Title etched below image., Printmaker and date from Grego., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 33 of volume 3 of 14 volumes.
"A stout and disappointed coachman standing outside a house at night, holding out his hand in which there is a single coin; at left, a smartly dressed but uncouth looking couple standing in their doorway making jeering faces, the man with his hand in his pocket, a maid with a candle behind; the coach behind at right."--British Museum online catalogue
Alternative Title:
Surly saucy Hackney coachman
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; sheet 34.2 x 24.1 cm., and Mounted on leaf 27 of volume 13 of 14 volumes.
Publisher:
publisher not identified
Subject (Topic):
Carriages & coaches, Coach drivers, Light fixtures, and Passengers
"Fox seated on an ass takes leave of two ladies, one on each side of the ass, holding a hand of each. From under his saddle protrudes his India Bill. On his left stands the Duchess of Devonshire (right) holding out to him a fox's brush. She says: "Farewell my Charley - let no fears assail. For Sure no Fox had e'er so fine a Tail." Fox answers, looking down at her: "If that a Scrutiny at last takes place I can't tell how 'twill be & please your grace But Ladies for your Friendship & good will My Bushy Tail is at your service still." Lady Duncannon, holding Fox's right hand, looks across at the Duchess saying: "Ah! Sister, Sister, must he then depart To loose poor Reynard: almost breaks my heart." They stand outside a house; three ostrich feathers over the door (right) indicate Carlton House. From a window the Prince of Wales looks at the group below. On the extreme left and facing Fox, stands Burke in profile to the right as a post-boy in jack-boots, and holding a whip; under his arm is his 'Plan of economy' (cf. British Museum Satires No. 5657). A signpost points (left) 'To Coventry'."--British Museum online catalogue
Description:
Title etched below image., Later state, with new imprint statement and changes to the design. For a description of an earlier state in the Guildhall Library, see page 119 in the British Museum catalogue, v. 6., Date of publication based on earlier state in the Guildhall Library with the imprint "Pub. April 29th, 1784, by S. Hedges, Royal Exchange.", Dated by Grego to 18 May 1784, which is perhaps when the print was reissued., 1 print : etching on wove paper, hand-colored ; sheet 24.1 x 33.9 cm., Sheet trimmed within plate mark., and Formerly mounted on leaf 80 of volume 1 of 14 volumes.
Publisher:
Publish'd by W. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and Carlton House (London, England)
Subject (Topic):
East India Company, Politics and government, Coach drivers, Donkeys, Foxes, Riding habits, and Traffic signs & signals
"Fox seated on an ass takes leave of two ladies, one on each side of the ass, holding a hand of each. From under his saddle protrudes his India Bill. On his left stands the Duchess of Devonshire (right) holding out to him a fox's brush. She says: "Farewell my Charley - let no fears assail. For Sure no Fox had e'er so fine a Tail." Fox answers, looking down at her: "If that a Scrutiny at last takes place I can't tell how 'twill be & please your grace But Ladies for your Friendship & good will My Bushy Tail is at your service still." Lady Duncannon, holding Fox's right hand, looks across at the Duchess saying: "Ah! Sister, Sister, must he then depart To loose poor Reynard: almost breaks my heart." They stand outside a house; three ostrich feathers over the door (right) indicate Carlton House. From a window the Prince of Wales looks at the group below. On the extreme left and facing Fox, stands Burke in profile to the right as a post-boy in jack-boots, and holding a whip; under his arm is his 'Plan of economy' (cf. British Museum Satires No. 5657). A signpost points (left) 'To Coventry'."--British Museum online catalogue
Description:
Title etched below image., Later state, with new imprint statement and changes to the design. For a description of an earlier state in the Guildhall Library, see page 119 in the British Museum catalogue, v. 6., Date of publication based on earlier state in the Guildhall Library with the imprint "Pub. April 29th, 1784, by S. Hedges, Royal Exchange.", Dated by Grego to 18 May 1784, which is perhaps when the print was reissued., 1 print : etching with stipple on laid paper ; sheet 24.5 x 34.3 cm., Sheet trimmed within plate mark., and Formerly mounted on leaf 80 of volume 1 of 14 volumes.
Publisher:
Publish'd by W. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and Carlton House (London, England)
Subject (Topic):
East India Company, Politics and government, Coach drivers, Donkeys, Foxes, Riding habits, and Traffic signs & signals
A fashionably dressed woman sits (left) in profile, in an upright chair, while a carriage waits for her as seen through the window of the well-appointed sitting room. Her loose dress, high to the neck, has two embroidered slits to reveal the breasts. A pretty, buxom nurse holds out an infant, who eagerly sucks the breast thus conveniently laid bare. She wears a turban with two erect feathers, and short sleeves; her gloved right hand holds a closed fan. On the wall behind her is a large picture, 'Maternal Love': a seated woman suckles an infant. Through a high sash-window is seen a corner of the waiting coach, a footman holding open the door, a fat coachman on the box. The coach, hammer-cloth, and the lady's chair are decorated with a baron's coronet. A patterned carpet covers the floor
Alternative Title:
Convenience of modern dress
Description:
Title etched below image., 1 print : etching & stipple engraving on wove paper, hand-colored ; plate mark 35.0 x 24.8 cm, on sheet 38.5 x 27.5 cm., and Mounted on leaf 5 of volume 9 of 12.
Publisher:
Pubd. Feby. 15th, 1796, by H. Humphrey, New Bond Street
Subject (Topic):
Breast feeding, Carriages & coaches, Clothing & dress, Coach drivers, Hats, Infants, Jewelry, Interiors, Mothers, Parlors, Rugs, and Servants
"The King sits impassively in his badly damaged state coach, which is being assailed by a mob; facing him sit two courtiers in abject terror. Pitt (right), dressed as the coachman, drives furiously, lashing the horses, the hind legs only of the wheelers being visible on the extreme right. These are trampling on Britannia who lies prostrate, her shield and broken spear beneath her. Four footmen in striped liveries stand behind, one holding the straps; the others hold each other's waists: Loughborough, the Lord Chancellor, wearing his wig, stands next the coach; behind him is Grenville, then Dundas, wearing a plaid and with a bottle projecting from his coat-pocket. Last is Pepper Arden wearing a judge's wig. All, like Pitt, wear jockey-caps. Lord Lansdowne (right), a sansculotte, composedly fires a blunderbuss point-blank through the coach window, aiming at the King. Fox and Sheridan, facing Lansdowne, run beside the coach, holding on to it. Both are tattered ruffians brandishing clubs, but wear breeches. The other three assailants cling to the spokes of the back wheel to stop the coach: (left to right) the Duke of Grafton, neatly dressed and wearing a cocked hat with tricolour cockade, Lord Stanhope, and little Lord Lauderdale, both wearing bonnets-rouges. Behind, a sea of heads indicates the mob; they carry a tricolour flag inscribed 'Peace and Bread' and a loaf draped with black and spiked on a pitchfork. A cat, stones, and eggs shower on the coach, the crown on the top of which is broken."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Mob -- Attack on George III's coach on October 29, 1795 -- Coaches: royal state coach -- Crowns: broken crown -- Guns: blunderbass -- Domestic service: footmen -- Hats: jockey caps -- Bonnets rouges., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.1 cm, on sheet 27.6 x 40.2 cm., and Mounted on leaf 63 of volume 3 of 12.
Publisher:
Pubd. Novr. 1st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, William Wyndham Grenville, Baron, 1759-1834, Melville, Henry Dundas, Viscount, 1742-1811, and Alvanley, Richard Pepper Arden, Baron, 1745-1804
Subject (Topic):
Assassination attempts, Britannia (Symbolic character), Carriages & coaches, Cats, Coach drivers, Crowds, Riots, Sansculottes, and Servants
In front of Humphrey's print shop window, a man sits on the pavement, having fallen backwards; his legs are splayed up, his wig is falling off, and coins spill from his pockets. The man's predicament is unobserved by four men studying the Gillray prints displayed in the shop window, each identifiable: a gentleman with a quizzing glass held to his eye; a military officer; a coachman; and a young dustman carrying a pair of skates under his arm, his nose eaten away by syphilis. From the cobblestone street a dog looks at the man. Through the shop door, two men, one an obese cleric, are shown examining a print
Alternative Title:
St. James's Street
Description:
Title etched below image., One of a set of seven weather-themed prints with the same signature and imprint, all etched by Gillray from drawings by Sneyd. See British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 26.2 x 20.4 cm, on sheet 31.1 x 24.4 cm., and Mounted on leaf 57 of volume 11 of 12.
Publisher:
Publish'd February 10th, 1808, by H. Humphrey, No. 27 St. James's Street
Subject (Geographic):
England and London
Subject (Name):
Humphrey, Hannah, active 1774-1817.
Subject (Topic):
City & town life, Clergy, Coach drivers, Falling, Merchandise displays, Military officers, British, Older people, People associated with commercial & service activities, Prints, Syphilis, Stores & shops, Thermometers, Weather, Window displays, and Printing industry
