"Pitt stands in the House of Commons, facing the Opposition benches; he causes a tremendous explosion by uncorking a bottle containing the bloated and scowling face of Sheridan, whose hair swirls up into the neck of the bottle. He stands like a waiter with a napkin, marked with a crown and 'GR', under his left. arm; the bottle is between his bent knees, and in his right. hand is a corkscrew, held directly over the bottle. Similar bottles, corked and labelled, stand on the Opposition benches. In the foreground, facing Pitt, are bottles containing the heads of (l. to r.) Tierney, labelled 'a Glass of All-Sorts', Fox, labelled 'True French Wine' [see BMSat 9735, &c], Windham, labelled 'Brandy and Water', and in profile to the left., Grey, labelled 'Goosberry Wine'. All look up at Pitt with anxious melancholy. Rows of bottles recede in perspective on the back benches; only three contain heads: a melancholy profile (see BMSat 10372) of Burdett, labelled 'Brentford Ale' [the polling place for Middlesex], Erskine, labelled 'Spruce Beer' [frothy explosive stuff], and behind these two a partly concealed profile labelled 'Elder Wine'. Next Burdett is a bottle of 'Whitbreads Small-Beer'. Another bottle is labelled 'Mum'. On the ground behind Pitt lies an open bottle of 'Medicinal Wine' spilling its contents, and containing the head of Sidmouth (Addington, see BMSat 9849), with closed eyes suggesting death rather than sleep. Behind, on the extreme left., is part of the Speaker's chair, only a portion of wig being visible. The violent explosion spreads across the upper part of the design; it contains the words 'Bouncings', 'Growlings', 'Fibs! Fibs! Fibs', 'Abuse', 'Abuse', 'Damn'd Fibs', 'Invectives', 'Old Puns', 'Groans of Disappointment', 'Stolen Jests', 'Invectives', 'lame Puns', 'Invectives', 'Loyal Boastings', 'Dramatic Ravings', 'Low Scurrilities', 'Stale Jokes', 'Fibs, Fibs, Fibs! Egotism'. [Commas have been added.] Below the design: " - the honble Gentm tho' he does not very often address the House, yet when he does, he always thinks proper to pay off all arrears, & like \ "a Bottle just uncork'd bursts all at once, into an explosion of Froth & Air; - then, whatever might for a length of time lie \ "lurking & corked up in his mind, whatever he thinks of himself or hears in conversation, - whatever he takes many \ "days or weeks to sleep upon, the whole common-place book of the interval is sure to burst out at once, stored with \ "Studied-Jokes, Sarcasms, arguments, invectives, & every thing else, which his mind or memory are capable of embracing \ "whether they have any relation or not to the Subject under discussion - See Mr P-tts speech on ye Genl Defence Bill."--British Museum online catalogue.
Description:
Title etched in bottom part of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burdett, Francis,--1770-1844--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Tierney, George,--1761-1830--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"The lion, with the face and wig of Melville, lies gazing up, blood falling on the papers under his paws: 'Plans for Manning tfthe Navy - List of ships built in 1804 ... of ye Line'; 'Abolition of Impress'. He is struck down by the blast from a blunderbuss whose muzzle is a tankard inscribed 'Whitbreads Entire'. This is fired by St. Vincent who crouches (left) behind a withered tree. The blast issues from a circle of froth inscribed 'Report'. Part of it, inscribed 'Condemnation without Trial', passes above the lion and strikes Britannia to the heart. She is leaning against an ancient but flourishing oak on the extreme right. The blast that strikes Melville is inscribed 'Invectives', 'Popular Clamour', 'Envy', 'Disappointed Jacobins', 'Malice'. On the upper part of the withered tree sits a monkey with the head of Wilberforce, holding up an open book: 'Solution of Vital Xianity', but directing at Melville a blast from his posteriors inscribed 'Cant! - Envy! - Abuse! - Hypocrisy! - Cruelty.' Three asses are kicking up their heels at Melville as they scamper off towards the mountainous background. The nearest has the head of Sidmouth, with ass's ears. He is laden with panniers inscribed 'Physick for the Lion.'; these are heaped with medicine-bottles, one labelled 'Emetic for ye Lion'; there are also a 'Clyster for the Lion', and a box of 'opening Pills' (cf. BMSat 9849), The other asses are Hily Addington and Bragge, cf. BMSat 9986. The latter (right) turns his head to say: "Very highly indebted to the Lion, brother Heeley!" His panniers are inscribed 'Provisions for the Doctors Family' and 'Trifles procured thro' the Lions Generosity'; they are piled high with papers: 'Pension to Brother Brag &...'; 'Annuity to all our Cousins'; '£40000 pr Ann'; 'Sinecure'; 'Pension for Aunts'; 'Pension for Brother Hely'; 'Pension'. The other ass (Hiley) answers: "Then give him another kick, Brother Braggey". He is laden with a sack of 'Candid Whorehound'. The lion is also assailed by a fox (Fox) who viciously bites his hindquarters, and by a serpent with the head of Grey (Whitbread's brother-in-law) who bites his neck. Three small rats, wearing legal wigs and bands (right), run viciously toward the lion; they are (left to right): Jekyll (see BMSat 9179), Erskine, and Robert Adair, an ardent Foxite, cf. BMSat 7158. A dog, its collar inscribed 'Kinard' (Kinnaird), bites the lion's tail, while one foot is in a plate containing a bare bone, and inscribed 'Melville-Castle' with a coronet."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Three lines of quoted text following title: "And now, all the sculking herd of the forest, some out of insolence, others in revenge ..." Vide, Aesop's fables., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Erskine, James Francis,--1743-1806--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Kinnaird, Charles Kinnaird,--Baron,--1780-1826--Caricatures and cartoons., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., and Wilberforce, William,--1759-1833--Caricatures and cartoons.
"Sheridan, as Punch, grotesquely caricatured, stands on a platform, above the heads of a cheering crowd, blowing soap-bubbles. Clusters of soap-suds fall from the pipe, and from it rises an oval containing a figure of Young Roscius, in Highland dress as Douglas in Home's play. The boy, breathing fire, holds out a coral and bells, striding arrogantly over decollated heads inscribed 'Exit Garrick - Kemble - Cooke'. Other actors, freely indicated, stagger back from the young conqueror, over whose head are the words 'Veni. Vidi Vici.' Sheridan's pipe is irradiated against a dark sky. From the pipe, and a source of some of the rays, project little trumpets with banners inscribed respectively: 'Times', 'Morning Chronicle', 'True Briton', 'Sunday Observer', 'Herald'. From each issue the words (sometimes repeated): 'Roscius!' followed sometimes by faintly-drawn ciphers. Sheridan gazes up at his huge bubble. He is bloated and pimpled; his head sunk between hump and paunch. His dress is striped, his contour defined by close-set buttons, ound his paunch is twisted a tricolour sash; a tricolour cockade decorates is hat, which has a conical crown, curved brim, and erect feather. His pocket angs inside out, patched and empty. The cheering crowd (r.) fling coins to the platform, on which lie two pamphlets: 'Account of the Profits of the Bubble' and 'Petition of the Renters for a Share in the profits of the Bubble'. Behind Sheridan lies the dog, 'Carlo', hero of 'The Caravan', see BMSat 10172, &c. Beside Carlo is a padlocked money-box: 'Drury Lane Strong Box'. These are under a table at the back of the stage. On the table is a barber's bowl, filled cubbies issuing from a pipe; the largest is inscribed 'Forty Thieves'; under the bowl is a paper: 'Materials for bran-New Pantomimes for Johnny Bull's Amusement'. Beside the bowl is a bottle labelled 'To be repeated the first opportunity', in whose neck is a funnel inscribed 'Bottle Conjurer', which is filled by a little fat man who grasps his paunch. The back of the stage is bordered by a curtain from which project over the table a sign and a banner. On the former is a dog with the inscription: 'The Wonderful Red Lion, of surpassing Abilities - to be seen within.' On the banner: 'In a few Days, will be Perfom'd - a new Comic Divertisment, called The Bubble-burst, accompanied bv Laughing Song by John Bull.' ..."--British Museum online catalogue.
Description:
Text below title, in lower right: Vide, new method of raising [the] wind. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Carlisle, Frederick Howard,--Earl of,--1748-1825--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jordan, Dorothy,--1761-1816--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and William--IV,--King of Great Britain,--1765-1837--Caricatures and cartoons.
"Mack (left), followed by his generals, prostrates himself, grovelling before three French Grenadiers (right), each holding a large sack inscribed '20 Million Livres'. Mack throws down his sword and two keys labelled 'Keys of Ulm'; beside him are a standard with the Habsburg eagle, a bundle of muskets, and a paper: 'Articles to be deliver 'd up - I. Field Marshall 8 - Generals in Chief 7 - Lieutn Generals 36 Thousand Soldiers - 80 Pieces of Cannon - 50 Stand of Colours 100000 Pounds of Powder 4000 Cannon Ball.' Napoleon, very small, is perched on a large drum on which is an imperial crown and the letter 'N'. He points with his sabre to Mack, with the left hand to his three Grenadiers, saying, "There's your Price! There's Ten Millions! - Twenty!! - it is not in my Army alone, that my rescources of Conquering consists!! - I hate Victory obtain'd by effusion of Blood!" Mack answers, his eyes on a money-bag, " - and so do I too! - what signifies Fighting when we can settle it in a Safer way!!!" His pigtail flies upwards, showing the violence of his obeisance; so do those of the generals who follow him. Behind them are the towers of a high fortress bristling with guns; their seeming impregnability points the satire. Behind Napoleon and facing the spectator are serried ranks of French grenadiers standing at attention; they have tricolour flags inscribed: 'Vive I'Empereur Napoleon'; 'Vive Buonaparte'; 'la Victoire ou la Mort'."--British Museum online catalogue.
Alternative Title:
Buonapartè & Genl. Mack coming to a right understanding and Buonapartè and General Mack coming to a right understanding
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Mack von Leiberich, Karl,--1752-1828--Caricatures and cartoons., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Attributed to Rowlandson by Grego., Nine lines of text in upper right corner of design., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Dundas, Henry,--1742-1811--Caricatures and cartoons., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
"Pitt (l.) and Napoleon face each other at a round dinner-table on which, in a dish, is a terrestrial globe in the form of a steaming plum-pudding. Pitt, with a carving knife, and three-pronged fork (like a trident) planted in the '[Atlantic] Ocean', cuts a deep gash to the west of 'Britain', extending from the Pole to the Equator; he obtains the 'West Indies'. Napoleon, using his sword and a two-pronged fork which straddles 'Hanover', is cutting from Europe a large fragment including 'France', 'Holland', 'Spain', 'Swiss[erland]', 'Italy', 'Mediterranean', but missing 'Sweden' and 'Russia'. Before each is an empty (gold) plate, on Pitt's the Royal Arms, on Napoleon's an imperial crown. On the back of Pitt's chair is a crowned British Lion on its hind-legs, holding up a Union flag; a fierce imperial eagle clutching a bonnet rouge decorates that of Napoleon. Pitt, very tall and thin, wears a cocked hat and regimentals and long pigtail (cf. BMSat 10113, &c). Napoleon, sturdier and much shorter, has almost to rise from his chair to reach the pudding. He wears military dress, a huge plumed bicorne resting on his shoulders. Pitt looks warily at Napoleon who stares fiercely at the pudding. The figures are seven-eighths length. Below the title: '- "the great Globe itself, and all which it inherit" [sic, 'Tempest', iv. i], is too small to satisfy such insatiable appetites - Vide Mr W-d-m's [Windham's] eccentricities, in ye Political Register.' (For Windham as a contributor to Cobbett's paper see BMSat 10414)."--British Museum online catalogue.
Alternative Title:
State epicures taking un petit souper
Description:
Title etched in upper right corner of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
"The interior of a stable. On the right are horses with human heads ; behind, in a niche and partly cut off by the left margin, stands a mitred abbot. He is 'The Abbot of Saint Stephen' (the Speaker). In the foreground (left) stands Whitbread, a brawny and handsome Hercules, with bare legs and arms ; he flings the contents of a huge tankard of 'Whitbreads Intire' [see No. 10421] at the heels of the nearest horse. This clumsy animal has the head and wig of Melville ; he kicks, saying, 'What the Deel is the is the man a boot.' Under his forelegs is a broom inscribed 'Will force's [Wilberforce's] Broom for Suppression of Vice.' Behind Melville appear the head and four legs of Trotter, who says apprehensively : 'Attack the Gallopers I am only a poor Trotter.' Behind him is Pitt, a very lean horse, saying, 'I am afraid we shall be all drench'd in turn.' Behind him is a crown of barely differentiated ministerialists, the foremost has some resemblance to Castlereagh ; behind him is (?) Canning, who exclaimes : 'Who could have expected this.' Beside Melville, and on the extreme right, is a large chest : 'Private Chest for Stray provendor' ; on it stand money bags. Along the wall over the heads of the horses is a rack with partitions inscribed : 'Treasury Stall, Army Stall, Navy Stall'; these are heaped with money-bags. Below the title: 'Augeus a King of Elis, had a stable, which was not cleansed for thirty years-yet Hurcules cleaned it, in one day. Vid Heathen Mythology."--British Museum catalogue.
Description:
Attributed to Rowlandson by Grego. and Title etched below image.
Subject (Name):
Abbot, Charles,--Baron Colchester,--1757-1829--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Dundas, Henry,--1742-1811--Caricatures and cartoons., Harvey, Francis--Ownership., Rowlandson, Thomas, 1756-1827, publisher., Whitbread, Samuel,--1764-1815--Caricatures and cartoons., and Wilberforce, William,--1759-1833--Caricatures and cartoons.
"A travesty of Peters's 'An Angel carrying the Spirit of a Child to Paradise', exhibited R.A. 1783, in which the angel is a portrait of Isabella, Duchess of Rutland, and the figures have a background of clouds. Mrs. Fitzherbert, as the angel, flies upwards, her right. arm caressingly round a little girl, her left. pointing up to an irradiated and burlesqued altar, surrounded with cherub's heads, which recede in aerial perspective from the lower heads, which are fully characterized, to the upper ones, which are small. These angels are (l.) Windham, Grenville, Grey, Erskine, Grattan, and a (tiny and unrecognizable) Lord Holland. On the r. are Sheridan, Norfolk, Fox, Burdett, and Derby. [These identifications are by Lord Holland. They are self-evident, except Grattan who resembles Carlisle, or Jekyll, and has a profile completely unlike other portraits and caricatures. Wright and Evans give Stanhope for Windham and Carlisle for Grattan. Lord Holland is not characterized, and the identification can rest only on Gillray's statement.] The altar is lit by four large and guttering candles; over it, stiff and grotesque, are a Virgin and Child, 'La Sainte Veirge' [sic]. The head and hands of a demon emerge from a chalice which is flanked by vases of flowers. Three books surround the altar each open at a print: the Pope holding his cross and wearing a tiara; the many-headed Beast of Revelation (cf. BMSat 5534, &c); and a grotesque rendering of the Saint-Esprit, or dove of Pentecost. The rays, which descend towards Mrs. Fitzherbert, are inscribed 'Indulgences', 'Absolutions', 'Luxuries', 'Absolutions', 'Dissipations'. Mrs. Fitzherbert is a stout figure, whose realism is burlesqued by outspread wings and floating draperies. In her hair are three large plumes, emblem of the Prince of Wales; a cross hangs from her neck, a rosary flies outward. A large pouch inscribed 'Play-Things' is attached to her waist: from this hang a lighted censer and a rosary; from it project the head of a saint (burlesqued), a calvary in a bottle, a book: 'Brighton Breviary', a monstrance, St. Andrew holding his cross, a bunch of leaves. Mrs. Fitzherbert registers determined fanaticism; the little girl, childish devotion. They ascend between dark douds. Immediately below them (l.) is the Brighton Pavilion. ..."--British Museum online catalogue.
Description:
Text following title: The hint taken from the Revd. Mr. Peter's sublime idea of "an angel conducting the soul of a child to heaven." and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burdett, Francis,--1770-1844--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grattan, Henry,--1746-1820--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Holland, Henry Richard Vassall,--Baron,--1773-1840--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"Napoleon and Josephine are in the centre of an elaborate processional design. Individuals and groups are identified by eleven captions in the lower margin. The background is formed of close ranks of French soldiers, with a forest of caps, spears, pikes, and banners receding in perspective. The front row, facing the procession, are grenadiers at attention with bayoneted muskets, the letter 'N' in front of their bearskins. They are in shadow; those behind Napoleon are obscured by dense clouds of smoke from a censer; next them (l.) grenadiers blow trumpets and French horns. The procession is led, as by a drum-major, by the posturing and theatrical figure of 'His Imperial Highness Prince Louis-Buonaparte Marbœuf - High Constable of the Empire' [Marbeuf was his godfather] on the extreme right. He wears tight-fitting archaic dress, with a feathered coronet, a cloak trailing from one shoulder, buskins, and sabre. He carries a tall staff surmounted by a fleur-de-lis. Next come 'The Three Imperial Graces, viz. Thier Imp. Highs Princess Borghese [Pauline], Princess. Louis (cher amie of ye Emperor) & Princess Joseph-Bonaparte' [Hortense and Julie] - three slim young women, very scantily draped, scatter roses. All wear feathered coronets with long snaky curls on their shoulders; they resemble the sisters of Napoleon in BMSat 10072. The ground (l. to r.) is strewn with the flowers they have scattered. Next walks 'Madame Talleyrand (ci devant Mrs Halhead the Prophetess conducting the Heir Apparent in ye Path of Glory'. A grossly fat woman leads by the hand the little Napoleon-Charles, son of Louis (b. 10 Oct. 1802). The child goose-steps arrogantly, holding out a sceptre in his left hand. He is dressed much like his father, but with the addition of a ribbon and star. Mme Talleyrand wears a feathered coronet and an enormous nosegay; she holds a fan on which is a goat. This, and her patched face, indicate her dissolute past. Slightly behind her, and on her right., hobbles 'Talleyrand-Perigord. - Prime Minister & King at Arms bearing the Emperor's Geneology.' He is burlesqued, with a 'cheese-cutter' shin, and a r. foot supported by blocks under the shoe. On his left. shoulder he carries a framed genealogical tree, and hung to his person are crests and symbols in rectangular frames. Napoleon's family tree issues from 'Buone Butcher' and, passing through 'Buone Cuckold', terminates in 'Napoleone Emperor', which is crowned. The collateral branches are illegible, but one is followed by 'Hang'd'. ..."--British Museum online catalogue.
Description:
Title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Augereau, Pierre,--1757-1816--Caricatures and cartoons., Berthier, Louis-Alexandre,--1753-1815--Caricatures and cartoons., Bonaparte, Paolina,--1780-1825--Caricatures and cartoons., Fesch, Joseph,--1763-1839--Caricatures and cartoons., Fouché, Joseph,--duc d'Otrante,--1759-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Hortense,--Queen, consort of Louis Bonaparte, King of Holland,--1783-1837--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Josephine,--Empress, consort of Napoleon I, Emperor of the French,--1763-1814--Caricatures and cartoons., María-Julia,--Queen, consort of Joseph Bonaparte, King of Spain,--1771-1845--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Pius--VII,--Pope,--1742-1823--Caricatures and cartoons., Talleyrand-Périgord, Catherine Noël,--princesse de Bénévent,--1762-1835--Caricatures and cartoons., and Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons.
"A fox (left) is closely pursued by hounds who are followed by four riders, leaping the wall (right) of a formal garden: beds set in gravel, with box borders, some having bushes clipped into birds and circles. A fat parson (left) runs up in furious anger to meet the invasion. Behind him is the church, and near it an old gabled house, partly hidden by large trees. Next a roller (right) is a board: 'Stee[l] Traps Spring Guns set in this Garden'."--British Museum online catalogue.
Description:
One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Publisher from the British Museum online catalogue., Title etched below image., and Two lines of verse below title: To see them rattle, howl and tear, by Jove twould make a parson swear.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"An allegorical design combined with a quasi-realistic scene on the deck of the 'Victory'. The dying Nelson, in half-reclining position on a cannon, is supported by Britannia and by Captain Hardy, who stanches his wound. A young sailor kneels at his feet, supporting the hand from which Nelson's sword drops; he holds up the folds of the tattered tricolour flag which another sailor, with a gesture of astonishment and grief, has brought to Nelson. The flag (from the French flag-ship, the 'Bucentaure') is inscribed 'Vive l'Emp[ereur des] Francois'. On the deck, beside Nelson, his telescope lies across a paper: 'Bay of Trafalgar'. Britannia, with trident, shield, and a small branch of olive, kneels on the cannon, covering her eyes with her left hand. Poised on a cloud of smoke behind Britannia stands Fame, blowing his trumpet and holding up a pen with which he has just written in large letters on a swirling cloud the word 'Immortality'. The flag of the 'Victory', torn by shot, is on the extreme left; beside it three marines fire their muskets with deadly effect at the men in the mizen-top of the adjacent French ship, the 'Redoubtable' (who were responsible for the fatal shot). On the right sailors fire a cannon. A sailor climbs the rigging, waving his hat. ..."--British Museum online catalogue.
Description:
Text below title: This design for the memorial, intended by the city of London to commemorate the glorious death of the immortal Nelson, is with every sentiment of respect humbly submitted to the right honble. the Lord Mayor & the Court of Aldermen. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Nelson, Horatio Nelson,--Viscount,--1758-1805--Caricatures and cartoons.
"An elderly man, holding his umbrella in front of him to form a sail, cannonades into another skater, who falls, the apex of the umbrella entering his mouth, while his foot strikes the stomach of the aggressor. The ice cracks beneath them. The latter wears wrinkled ankle-boots; the victim resembles the more fashionable skater of BMSat 10474. In the background a boy with a basket laughs at the collision; near him a man falls forward, his umbrella and hat torn from him by a gust, whose strength is indicated by a wind-swept tree (r.)."--British Museum online catalogue.
Alternative Title:
Elements of skateing, Elements of skateing :, and Elements of skating :
Description:
One of four prints in a series entitled: Elements of skateing., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., and Title etched below image, following series title.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate often included in the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See Abbey., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"Two sailors inside the Victory, discussing the fate of Nelson's body; one stands at left, weeping, his hat in his hand, saying, 'Do you know Jack they say as how they mean to put his Honors remains into another ship--- Now I think it d-d hard that as he kept us while he was alive - that we should not be allow'd to keep him now he is dead'. The other sailor sits at right with his arm on Nelson's coffin, which is on a bier under a window, a sailor's hat with a ribbon lettered 'Victory' on top of it; the sitting sailor holds up a cutlass and replies, 'Make yourself easy about that Ben--- here am I watch over the coffin, and depend upon it he never stirs from the Victory, till he arrives in his native country, where there will be plenty to revere, and guard his precious memory, for his monument will be erected in the heart of every Briton.' A cannon behind at left."--British Museum online catalogue.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Nelson, Horatio Nelson,--Viscount,--1758-1805--Death and burial., and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Cannons., Coffins., Sailors--British., and Trafalgar, Battle of, 1805.
Three British sailors invite the captured French Admiral to sit and eat with them: " Well come sit down and do as we do. We never bear malice toa Frenchman after we have thrash'd him". The Admiral remarks: "Ah! Ag, b'egar you site dam vell, but no vonder, you eat dam vel, and you drink dam vel!
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Geographic):
Great Britain.--Royal Navy--History--Napoleonic Wars, 1800-1815.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Eating & drinking., Sailors--British., Sailors--French., and Trafalgar, Battle of, 1805.
"In the manner of history painting rather than caricature. ... George III as St. George, in uniform, holds up his sword, about to give a final blow to a scaly dragon with the head of Napoleon. The long convolutions of the dragon are under the horse's feet: Napoleon's head, with a barbed fang and flames issuing from the mouth, looks up despairingly. A sword-cut has gashed his skull, and cut his crown in two. The dragon has large wings and the legs and talons of a beast of prey; it falls backwards: Britannia (left) will just escape being crushed."--British Museum online catalogue.
Alternative Title:
Saint George and the dragon
Description:
Artist identified as Lt.-Col. Thomas Richmond Gale Braddyll in the British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Braddyll, Thomas, 1776-1862, artist., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"A handsome young military officer, seated in an armchair, drinks wine with two Jewish money-lenders, who sit facing him across a round table. He listens with a reckless smile to one of the Jews; the other peers through spectacles at 'Title Deeds'. The Jews are old, thin, and bearded, but one wears a bag-wig. On the ground by the latter (right) is a paper: 'Money Lent on good Securities. Annuities Jointers [sic] bought and Sold.' By the spendthrift's chair lies a greyhound. The background is a wall closely covered with pictures in ornate frames, which combine to tell the young man's story. Above his head is a 'Prodigal Son' kneeling among the swine; above this a reclining Venus is partly visible, and below, 'Diane', a horse and foal. Gamesters at a 'Hazard Table' hangs above 'Sir Matthew Mite', a miser with money-bags, weighing coin in sacks. Below this is a bust portrait of 'Sir Peter Plumb' in a tie-wig. A bust portrait of a scraggy woman wearing jewels is 'Lady Crane'. Below this is a picture of a fighting-cock, the frame decorated by a baron's coronet. On the right are two pictures, a jockey on a race-horse, 'Sancho', with the winning-post in the background, and a large gabled country house: 'View of the Yorkshire Estate'."--British Museum online catalogue.
Description:
For the original issue of the plate, see: Grego, J. Rowlandson the caricaturist, v. 2, page 52., Reissue of a plate first published in 1805; the final two digits of the year in printmaker's signature have been altered, and the year "1805" at end of imprint statement has been scored through. See British Museum catalogue., Title etched below image., and Two lines of quoted verse below title: "When noblemen have lost race horse, and all their rino spent -, then little Isaac draws the bond, and lends for cent per cent.
Publisher:
T. Rowlandson, N. 1 James St. Adelphi
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
Subject (Topic):
Eyeglasses. , Jews,--depicted., Soldiers--British., Usury., and Wine.
"A handsome young military officer, seated in an armchair, drinks wine with two Jewish money-lenders, who sit facing him across a round table. He listens with a reckless smile to one of the Jews; the other peers through spectacles at 'Title Deeds'. The Jews are old, thin, and bearded, but one wears a bag-wig. On the ground by the latter (r.) is a paper: 'Money Lent on good Securities. Annuities Jointers [sic] bought and Sold.' By the spendthrift's chair lies a greyhound. The background is a wall closely covered with pictures in ornate frames, which combine to tell the young man's story. Above his head is a 'Prodigal Son' kneeling among the swine; above this a reclining Venus is partly visible, and below, 'Diane', a horse and foal. Gamesters at a 'Hazard Table' hangs above 'Sir Matthew Mite', a miser with money-bags, weighing coin in sacks. Below this is a bust portrait of 'Sir Peter Plumb' in a tie-wig. A bust portrait of a scraggy woman wearing jewels is 'Lady Crane'. Below this is a picture of a fighting-cock, the frame decorated by a baron's coronet. On the r. are two pictures, a jockey on a race-horse, 'Sancho', with the winning-post in the background, and a large gabled country house: 'View of the Yorkshire Estate'."--British Museum online catalogue, description of a later state.
Description:
For an 1812 reissue of the plate, see no. 10486 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Title etched below image., and Two lines of verse etched below title: When noblemen have lost race horse ...
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
Subject (Topic):
Eyeglasses. , Jews,--depicted., Soldiers--British., Usury., and Wine.
"Three tax-collectors beset a house door, on which is a plate: 'Doctor Humbug', and above: 'Advice Gratis.' An elderly man holds the knocker, a ring in a lion's mouth, and looks up at the window above where two heads peer out: a grotesque aged couple wearing nightcaps. On the lintel stands a pestle and mortar, inscribed 'Hippocrates.' On the house are two bills: 'The Goodwill of this House to be disposed of for Particulars enquire' - and 'The Budget opened or how to raise the Wind for the Year 1805.' The tax-collector holds a large open book: 'Window Tax Income Property House Tax'; under his arm is another book;..'Tax-Servants-Horses.' Papers inscribed 'Tax' and 'Taxes' project from his coat-pocket. Beside him, a man holding a paper points his pen viciously at the open window. A third man stands close behind holding a large book inscribed 'Dog Tax.' On the extreme left a woman carrying an infant begs, looking up at the window; a little boy beside her holds out his hat for alms to the tax-collector. On the right a fat man gapes up at the window while a little boy picks his pocket of a hankerchief. The house is at a corner, and from its wall a lamp with oil, spilling it on the people below. In the background (right) are tall, old-fashioned houses, all the windows, except in the top floor and attics, are 'Block'd Up'; one is 'To Lett.'"--British Museum catalogue.
Alternative Title:
Clamorous tax gatherers
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Howitt, Samuel, 1765?-1822, publisher.
Subject (Topic):
Beggars. , City & town life., Pickpockets. , Poor persons., and Taxes.
"A very clumsy post-chaise descends a mountain road across a bare moor. On approaching a hair-pin bend the fore-heels have broken off, the chaise is about to upset, the occupant falls through the front window. A Highlander lies prone on the roof, saying to the unfortunate traveller: '" - Hald your Haund Mun, hold your haund! - en troth mun! e'n gin you na mind \ "yoursel, youl just make the Muckle Laird coupeing his Creels! - ' The chaise was drawn by a horse and ass; on the latter, which kicks violently, sits a primitive postilion; the traces are of rope. A shepherd (the muckle laird) reclines in the elbow of the road in the foreground; his dog barks at the chaise, which is followed by a man on a donkey. Horned sheep with tattered fleeces and bare rumps are beside the shepherd (r.). All four Scots are bare-footed, and have bare posteriors, the kilt being a mere apron."--British Museum online catalogue.
Description:
Companion print to: "Posting in Ireland.", Printmaker identified as Gillray in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Smith, Charles Loraine, 1751-1835, artist.
"A grotesquely dilapidated post-chaise stands outside a ramshackle inn (r.); the driver lashes the horses cruelly, a boy lifts a pitch-fork to strike, but the wretched animals refuse to move. A barefooted slattern approaches from the r. with a huge red-hot poker. From the post-chaise leans its occupant, who wears a ribbon and star, and a night-cap. His feet have broken through the ruinous chaise; he threatens the driver with his cane; the latter's words are etched after the title: '"------"Forward immediately your Honour; But sure a'nt I waiting for the Girl with the Poker \ "just to give this Mare a burn your Honour, 'tis just to make her start your Honour.' The chaise is roofed with thatch on which a cock is pecking; it is held together by rope, the reins and traces are of rope. The wheels are broken. Above the door of the primitive inn is a placard: 'The New Thatched-House Tavern' [the Thatched House was a fashionable London tavern and club]. On the signboard an eagle attacking a naked infant (Ganymede) is depicted; above is a board: 'Nate Post-Chaise and Whiskey \ Nate \ Entertainment for Man & Beast.' From a brick chimney a little sweep looks out waving his brush. On a bench by the door a man with a crutch and wooden leg sits smoking and drinking, not interested in the departing grandee. In the foreground a lean sow eats from a heap of potatoes; a young pig attempts to suck; another, almost a skeleton, tries to eat potatoes. In the coach-house which is part of the inn, is a second and less-ruinous thatched post-chaise. Beside the road is a stone wall and behind it a signpost, pointing (r.) 'to Ballyragger', (l.) 'to Athlone'"--British Museum online catalogue.
Description:
Companion print to: "Posting in Scotland.", Printmaker identified as Gillray in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Smith, Charles Loraine, 1751-1835, artist.
"Fox makes a speech in the House of Commons; a large section of the crowded Opposition benches is shown (r.). Pitt sits alone on the Treasury Bench, his profile only appearing on the extreme left.; the rest of the Ministerial benches are cut off by the margin, behind him is the Speaker's Chair, with the tiny head of Abbot surrounded by a vast wig, appearing just over the table. From the table hangs a scroll: 'Resolutions respecting the Chancellor of the Exchequer - 40000 - Bank of England - Boyd & Benf[ield] - Trotter - Jellicoe - Speculation - Participation'. Fox, corpulent, neat, and composed, stands with his right. hand extended towards Pitt, his left. behind his back and holding a paper: 'Arraignments [sic] for a new Coalition'. His words ascend and are enclosed in a large label in the upper part of the design: '" - Yes Sir, I do assure the Right Honble Gent" \ "though our lives have ever been opposite, though in \ "almost every instance we have disagreed, & though I have \ "constantly blamed the whole of his conduct, yet I should \ "be everlastingly unhappy had it turned out that he had \ "acted wrong or had soiled his hands in the manner we \ "meant to attribute to him; - I do say Sir, that during \ "my whole life, I never did suspect, I never had the least \ "suspicion of any thing dishonorable in the Right Honble Gent" - \ "and from every species of Corruption, I do declare most \ "solemnly, my mind has always most completely \ "acquitted him! - he will be held up to posterity \ "and cited as a bright example of Purity Integrity and Honor!' On his seat lies his hat; in this is a large bundle of papers: 'Political Union, to save the Country from Buonaparte and the Doctor'. On the ground beside it lies a large overturned tankard of 'Whitbread's Entire', whose contents froth over the floor. Long narrow labels ascend from other M.P.s. Pitt says "Here! - Here! - Here!!!", touching with his finger the vacant place beside him, inviting Fox to take it. Next Fox's hat and on the extreme right. sits Grey clutching his cocked hat with papers: 'State of . . . Na[tion]'; 'Enquiries into the Public Offices'. He says: "Yes I find they'll be all prov'd Honest, so I'll destroy my Papers too!" Next, partly concealed by Fox, slouches Sheridan; he is silent (opposed to any praise of Pitt, especially from Fox). Next sits Tierney, hands on knees, saying sanctimoniously, "O how I shall enjoy to sit down with him, upon the Bench of Honesty". Next sits Lord Henry Petty, hands folded, feet together, saying priggishly, "an Immaculate Statesman! - just like my own Papa" [Lansdowne, or 'Malagrida']. On the second bench Windham sits behind Fox's empty seat, biting a pen; he holds 'Notes and Speeches for the Political Register', and says: "Why, he deserves a Statue of Gold more than Porcupine himself!" Next, little Wilberforce claps tiny hands, saying, "O he's an Angel of Light! - a Cherubim of Glory!" Beside him is Erskine, saying, "he scorns a dirty Cause, I vow to G-d". The other members are freely drawn and scarcely characterized, though Walpole (behind Windham) is identified by his small size, sharp nose, cocked hat, and regimentals; next him is a stout man in spectacles resembling Lord Temple. Heads look down from the gallery in the upper right. corner of the design."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Tierney, George,--1761-1830--Caricatures and cartoons., Walpole, George,--1761-1830--Caricatures and cartoons., Wilberforce, William,--1759-1833--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"A loutish yokel (l.), holding a pitchfork, grins avidly at a hideous and elderly country woman who crouches behind a stile (r.), her features twisted in a sly grimace. In the background (l.) men reap a corn-field, and corn-stooks cover a more distant hill. Lavinia is framed in foliage, with autumn leaves and a withered tree."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Title etched below image., and Two lines of quoted text following title: "He saw her charming; but he saw not half" "the charms her downcast modesty conceal'd."
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Five elderly, old-fashioned doctors stand in consultation in a row behind Napoleon (r.), who vomits, saying, "My Dear Doctors! those sacre Anglois have play'd the Devil vun [?] my constitution pray tell me what is the matter with me, I felt the first symptoms when I told Genl Macke I wanted ships, collonies & commerce - Oh! dear - Oh dear! I shall want more ships now; this is a cursed sensation - O I am very qualmish." He drops an 'Extraordinary Gazette 19 Sail of the Line taken by Ld Nelson'. He stands in profile to the right. with flexed knees. The doctor behind him pulls down his breeches and peers towards him; he says: "Begar me have found it out - your heart be in your breeches." The next doctor exclaims: "A desperate case"; the third says: "I recommend bleeding". The two on the extreme left. consult together; one says: "Irrecoverable". They wear tie-wigs with old-fashioned dress: Napoleon wears uniform with large bicorne hat and boots."--British Museum online catalogue.
Alternative Title:
Nap Buonaparte in a fever on receiving the extraordinary gazette of Nelson's victory over the combined fleets and Nap Buonaparte in a fever on recieving the extraordinary gazette of Nelson's victory over the combined fleets
Description:
Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"A justice-room in an old-fashioned country house with uncurtained mullioned window (right), raftered roof from which hangs a wicker bird-cage, and a truckle-bed turned up against the wall (left). A smart officer measures the height of a small thin yokel in a smock, under the inspection of a fat old justice, a similar old man wearing spectacles and in uniform, and a clerk, all seated at a small table. In the doorway stands a fat and pompous constable holding a staff and keeping back a crowd of countrymen who wait their turn outside the door. On the wall behind the measuring-post is a placard: 'Subtitutes [sic] for the Army of Reserve 30 Per Man Bounty.'"--British Museum online catalogue.
Description:
For an apparent reissue dated 1815, see: Grego, J. Rowlandson the caricaturist, v. 2, pages 295-6., Imperfect; sheet trimmed within plate mark with loss of title from bottom edge. Title supplied from impression in the British Museum, registration no.: 1981,U.253., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"The couple torment each other in the breakfast-room. A round table is drawn close to a blazing fire. The lady has left her seat to thump on the piano (l.), singing loudly, with her back to her husband, but turning her eyes towards him. He sits in the corner of a sofa, crouching away from her, his hand over his ear, food stuffed into his mouth, reading the 'Sporting Calendar'. The pages of her open music-book are headed 'Forte'. Her song is: 'Torture Fiery Rage \ Despair I cannot can not bear'. On the piano lies music: 'Separation a Finale for Two Voices with Accompaniment'; on the floor is 'The Wedding Ring - a Dirge'. She wears a becoming morning gown with cap, but has lost the slim grace of BMSat 10472, and her soft features have coarsened. Behind the piano a boisterous coarse-featured nurse hastens into the room holding a squalling infant, and flourishing a (watchman's) rattle. On the lady's chair is an open book, 'The Art of Tormenting', illustrated by a cat playing with a mouse. Her sunshade hangs from the back of the chair. On the breakfast-table are a large hissing urn, a tea-pot, a coffee-pot, &c., a bottle of 'Hollands' (beside the woman's place), and a (full) dish of muffins. The man's coffee-cup is full and steaming. He wears a dressing-gown with ungartered stockings and slippers. An air of dejection and ill-nature replaces his former good-humoured sprightliness. Under his feet lies a dog, 'Benedick', barking fiercely at an angry cat, poised on the back of the sofa. A square birdcage high on the wall is supported by branching antlers. In it two cockatoos screech angrily at each other, neglecting a nest of three young ones. Beside it (l.) is a bust of 'Hymen' with a broken nose, and (r.) a thermometer which has sunk almost to 'Freezing'. On the chimney-piece is a carved ornament: Cupid asleep under a weeping willow, his torch reversed, the arrows falling from his quiver. This is flanked by vases whose handles are twisted snakes which spit at each other."--British Museum online catalogue.
Description:
Companion print to: "Harmony before matrimony.", Temporary local subject terms: Firepalce -- Musical Instruments: piano -- Furniture: sofa -- Female Costume: Morning gown -- Children's Nurse -- Toys: rattle -- Parasols: sunshade -- Male Costume: Dressing-gown -- Thermometers -- Cupid -- Bell-Pulls., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A man who is falling through the ice clutches desperately at the leg of a passing skater so as to drag him towards the hole he has made. From the edge of the ice (r.) projects a post with a notice-board: 'Humane Society - Whereas this Pond is very deep & dangerous, it is requested that no persons will rashly venture to Skait upon it.'"--British Museum online catalogue.
Alternative Title:
Elements of skateing, Elements of skateing :, and Elements of skating :
Description:
One of four prints in a series entitled: Elements of skateing., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., and Title etched below image, following series title.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"An aged man with a Jewish profile unlocks a large padlock on an iron-studded door under a vaulted portico. Beside him stands a man dressed like a sailor with a basket of poultry and fish on his head, and a straw-covered flask in his hand. An area railing is also padlocked, but behind the railing is a handsome young officer on a ladder, helping a pretty girl out of the window. The old man wears old-fashioned dress with a tie-wig, and two coats, one worn like a cape with the sleeves empty. His crutched stick leans against the door. A corbel above the door is a grotesque figure with a Jewish profile, supporting a burden."--British Museum online catalogue.
Description:
Reissue; the year at end of imprint statement has been altered to "1811," perhaps from "1805." See British Museum catalogue. and Title etched below image.
Publisher:
T. Rowlandson, N. 1 James St. Adelphi
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
"The Pope (left), on a small ass decked with trappings, faces John Bull, who stands as toll-keeper before a closed five-barred gate. From the other side of the gate a path leads to a country church on a hill, irradiated, and framed by the semicircular inscription: 'King - Church and Constitution'. The Pope, except that he wears a Papal crown instead of a mitre, resembles St. Patrick in caricature (where he often rides an ass). He is aquiline and bearded, holds a crosier, and wears a cope. His ass has blinkers, on which a satyr's mask is freely drawn. He leans towards John, saying, "Mr Bull, I have been to Paris - and seen all the fine sights there - I now want to have a peep at that little Church on the Hill - therefore let me pass the turnpike." John (right), a fat yokel, looks up at the Pope with a suspicious scowl, pointing over his shoulder at a large open book, 'Test Oath', which is on a book-rest attached to the gate-post. He says: "If you want to go through - pay the Toll, what the devil do you think I keep a turnpike gate for?" Behind the Pope stand four dissenting ministers anxiously watching the interview. Three say sanctimoniously : "Though I boast not gaudy trappings, - nor am I mounted on Ass back, - yet if he goeth through verily I should like to go through also!"; "Verily so should I."; "We should all like to go through".."--British Museum online catalogue.
Description:
Attributed to Rowlandson by Grego. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--III,--King of Great Britain,--1738-1820., Harvey, Francis--Ownership., and Pius--VII,--Pope,--1742-1823--Caricatures and cartoons.
Subject (Topic):
Dissenters., Donkeys., John Bull (Symbolic character)--Caricatures and cartoons., Quakers., Toll roads., and Tolls.
"The left of the stage seen from the right with part of the orchestra in the foreground, and two stage-boxes on the left. The singer, a handsome young man of feminine appearance, bows, hands on heart, singing loudly. He wears quasi-Roman armour, with an enormous feathered helmet, a cloak, bare arms and legs, with cothurnes. In the centre of the lower box a stout man in regimentals yawns violently, looking disparagingly at the singer. A handsome lady next him turns her head towards the stage. Four other men in the box are amused or quizzical; one uses an ear-trumpet. In the upper box an elderly 'cit' grimaces with angry contempt; his wife yawns cavernously, as does a head in the background. The orchestra sit facing each other; all are elderly; all register active lack of appreciation."--British Museum online catalogue.
Alternative Title:
John Bull at the Italian opera
Description:
For the original issue from 1805, see: Grego, J. Rowlandson the caricaturist, v. 2, pages 52-3, Reissue; the year "1805" at end of imprint statement has been altered to "1811." See British Museum catalogue., and Title etched below image.
Publisher:
T. Rowlandson, N. 1 James St. Adelphi
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"A pretty young woman and a fashionably dressed man sing together seated on upright chairs. She (r.) plays the harp, her head thrown back to look over her shoulder at the music-book which he holds open: 'Duets de l'Amour'. On a round table which supports his elbow as he leans towards her is an open book: 'Ovid' [Art of Love]. She wears clinging draperies. Two cats gambol amorously on music-books on the ground. The elaborate décor of the room stresses the subject of the design. A large wall mirror (l.) hangs above a marble console which is supported on winged heads; a butterfly flies towards its own reflection. Chinese vases containing roses (twin flowers) flank a bowl in which gold-fish swim to meet each other. One vase only is fully visible; it is a scene of courtship. Below the console a heart-shaped vase, decorated with a Sphinx, stands on the floor. An oval picture elaborately framed hangs above the heads of the lovers: a Cupid fires a blunderbuss at two doves billing on a dove-cot. This is flanked by carvings of flowers with (l.) crossed torches (of Hymen) and (r.) the bow and arrows of Cupid. In the foreground (r.) is one corner of a console table supported by a grinning satyr with a cloven hoof; on it is a myrtle plant in an ornamental pot. The luxury of the room is shown by an arcaded wall with pilaster reflected in the mirror, and by a palm-tree pilaster (as in BMSat 10303)."--British Museum online catalogue.
Description:
Companion print to: "Matrimonial-harmonics." and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Date of publication inferred from statement of responsibility., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
Two rows with six men and women from various walks of life, comment on Roscius.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Betty, William Hen. West--(William Henry West),--1791-1874., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A burlesqued illustration of the quotation from 'Paradise Lost' etched below the design ... In the upper left corner of the design, and in the background, an aged St. Peter holds open a small arched door, putting one of his three massive keys into the lock. The irradiated doorway is 'Popish Supremacy'; through it is seen a table, also irradiated, spread with loaves, fishes (cf. BMSat 10697), and wine. A golden staircase receding in perspective ascends in a curve to the door from the summit of the globe, on which 'Ireland' (the more conspicuous) and 'England' are marked. A procession of petitioners winds up the globe from the lower margin of the design; its leaders have begun to ascend the stairs but have been struck by three mighty blasts of wind. These issue from the mouths of Pitt, Hawkesbury (just below), and Sidmouth (considerably lower) Their profile heads emerge from dark clouds on the extreme left. The blasts have overthrown the leading petitioners: Grenville, in bishop's robes, staggers back with outstretched arms, his crozier and mitre fall, and the Catholic Petition blows from his hands, tattered by the wind, in a stream of 'popish' objects which slants upwards across the design. Immediately behind him, full face, the spectacled Buckingham staggers backward. He is dressed as a monk. In front of the two brothers Moira has fallen on his back on the third stair, kicking wildly, his upright l. leg expressing his characteristic stiff rigidity. He wears a surplice over regimentals and spurred boots, and his sword has broken. He has dropped the halter of the Irish bull on which sits Fox, dressed as a cardinal, the central figure of the design. The bull, snorting flames, rears violently, throwing Fox back into a horizontal position. Round its neck is a tricolour ribbon inscribed 'Order of St Patrick', from which hangs a medal with a profile of 'Buonaparte'; on its head is a bunch of shamrock. Fox is a Papal Legate; he is about to fall, and drops his triple cross to which is attached a tattered tricolour banner, inscribed 'Catholic Emancipa[tion']. His cardinal's hat flies off; from his left hand blows a document with many seals: 'Hierarchical Powers of ye Legate-Cardinal Volpone'. Mrs. Fitzherbert, a Mother Abbess, has fallen headlong from the stairs on to the globe. Her r. hand is on Ireland, resting on an open book: ' . . by the Brighton Abbess System of Education for the benefit of Protestant Children'; her left wrist is on England. Her crozier rests on the globe. Her robes, rent by the fall, display bare posteriors and fat, kicking legs, suggesting the connotation of 'abbess' and bawd, see BMSat 5184, &c. Moira has flung his left arm across her. ..."--British Museum online catalogue.
Description:
Four stanzas of verse below image, two on either side of title: "And now St. Peter at heav'n's wicket seems ... and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, John Russell,--Duke of,--1766-1839--Caricatures and cartoons., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Carlisle, Frederick Howard,--Earl of,--1748-1825--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Grattan, Henry,--1746-1820--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Holland, Henry Richard Vassall,--Baron,--1773-1840--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Liverpool, Robert Banks Jenkinson,--Earl of,--1770-1828--Caricatures and cartoons., Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons., Tierney, George,--1761-1830--Caricatures and cartoons., William--IV,--King of Great Britain,--1765-1837--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"A horse shies at a high and solid gate, throwing its fat rider, who flies sideways through the air, with arms extended. He wears red coat and top-boots. Behind shrubs on the. farther side of the gate lies a bull, the cause of the accident. Trees form a background."--British Museum online catalogue.
Description:
Printmaker identified as Gillray in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Below the title: 'Barrass (then in Power) being tired of Josephine, promised Buonaparte a promotion, on condition that he would take her off his hands; - Barrass had, as usual, drank freely, & placed Buonaparte behind a Screen, while he amused himself with these two Ladies, who were then his humble dependents, - Madame Talian is a beautiful Woman, tall & elegant; - Josephine is smaller & thin, with bad Teeth, something like Cloves, - it is needless to add that Buonaparte accepted the Promotion & the Lady, - now, - Empress of France!' In the centre of the design the two women dance, veiled by transparent drapery which is framed by a heavy festooned curtain. On the r., in full light, sits Barras, lolling tipsily in an ornate armchair. On the left., in shadow, Bonaparte lifts the curtain to stare intently at Josephine. The women are naked, except for gartered stockings, slippers, bracelets, and barbaric ear-rings. They dance, beating tambourines, and are as described, Mme Tallien in back view, Josephine directed towards Bonaparte but looking over her right. shoulder. Their hair hangs in snaky locks below the waist. Barras' chair or Directorial throne has a draped canopy, its back is surmounted by a realistic figure of an infant Bacchus among grapes wearing a bonnet rouge and holding up a full glass and a bottle resembling a Chianti flask. Similar flasks and a cornucopia with grapes flank the Bacchus. Barras, bloated and brandy-faced, holds a glass, spilling the contents. Before him is an ornate round writing-table; its legs are carved with satyrs' heads and terminate in hooves. A decanter of 'Burgundy' stands on a paper headed 'Egypt'; 'Commission pour Buonaparte', above the signature, 'Barrass'. There is also a bottle of 'Mareschino', decanters, and glasses. Other bottles and a broken glass lie on the floor. On the wall an oval frame is inscribed 'Messalina'; the picture is hidden by the curtain framing the dancers. Bonaparte leans forward, holding his cocked hat behind his back. He wears a long military coat with heavy sword and boots. Behind him is a high folding screen. On this are skulls wearing bonnets rouges, and, above, partly concealed by the curtain, a shadowy crown. On another leaf (l.) a little Cupid, blowing a pipe, rides a crocodile, pyramids and palm-trees forming a background (cf. BMSat 11057)."--British Museum online catalogue.
Alternative Title:
Madame Talian and the Empress Josephine dancing naked before Barrass in the winter of 1797
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Barras, Paul,--vicomte de,--1755-1829--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Josephine,--Empress, consort of Napoleon I, Emperor of the French,--1763-1814--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Tallien, Thérésia Cabarrus,--1773-1835--Caricatures and cartoons.
"Two skaters strike attitudes in the foreground. One (l.), with hands on hips, describes a curve on the outside edge of the left. foot, the r. foot being held out stiffly. He looks aggressively towards the other, a younger man who bends his knees, arms extended, and grins at his rival. The former wears a spencer over a short coat, the latter a tail coat; both wear Hessian boots, but those of the latter, who is more fashionably dressed, reach to the knee and are tasselled. Both hold sticks. In the background (r.) a pair of men with folded arms skate back to back in doing a figure of eight; a third skates forward fast with hands on hips. The scene is a lake in a snow-covered landscape."--British Museum online catalogue.
Alternative Title:
Elements of skateing, Elements of skateing :, and Elements of skating :
Description:
One of four prints in a series entitled: Elements of skateing., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., and Title etched below image, following series title.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Two grotesque and foolish connoisseurs standing admiring a collection of Egyptian statuary, both looking at a mummy case at left, one simpering, pointing and looking through pince-nez, the other squinting through a short spyglass; the antiquities include another mummy case, male and female statues, two sphinxes and a grotesque sculpture of a dog on a plinth decorated with hieroglyphs."--British Museum online catalogue.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"A sailor and his pregnant fiancée stand at left before a clergyman in a white surplice who stands at right, reading from papers inscribed 'Matrimony', and asking 'Wilt thou take this Woman to be thy wedded wife'; the sailor responds in affronted manner, asking 'do you doubt the word of a sailor'; an assisting cleric at right, wearing dark clothes and bands, drops his book in surprise."--British Museum online catalogue.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Brides., Clergy., Grooms (Weddings), Pregnant women. , Sailors--British., and Weddings.
"One man falls violently, arms and legs in the air; he brings the ferrule of his stick heavily down on the eye of a neighbour who has just landed on his posterior, his legs and arms extended. In the background three other skaters have fallen, and lie or sit, legs in the air."--British Museum online catalogue.
Alternative Title:
Elements of skateing, Elements of skateing :, Elements of skating :, and Fundamental error in the art of skating
Description:
One of four prints in a series entitled: Elements of skateing., Printmaker identified as Gillray and artist questionably identified as Sneyd in the British Museum catalogue., and Title etched below image, following series title.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"On the left. Fox stands at his tavern-door, which is at r. angles to the front of the house (r.), where a large open sash-window faces the spectator. Below the window is a large inscription: 'C. J. F & Co. Dealers Rectifiers and Compounders [the 'nf' of 'confounders' is scored through, and replaced by 'mp'] of foreign Spirits'. Beside the window are chequers, indicating the sale of ale; below them: 'Whitbreads intire' [cf. BMSat 10421]. Over the door is the sign: a crown, and 'The Case is Altered' [cf. BMSat 9714], with a bunch of grapes indicating the sale of wine. Fox, very neat and debonair, with a napkin under his arm, a corkscrew in his coat-pocket, a typical tavern-keeper or head-waiter, smiles at a ragged, Bohemian-looking fellow, who approaches him, with outstretched left hand, a large book under his right. arm inscribed 'Pl[an] of Reform'. The ragged reformer says: "Ah! Citizen, how do you do. I've just finisd my plan of Reform, and as you have no plan we can as well be going on with that as doing nothing." Fox, his hand thrust in his coat-pocket, answers: "Citizen!!! we-go-on-with your plan!!! I dont understand you Oh!. I suppose you mean what I used to gammon my Custommers with when I lived over the way, but that sort of fun wont do now, we are all different people!" Within the open window members of the new Ministry are seated drinking, as if at a tavern-club meeting, with Erskine, wearing a hat and Chancellor's wig and gown, in the chairman's seat, which is surmounted by the Prince of Wales's feathers (see BMSat 10525); he holds the mace. On the left. (or Erskine's r.) are Sheridan (a bottle of 'Sherry' in front of him), Grey, and Lauderdale. Opposite them are (r. to left.): Grenville, Bedford, Moira (wearing a cocked hat and smoking a long pipe), Petty, and (slightly isolated) Sidmouth. ..."--British Museum online catalogue.
Alternative Title:
Design for a scene in the intended new melodrama entitled The forty thieves
Description:
Questionable attribution to Isaac Cruikshank from the British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, John Russell,--Duke of,--1766-1839--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Lauderdale, James Maitland,--Earl of,--1759-1839--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons.
"The pair, seated in a gig, drive (r. to left.) along a country road, preceded by a mongrel dog carrying a large bone. The man drives the miserable hack with the air of an expert, flicking a heavy lash over the animal's neck. He is smartly dressed with side-whisker, swathed neck-cloth, high collar, and top-boots. His almost spherical wife takes his arm. She holds a little closed parasol, and wears gloves above we elbow. The feather and trimmings of her hat float behind her in the wind. On the side of the gig is a pestle and mortar, showing that the man is an apothecary. The emaciated and decrepit horse has broken knees and gaping wounds under the collar and harness; one pastern is swollen. Birds fly towards it, scenting carrion. A broken milestone (r.) is inscribed 'Miles from London'."--British Museum online catalogue.
Alternative Title:
Cockney and his wife going to Wycombe
Description:
Printmaker from British Museum catalogue., Title etched below image., and Two lines of quoted text emphasizing a lingual accent follow title: "Vednesday vas a week, my vife & I vent to Vest Vycombe, & vhether it vas the vind, or vhether it vas ...
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.