“174. Madagascar. ̶ Père, moi aussi, je veux être Prêtre.” A missionary father is show with a Malagasy boy outside the mission. The following information is printed on the back of the postcard: “Pour ‘l’Œuvre des Prêtres Malgaches’, 79, Avenue de Breteuil, Paris XVe. Ch. Post. 567-39 Paris.” There is no handwriting on the back.
"Series XXIII. - I. Missionary and Brahmin converts." The word converts is crossed out and replaced with "boys." Brahmin boys pose for the camera with a missionary in front of foliage.
“Pater Lievens mit bekeerlingen..” A Father Lievens is shown with eight young Christian converts. The caption and the following information are printed on the back of the postcard: Le Denier du Prêtre Indien, 11 rue des Récollets, Louvain.” There are a few handwritten lines in Dutch on the back.
A missionary father is shown with a group of boys and young men outside in a garden. Several of the boys are wearing nautical style caps. Handwriting in French closely covers the back of the card.
“Gaibira ̶ Installation des Sœurs.” Three missionary sisters are shown in an empty city lot with children from the mission, possibly after their installation ceremony. A large church or cathedral dome is seen in the background. The caption and following information are printed on the back of the postcard: “Congrégation des Filles de la Croix de Liége. Congregatie de Dochters van het Kruis te Luik. Maison-mère - Moederhuis: rue Hors-Château, 49. Mission des Indes Orientales. Missie van Oost Indië. Ern. Thill, Bruxelles.” There is no handwriting on the back.
“Congo Français. Nos petits enfants de Chœur à Landana.” A missionary father poses with children dressed in robes, possibly acolytes. Two young men hold processional candles and another holds a thurible. The following information is printed on the back of the postcard: “Missions des Pères du St.-Esprit. La Congrégation du St-Esprit vouée au Salut de la race noire évangélise le tiers de l’Afrique, les Antilles et une grande partie de l’Amérique. Elle se consacre aux races et œuvres les plus abandonées.” There is no handwriting on the back.
