All headings are missing (one line is blank between the various satires). Red stroking of the majuscules on f. 1r only. 2-line red plain initials at the beginning of the satires, with guide letters. The Prologue opens with a 5-line plain initial with some decoration., Binding: Unbound., Mss. 897 and 898 are parts of the same manuscript., Script: Copied by one hand writing Gothico-Humanistica with single-compartment a. The majuscules, at the beginning of each verse, are Gothic., and Watermark: a Circle surmounted by a Cross. Parchment stays at the outer and at the inner sides of the quires, made from scraps of various manuscripts.
Manuscript on parchment of Persius, Satirae 1.22-6. With argumenta added in the 15th century.
Description:
Binding: 20th-21st centuries, not digitized. Plain brown leather over cardboard. Yellowish paper endleaves., Paragraph marks in red. All the majuscules, those at the opening of the verses and the others, are heightened with dark yellow. The Satires open with a 2-line flourished initial (a 3-line flourished initial for Satire 6) with marginal extensions, alternately in red with purple penwork and blue with red penwork., and Script: Copied by one hand writing Italian Gothica Hybrida Libraria, with a preference for round r and d with relatively short shaft.
Binding: Nineteenth century, England. Bound by Zaehnsdorf (London, 1842-1930) in brown goatskin, blind-tooled, with gold-tooled spine "Cicero" and "MS". Yellow edges. Discoloration on early parchment endleaves reveal traces of corner tongues., Blanks at end not digitzed., Script: The manuscript was copied by two scribes who exhibit distinct formats and scripts reflecting the transition from gothic to humanistic types of book production. Scribe I) ff. 1-107r, line 14. Written in a very fine early humanistic bookhand, above top line. Scribe II) ff. 107r, line 15-135r. Written in a semi-gothic script, below top line, in a style of writing similar to that used by Coluccio Salutati; strong gothic influence in forms of majuscules., and Twenty-three illuminated intials of fine quality, 6- to 2-line, yellow on rectangular bright blue grounds with narrow black frames. Grounds filled with restrained and stylized thin white vine-stem ornament and intricate white filigree. Most spaces for rubrics left unfilled.
Acquired from Henry Fletcher in 1950., Binding: 18th-19th centuries. Stab sewn to a vellum folder made up of a legal document (trimmed with some loss of text) dated 1766 and involving the manors of Whitechurch and Milbourne in Wiltshire. The outside has an inscription, 19th century, "Some leaves of early English History in Norman French supposed to have come from Malmesbury Abbey." A similar inscription occurs on f. i verso., Decorative initials, blue with red penwork, appear only on ff. 1-12; initial strokes and headings, in red, throughout., In Anglo-Norman., and Script: Written in Anglicana bookhand by one scribe.
Subject (Geographic):
Great Britain--History--14th century
Subject (Name):
England.--Treaties, etc.--France,--(1360 May 8)
Subject (Topic):
Anglo-Norman literature, Chronicles of England, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Belonged to Frederick North, 5th Earl of Guilford (1766-1827) and to Sir Thomas Phillipps (no. 11868). Purchased from H. P. Kraus in 1959 by Thomas E. Marston., Binding: Ca. 1800, Italy. Brown goatskin, blind-tooled with a gold-tooled red label on spine: "Monum. di Cand. Sotto il Dom. Ven. Cod. Memb"., Many of the leaves are illegible due to severe water damage and damp rot throughout; the codex emits a foul odor., and Script: Written throughout by multiple scribes in mercantesca scripts.
Subject (Geographic):
Crete (Greece)--History, Ērakleion (Greece), and Venice (Italy)--History--697-1508
Subject (Topic):
Legal documents, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library