Manuscript on paper of Renaissance poetry including: 1) Antonius Panormitanus (Antonio Beccadelli,1394-1471), Hermaphroditus. 2) Elegies on various subjects by the scarcely known Pompeius (Pazzalia) Bononiensis. 3) Basinius Parmensis (Basinio di Parma, 1425-1457), Liber Isottaeus. 4) Iohannes Marrasius (Giovanni Marrasio, 1405-c. 1457), Angelinetum. 5) Three poems by Carolus Marsuppinus (Carlo Marsuppini, 1398 [?]-1453). 6) Poems by Gregorius Tiphernus (Gregorio Tifernate, 1414-after 1462). 7) Poems by Iohannes Iovianus Pontanus (Giovanni Gioviano Pontano, 1426-1503), the final one here attributed to Iohannes Sagundinus (see also artt. 48-51). 8) Aeneas Silvius Piccolomini (pope Pius II, 1405-1464) , Versus in MahumetumTurcorum regem. 9) Iohannes Iovianus Pontanus, Carmina. 10) Petrus Porcellius (Pietro Porcellio, 1450), Carmina. 11) Antonius Panormitanus (Antonio Beccadelli), Elegia ad Iohannem Lamolam. 12) Petrus Porcellius, Poem in praise of Alberto d'Este (d. 1502). 13) Poem by Antonius Panormitanus. 14) Poems by or attributed to Iohannes Sagundinus. 15) Pompeius Bononiensis, Carmina. 16) Prayer to Mercury, also found in San Daniele del Friuli, Biblioteca Guarneriana, MS 121, f. 81r. 17) Poem attributed to the emperor Hadrian. 18) Complaint on the decay of Rome. Corpus Inscriptionum Latinarum, v. 6.5, no. 3*h, among the Inscriptiones falsae urbis Romae. 19) Funeral inscription. With short poems by various others.
Description:
4° folding. The s. XVII foliation is erroneous:it has ff. 55 and 55bis, 89 and 89bis, 96 and 96bis, and 118 and 118bis. Damaged by waterstains and tears., 7 postliminary leaves, 17th century binder's blanks, not digitized., Binding: Eighteenth century. Limp parchment with remains of two ties. Handwritten title on the spine: "Elegiae / nonnu/llorum / doctorum"., Headings and initials in brown, pale red, and blue., and Script: Copied by one hand writing Humanistica Cursiva Libraria.
Manuscript on paper of 1) Servius Honoratus (390-400), De finalibus. 2) Life of Boethius (c. 485-524). 3) Aelius Donatus (350), Ars grammatica, 1.5.
Description:
Leaves are in succession and constitute the central part of a quire, f. 1 being now a singleton and ff. 2-5 a binio., Lower section of the leaves is damaged by mould, badly impairing the legibility, and parts of them are lost., and Script: Copied by two hands, both writing a rapid Humanistica Cursiva. Hand A copied art. 1, Hand B artt. 2-3.
Manuscript on paper, composed of two independant sections. Part I (ff. 1r-121v): Sermons, excerpts and treatises. With works by Thomas de Hibernia and Albertus de Padua. Part II (ff.122r-180v): Works by St. John Chrysostom; with a treatise on temptations and special Mass prayers.
Description:
Binding: Contemporary Northern French or Flemish binding, which no doubt was made for Part II and rebacked when Part I was added: blind-tooled brown calfskin over bevelled wooden boards; the decoration consists of frames and a lozenge pattern traced in triple fillets, the lozenges filled with three tools: a rose, an acorn motif and a standing figure (?). Remnants of two clasps attached to the rear cover, with engraved brass catches on the front cover. On the 19th-century (?) spine the gold-tooled inscriptions “SERMONES” / and “IOANNES / CHRYSOSTOMUS”., Part I: Underlining and plain initials. Headings underlined or framed or written in red. Framed running headlines on the pages where a new article begins. Part II: Headings, heightening of the majuscules, and red 2-line plain initials in art. 41. The heightening is continued up to f. 137v, but the initials have not been executed from art. 42 onwards. Guide letters for all initials., Script: Part I: Copied by one hand in small Gothica Hybrida Currens. Some additions in a larger and more formal handwriting. Marginal captions. The scribe is Iohannes de Lovanio (John of Louvain), called (de) Dynen, lector in the convent of the Hermits of St. Augustine in Venice. Part II: Copied by the priest Jean Frassent in Gothica Cursiva Formata (Bastarda), which is less carefully executed on the final pages. Calligraphic extensions at the ascenders on the top line., and There is a contemporary foliation in red ink in arabic numerals in the middle of the upper margins of the recto pages, which coincides with the modern foliation up to f. 86; ff. “87”-“88” of the contemporary foliation are missing; the latter continues from “89” (= f. 87) to “113” (= f. 111). There are traces of a still earlier foliation, also in the center of the upper margins, which has been erased and appears to run from “70” (= f.1) to “159” (= f. 90, “156” and “157” being the missing leaves).
Subject (Name):
John Chrysostom,--Saint,--d. 407 and Thomas,--of Ireland,--ca. 1265-ca. 1329
Manuscript on paper containing 1) Life of St. Renatus, bishop of Angers, afterwards of Sorrento (5th century). 2) Three sermons on the miracles of Sts. Renatus and Valerius. 3) Life of St. Antoninus, abbot of Sorrento (d. c. 830). 4) Life, translation and miracles of St. Baculus, bishop of Sorrento (c. 660). 5) Life of St. Severus, bishop of Naples (d. c. 409). 6) Miracles of St. Agrippinus, bishop of Naples (200-210), introduction and chapters 1-7. 7) Invitatory and nine Responsories of the Office of St. Baculus. 8) Office of St. Renatus. 9) Peter, Subdeacon at Naples, Miracles of St. Agnellus abbot in the neighbourhood of Naples (d. 596). 10) Miracles of St. Euphebius bishop of Naples (3rd century). 11) Passion and Translation of St. Januarius bishop of Benevento (ca. 300) and of his companions Sosius, Festus, Proculus, Desiderius, Eutyches and Acutius. 12) Miracles of St. Januarius. 13) Last words and death of St. Eligius bishop of Noyon (d. 659). Shortened version of Vita sancti Eligii (BHL 2474-2476), Book II, chapters 34-36. 14) Passion of St. Restituta venerated in Naples (ca. 300). 15) Life and Translation of St. Athanasius bishop of Naples (d. 872). 16) Beginning of the first Lesson of the office of St. Aspren bishop of Naples (ca. 100) (not by Albericus). In the outer and lower margins, by later hand, the Office of St. Aspren.
Manuscript on parchment of Decimus Iunius Iuvenalis (c. 60-c.140), Satirae 6-16. With a survey of the sixteen Satires of Juvenal, with their incipits and subjects.
Description:
2-line plain inset initials (Capitalis) alternately red and blue, with guide letters. Between two successive Satires 1 line is left blank. In the lower margin of p. 9 there is a clumsy drawing in pale ink of a rabbit (?); an unidentified drawing (part of a dress?) is seen in the lower margin of p. 38 and part of the same in the lower margin of p. 99 (with offset on p. 98)., Binding: Nineteenth century, England. White parchment over cardboard, the covers gold-tooled with a double frame of fillets and a small circular stamp in the corners; the spine entirely gold-tooled with various designs; at its top a red leather label with the gold-tooled title “IVVENALIS / MS.”; at the bottom a small label in the same material and colour with the gold-tooled inscription “SÆC. / XV.” Dark red marbled endleaves. Gilt edges., Modern pagination employed in description., and Script: Rapidly copied by one hand in a linear and sloping Humanistica Semitextualis Libraria/Currens close to Cursiva.
All headings are missing (one line is blank between the various satires). Red stroking of the majuscules on f. 1r only. 2-line red plain initials at the beginning of the satires, with guide letters. The Prologue opens with a 5-line plain initial with some decoration., Binding: Unbound., Mss. 897 and 898 are parts of the same manuscript., Script: Copied by one hand writing Gothico-Humanistica with single-compartment a. The majuscules, at the beginning of each verse, are Gothic., and Watermark: a Circle surmounted by a Cross. Parchment stays at the outer and at the inner sides of the quires, made from scraps of various manuscripts.
Manuscript on paper of Bernardus Claraevallensis (Bernard of Clairvaux, 1090-1153), 1) Sermones de diversis, nos. 1-32 and 40-42. 2) In psalmum XC sermones XVII. 3) Super “Missus est” homiliae (In laudibus Virginis matris).
Description:
Binding: Original brown leather over heavy wooden boards, sewn on four split leather thongs; plaited leather headbands; spine missing. The covers are blind-tooled with frames and lozenges of triple fillets and the following stamps: a lare and a small lozenge-shaped fleur-de-lis; a large and a small rozette; a circular Pascal Lamb; a rectangular stamp with inscription “MARIA”. Remnants of two brass clasps attached to the front board., Most pages slightly damaged by the acid ink. Water stains at the bottom of the outer margins of the leaves in the final quires., Paragraph marks and underlining in red. Red stroking of majuscules. Red plain initials (2-3 lines; 4 lines f. 3r, 7 lines f. 73r); red flourished initials with black penwork (9 lines, f. 72r, 7 lines and of a less careful execution f. 116v). All initials have guide letters in the margin., and Script: Two hands writing careful Gothic scripts: A (ff. 3r-71v) Cursiva Libraria; B (ff. 72r-136r) Hybrida Libraria.