
Publisher:
R. Dighton, Charing Cross
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Dighton, Robert, 1752-1814, artist, publisher., Harvey, Francis--Ownership., Queensbury, William Douglas,--Duke of,--1724-1811--Caricatures and cartoons., and Riviere & Son Binding.
"Pitt (right) stands stiffly in profile to the left, holding open a large sack-like wallet inscribed 'Requisition Budget'. He addresses John Bull, the central figure, a stout yokel, who holds out his breeches in his left hand to Pitt, while he touches his hat. The budget and the breeches pockets are full of guineas. Pitt says: "More Money, John! - more Money! to defend you from the Bloody, the Cannibal French - They're a coming! - why they'll Strip you to the very Skin - more Money. John! - They're a coming - They're a coming." Dundas, Grenville, and Burke kneel on the right, bending towards the 'Budget', each with his left hand in an opening in a vertical seam, eagerly grabbing guineas. Behind them is the stone archway of the 'Treasury', with its high spiked gate. Dundas, the most prominent, wears Highland dress and holds a Scots cap full of coins. Grenville wears a peer's robe; Burke is behind. They echo Pitt: Dundas says "Ay! Ay! They're a coming! They're a coming!" Grenville: "Yes! Yes, They're a coming." Burke: "Ay They're a coming." John says: " - a coming? - are they? - nay then, take all I've got, at once, Measter Billy! - vor its much better for I to ge ye all I have in the World to save my Bacon, - than to stay & be Strip'd stark naked by Charley, & the plundering French Invasioners, as you say". His coat and waistcoat are sound, but the pockets hang inside out, empty. His lank hair, knotted kerchief, and wrinkled gaiters denote the small farmer. Behind (left), on the shore, stands Fox looking across the water towards the fortress of 'Brest' flying a tricolour flag. He hails it with upraised arms, shouting: "What! more Money ? - O the Aristocrat Plunderer! - Vite Citoyens! - vite! - vite! depechez vous! - or we shall be too late to come inn for any Snacks of the I'argant! - vite Citoyens! vite! vite!""--British Museum online catalogue.
Alternative Title:
John Bull giving his breeches to save his bacon
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Time stands behind an oval table covered with a cloth on which is an hour-glass, its sands nearly run out, standing on a large flat book inscribed 'Traitè de Paix', from which five seals hang evenly. Behind him is a doorway in a stone wall, covered with a curtain, one side of which he holds. With his left forefinger he points upwards at the inscription above the door: 'L'avenir', which is decorated with seven (drooping) ears of corn. The seals are inscribed (left to right): 'F.W.' [Frederick William of Prussia]; 'G Rx', with its ribbon inscribed 'God save the King'; France; a crowned 'C' [Catherine II]; 'Fr. Imp.' [Francis Imperator] (prophetic of the powers that decided the fate of Holland in 1815). 'Le génie du Terns garde la porte de l'avenir;... Qui est le mortel assez hardi, pour oser le penetrer? . . .' Text, 'Proverbs', x. 28. To this is added, in English only, 'St. Matthew', v. 9, 'Blessed are the peacemakers!'"--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "20" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Emblems: hour-glass -- Personifications: Time -- Seven ears of wheat-corn as United Provinces., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"Wilberforce and Bishop Horsley revel indecorously with two negresses. Wilberforce and a fat negress face each other sitting cross-legged on the bolsters at opposite ends of a settee; both smoke cheroots. The negress wears a large straw hat over her turban, her breasts are uncovered. On the ground by Wilberforce is a torn pamphlet: 'Tryal of. . . & . . . [names illegible] convicted of Perjury in the case of Captn Kimber'. On the right the fat bishop embraces a negress who is poised on his knee, holding up a wine-glass. Behind him and on the extreme right is a table on which are books: 'Rochesters Jests', 'Charity covereth a Multitude of Sins' (open), 'Humanity a Masque', 'Mathematick', 'Ghost of Clarence', and a paper: 'Defence of Orthodoxy, better late than never'. Both women wear loose patterned dresses. A little grinning black boy (left) brings in a tray of filled glasses. The room is well furnished with a patterned carpet. On the wall are four pictures and a candle-sconce. Above the door appears the lower part of a picture of a man seated on the ground: 'Captn Kimber in the Cells of Newgate'. Above Wilberforce's head is a picture, 'Inkle & Yarico': Inkle discovers Yarico, a negress, reclining under a palm tree in a mountainous landscape. (For Colman's opera, 1787, cf. BMSat 7260.) Above Horsley's head is a picture of a stage-coach driving right to left; a fat bishop (almost recognizable) looks out of the window to inspect the legs of an outside passenger which dangle from the roof. On the extreme right is a picture of 'Westminster Abbey'."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Horsley, Samuel,--1733-1806--Caricatures and cartoons., and Wilberforce, William,--1759-1833--Caricatures and cartoons.
"A buxom girl pushes (left to right) her barrow of carrots along the pavement of Bond Street, looking over her right shoulder at Lord Sandwich ('Jemmy Twitcher'), who overtakes her and twitches her apron. He is in profile to the right, leering at her. Her elegant shoes and clocked stockings are inconsistent with her occupation. The background is a bookseller's shop at the corner of 'Little Maddox Street' (left) and 'New-Bond Street' (right), displaying the royal arms. Over the door, in Bond Street, is 'Faulder' and above the two windows, 'Bookseller & Book Binder'. Pamphlets or open books fill the panes of the windows: 'Rules of the Order of Sr Francis' [an allusion to Sir Francis Dashwood and the profligate order of Medmenham Abbey]; 'List of Servant Maids'; 'A Chip of the old Block'; 'Doe Hunting an Ode by an old Buck Hound'; 'The Beauties of Bond Street' (cf. BMSat 8377); 'A Journey through Life - from Maddox Street unto Conduit Street & back again'. The side of a third shop-window in Maddox Street appears on the extreme left. Cf. BMSat 7080."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Faulder, Robert,--1747 or 1748-1815., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Sandwich, John Montagu,--Earl of,--1718-1792--Caricatures and cartoons.
"George Hanger bestrides a pile of calves with which his pony is laden, high above his mount's head. He sits in profile to the left, carrying a bludgeon; his right leg thrust forward over the calves. The fore-feet and hind-feet of the calves are tied and lie across the pony and each other. Eleven heads are visible. Hanger says: "Here they are my Lord, here's the slunk Calves, by Gxx - no allusion, dxm'me! - almost forgot you was a North-Countrey-Man! - Runt carries weight well! - no less than Thirteen damme! - come push about the Bottle, & I'll tell you the Story; - In Scotland they eat no Veal, by Gxx! nothing but Staggering-Bobs, - by Gxx! - on my Honor & Soul I mean no insult! - but Tattersal he swore, d------n me, if he didn't, - that on a small Scotch Runt, he saw, Gxx dxxn my blood, - how many d'ye think he saw? - ( - "Saw what, Georgey? - ) - why Calves! - Staggering-Bobs to-be-sure! - why d'ye think he saw Seventeen? - no! - but dxxme, by Gxx, he saw Thirteen!!! - & all just upon such another little Cock-Horse as my own!!!' ..."--British Museum online catalogue.
Alternative Title:
Munchausen driving his calves to market
Description:
One line of text below title: This print is dedicated to Lord Exxxl [i.e., Errol], his party, & the frequenters of Steevens's in general., Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Hanger, George,--1751?-1824--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A grotesque body of tradesmen, &c, march in close formation, with fixed bayonets. They wear military coats and crossed bandoliers with very unsoldierly foot-gear and appurtenances. Their leader (right) marches in profile to the right, a very short and fat butcher in over-sleeves wearing a feathered cocked hat above his butcher's cap, a military sash (from which hangs his steel) over an apron. He carries a banner on which St. George is killing the dragon. The front rank consists of (left to right): a cobbler wearing an apron, with the twisted shins known as cheese-cutters, and tattered stockings; a bricklayer, with thick gouty legs, a trowel thrust through his apron-string; an artist, his palette inscribed 'R.A', very thin and with a grotesquely thin neck; his toes project through a tattered boot of fashionable shape; a tailor with shears and tape-measure, a hairdresser with scissors and combs wearing a fashionable stock. On the left of this front rank a dwarfish drummer, an old campaigner with two wooden legs and one eye, beats his drum. Behind, the men recede in perspective, densely packed together."--British Museum online catalogue.
Description:
One line of quoted text following title: "The French invade us, hay? Damme, who'se afraid?" and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Hoppner, John,--1758-1810--Caricatures and cartoons., and Humphrey, Hannah, active 1774-1817, publisher.
"The Archduke Charles of Austria, directing military operations, stands on a bluff in profile to the left, right arm extended, his left hand rests on his sword. He wears laced coat and waistcoat, with a star, and spurred jack-boots. He has a long pigtail queue; in his enormous cocked hat, one point of which hangs before his face, the other over his shoulders, is an olive-branch. In the background clouds of smoke rise from an invisible battle."--British Museum online catalogue.
Alternative Title:
Archduke
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charles,--Archduke of Austria,--1771-1847--Portraits., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"The Prince of Wales, very fat and pompous, in night-cap, dressing-gown, and slippers, walks in profile along a corridor leading from his own door (right), above which are his coronet and feathers, towards that of Lady Jersey, which is wide open and reveals its occupant holding apart the bed-curtains with a gap-toothed grin. Lord Jersey, dwarfish, shambling, and elderly, dressed in nightcap and night-shirt (on which is a 'J' with a coronet), stands by the door, holding a candle and pointing to the bed; he raises his night-cap deferentially to the Prince, who says, with contemptuous arrogance, 'va-t-en' (see BMSat 8809). The Prince walks on a fringed strip of carpet. On the open door behind Lord Jersey is 'A [torn] Map of the Road into the Harbour of Jer[sey]'; the islands of 'Guernsey, Alderney, Sark and [Je]rsey' are depicted, with a route leading to Jersey (cf. BMSat 8810)."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jersey, Frances Villiers,--Countess of,--1753-1821--Caricatures and cartoons., and Jersey, George Bussey Villiers,--Earl of,--1735-1805--Caricatures and cartoons.
"The Princess of Wales (left), candle in hand, approaches the bed of the Prince, who wakes up, raising his hands in dismay. Lady Jersey (here, an attractive woman, cf. BMSat 8811) is asleep, her head on the Prince's shoulder, her arms round his neck. The distressed Princess wears a coronet and triple ostrich plume, her right arm is flung back. Behind her (left) is an open door through which is seen the baby princess in a cradle ornamented with the Prince's feathers, with which his bed is also decorated. On the twisting draperies of the bed is the star of the Garter. Above the Princess's head hangs a 'Map of the Road back to Brunswick'."--British Museum online catalogue.
Alternative Title:
Good cause for discontent, Good cause for separation, and Good cause for seperation
Description:
Printmaker from British Museum catalogue. and Title etched below image; the word "seperation" has been scored through and the word "discontent" inserted above it using a caret.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Caroline,--Queen, consort of George IV, King of Great Britain,--1768-1821--Caricatures and cartoons., Charlotte Augusta,--Princess of Great Britain,--1796-1817--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Jersey, Frances Villiers,--Countess of,--1753-1821--Caricatures and cartoons.
"A stout naval officer (right) is attacked by a taller and slimmer officer (left), who siezes him by the coat and raises his cane to strike. A civilian stands between them holding back the aggressor. The stout officer, Captain Vancouver, wears an enormous sword; a fur mantle hangs from his shoulders inscribed 'This Present from the King of Owyhee to George IIId forgot to be delivered'. From his coat-pocket hangs a scroll which rests on the ground, part being still rolled up: 'List of those disgraced during the Voyage - put under Arrest all the Ships Crew - Put into Irons, every Gentleman on Board - Broke every Man of Honor & Spirit - Promoted Spies - ' His left foot is on an open book: 'Every Officer is the Guardian of his own Honor. Lord Grenvills Letter'. From the pocket of the civilian (Vancouver's brother) projects a paper: 'Chas Rearcovers Letter to be publish'd after the Parties are bound to keep ye Peace.' Vancouver's assailant, Lord Camelford, says: "Give me Satisfaction, Rascal! - draw your Sword, Coward! what you won't? - why then take that Lubber! - & that! & that! & that! & that! & that! & - Vancouver, staggering back, with arms outstretched, shouts: Murder! - Murder! - Watch! - Constable! - keep him off Brother! - while I run to my Lord-Chancellor for Protection! Murder! Murder! Murder". Behind him, on the ground, lies a pile of shackles inscribed 'For the Navy'. Two very juvenile sailor-boys stand together (left) watching with delight. On Vancouver's right is the lower part of a shop (right) showing a door and window in which skins are suspended. Round the door are inscriptions: 'The South-Sea-Fur-warehouse from China. Fine Black Otter Skins. No Contraband Goods sold here.'"--British Museum online catalogue.
Alternative Title:
Caneing in Condiut Street, Caneing in Conduit Street, and Caning in Conduit Street
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Pitt, Thomas,--Baron Camelford,--1775-1804--Caricatures and cartoons., and Vancouver, George,--1757-1798--Caricatures and cartoons.
A gallows separates the design into two compartments. A sign in the center reads "Roberspierre, Marat, Santerre." The crossbar reads "Held up to infamy and posterity." Another sign hangs from the left arm and reads "Paine's Rights of Man." The sign on the right side reads "Classical lectures on the Roman History.", The scene on the left half is labelled at the top "Old England" and depicts naval and commercial prosperity under the bright skies. Three columns labelled Virtue, Honor and Loyalty stand over the words British Constitution; at the base of the drawing are the words "is basis, the happiness of the people.", and The scene on the right half is labelled at the top "New France", and in contrast, all is death and destruction: cities in ruins, bodies hanging from gallows, a bloody guillotine along with other instruments of torture. Flowing from the guillotine into a shaft underground are discarded fragments: religion, pubk. credit, monarchy, laws, trade, honor, loyality, virtue, art ...
Alternative Title:
Things as they are
Subject (Geographic):
France--History--Revolution, 1789-1799.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Paine, Thomas,--1737-1809.--Rights of man.
Subject (Topic):
Democracy. , Gallows., Guillotines (Punishment), Liberty cap. , Revolutions--French., Ruins., and Ships.
"Pitt as an alchemist, but dressed as usual, sits in his laboratory blowing a furnace with bellows formed of a royal crown. The furnace heats a large glass retort in which the House of Commons is being dissolved: the galleries are collapsing, the Speaker's chair is breaking, he and the clerks are asleep, the broken mace drops from the table, the books fly into the air and ascend with documents, &c, into the curving neck of the retort: 'Coke', 'Acts', 'Statutes', 'Rights of Parliament', 'Magna Charta', 'Bill of Rights', a cap of 'Libertas', the scales of Justice are flying upwards. The Ministerial members applaud; the Opposition are dismayed. Sheridan and Fox, though tiny, are conspicuous on the front bench. A stream of vapour issues from the mouth of the retort containing tiny grovelling figures of abject members who fill both sides of another House of Commons above and behind the alchemist's head, and prostrate themselves before a miniature Pitt, who sits on a throne which replaces the Speaker's chair, and is inscribed 'Perpetual Dictator'. He sits arrogantly, holding a sceptre; his legs are those of a bird of prey (cf. BMSat 7478), one foot is planted on 'Mag[na] C[harta]' and 'Acts of Parl[iament]'. His throne is surmounted by his crest, a stork holding an anchor, with the addition of a crown on the bird's head. A smaller retort on the extreme left, inscribed 'Aqua Regia', adds its vapour to that produced by Pitt. (Aqua Regia, used punningly, with a double meaning, is a mixture of nitric and hydrochloric acids which converts metals, even gold, into chlorides.) Pitt (the Alchemist) and the figures he is evoking, as well as the ministerialists in the dissolving House, wear the blue coat with red facings of the Windsor uniform. He sits in profile to the right on the model of a high rectangular building, 'a bastille', having a row of windows on the top story only; it is a 'Model of the new Barracks'. From his pocket hangs a paper: 'Receipe - Antidotus Republica'. On the right of the circular furnace is a coal-scuttle, inscribed 'Treasury Cole' (cf. BMSat 6213), and overflowing with guineas. On the other side is a pestle and mortar in which is Britannia's shield, about to be broken up. From the roof hang emblems of nefarious wizardry: a crocodile, a headsman's axe, a scorpion, a bull's head, a locust (cf. BMSat 8669), an asp issuing from an egg, a bat. On the wall are three rows of large jars, some with inscriptions: 'Ointment of Caterpillars' (beside Pitt's head, cf. BMSat 8676), '[Univer]sal Panacea', 'Oil of Influence', 'Extract of British Blood', 'Spirit of Sal: Machiavel.'"--British Museum online catalogue.
Alternative Title:
Alchymist producing an aetherial representation
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Pitt, William,--1759-1806--Caricatures and cartoons., and Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons.
"Two dogs with human faces hang from a gibbet inscribed 'not Paid for'; two others stand beneath, looking up at them with complacent triumph, these are 'To be Paid for'. The gibbet is formed of two uprights with a cross-bar. The pendent dogs who face each other in profile with expressions of despair are Sheridan (left) and Fox (right); their necks are linked by a chain. Fox has a fox's brush (as in BMSat 8796). He urinates upon Dundas who is immediately beneath him, facing Pitt. Dundas is a fat mongrel, Pitt a lean greyhound (as in BMSat 8797)."--British Museum online catalogue.
Description:
Printmaker identified as Gillray in the British Museum catalogue., Ten lines of verse in two columns below title: New grievances so thickly come, and taxes fall so hard sir ..., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., and Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons.
A fashionably dressed woman sits (left) in profile, in an upright chair, while a carriage waits for her as seen through the window of the well-appointed sitting room. Her loose dress, high to the neck, has two embroidered slits to reveal the breasts. A pretty, buxom nurse holds out an infant, who eagerly sucks the breast thus conveniently laid bare. She wears a turban with two erect feathers, and short sleeves; her gloved right hand holds a closed fan. On the wall behind her is a large picture, 'Maternal Love': a seated woman suckles an infant. Through a high sash-window is seen a corner of the waiting coach, a footman holding open the door, a fat coachman on the box. The coach, hammer-cloth, and the lady's chair are decorated with a baron's coronet. A patterned carpet covers the floor.
Alternative Title:
Convenience of modern dress
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"The Duke of Bedford, a stalwart, handsome and smiling farmer, strides (left to right) across a newly ploughed field, scattering guineas from a pouch slung to his shoulder; on his back is a large sack inscribed '£'. As he sows the tips of bonnets-rouges and daggers sprout up; behind him (left) they progressively emerge more completely, and appear as little Jacobins, a raised dagger in each hand, crowding in close ranks towards the horizon, where they hail (or are smitten by) thunderbolts which dart from clouds in the upper left corner of the design and explode on reaching the ground. The soil is prepared by Fox, Sheridan, and Lauderdale: Fox's smiling face is the centre of a sun which issues from clouds and shines on Bedford. A bull (John Bull) is harnessed to a plough which is guided by Sheridan wearing a bonnet-rouge. Lauderdale (bare-headed) raises a whip to flog the weary bull."--British Museum online catalogue.
Alternative Title:
Bloomsbury farmer planting Bedfordshire wheat
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, Francis Russell,--Duke of,--1765-1802--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Lauderdale, James Maitland,--Earl of,--1759-1839--Caricatures and cartoons., and Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons.
"Fox addresses a proletarian mob from some point apparently under the portico of St. Paul's, Covent Garden. He stands behind a railing, and bends forward, hat in hand, clasping to his breast the 'Pewter-Pot Bill', saying, "Ever guardian of your most sacred rights, I have opposed the Pewter-Pot-Bill!!!" The crowd look up at him, cheering and shouting "a Mug, a Mug". They wear blue and buff favours. In the foreground are half-length figures of a little chimney-sweep with the name 'C. Fox Westminster' on the front of his cap (by the Act of 1788 these boys had to wear their master's name on their cap), and of a pot-boy, with a string of pewter pots slung to his shoulder; he holds up a foaming pot towards Fox inscribed 'Jack Slang - Tree of Liberty Petty France'. The same inscription is indicated on his pots. Beneath the title: 'Vox populi, - "We'll have a Mug! - a Mug! - a Mug! - Mayor of Garret' A quotation from Foote's comedy (1763)."--British Museum online catalogue.
Description:
One line of text below title: Vox populi, "We'll have a mug! A mug! A mug! Mayor of Garret. and Printmaker identified as Gillray in the British Museum catalogue.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Sir John Jervis sits in profile to the right at a table; his left hand clutches a pile of guineas, his right fist is raised to emphasize his words which are etched below the title: 'Phaedrus: - "The first Share is mine, because, I bore my part in killing the Prey; - the Second falls to my Lot, because I am King of the Beasts; - & if any one presumes to touch the Third!!!' The table is inscribed 'Unclaimed Dividends'; on it is a book: 'Hints on St Eustatia Prize Money'. On the carpeted floor lie torn papers: [1] 'Petition of Widow of ... . praying for payment of her Husbands dividend.' [2] 'Humble Petition of John lost a Leg in the Battle ...' [3] 'Starving for want of Just dividend,' [4] 'Petition of Major. . . who lost is [?] Beauty', and others which are illegible. On the wall which forms a background is an oval picture of 'Thieves dividing the Spoil', in the centre of four oblong prints: [1] Two bodies hanging from a gallows inscribed 'Peculation \ Tyburn'; [2] a map of 'St Vincents'; [3] 'Loaves & Fishes'; [4] a map of 'Martinico' showing 'Fort Bourbon'. Jervis wears admiral's uniform with a cocked hat and jack-boots."--British Museum online catalogue.
Description:
Printmaker identified as Gillray in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and St. Vincent, John Jervis,--Viscount,--1735-1823--Caricatures and cartoons.
"A game of cards at a round table in which Lord Jersey (left) and Mrs. Fitzherbert (right) face each other in profile. Lady Jersey sits full-face, her head turned in profile towards her husband and lover: the Prince has left his place (indicated by a stool decorated with his feathers) as Lady Jersey's partner to stand behind Lord Jersey, his hands resting on his head, forefingers raised to form horns as in BMSats 8809, 8811. Lady Jersey has taken seven tricks; her husband has laid on the table before him the ace and three court cards. All the players raise their hands in surprise. The Prince wears his Light Horse uniform (cf. BMSat 8800), his eyes being concealed by his helmet as in BMSat 8811. Lady Jersey wears three tall feathers in her hair, a locket inscribed 'J' hangs from her neck. The fatness of the Prince and Mrs. Fitzherbert contrasts with the leanness of the other two. A candle-sconce is on the wall."--British Museum online catalogue.
Alternative Title:
Nunkee gaining the honors
Description:
Thomas Humphrey is one of the pseudonyms used by Gillray. See British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jersey, Frances Villiers,--Countess of,--1753-1821--Caricatures and cartoons., and Jersey, George Bussey Villiers,--Earl of,--1735-1805--Caricatures and cartoons.
"William V of Orange, a naked fat Cupid, lies on his back asleep on a low plateau of grass sprinkled with flowers. He clasps a spade in his folded hands; his shoulders rest against two large money-bags, padlocked and inscribed '24,000,000 Ducats'. He has been planting orange-trees, and these surround him, of varying sizes, in pots and in tubs; the oranges are the heads of infants, all with his own features. Dream-figures float towards him on clouds, all women in an advanced state of pregnancy. Behind him (left) floats a milk-woman, her yoke across her shoulders, her pail on her head. Next advances, full-face, a fat Billingsgate woman, her basket of fish on her head. These two appear to be shouting at the sleeping Cupid. From the right approaches a housemaid carrying a mop; behind her three haymakers, holding rake or pitchfork, approach together, followed by serried ranks of country women all wearing straw hats."--British Museum online catalogue.
Alternative Title:
Dutch Cupid reposing after the fatigues of planting
Description:
Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and William--V,--Prince of Orange,--1748-1806--Caricatures and cartoons.
"A stout and florid woman holds up on her two large hands the baby princess, face downwards. The infant holds out her arms towards the Prince of Wales, who advances tipsily through a doorway (right), and touches her hand. He is dishevelled, with unlatched shoes and ungartered stockings; his garter, inscribed 'honi soit', dangles round his right leg. He is followed by M. A. Taylor, on the extreme right, who carries on his head a wicker cradle ornamented with the Prince's feathers. Behind the infant are Fox and Sheridan, stooping obsequiously to kiss her posteriors; Fox clutches her long robe which reaches to the floor. In the background rows of guests are freely sketched, drinking (?) caudle from two-handled cups. The two on the extreme left and in the front row resemble Sandwich and Erskine (to whom a man (not dressed as a servant) hands a tray of steaming cups)."--British Museum online catalogue.
Alternative Title:
Wise men's offering
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte Augusta,--Princess of Great Britain,--1796-1817--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Sandwich, John Montagu,--Earl of,--1718-1792--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Taylor, Michael Angelo,--1757-1834--Caricatures and cartoons.
"A very fat John Bull (right), in profile to the left, tugs hard at a rope which is round the fork of a tree, trying hard to pull it down, his left foot planted on the trunk. In the branches are the heads of Dundas (left) and Pitt (centre) in profile to the right, and of (?) Loughborough looking towards Pitt and wearing a collar inscribed 'To be Killed off'. Dundas, wearing a tartan neckcloth, is plethoric, Pitt drink-blotched and smiling. Near the heads are three money-bags: 'Sinecures', 'Treasury Pickings', 'Secret Service Money', and a scroll, 'Pensions'. Against the trunk (left) lies a headsman's axe. Beneath the title: "Yes, honest John! by your Pulling, you have Shaken it! - pull again & it will Totter, pull once more, & it will fall" - Vide Horne Tooke Speech Answer to Horne Tooke " You may pluck up a Hazel & pull up a Pea, But there ne'er was a Man, that could pull down a Tree And so Honest John if you'd pluck off the Fruit, Leave pulling alone, lay the Ax to the Root!'."--British Museum online catalogue.
Description:
Printmaker identified as Gillray in the British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
"A tun of 'Wine' lies on solid trestles inscribed 'Treasury Bench'. From its huge bung-hole emerges the naked body of Pitt, as Bacchus, crowned with vine branches. He leans back tipsily, a brimming glass in each hand. Behind him stands Dundas as Silenus, fat, and partly draped in tartan; his right hand grasps Pitt's shoulder, in his left he holds up a brimming glass. He also is crowned with vine branches. Bunches of grapes hang down from a vine above their heads and are indicated as a background to the cask whose trestles are on a dais covered with a fringed carpet. Opposite the tun stands John Bull in profile to the left, looking up at Pitt, hat in hand; in his left hand is a lank purse, under his arm three empty bottles. He is a yokel, with lank hair and hydrocephalic head, wearing a smock and wrinkled gaiters. He says: "Pray Mr Bacchus have a bit of consideration for old John; - you know as how I've emptied my Purse already for you - & its waundedly hard to raise the price of a drop of Comfort, now that one's got no Money left for to pay for it!!!" Pitt says: "Twenty Pounds a T-Tun, ad-additional Duty i-i-if you d-d-don't like it at that, why t-t-t-then Dad & I will keep it all for o-o-our own Drinking, so here g-g-goes old Bu-Bu-Bull & Mouth!!! - "."--British Museum online catalogue.
Alternative Title:
Triumph of Bacchus & Silenus and Triumph of Bacchus and Silenus
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"A game at whist at a round card-table. 'Betty' (left) holds out, with a triumphant grin, the ace of spades with which she is about to take the seventh consecutive trick. Her mistress, Miss Humphrey, sits on her left. The two men are said to be Tholdal, a German, who turns his head in astonishment towards Betty, and Betty's partner, Mortimer, [Or, according to Wright and Evans, Mr. Jeffrey (presumably the enemy of Mrs. Fitzherbert) and Watson (presumably the print-seller), but in 'Scientific Researches' (23 May 1802) the former is identified by Wright as Tholdal, and in 'Connoisseurs . . .' (16 Nov. 1807) 'Watson' is identified by him as Mortimer.] a picture-dealer and restorer. A scene in Bond Street, shortly before the removal to St. James's Street. This print (reversed) appears in Humphrey's shop window in Gillray's 'Very Slippy-Weather', 1808."--British Museum online catalogue, description of an earlier state of similar composition.
Description:
Reissue, with design reworked and printmaker's signature altered. Cf. No. 8885 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7. and Title etched below image.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Dutch Cupid reposing after the fatigues of planting
Description:
Reduced version of a print, also by Gillray, entitled: The orangerie, or, The Dutch Cupid reposing after the fatigues of planting. Cf. No. 8822 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7. and Title and date of publication based on those of larger version of print.
Publisher:
H. Humphrey, New Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and William--V,--Prince of Orange,--1748-1806--Caricatures and cartoons.