Manuscript fragment on parchment of Bernardo of Parma's gloss on the Decretals of Gregory IX, including sections over liber III
Description:
In Latin., Script: written in a heavily abbreviated gothic script., Decoration: running heads, initials, and rubrics in red; some contemporary marginal commentary., and These fragments, which appear to be from the same manuscript, are contained in Zi +156 (Bernhard von Breydenbach, Prefatio in opus transmarine...), in which the fragments are used as front and back endpapers.
Manuscript on paper of a collection of pseudo-Lullian alchemical writings, translated from the French and Catalan originals, with a little additional matter. The codex underwent a transformation in the early 16th century when considerable new matter was added by another English hand on different, thinner paper; leaves have been inserted throughout the original codex
Description:
In Latin., Watermarks: Original paper: 1) an extremely primitive-looking unicorn with very short horn and long tail somewhat like Briquet 9962 and 10176; 2) a less primitive unicorn rather similar to Briquet 9985; 3) bullshead with defined eyes and nostrils and with cross above, rather like Briquet 15054. Inserted leaves: a very elegant unicorn mark, more developed than Briquet 10104; and some leaves with a gothic "P" with cinquefoil above, rather like Briquet 8809., Script: The original portion written by a single English gothic cursive hand with heavy standard abbreviation. The inserted leaves (first 4 ff. now extant, ff. 88-96, 163-169, 268-274, and 307-319 [of which f. 167 is a blank and f. 315 is a parchment leaf]) written in another gothic cursive habitually employing writing of different sizes., Original text: Headings in red, rubricated. Some pages with diagrams or drawings. The illustrations include Lullian alphabets and tables in the form of wheels, an Arbor philosophorum, a group of flasks, and a good, large drawing of a furnace. Inserted leaves: Red headings, and capitals with slight decoration., and Binding: Eighteenth century, English. Dark calf, sides paneled in blind with a roll tool of vine pattern, leafy sprays at the corners, back with six plain compartments and five raised bands, probably original parchment label on second compartment from top bordered with ink rule and lettered in ink: "RAYM. LULLII | OPERA | MANUSCRIPTA". The binding considerably repaired and some leather renewed. Original plain edges, the top blackened.
Manuscript on paper of the writings of Christopher of Paris (pseudonym for a Venetian exile), including his major work, Lucidario, with its supplementary alphabet, plus three letters
Description:
In Italian and Latin., Script: Written by a single good italic hand, sometimes hasty toward the end of the codex., Rubricated, headings often in red., and Binding: Original plain parchment wrapper without ties, back with three raised bands, soiled and worn. Plain edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Christopher, of Paris.
Subject (Topic):
Alchemy, Alphabet books, Italian letters, and Manuscripts, Medieval
One (of three) volumes of lecture notes from Litchfield Law School
Alternative Title:
Manuscript notes of lectures by Tapping Reeve and James Gould, at the Litchfield Law School, taken between 1817 and 1818, by Josiah Houghton and Reeve's lectures
Publisher:
Josiah Houghton
Subject (Geographic):
Connecticut and Litchfield.
Subject (Name):
Litchfield Law School
Subject (Topic):
Students, Law, Study and teaching, and Law students
Manuscript notes of lecture by Tapping Reeve and James Gould, at the Litchfield Law School, taken between 1808 and 1809, by Ely Warner
Description:
Title page is in volume 3., "A chronological chart of reporters of cases adjudged in the courts of law and equity in England"--volume 1, 4 preliminary leaves., Several blank leaves follow page 542 in volume 3, and are themselves followed by an index, unpaged., and Pages 459-542, volume 3, consist of reports of various courts from 1809-1814.
Manuscript notes of lecture by Tapping Reeve and James Gould, at the Litchfield Law School, taken between 1808 and 1809, by Ely Warner
Description:
Title page is in volume 3., "A chronological chart of reporters of cases adjudged in the courts of law and equity in England"--volume 1, 4 preliminary leaves., Several blank leaves follow page 542 in volume 3, and are themselves followed by an index, unpaged., and Pages 459-542, volume 3, consist of reports of various courts from 1809-1814.
Manuscript notes of lecture by Tapping Reeve and James Gould, at the Litchfield Law School, taken between 1808 and 1809, by Ely Warner
Description:
Title page is in volume 3., "A chronological chart of reporters of cases adjudged in the courts of law and equity in England"--volume 1, 4 preliminary leaves., Several blank leaves follow page 542 in volume 3, and are themselves followed by an index, unpaged., and Pages 459-542, volume 3, consist of reports of various courts from 1809-1814.
Manuscript, on parchment, in a single hand, of Chaucer's Treatise on the astrolabe
Description:
In Middle English., Layout: single columns, mostly of 28 lines., Script: English bookhand., Decoration: initials in blue with red penwork., Presentation inscription on verso of front flyleaf: Augustus W. Franks, the gift of Sir David Dundas., Ownership inscription on verso of front flyleaf: C. H. Read., Tipped in: autograph letter signed from D. D. to A. W. Franks, 1877 February 11., and Binding: nineteenth-century full calf; in case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Chaucer, Geoffrey, -1400.
Subject (Topic):
Astrolabes, English literature, English prose literature, and Manuscripts, Medieval
Manuscript on paper of John Rolfe (1585-1622), A true relation of the state of Virginia, autograph manuscript
Description:
The author, best known for his part in the colonization of Virginia under the governorship of Sir Thomas Dale (d. 1619) and his marriage to the Indian princess Pocahontas (d. 1617), wrote this account after his return to England in 1616 to show the suitability of Virginia for colonization., In English., Script: Written in Gothica Cursiva (Secretary)., The acidity of the ink has damaged the paper., and Binding: Original paper wrappers.
Subject (Geographic):
Connecticut, New Haven., and Virginia
Subject (Name):
Rolfe, John, 1585-1622.
Subject (Topic):
English literature, Manuscripts, Medieval, Description and travel, and History
Manuscript on parchment of Livy, Ab urbe condita libri I-X.
Description:
In Latin., Script: Written by a single scribe in round humanistic script., On f. 1r: the initial F historiated with a view of Rome, full-page illuminated border in gold and colors into which are introduced the Trivulzio arms of Milan (paly of 6, or and vert) and a set of unidentified arms (gules, a cross saltire sable). Initials of books, 8-line, of painted gold on background of blue, green and red, and partial floral border., Initial on f. 2r damaged by crease., and Binding: Eighteenth century. Brown leather, gold-tooled, edges marbled and gilt, rebacked, with T. LIVII DECAS PRIMA on spine.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Livy.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval, and History
Manuscript on paper tablet of Account book, being a record of Stiffkey mill belonging to Nathaniel Bacon (1546?-1622) for the time period 8 December 1576-1579/80. Contains weekly statements of George Brigges, John Wilson, Thomas Shorten, William Fether, Robert Merkyn, and Henry Corye
Description:
In English., Watermarks: unidentified pot., Script: Written by several individuals in informal cursive scripts., Most folios are wrinkled, torn; some have been mended., and Binding: Nineteenth century. Half green goatskin with green cloth sides, gold- and blind-tooled. Leaves of a didactic theological text (Germany, ca. 1250) bound at beginning and end; probably a bifolium. Parchment; 291 x 196 (220 x 155) mm. Written above top line in a small gothic bookhand. Initials in red or green with penwork designs of the other color. Stained, but with little loss of text.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Bacon, Nathaniel, 1547-1622.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Manuscripts, Medieval, and Economic conditions
Legal document, in a professional hand, signed by the first Baron Lumley, containing an acquittance for 2500 pounds received from Edward Greville for the manor of Mickleton in Gloucestershire
Description:
In English., Docketed in later hands., and Attached seal (worn).
Subject (Geographic):
England, Connecticut, New Haven., and Gloucestershire (England)
Subject (Name):
Greville, Edward, Sir, 1542-1616. and Lumley, John Lumley, Baron, 1534?-1609.
Manuscript on paper of the Acts of the Apostles and Revelation
Description:
In Greek., Mutilated watermarks consisting of column (?) flanked by fleur-de-lis., Script: Written by a single person in a small neat minuscule script., Initial on f. 1r painted in blue and outlined in red. Illuminated initial on f. 65r in gold, on blue square serving as background; partial border at bottom of page: pink flowers in gold rectangle outlined in black. Running titles throughout., and Binding: Probably ca. 1530. Bruges (?). Sewn on four single, tawed thongs laced twice in and out of pasteboards. The tawed cores of the beaded endbands are also laced twice. Half bands divide the end sections of the spine. The book-block is remarkably clean and the leaves flat. Covered in brown calf with panel stamps of Saint John the Baptist and Saint Michael in arches with a line of dancing figures and a piper in between. Heavily repaired.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript fragment on parchment of Vergil's Aeneid containing portions of Books 2 and 3, including a section of the Pseudo-Ovidian Prologue to Book 3.
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: a portion of the initial "P" of Book 3 is preserved, written in red; 1-line initials at the beginning of verses are in brown in a mixture of rustic capital and uncial forms; punctuated with the punctus.
Manuscript on parchment of Virgil's Aeneid, book 1, lines 513-543 and 547-576
Description:
In Latin., Layout: single column of 31 lines on recto, 30 lines on verso., Script: copied by one hand in Praegothica, with ascenders sometimes notched, and uncial d and tall d., and The leaf is from a small format pocket-sized manuscript. Trimming affects text at the top of the page, and text on verso is faded and obscured in places by staining.
Manuscript on paper (sturdy; various unidentified watermarks) of Virgil, Aeneis. Some lines lacking; most were presumably on leaves that became detached and have fallen out. Prefaced to each book are ten or eleven lines in verse. The text of Vergil is accompanied on ff. 1r-5v by marginal and interlinear glosses, the greater portion of which are derived from or an adaptation of Servius. The commentary does, however, include notes (some in Greek) independent of Servius
Description:
In Latin., Script: Part I (ff. 1-6): Written in humanistic cursive by a single scribe; apparently added later to replace lost leaves. Part II (ff. 7-57): Written in fere-humanistic script by one scribe. Spaces left for initials. A large gap in the text occurs between Parts II and III (6.587 to 7.744). Part III (ff. 58-112): Written by a single scribe in a script similar to that in Part II., Spaces left for initials., Many pages unattached due to the brittle binding., and Binding: 16th-17th centuries (?). Sewn on three slit leather straps. There is no indication of an earlier sewing, but the book was extensively mended before it was sewn. Tawed cores of plain wound endbands laid in grooves. Beech boards with rectangular channels on the outside in which the straps are nailed. The spine is lined with brown leather and the book covered in dark brown sheepskin faintly blind-tooled with a central diamond made up of arches with small ornaments scattered in and around it. Tongue turn-ins. There are two catches on the lower board and traces of red and cream silk ribbons nailed to the upper one with star-headed nails. The title is painted in red on the spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Servius, active 4th century. and Virgil.
Subject (Topic):
Epic poetry, Latin, Manuscripts, Medieval, and Scholia
Manuscript on parchment of Virgil, Aeneis, in an Italian prose abridgement by Andrea Lancia
Description:
In Italian., Script: copied by a single hand writing Southern Gothica Textualis Libraria/Formata (Rotunda). Stroking of the majuscules. 2-line flourished initials with simple penwork at the opening of the chapters. More elaborate flourished initials, 2 to 7 lines, at the opening of the Books. On f. 1r an 8-line littera duplex., and Publius Vergilius Maro (70-19 B.C.), Aeneis, abridgement in Italian prose by Andrea Lancia (c. 1280-c. 1360). This Florentine notary and Dante commentator wrote various Italian translations or adaptations of classical Latin texts. There are occasionally interlinear glosses, more often marginal notes. Pointing hands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lancia, Andrea, ca. 1280-ca. 1360. and Virgil.
Subject (Topic):
Epic poetry, Latin, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment (goatskin) of Publius Vergilius Maro (70-19 B.C.), Aeneis, with the Argumenta of Books 1-12 ascribed to Ovid. Including Summary of Aeneis ascribed to Basilius, one of the Twelve Wise Men; Ps.-Vergilius, prologue to Aeneis; Six verses in praise of Mapheus Vegius (Maffeo Vegio, 1406-1458); Mapheus Vegius (Maffeo Vegio, 1406/7-1458), Book 13 of Aeneis; and Ps.-Octavianus Augustus, Poem in praise of Virgil's Aeneis
Description:
In Latin., Script: Copied by a single scribe writing a careful but somewhat unusual Humanistica Textualis Formata, with lengthened descenders at the bottom line., Very pale red rubrics and running numbering of the Books (on rectos, in Roman numerals); blue paragraph-marks; blue plain initials (2-3 lines) for the Argumenta; white vinestem initials (6 lines) with marginal extensions; on f. 5r (Book 1) 10-line white vinestem initial and full white vinestem border augmented with groups of three gold balls in the outer and lower margins; in the lower section a damaged coat of arms in a wreath, identified as argent, a fess azure., The lower margins of ff. 149, 181 and 192 have been cut and were replaced; in the first case this was done before writing; the upper and lower corners of the leaves are cut; ff. 1-14 have been repaired by pasting pieces of parchment to the damaged edges or corners. There is a triangular incision in the lower part of the outer edges in the large central section of the codex., and Binding: 1904 by Katharine Adams for Sydney Cockerell. Green pigskin over pasteboard; spine with five raised bands and the gold-tooled inscriptions "VERGILI / AENEIS / MS." and "NORTH ITALIAN / 1450". White parchment endleaves. Gilt edges. The preceding binding was purple morocco by Zaehnsdorf.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Virgil.
Subject (Topic):
Epic poetry, Classical, Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript indenture, on parchment, detailing an agreement between the Prior and canons of the Augustinian priory of Bromehill on the one part and the Mayor, burgesses, merchants and residents of the town of Thetford on the other part. The indenture concerns the rights to income from the annual Prior's fair at Bromehill, including rights to the toll, stallage and pickage fees
Description:
In Latin., Docketed in a sixteenth-century? hand: the indentur of Bromehyll ffeyes., Annotated in a later hand, possibly that of the Norfolk antiquary Thomas Martin., Layout: single column of 26 lines. Head of document indented., Script: secretary script., and With: Seal of the Prior and Canons of Bromehill Priory, in green wax, containing a pyramid between a star, below, and a crescent moon, above.
Subject (Geographic):
England., England, Connecticut, New Haven., Norfolk (England), and Thetford (England)
Subject (Name):
Augustinians and Bromehill Priory (Norfolk, England)
Subject (Topic):
Fairs, Manuscripts, Medieval, Markets, and Monasteries and state
Manuscript on parchment of 1) Conditions agreed between Bianca Bentivoglio, Lady of Spilimbergo (d. 1519), and the Jew Daniel, son of Abraham of Modena, for the establishment of a bank by the latter in the castle of Spilimbergo, 15 July 1506. 2) Renewal for a second period of fifteen years, by Bianca Bentivoglio, widow of Niccolo Count Rangoni (d. 1500), of the agreement made at the time between her husband and Daniel, son of Abraham, allowing the latter to establish a bank in the castle of Spilimbergo, 13 Dec. 1507, subscribed by the chancellor Franco Correggi
Description:
In Latin., Script: Art. 1 is written by one scribe in Gothica Hybrida Currens (Mercantesca); art. 2, by Franco Correggi, is in Humanistica Currens., and Binding: Original light blue paper.
Subject (Geographic):
Italy., Connecticut, New Haven., and Pordenone (Italy : Province)
Subject (Topic):
Banks and banking, Charters, and Manuscripts, Medieval
Manuscript on paper of Michael Puff von Schrick's Von den ausgebrannten Wassern
Description:
In German., Script: copied by a single scribe writing Gothica Hybrida Libraria/Formata with some Fractura features. Red underlining and red heightening of majuscules and paragraph marks., Von den ausgebrannten Wassern by Michael Puff von Schrick. The manuscript also includes a table of body parts and diseases and the waters to be used as remedies for them., and Binding: plain parchment binding over cardboard, by P. Dusel, 1998.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Schrick, Michael Puff von, approximately 1400-1473.
Manuscript on parchment of 1) Bible in the usual order with some prologues. 2) Index of Hebrew names generally attributed to Stephen Langton. 3) Chapters 25-29 of the Testament of the 12 Patriarchs. Written for Cardinal Niccolo Albergati
Description:
In Latin., Script: Written in rounded gothic bookhand., The Bible is a splendid example of the Italian late gothic illuminated manuscript. The decoration consists of two very richly illuminated pages (f. 5r, Genesis; f. 272r, Psalms), thirteen small miniatures (ff. 1r, 570v-576v), and 79 historiated initials, 7 to 10-line (not including ascenders or descenders) at the beginning of every book of the Bible, the sections of the Psalter, and a few prologues. The miniatures are in thin gold or yellow frames. The historiated initials are composed of acanthus, mauve, blue, pink, orange, and/or green. At least four artists collaborated in the illustration and decoration of the codex. On virtually every folio, recto and verso, are elaborate bar borders, in margins and/or between text columns, full or half-length, gold, blue, green, pink, and/or orange with white filigree, some with curling acanthus, leafy midpoints and terminals with acanthus and hair-spray extension. On folios with miniatures or initials, more elaborate borders (full borders on ff. 1r, 5r): curling hair-spray with gold dots and trefoil leaves, spikey ivy, pink, blue, orange and green flowers, putti, insects, birds, grotesques and, on f. 348v, a marginal scene, lower left corner, a fowler chasing rabbits., Ornamental initials (5 to 6-line) at the beginning of the prologues in red, blue, orange, and/or green, acanthus infilled red with white filigree against irregular gold grounds; gold against cusped pink and blue backgrounds with white filigree; some rinceaux initials in Franco-Flemish style, pink or blue with white highlights against cusped gold grounds. 2 and 1-line initials, gold on red and blue grounds with white filigree. Running titles in alternating red and blue letters or in gold against red and blue rectangular grounds with white filigree. Line fillers (ff. 617r-682r) in red, blue and/or gold. Chapter numbers in red or blue. Rubrics throughout., First two leaves slightly creased., and Binding: 19th-20th centuries. A painted design under the gilt fore edge. Red velvet binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Langton, Stephen, -1228.
Subject (Topic):
Versions, Vulgate, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper of 1) John of Rupescissa, De consideratione quinte essentie. 2) Arnold of Villanova, Epistola de sanguine humano ad magistrum Iacobum de Toleto. 3) Alchemical procedures. 4) Francesco Petrarca, Epistola ad Marcum Tullium Ciceronem. 5) Pier Paolo Vergerio, Epistola in nomine Ciceronis ad Franciscum Petrarcham. 6) Johannes Obrist, Super confectionem auri potabilis. 7) Nicolaus Claudii, Opus super aurum potabile
Description:
In Latin., Script: Written by a single scribe using a clear and regular gothic bookhand without strong nationalistic traits., Headings in red, rubricated., and Binding: Modern parchment over pasteboards, parchment pastedowns and guards, back gilt-lettered: "DE QVINTA ESSENTIA".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cicero, Marcus Tullius and Petrarca, Francesco, 1304-1374.
Subject (Topic):
Alchemy, Formulas, recipes, etc, Latin letters, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of a collection of the works of Nicolaus, mostly related to medicine. In addition the codex has interesting lists of substances in Latin and German, as well as a tract on the distillation of brandy
Description:
In Latin and German., Watermarks: Two batches of unidentified paper watermarked with a gothic "P," the mark plain and smaller in one batch, larger and surmounted by a trefoil in the other., Script: Neatly written in a gothic cursive hand., Large capitals in red at text divisions, sometimes with slight pen ornament, other capitals stroked red throughout, fancy ascenders on top lines transgressing the upper rules and stroked red, similar descenders occasionally below the bottom bordering line, usually not colored., and Binding: Modern three-quarter binding of light brown buckram, plain brown niger back and corners, the back with five (false?) raised bands, gilt-lettered in the second compartment from the top, ANTIDOTARIUM NICOLAI, and at the foot of the spine, "AB. 1460". Plain edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicolaus, Salernitanus, active 12th century.
Subject (Topic):
Alchemy, Brandy, Latin language, Glossaries, vocabularies, etc, Manuscripts, Medieval, and Medicine, Medieval
Manuscript on paper of an alchemical compilation, apparently the holograph of the original compiler, not identified. Probably the laboratory notes of a practicing alchemist. Includes lists of Flemish names, apparently identifying fellow practitioners in early alchemy; and laboratory procedures, designed primarily to color metals and to carry out other operations with various substances. Leaves inserted and blank pages filled at later dates
Description:
In Latin, with later additions in Latin and German., Watermark: Outstretched hand, the fingerjoints indicated, a four-leafed petal extending from the tip of the third finger, the wrist and cuff of a sleeve also depicted, comparable to Briquet 11423., Script: The original part of the codex (ff. 1-133) written in a very fine, neat, and clear humanistic hand, and using a considerable range of alchemical symbols; the later additions (ff. 134-145) consist of Latin sections written in a neat italic and German passages in flowing cursive, perhaps both by a single German hand of the 18th century., Headings of procedures in red and blue alternating in the original section, and with some capitals stroked red; no color in the additions. No ornament., Though the whole of the manuscript has suffered some marginal water-staining since it was bound, it appears certain that other stains and damage occurred while the separated quires, or groups of them, remained unbound., and Binding: Probably original. Stiff parchment over paper boards, flaps over the fore-edge, probably dating from about 1525, conceivably later, as the manuscript contents do not appear to have been bound at the time of writing in any case; flat spine with modern inscription in brown ink, "Alchemical | Recipes", original blue edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Manuscripts, Medieval, and Science, Medieval
Manuscript on paper in two parts. Part I (late 15th century): 1) John of Rupescissa, De consideratione quinte essentie. 2) Aqua solempnissima, atque mirabilis. Part II (copied in 1775): 3) George Ripley (?), Touchant le grand magistere des sages, translated from English into French
Description:
In Latin and French., Script: Part I: Written by a single hand in a semigothic cursive. Part II: Written in a cursive hand sloping to the right., Part I: Headings in red., and Binding: Nineteenth century, English. Tan buckram boards, brown morocco back and corners, flat backstrip with gold-stamped title, plain edges.
Manuscript on paper of a private compilation. The two well known works entered into the codex deal with magical properties ascribed to certain gems and the supernatural significance of the carving of stones. Together with these formal texts are found other extremely varied materials: procedures for restoring wine which has suffered various accidents, for making glass of different colors, for the early ripening of grapes, for making an ass bray loudly, for frightening dogs, and so forth
Description:
In Latin and Italian., Watermark: unidentified flower-petal., Script: Probably written by a single hand, employing a Gothico antiqua on ff. 1-11r, with a less formal treatment of the same elsewhere, and more cursive writing for the passages in Italian; the writing relatively careful at the beginning, progressively less so until the end., Red ink for most headings, red capitals and paragraph marks, except on f. 11v-12r and 16v-17r, which are without color., Lower margins affected by damp throughout and partly repaired with blank paper., and Binding: Nineteenth century. Paper boards, more recent gilt-stamped label on backstrip.
Manuscript on paper of the following mystical or speculative alchemies translated into French: Arnold of Villanova, Rosarius; Albertus Magnus, Compositum de compositis; and Ramon Lull, Clavicula. Alchemies in Latin by Raymundus Gaufridi, Roger Bacon (?), Nicholas, Johannes Pauper, John of Rupescissa, and the Duc de Berry (?). Also includes a long series of wholly practical procedures and recipes
Description:
In French and Latin., Script: Written by one scribe in a remarkably small and neat cursive gothic hand., No headlines, no color, no decoration, spaces left for some capitals with guide letters, a few drawings in the text or in margins., and Binding: Nineteenth century. Marbled paper boards with diced calf back, the backstrip in compartments with horizontal gilt fillets, lines of gilt small tools bordering the false bands, title label in the second compartment from the top gilt-lettered "REGNAULT". Early, probably original green edges. Hinges of the binding repaired.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Formulas, recipes, etc, Glass painting and staining, Technique, and Manuscripts, Medieval
Manuscript on paper of a group of shorter works by Christopher of Paris (pseudonym), probably a Venetian alchemist. With John of Rupescissa, De consideratione quinte essentie. Also includes recipes for making blue pigments and a procedure for etching a design on an iron surface
Description:
In Italian and Latin., Watermarks: 1) anchor with ring atop the shank, all within a circle; 2) plain and ill-drawn anchor with thick flukes, the top of the shank forming a small, neat cross with the short stock. Both probably Italian papers, not directly comparable to the varieties illustrated by Briquet., Script: Written by a single scribe in a late humanistic cursive hand sloping slightly to the right., No headlines, headings and some capitals in pale red., and Binding: Sixteenth century. Brown calf, the covers blind-ruled to a rectangular pattern, the large center rectangle diagonally ruled to a lozenge pattern, a single quatrefoil impressed in blind in each of the rectangles and lozenges so formed, edges partly renewed and rebacked in the style of the period of the binding with compartments formed by three double raised bands, a gold stamped title label in the second compartment from top reading: "CHRISTOPHE | DE PARIS | - | RUPESCISSA | MANUSCRIPTS | ITALY | 15TH C". The endpapers are modern insertions, though of old paper, and the binding, while of the period of the manuscript, probably had no original connection with this codex.
Manuscript on parchment (palimpsest) of a large collection of medieval alchemies, both speculative and practical. Includes an important group of writings by Johannes of Teschen, notably his Antiphona with musical notation. Also contains works by Arnold of Villanova, Alanus, Geber, Khalid ibn Yazid, and Albertus Magnus
Description:
In Latin., Script: Written in Gothica textualis by a careful but ill-formed hand in which differing letter forms are often not discrete, with annotations by a later 15th-century cursive hand and occasional notes by other hands of the same period., Important capitals painted in red and blue with occasional filiform decoration, rubricated, and capitals frequently stroked red, but without other ornament or illustration., and Binding: Fifteenth century, German. Presumably original, of oaken boards covered with red-dyed hide, sides framed by triple blind fillets, additional fillets drawn diagonally to form a pattern of lozenges; the original back laid down on a new backstrip preserving the four original raised bands, plus head and foot bands, which are drawn into the boards, fastened with wooden wedges, and reinforced with strips of parchment (cut from a 13th-century manuscript with faint writing in a very small gothic hand) which are glued down to the inside boards. On both covers single nailholes near the corners and two such holes in the center of each cover indicate the removal of brass cornerpieces and centerpieces; a single brass catch with iron bar, fastened by three brass nails, is preserved in the upper cover, the clasp missing from the lower cover indicated only by a mark. Modern leather label on backstrip, stamped in silver between rules top and bottom: "ALCHEMICAL | MISCELLANY | MANUSCRIPT | FRANCE 15TH C.".
Manuscript on paper of a collection of alchemical texts, including works by Rasis, Roger Bacon, and Hermes. Though the Bacon text and one other are early practical alchemies, the contents are mainly speculative in character
Description:
In Latin., Script: Written by one scribe in a very neat and regular prehumanistic hand., Book and chapter headings in red, rubrication, capitals stroked yellow, larger initials painted in red or blue with tracery ornament in the contrasting color (all decoration probably by the scribe; red headings in the scribe's hand, all other red decoration with ink of apparently identical composition)., and Binding: Modern. Parchment, cut from a leaf of a very large manuscript, probably a lectionary, written in a Rotunda antiquior hand, Italian, 12th century; writing on outer surface erased, printed paper label on backstrip.
Manuscript on parchment and paper, written in two parts. Part I (parchment, written ca. 1490): 1) John of Rupescissa, De consideratione quinte essentie. 2) Descriptions of various herbs. Part II (paper, added ca. 1800): 3) Alchemy. 4) Recipes for making Prussian Blue, in Italian
Description:
In Latin and Italian., Script: Part I (ff. 1-40): Written by one hand in a neat, minute humanistic cursive. Part II (ff. 41-52): In an Italian hand., Part I: Headings in red throughout, that on f. 1r overwritten in an intense red ink covering earlier writing in pale red ink, the intense ink then used for the remainder of the headings in this portion of the codex, and the overwriting probably by the original scribe. Plain, small, roman capitals at beginnings of sections of the text in blue or green; a large initial "D" and a full border no f. 1r, as well as a smaller initial "L" at the beginning of the second book of text, foot of f. 25r, all finely illuminated in gold and colors in the "white-vine" style, the lower part of the border on f. 1r with a coat of arms consisting of a shield azure, a bear rampant or. Part II: Undecorated., and Binding: Late eighteenth century, probably French. Speckled calf, the sides undecorated, the repaired back in compartments with gilt tooling, the original title-stamping defective, speckled edges; restored by Carolyn Horton, November 1955.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Formulas, recipes, etc, Herbs, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Prussian blue
Manuscript on paper of a large quantity of alchemical recipes and procedures, relating above all to metallurgy and transmutation. With Alchimie und Bergwerck; and German translations of John of Rupescissa, De consideratione quinte essentie; and Ramon Lull, Extracts from Experimenta and Testamentum novissimum
Description:
In German and Latin., Watermarks: 1) a long-stemmed cross above a bull's head; 2) a six-lobed arc above and each lobe surmounted by a three-lobed cross; 3) a crown. All with vertical chain marks, trimmed, not identified., Script: Very neat and clear gothic cursives, captions by the same hand, written in two parts, the second beginning at f. 201r., Some red sentence-strokes and underlining; red captions and chapter headings with minimal elaboration, carefully laid out on the page, also pen line-fillers at end of each section, as needed for text spacing. A penned brown and red crown as folk symbol at left margin of f. 135r. Infrequent sketches of alchemical vessels in brown or red at side margins, some very slightly trimmed., and Binding: Original blind-stamped brown calf over beveled wooden boards, the sides paneled in vertical patterns of roll tools, two brass catches on upper cover, remains of brass attachments for clasps on the lower; the original backstrip with three raised bands laid down; plain edges; restored by Carolyn Horton, New York, and with a leather title label on the backstrip supplied by her.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Formulas, recipes, etc, Manuscripts, Medieval, Metallurgy, and Transmutation (Chemistry)
Manuscript on paper, composed in three parts, of a large number of practical procedures, chiefly alchemical but sometimes medical, with a few standard medieval alchemical texts by Khalid ibn Yazid, Theodoric, and Albertus Magnus. Occasionally there are passages in cipher, added by Martin Roesel of Rosenthal ca. 1586, long after the principal contents were written; the cipher seems to be of a simple number-substitution type
Description:
In Latin and German, partly in cipher., Watermarks: 1) unidentified eagle watermark somewhat resembling Briquet 104; 2) a crown pattern resembling Briquet 4921 and 1922; 3) the Paschal lamb resembling Briquet 61., Script: Part I (ff. 1-29): Written in 1536 in red and black in a gothic cursive by Wolfgang the Organist. Part II (ff. 30-65): Written in a well-controlled gothic cursive without color. Part III (ff. 66-132): Written in one or possibly two scrawling gothic cursives, with red headings on ff. 109-124., Several initials illuminated in trick have been cut from a late 15th-century MS and pasted into the present MS at ff. 2v, 4v, 5, 10r, and 16r. Marginal drawings of alchemical apparatus are cropped, as also marginalia., and Binding: Probably ca. 1586 for Martin Roesel. Red-stained limp parchment (most of the stain now lost), single central clasp and catch now missing from center of fore-edges, two slits on each fore-edge for thong or ribbon ties, also missing.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Medicine, Medieval
Manuscript on paper of a miscellany of alchemical texts including corrupt copies (which are typical of the compiler) of traditional Latin alchemies with practical procedures and vernacular poems on alchemy. Compiled by one Johannes Baptista F., along with Mellon MSS 34 and 35.
Description:
In Latin, Italian, and Spanish., Script: Written by one, perhaps two, hands in mid-16th-century italic, sometimes of excellent, professional quality, but often ranging from fairly good to extremely bad and careless., Extensive series of small ink drawings of alchemical vessels and equipment on the front flyleaves, mostly flasks and other glasswork on the left page, with similar equipment, as well as a "Bain-Marie" and a large furnace on the facing right page, each drawing labeled., and Binding: Original parchment over pasteboards with remains of thong ties; probably a home-made binding utilizing used parchment (show-through of writing and earlier folding visible) from a document; plain edges. Labeled in ink in the hand of the compiler on the backstrip: "Lapis philosophalis". Loose in cover and badly wormed.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Drawing, Italian poetry, and Manuscripts, Medieval
Manuscript on paper of a collection of extracts from various alchemical and medical writers. Includes John of Rupescissa, Liber de confectione veri lapidis; and Arnold of Villanova, De perfectione operis alkimie. Compiled by one Johannes Baptista F., along with Mellon MSS 34 and 36.
Description:
In Latin, Italian, and Spanish., Script: Written by one or perhaps two hands in mid-16th-century italic, sometimes of excellent, professional quality, but often ranging from fairly good to extremely bad and careless., and Binding: Original parchment over pasteboards with remains of thong ties; probably a home-made binding utilizing used parchment (show-through of writing visible) from a document, plain edges. Labeled in ink in the hand of the compiler on the backstrip: "Medicina | astrologia." Loose in cover and wormed.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Italian poetry, and Manuscripts, Medieval
Manuscript on paper of 1) John of Rupescissa, De consideratione quinte essentie. 2) Rhemigius Burgensis, Quaestio de medio demonstrationis termino. 3) Simone Porzio, De animae immortalitate quaestio. 4) Francesco Petrarca, Dialogus de coniugii claritate. 5) Alchemy and recipes, in Latin. 6) Properties of various fruits and nuts, in Italian verse, and Seasons for planting, in Italian prose. 7) Notes on logic, provenance of elements of this manuscript, and a game of divination
Description:
In Latin, Greek, and Italian., Watermarks: 1) crossed arrows surmounted by a six-pointed star; 2) crossed keys in a cartouche, neither identified with certainty., Script: Written in several different italic cursive hands., and Binding: Original, north Italian. Black leather, the sides outlined in blind rules, a rectangular panel on each cover ruled in gold with a square Arab knot tool gold-stamped outside each corner of the panel, traces of holes for four thong ties on each cover, the backstrip divided into five compartments by raised bands, a gold-stamped cinquefoil in each compartment, the back and sides repaired, edges stained black. Front and back pastedowns: parchment fragments of a 12th-century Italian codex, probably a Gospel Lectionary, containing an extract from the Gospel of St. John written in Latin in a Rotunda antiquior hand.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Divination, Italian poetry, Logic, and Manuscripts, Medieval
Manuscript fragment on paper of extracts from Laudabile sanctum. There follows on ff. 1r-7v an extended series of longer and shorter alchemical recipes and procedures, probably including excerpts from standard sources, a passage on transmutation, a brief account of the planets, etc., often with marginal captions. With a poem in English
Description:
In Latin and English., Watermark: an extended hand with a five-pointed star extending on a stem from the middle finger, a quatrefoil (?) at the wrist, which is sharply cut off, the fingers partly articulated, of the type of Briquet 11341 and following, but more refined., Script: Written by a single hand, very small (sometimes minute) and mostly very neat, using a good cursive italic for the Latin passages, and a secretary hand for the English, both sloping somewhat to the right., and Binding: Parchment wrapper made from a bifolium of a late 13th-century French (or possibly English?) canon law manuscript written by two hands, one of them using a classical Littera parisiensis, the other slightly more rounded, the writing partly scraped away on what is now the front cover of the wrapper, the outer side of the lower cover with an inscription in a very large hand which has not been read.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, English poetry, Formulas, recipes, etc, Latin poetry, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper (watermarks hidden in gutter) of alchemical texts including works by Albertus Magnus, Johannes Andreae, and Paracelsus. With treatises on the Philosopher's Stone and alchemical recipes
Description:
In Latin and German., Script: Written by 10 or more hands, all of the 17th and 18th centuries; most are cursive, but the one on ff. 176r-183r is gothic textura., Drawings in watercolor, of mediocre quality, including various symbolic depictions of alchemical processes taking place within flasks. Table of Hermes Trismegistus, f. 175r. Diagrams scattered throughout., and Binding: 18th century (?). Brown calf blind-tooled, edges gilt. Arms (unidentified) stamped on binding: on front, quarterly 1 and 4, barry of 6, 2 and 3, a lion rampant; inescutcheon, a bar fess impaled with barry of 6; the whole held by a two-headed eagle, displayed, below a crown. Back cover: barry of 8 impaled with a patriarchal cross on a hillock.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Albertus, Magnus, Saint, 1193?-1280., Giovanni d'Andrea, approximately 1270-1348., and Paracelsus, 1493-1541.
Subject (Topic):
Alchemy, German poetry, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment of Joannes de Sacrobosco's Algorismus vulgaris, a treatise on mathermatics, numbers, and Hindu-Arabic numerals. Here incorrectly attributed to Boethius in the opening rubric and The manuscript is a palimpsest containing portions of Ovid's Heroides: on f. 2, Epistle XVI, lines 109-172; on f. 3, Epistle XVI, lines 173-233; on f. 5, Epistle XIV, lines 79-132; on f. 7, Epistle XIII, lines 119-166; on f. 8, Epistle XVI, lines 234-297. Remaining leaves unidentified
Alternative Title:
Algorismus vulgaris and Algorismus Boetii incipit
Description:
In Latin., Title assigned by cataloger. Variant title from opening rubric., Layout: Single columns of 32 lines., Script: gothic hybrida., Decoration: rubrication., Binding: modern paper., Secundo folio: De additione., and Evidence of pricking.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524., Sacro Bosco, Joannes de, active 1230., and Ovid, 43 B.C.-17 A.D. or 18 A.D.
Manuscript on parchment and paper of 1) Johannes de Sacro Bosco, Algorismus. 2) Jordanus Rufus, Medecina equorum. 3) Pseudo-Aristotle, Secretum secretorum. 4) William Falconer, Falconibus
Description:
In Latin, German and French., Script: multiple hands writing in multiple scripts., and Binding: S. XV limp parchment binding with leather spine stiffener and visible sewing and flap. The parchment is from an erased music manuscript. Remnants of a paper title label on the spine (text lost).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Augustinus. and Sacro Bosco, Joannes de, fl. 1230.
Subject (Topic):
Falconry, Horses, Manuscripts, Medieval, Mathematics, Medieval, Medicine, Medieval, and Occultism
Manuscript on paper of Iohannes de Virgilio (Giovanni del Virgilio, 1300-1350), Allegoriae librorum Ovidii Metamorphoseos, in prose and verse
Description:
In Latin., Watermark: tower, var. Piccard, Turmwasserzeichen 611-613; var. Briquet, 15911?., Copied by one hand in extremely small Humanistica Semitextualis Libraria. In the poetical sections the majuscules at the opening of each verse are set apart., Headings ("liber secundus" etc.) in clumsy Capitalis (several times erroneous: "LIBE"). Space for a 2-line initial left free on the first line of f. 1r, although this is not the beginning of the text., and Binding: Fifteenth century. Brown leather (sheepskin?) over cardboard (replacing worm-eaten wooden boards), blind-tooled with a frame of fillets and rolls; in the central panel a motif made of small rhomboid stamps. Parchment front pastedown. Remnants or marks of four clasps attached to the front cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Giovanni del Virgilio, active 1319.
Subject (Topic):
Allegories, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on paper of Ptolemy, Almagest in a Latin translation by Gerard of Cremona. With Calendar with computistical information, January through December
Description:
In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gherardo, da Cremona, 1113 or 1114-1187. and Ptolemy, active 2nd century.
Subject (Topic):
Astronomy, Ancient, Calendars, Manuscripts, Medieval, and Mathematics, Ancient
Poem in three cantos dedicated to Isabella d'Este (1474-1539), Marchioness of Mantua, and intended to be performed at her court
Description:
In Italian., Script: copied by a single hand writing Humanistica Cursiva Libraria; thought to be autograph. Headings on ff. 1v and 3r in Capitalis., Giovan Francesco Suardi (d. after 1540), Amor fugitivus. Poem in Italian in three cantos dedicated to Isabella d'Este (1474-1539), Marchioness of Mantua, and intended to be performed at her court. In the first canto the poet sings of his love, in the second he encounters Venus in search of Cupido who ran away, in the third he sadly returns home. There are a few corrections on erasure. This is the dedication copy and the only manuscript containing this text., and Binding: original binding: brown leather over cardboard; both covers blind-tooled with a double frame inscribed with a lozenge containing the monogram “YHS”. The spine is gold-tooled.
Manuscript on paper of an untitled Kunstbuechlein containing hundreds of recipes for a variety of alchemical processes, chiefly metallurgical
Description:
In German and Latin., Script: Calligraphically written by a highly skilled hand using a variety of Fraktur, secretary cursive, and italic scripts., Three-column table of alchemical symbols on last leaf. No color, but progressively frequent use of alchemical symbols; full-page drawing of a double coat of arms with inscriptions on first front flyleaf recto, and a small drawing at foot of f. 53v, of a woman apparently scratching herself with the legend "The flea bites me," both probably by the same skilled hand, possibly the copyist of the codex., Somewhat damaged, especially at beginning, by water-staining and fraying, with some leaves wanting, but the remainder entirely legible and without substantial losses., and Binding: Original limp parchment stained olive green, now worn and with most of the spine, originally with three bands, missing; plain edges. Preserved in a modern box of boards with linen back, modern leather title label added.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Alchemy, Formulas, recipes, etc, Manuscripts, Medieval, and Metallurgy
Manuscript on parchment (poor quality) of 1) Herman de Valenciennes, Bible. 2) Herman de Valenciennes, L'Assomption de Notre Dame. Often found, as here, following the poem on the Bible by the same author. 3) Petrus Alphonsus, Disciplina clericalis, followed by three moral precepts. 4) Poem in Anglo-Norman on Genesis. 5) Robert de Ho, Les Enseignements de Robert de Ho. 6) Extract from the romance Partenopeus de Blois. 7) Vie de saint Eustache. 8) Letter of Prester John to Emperor Manuel Comnenus, tr. into Anglo-Norman verse by Raoul d'Arundel; this is the earliest translation of the letter (ante A.D. 1200), and the only one known in French verse. 9) Guillaume le Clerc, Bestiaire. 10) Notes on the influence of the moon. 11) Le voyage du Chevalier Owen au purgatoire de saint Patrice. 12) Wace, Roman de Brut. Some 15th-century glosses, in Middle English and Latin, occur in the text
Description:
In Anglo-Norman and Latin., Script: Written by 6 scribes in large gothic bookhand. Scribe 1: ff. 1r-75r, 111r-130v, 153r-183v (characterized by decorative descenders in final line of text); Scribe 2: ff. 75r-97v (z with small horizontal crossbar); Scribe 3: ff. 98r-110r, 131r-152v, 189r-201v, 212v-216v (exaggerated ascenders in top line of text); Scribe 4: ff. 184r-188v; Scribe 5: second column of f. 201v (crude script); Scribe 6: ff. 202r-212r, 216v-224v (poorly formed)., 4-line initials, divided blue and red (ff. 111r, 153r, 189r), with penwork in red and blue or red only. 3- and 2-line initials, red with blue penwork or vice versa (quire VI lacks flourishes on initials). Paragraph marks in red or blue; some rubrics at beginning of articles. 1-line initials stroked with yellow or red. Ink drawings in margins include King Arthur (f. 189r)., Early repairs with parchment throughout; no loss of text. Waterstains, ff. 221v-224r. Rubbing on f. 224v has caused some loss of text in col. a., and Binding: Nineteenth century. Diced red/brown calf, gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Anglo-Norman poetry, Bestiaries, Christian poetry, French, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Romances, Anglo-Norman
Manuscript on paper in two parts. Part I (ca. 1700): 1) Treaty between Edward the Elder, King of England and Guthrun II, King of the Danes in East Anglia, 905-906. 2) Leges Edouardi regis, the Laws issued by King Edward the Elder (ca. 902-ca. 924) or Edward the Confessor (d. 1066). Part II (ca. 1650): 3) Annals of Iceland, 636-1394, with partial Latin translation in the margins. Here ascribed by another 17th-century hand to the Icelandic humanist Arngrimur Jonsson (1568-1648).
Description:
In Latin (Part I) and Icelandic (Part II)., Script: Part I (ff. 1-16): Written by one hand in Humanistic Cursive script. Part II (ff. 17-89): Gothica Cursiva for the Icelandic text, Humanistic Cursive script for the English text written in the margin., The acidity of the ink of the Icelandic text has damaged the paper., and Binding: Modern white parchment over cardboard.
Manuscript on paper of Annales Sanctae Iustinae. The Annals deal with the regional history of Lombardy and the March of Treviso, but also with world history and cover the years 1207-1270. With Mantissa. Notes on the history and buildings of Padua from its legendary foundation to the death of Petrarch (1374), together with some facts of general history, written as a supplement to the preceding text
Description:
In Latin., Script: The Annals are copied by a single scribe writing Italian Hybrida Libraria under Humanistic influence, using only vertical d. Mantissa, as well as replacement leaves in the preceding text, are copied by a ca. 1600 hand writing Gothico-Humanistica Cursiva., In the original parts of the Annals, pale red headings; pale red stroking of the majuscules and plain alternately pale red and black 2-line initials, either Gothic with some decoration, or slovenly-made Humanistic ones. The parts copied by the second scribe are undecorated., The original part of the manuscript is soiled and waterstained. It had lost two leaves that were later replaced., and Binding: Nineteenth century. Quarter binding, pasteboard covered with brown paper, and white parchment; flat spine with black leather title label with gold-tooled inscription: “MONACHI / PADUANI / CHRONICON / MS.”; below this label an oval label in the same material.
Subject (Geographic):
Connecticut, New Haven., Lombardy (Italy), Padua (Italy), and Treviso (Italy)
Manuscript on parchment (trimmed) of 1) Tacitus, Annales XI-XVI. 2) Tacitus, Historiae I-V. Possibly written for Alfonso II, Duke of Calabria, King of Naples
Description:
In Latin., Script: Written by two scribes; Scribe 1) ff. 1r-126r in a neat, slightly rounded gothic bookhand; Scribe 2) ff. 126v-218v, in a neat humanistic bookhand., Full border, f. 1r, attributed to Nicola Rapicano: white vine, infilled blue, red, and green, with white dots; framed and divided into panels by thin gold bands, the inner frame with a second band in two shades of purple, with white highlights. Outer and lower margins divided by band of fruit, in the outer margin, black with gold highlights, in the lower margin, red with green and gold highlights; divided into sections and at corners by English frets, infilled blue or green with white dots. In center of outer margin, a medallion after a classical coin or cameo, bust of a man in profile with a laurel wreath against a blue ground with fine white filigree; in center of lower margin, coat of arms of Alfonso II, Duke of Calabria, King of Naples (quarterly, first and fourth paly of 4 or and gules [Aragon], second and third argent, a cross potent sable [Calabria]), in a gold and purple quatrilobe frame, a gold diadem above, against a blue ground, as above, supported by four putti. Putti, birds (including a large peacock, center of inner margin), insects, and a bowl of fruit, symmetrically arranged in corners and around swags, often overlapping or passing behind decorative elements. Both inner and outer frame broken by text and marginalia, suggesting that the border is a later addition. Two lines of gold capitals open the text on f. 1r. On f. 136v, a 5-line white vine initial, gold, infilled red, green, and blue, against a blue ground, of inferior execution compared to f. 1r. Two 3-line initials, ff. 25v and 40v, gold or blue with purple or red penwork; each with guide-letters for illuminator., and Binding: Between 1890 and 1900, or 20th century. Dark brown goatskin, blind-tooled with rope work interspersed with copper colored dots in Italian style (15th century) by Leon Gruel (active under his own name between 1891 and 1923).
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Alfonso II, King of Naples, 1448-1495. and Tacitus, Cornelius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin prose literature, Manuscripts, Medieval, and History
Manuscript on paper (coarse, brown) of annals of Genoa
Description:
In Latin., Watermarks: unidentified bull's head buried in gutter., Script: Written by two scribes. Scribe 1) ff. 1r-45v, 158r-163v, 168r-172v, compact fere-humanistic script with exagerrated flourishes at conclusion of most lines. Scribe 2) ff. 46r-157v, 164r-167v, well spaced informal humanistic script. Marginal annotations and arts. 15-16 added, 15th-16th centuries, by several hands., Stained throughout., and Binding: Nineteenth century. Rigid vellum, gold-tooled. Stamped, in gold, on spine: "Caffari Chronica MS.".
Manuscript on paper of Renaissance poetry including: 1) Antonius Panormitanus (Antonio Beccadelli,1394-1471), Hermaphroditus. 2) Elegies on various subjects by the scarcely known Pompeius (Pazzalia) Bononiensis. 3) Basinius Parmensis (Basinio di Parma, 1425-1457), Liber Isottaeus. 4) Iohannes Marrasius (Giovanni Marrasio, 1405-c. 1457), Angelinetum. 5) Three poems by Carolus Marsuppinus (Carlo Marsuppini, 1398 [?]-1453). 6) Poems by Gregorius Tiphernus (Gregorio Tifernate, 1414-after 1462). 7) Poems by Iohannes Iovianus Pontanus (Giovanni Gioviano Pontano, 1426-1503), the final one here attributed to Iohannes Sagundinus (see also artt. 48-51). 8) Aeneas Silvius Piccolomini (pope Pius II, 1405-1464) , Versus in MahumetumTurcorum regem. 9) Iohannes Iovianus Pontanus, Carmina. 10) Petrus Porcellius (Pietro Porcellio, 1450), Carmina. 11) Antonius Panormitanus (Antonio Beccadelli), Elegia ad Iohannem Lamolam. 12) Petrus Porcellius, Poem in praise of Alberto d'Este (d. 1502). 13) Poem by Antonius Panormitanus. 14) Poems by or attributed to Iohannes Sagundinus. 15) Pompeius Bononiensis, Carmina. 16) Prayer to Mercury, also found in San Daniele del Friuli, Biblioteca Guarneriana, MS 121, f. 81r. 17) Poem attributed to the emperor Hadrian. 18) Complaint on the decay of Rome. Corpus Inscriptionum Latinarum, v. 6.5, no. 3*h, among the Inscriptiones falsae urbis Romae. 19) Funeral inscription. With short poems by various others
Description:
In Latin., Script: Copied by one hand writing Humanistica Cursiva Libraria., Headings and initials in brown, pale red, and blue., and Binding: Eighteenth century. Limp parchment with remains of two ties. Handwritten title on the spine: "Elegiae / nonnu/llorum / doctorum".
Subject (Geographic):
Connecticut, New Haven., and Italy.
Subject (Name):
Basinio, da Parma, 1425-1457. and Beccadelli, Antonio, 1394-1471.
Subject (Topic):
Latin poetry, Medieval and modern, Manuscripts, Medieval, and Renaissance
Manuscript on parchment (goatskin) of 1) Raymundus Martini OP (c. 1215-after 1285), Capistrum Iudaeorum, composed c. 1267. 2) Nicolaus de Lyra (c. 1270-1349), Probatio adventus Christi, 2nd redaction, written 1331-1334. 3) Odo Biagi of Ancona (Odo Blasii de Ancona), Quaestiones de vera fide. A treatise addressed to the Jew A., a physician from Piceno, whom the author had met in Ancona the same year
Description:
In Latin., Script: Copied by one hand writing Southern Gothica Textualis Libraria. In art. 1 the handwriting is larger and more careful, with fewer abbreviations, than in artt. 2-3., Uniform decoration. Headings in red. Red stroking of majuscules. Numerous paragraph marks alternately red and blue. Alternately red and blue 2-line (rarely 3-line) flourished initials with penwork and more or less developed marginal extensions in the contrasting colour; up to f. 41v they have mostly a more developed pattern of penwork; towards the end of art. 3 they are only 1 line high; blue penwork of the initial on f. 31r is extremely pale. 2-3-line painted decorated initials with acanth extensions in the margins in art. 3 only. A 4-line historiated initial with acanths and gold balls in the margin at the opening of each art. At the top of the Genealogy of Christ on f. 94r two roundels containing the portraits of Abraham (“Abraam”) and David (“Davit”). There is a large drawing of a running bird in blue ink in the lower margin of f. 19r., and Binding: Nineteenth century. De luxe binding (loose) in Neo-Renaissance style: red morocco over cardboard, both covers richly gold-tooled; the turn-ins gold-tooled; the flat spine gold-tooled in five compartments, the second one bearing the inscription “NICOLAI / de / LYRA.” Grey marbled paper endleaves; gilt edges. A repair at the middle of the top of the front parchment flyleaf may indicate that the original binding was chained, the staple being fixed at the top of the front cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Martí, Ramón, -approximately 1286. and Nicholas, of Lyra, approximately 1270-1349.
Subject (Topic):
Antisemitism, Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin., Script: Written in two sizes of round liturgical gothic script by several scribes: Scribe 1, ff. 1r-235r; Scribe 2, f. 235r-v, and Scribe 3, ff. 236r-245v., Three fine historiated initials, 4- to 2-line, shaded pink and/or green, with blue, yellow, green and orange foliage and knots, with gold dots and orange frame; figures against blue ground. 3- to 2-line calligraphic initials, divided, red and blue with red penwork, with blue and red penwork flourishes. 1-line initials red or blue with blue or red penwork, sometimes with black and green; some initials with guide-letters in outer margin. 1-line initials with yellow. Square notes on 4-line red staves. Rubrics throughout, with notes to rubricator in margins. One very crude 4-line initial (s. xvii) on f. 1r, in red, yellow, blue, green and purple., and Binding: Eighteenth century. Rebound in brown cowhide (?), blind-tooled, with numerous metal bosses. Pastedowns from the same 17th-century antiphonary used as flyleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Antiphonaries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment, on parchment, from an antiphonal, containing parts of the offices for the first Tuesday and the second Sunday in Lent
Description:
In Latin., Script: late caroline minuscule with protogothic features., Decoration: rubricated. Large initials in red., and Musical notation (neumes) above the lines of text; no staves.
Manuscript on paper (sturdy; staggered thumb holes at bottom of leaves) of Antiphons for suffrages. With liturgies and offices for various occasions. Written during the 16th century presumably for Franciscan use and supplemented during the 17th century; the second portion may have been added for use of the Reform Congregation of the Spanish Discalceates of which Peter of Alcantara was the founder
Description:
In Latin., Script: Written by two scribes in a large round gothic bookhand. 1) ff. 1r-43v (16th century); 2) ff. 44r-50r (17th century). Scribe 2 attempts to replicate the work of Scribe 1, but uses 5-line staves rather than 4-line., Decoration for ff. 1r-43v: initials, with foliage designs, in rectangular frame, often with ground uncolored; colors range from vibrant blue, yellow, and orange to olive green and dark purple. Initials for ff. 44r-50r, of similar design, with more subdued shades, and no frames., and Binding: Seventeenth century. Vellum stays, contemporary paper flyleaves and pastedowns. Original sewing on five supports attached to very thick, square wooden boards. Beaded and colored endbands. Red edges. Covered in brown calf (cow?) reinforced at spine with additional leather and straps nailed to the boards. Traces of a strap and pin fastening. Vellum label with notation "Antiphonar. Com. sanctorum" nailed to lower board. The badly warped upper board is reinforced with two strips of wood placed vertically on the upper surface.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Franciscans.
Subject (Topic):
Liturgy, Antiphonaries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment (6 non-consecutive leaves) of vesper antiphons. Feasts noted for some antiphons are: Ascension; 21st-23rd Sunday after Pentecost; Vigil of Saints Peter and Paul
Description:
In Latin., Script: written by a single scribe in a formal gothic bookhand., Six lines of text with musical notation on a four-line red staff. Initials in red, blue, and black., and Unbound.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Antiphonaries, Manuscripts, Medieval, and Vespers (Music)
Introitus for the Mass for the feast of two or more martyrs outside of Eastertide, to be inserted into a Gradual
Description:
In Latin., Script: copied by two hands, both writing Southern Gothica Textualis Formata with Spanish features. Hand A copied the four upper lines on f. 1r in a regular handwriting; hand B copied all the rest over erasure in a more artificial handwriting, which is of exceptionally large size on f. 1r. Musical notation in black nota quadrata. Red rubrics in the four upper lines on f. 1r. A large cadel D on the verso (“Deus”). F. 1r has rich decoration in a style influenced by Ghent-Bruges illumination: large historiated initial (2 staves + 2 lines of text) with the seated Virgin and the naked Christ child standing on her lap; at right a soldier in armour holding a lance (an illustration of the “Miracle of the Knight of Cologne”). Full architectural border subdivided in niches containing personages; in the left-hand border Sts. Andrew, Paul, Philip, and James the Less; in the lower section Jeremiah and Zechariah, flanking a central panel containing two angels holding a cloth displaying the Five Wounds of Christ with the motto “Miserere mei”; in the right-hand border four angels holding trumpets; in the top section a row of roses between twisted branches., and Originally the text, beginning with the initial, was that of the Antiphon “Sacerdos et pontifex”, sung at Vespers on the feast of a confessor bishop. It was erased and replaced with the current text, which is the Introitus for the Mass for the feast of two or more martyrs outside of Eastertide. The rubric at the top of the page and the initial were not erased, although they did not fit any longer the text. So the leaf originally was part of an Antiphonary, but it was removed and rewritten to be inserted into a Gradual.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Antiphonaries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of 3 liturgical rolls, containing Ambrosian Rite Antiphons for Rogation Days, with musical notation
Description:
In Latin., Script: copied by a single hand in Southern Gothica Textualis Libraria. Musical notation in early nota quadrata on four-line staves., Three rolls, consisting of pieces of parchment sewn together., and Liturgical chants for the Monday of the Minor Rogations (the Monday before Ascension day), according to the Ambrosian rite; liturgical chants for the Tuesday of the Minor Rogations; liturgical chants for the Wednesday of the Minor Rogations; and a fragment of a manuscript on parchment pasted onto the verso of roll 3, 13th or 14th century, written in Southern Gothica Textualis Libraria (Rotunda): Albertus Gandinus (1245?-1310?), Tractatus de maleficiis.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Ambrosian rite, Antiphonaries, Manuscripts, Medieval, Music, and Rogation days
Manuscript fragment on parchment of 2 leaves from an Advent Sunday antiphonal
Description:
In Latin., Script: praegothica handwriting with Southern features. Notation on four-line staves, marked with letter keys. Headings in bold Uncial. Headings, versals and plain initials in red., and Fragments from an antiphonary, including the first Sunday of Advent and the Feast of St. Lucia (December 13). A bifolium; between the two leaves an unknown number of folios is missing.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Advent music, Antiphonaries, Manuscripts, Medieval, and Music
Manuscript fragment on parchment of an antiphonary containing St. Paul (30 June).
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: initials of antiphons and responses are 1-line red capitals; 1-line initials for verses and Psalm incipits are in brown highlighted with red; rubrics written in red in the same script as the text; punctuated with the punctus; hyphenation in the same ink as the text; interlinear neumes in the St. Gall style, somewhat surprising in a manuscript of this date; differentiae in roman numerals with neumes in the St. Gall style are in the outer margins for antiphons with full text.
Manuscript fragment on parchment of an antiphonary containing: the Annunciation (25 March); Responsories from the book of Job and Psalms; and a computistical table for calculating the time between Christmas and Shrove Tuesday, with explicatory notes in German
Description:
In Latin and German., Script: written by three scribes in gothic script (littera textualis); one scribed copied fol. 1, another copied fol. 2r, and a third copies fol. 2v., and Decoration: 2-line initials at the beginning of the antiphon on fol. 1 are in red; the guide letters for these initials are still visible in light brown ink and some have been ornamented, including one with a crude figure of a person; 2-line initials at the beginning of verses on fol. 1 are in black with black penwork; fol. 2v begins with a very crude 2-line round D in red; rubrics written in red; musical notation is in black and on fol. 1 is on a 4-line staff in black; on fol. 2r it is on a 5-line staff in black; punctuated with the punctus.
Manuscript fragment on parchment of an antiphonary containing: Sts. Cosmas and Damian (27 September); Archangel Michael (29 September); St. Dionysius (9 October); and St. Gall (16 October).
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: The offices of Archangel Michael and of St. Gall begin with 2-line initials in red and blue; the insider of the letters is decorated with an animal on a red and green ground surrounded by red and blue penwork and white dots; the outside of the letters is surrounded by red and blue penwork; 2-line initials of antiphons and responses alternate red and blue; the 2-line initial of the verse is in brown highlighted with red; the left margins of both versos are decorated with red and blue designs, which are topped by an animal head in red on fol. 1v; musical notation is in black on a 5-line staff in black; punctuated with the punctus.
Manuscript fragment on parchment of an antiphonary containing the Common of the Apostles
Description:
In Latin., Script: written in rounded gothic script (littera textualis formata)., and Decoration: The 4-line initial at the beginning of the office is blue and red with blue and red flourishes; 2-line initials at the beginning of responses alternate blue and red; 2-line initials at the beginning of verses are brown with brown and yellow flourishes; 1-line initials within verses are in brown and are highlighted with red; rubrics written in red in the same script as the text; punctuated with the punctus; hyphenation is in the same ink as the text; musical notation is on a four-line staff.
Manuscript fragment on parchment of an antiphonary containing unidentified chants and Holy Saturday, lauds
Description:
In Latin., Script: written in gothic script (littera textualis formata)., and Decoration: the 4-line initial "U" is in blue and red; some of the sketched flourishes outside of the letter have been traced in red and filled with green; inside the letter a floral pattern has been sketched and partially completed; the 2-line initial "O" is red with sketched flourishes only partially completed and filled with green; rubrics in red in the same script as the text; quadrata notation is in black on a 4-line staff in red; punctuated with the punctus.
Manuscript fragment on parchment of an antiphonary containing Feria V throughout the year
Description:
In Latin., Script: written in a formal, rounded Italian gothic script (littera textualis formata)., and Decoration: the 6-line initial "M" at the beginning of the Psalm is in gold, on a square ground of blue decorated with white filigree; the inside of the initial depicts a good-quality image of David kneeling against a mauve background and looking up to the hand of god; 1-line initials at the beginning of Psalm verses and antiphons alternate in red and blue uncials; rubrics written in red capitals; punctuated with the punctus and punctus elevatus; musical notation is in black on 4-line staves in red.
Manuscript fragment on parchment of an antiphonary containing Saturday throughout the year
Description:
In Latin., Script: written in a formal, rounded Italian gothic script (littera textualis formata)., and Decoration: the 7-line initial "D" at the beginning of the Psalm is in light tan and gold on a square ground in blue with white filigree; the inside of the initial contains a miniature that is badly rubbed, depicting Christ holding a book on a mauve ground; the first line of the Psalm is written in 1-line white capitals on a rectangular red ground; guide letters for the artist are in the margin in red; 1-line initials are black capitals highlighted with red; punctuated with the punctus and punctus elevatus; hyphenation is in the same ink as the text; musical notation is in black on 4-line staves in red.
Manuscript fragment on parchment of an antiphonary containing St. Cecilia (22 November).
Description:
In Latin., Script: written in a formal gothic bookhand (littera textualis formata)., and Decoration: musical notation in black on a five-line staff in red; on the recto there is a 2-line initial "C" in red and blue on a rectangular ground of red and blue penwork; the 2-line initial "E" on the verso and the 1-line initials are black; rubrics are written in red in the same script as the text, but in a smaller module; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of an antiphonary containing Saturday throughout the year, matins
Description:
In Latin., Script: written in a formal gothic bookhand (littera textualis formata)., and Decoration: on the recto there is a 4-line initial "C", in red and blue on a ground outlined in purple and decorated with purple foliage on red cross-hatching; 1-line initials at the beginning of the hymn and the psalm are red; rubrics written in red in the same script as the text; punctuated with the punctus and the comma; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of an antiphonary, possibly from Lambach. Contains circumcision (1 January) from second nocturn of matins through second vespers; antiphons for the Benedictus and Magnificat for Sundays I, II, III and IV after Epiphany; Saturday throughout the year, vespers to the first nocturn of matins
Description:
In Latin., Script: written in Caroline minuscule., Decoration: 2-line initials in red capitals, set apart from the text; rubrics written in red minuscule; interlinear neumes in the St. Gall style; neumed differentiae (evovae) provided in the outer margins for antiphons with full text; punctuated with punctus placed on base line., and Other leaves from the same antiphonary are preserved in the bindings of Lambach, Stiftsbibliothek, Cml XVI (2 leaves) and Cml LXXIII (the Lambach Rituale, 1 leaf).
Manuscript fragment on parchment of an antiphonary, containing Antiphons for the week of Septuagesima; Sexagesima, first vespers to second vespers; Quinquagesima, from vespers to the first nocturn of matins
Description:
In Latin, Script: written in late Caroline minuscule., and Decoration: 2-line initial "Q" on f. 1v in red; 1-line initials in brown capitals with uncial M and an enlarged minuscule e; rubrics written in red minuscule, with occasional use of uncial M; interlinear neumes in the St. Gall style; punctuated with punctus placed on the base line; cross-shaped "+" mark in brown ink on f. 1r.
Manuscript fragment on parchment of an antiphonary containing the Assumption of Mary (15 August).
Description:
In Latin., Script: written in early Gothic script., and Decoration: initials of the first antiphons of lauds and of second vespers are 1-line red capitals; other 1-line initials are in brown rustic capitals; those for the antiphons and responses of matins are dotted or traced in red; rubrics are written in red rustic capitals; the name "maria" is sometimes written with uncial "M" and mostly with capital "R"; punctuated with the punctus; chants and marginal tonary letters have neumes in the St. Gall style.
Manuscript fragment on parchment of an antiphonary containing among other items: St. Agnes (21 January); St. Vincent (22 January); Conversion of St. Paul (25 January); St. Agatha (5 February); St. Scholastica (10 February); St. Valetine (14 February); and Chair of Peter (22 February).
Description:
In Latin., Script: written in early Gothic script (littera textualis)., and Decoration: initials of the first antiphon for lauds and for several other hymns are 1- to 2-line square capitals in red; other initials are 1-line brown rustic capitals highlighted with red; rubrics written in red minuscule; minor initials in black highlighted with red; punctuated with punctus; interlinear neumes in the St. Gall style have been added by several hands.
Manuscript fragment on parchment of an antiphonary containing among other items: First Sunday of Advent; Christmas; Christmas Eve; St. Stephen (26 December); St. Silvester (31 December); St. Agnes (21 January); Conversion of Saint Paul (25 January); and Purification of the Virgin (2 February).
Description:
In Latin., Script: written in late Caroline minuscule by several scribes., Decoration: 7-line responsory initial "D" is a red uncial with red and black penwork and a portrait of St. Agnes; 4-line responsory initial "A" in red with vine-stem decoration; 1-line initials of "O" antiphons are in red capitals; other 1-line initials are brown rustic capitals; rubrics in red minuscule., and It is possible that not all these leaves come from the same manuscript. They were written by several scribes, and the written space varies.
Manuscript fragment on parchment of an antiphonary containing: Common of the Martyrs; Common of a Confessor
Description:
In Latin., Script: written in two sizes of gothic script (littera textualis)., and Decoration: 1- and 2-line initials at the beginning of chants are in brown highlighted with red; rubrics are written in red in the same script as the text; square musical notation in block on four-line red staff; punctuated with the punctus; hyphenation in the same ink as the text.
Manuscript fragment on parchment of an antiphonary containing the Common of Martyrs
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: 4-line initial "A" in red and blue ornamented with red and blue penwork; chant initials alternate as 2-line blue initials and 1-line red initials; other 1-line capitals in black; rubrics written in red minuscule; musical notation is in black on 4-line staves in red; punctuated with the punctus.
Manuscript fragment on parchment of an antiphonary containing among other items: Epiphany; first through fourth Sundays after Epiphany; and Psalm responsories for use between Epiphany and Septuagesima
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: 1-line initials at the beginning of responses are in square capitals in thick brown ink dotted or filled with orange; 1-line initials at the beginning of antiphons and verses are brown rustic capitals highlighted with orange; rubrics are written in orange rustic capitals; punctuated with the punctus; interlinear neumes for chants with full texts are in the St. Gall style.
Manuscript fragment on parchment of an antiphonary containing among other items: various Feria from Quadragesima; Saturday of the first week of Quadragesima; and Second Sunday of Quadragesima
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: on fol. 1v, there are portions of a 3-line square capital "T" in orange; initials of the antiphons beginning feriae IV and VI are 1-line rustic capitals in orange; initials of responses and of the antiphon beginning feria V are thick brown uncials filled with red; other 1-line initials are brown rustic capitals highlighted with red; rubrics are written in orange rustic capitals; liturgical directions are written in brown minuscule highlighted with red; punctuated with the punctus; interlinear neumes for chants with full text are in the St. Gall style.
Manuscript fragment on parchment of an antiphonary containing: St. Pantaleon (27 July), from first vespers to the first nocturn of matins; St. Pantaleon, from the third nocturn of matins to lauds
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: 2-line initials at the beginning of the office, of the responsorial liturgy, and of lauds are in red square capitals; 1-line initials at the beginning of responses are in thick black square capitals highlighted with red; other 1-line initials are in brown rustic capitals highlighted with red; rubrics written in red with a mixture of rustic capital and minuscule forms; punctuated with the punctus; interlinear neumes in the St. Gall style are on the recto and only occasionally on the verso; some of the neumes on the verso may be later additions.
Manuscript fragment on parchment of an antiphonary containing: Sts. Sixtus, Felicissimus, and Agapitus (6 August); St. Laurence (10 August); Assumption of the Virgin (15 August).
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: 2-line initials at the beginning of responsorial liturgy are in red square capitals; 1-line initials are in brown rustic capital with uncial forms of "M" and round forms of "E" and sometimes "D"; rubrics are written in red minuscule; punctuated with the punctus and punctus elevatus (rare); interlinear neumes in the St. Gall style.
Manuscript fragments on parchment of an Antiphonary by Petrus Ferdinandez of Leon
Description:
In Latin., Script: copied by a single hand in Southern Gothica Textualis Formata with Spanish features. Nota quadrata music notation. Additions of text and music by later hands., Paragraph marks and rubrics in red. Yellow heightening of majuscules. Large plain initials (height: 1 stave + 1 text line). Cadels of the same size., and Text and musical notation on a five-line staff. Large initials in red, brown, and blue. Rubrics and liturgical instructions in red. Additional antiphons with musical notation added in margins in a hand of the 17th-18th century.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ferdinandez, Petrus., Catholic Church, and Cistercians.
Subject (Topic):
Liturgy, Antiphonaries, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript fragment on parchment from a breviary or antiphonary, with musical notation above the texts without staves. The recto text is in late Caroline minuscule and the music is notated in Hufnagel neumes. The verso text is in transitional protogothic and music is in letter notation in the style of Saint Gall. Neither text has been identified
Description:
In Latin., Script: recto: late Caroline minuscule. Verso: transitional protogothic., and Decoration: recto: small capitals in red ink. Verso: Small capitals and letter musical notation in red ink.
Manuscript on parchment of Berengaudus of Ferrières (9th cent.): 1) Expositio super septem visiones libri Apocalypsis, falsely attributed to St Ambrose; and 2) auctoris admonitio, a supplement to art. 1.
Description:
In Latin., Script: the main part of the codex (quires I-XXII) is copied by three hands in late Caroline handwriting: A copied ff. 1r-12r and 38r20-172v; B copied ff. 12v-38r19; and C copied ff. 173r-180v., Decoration: extremely limited and applied inconsistently., and Binding: red morocco over pasteboard, dated 1904 and signed "K.A." [Katharine Adams at Broadway, Worcestershire]; and the spine has four raised bands and gold-tooled inscriptions. The previous binding was 19th century parchment over pasteboard.
Manuscript on paper of Apocryphal Gospel Books and Miracles of the Virgin, including 1) Evangelium infantiae; 2) Liber passionis et resurrectionis Iesu Christi; 3) miracle legends about the Virgin
Description:
In Italian., Script: Copied by two scribes. Hand 1, the notary Franciscus Salvator (Francesco Salvatore) from Ventimiglia, copied artt. 1-4 in Gothica Semihybrida Libraria (Mercantesca). Hand 2 copied artt. 5-6 in Gothica Hybrida Libraria/Currens (Mercantesca)., Decoration: Long red headings up to f. 29r (artt. 1-2). In artt. 3-4, space for headings was provided, but they were not executed. Space was reserved for 2-line initials, but these were not executed. Artt. 4 and 5 are undecorated; there are no guide letters for the 1-line initials at the opening of each of these articles, for which space was reserved., and Binding: 20th century, brown leather and wooden boards. Spine has three raised bands.
Manuscript on paper of Apollinaris Offredus Cremonensis (ca. 1450), Expositio in primum librum Analyticorum Posteriorum Aristotelis, Quaestiones super primum librum Posteriorum Analyticorum Aristotelis, Tractatus suppositionum, and Commentum super tractatu de instanti Petri Mantuani
Description:
In Latin., Script: Copied by two hands: A) copied ff. 1r-84r in Gothico-Humanistica; B) copied ff. 84v-92r (artt. 3-4) in Humanistica Cursiva, in pale brown ink. Large display script in Gothico-Humanistica (hand A) or in Capitalis (hand B)., Decoration: Stroking of majuscules and paragraph marks in red. 2- or 3-line red plain initials. Guide-letters for the rubricator in the part copied by hand A. Painted initials at the opening of artt. 1 and 2. On f. 1r, a 17-line historiated initial in red on a square blue background; in the letter, a scholar is shown studying a book on a desk. At the bottom a large coat of arms, apparently deleted, except for the letters P and A. On f. 21r, a half-inserted initial P in red, heightened with groups of white or blue dots, ending at the top in a green acanthus leaf and filled with flowery decoration which looks modern., and Binding: 17th century(?) parchment over cardboard, spine with four raised bands strengthened with parchment, and handwritten inscription.
Manuscript on parchment (goatskin) of Andrea Vendramin, Doge of Venice (1476-1478), Commission (dogale) to Girolamo Michiel as governor of Asolo, near Treviso
Description:
In Latin., Script: Art. 1 is copied by one hand in a narrow Humanistica Cursiva Libraria, art. 2 by a hand writing Humanistica Cursiva Currens., On f. 1r white vinestem initial (6 lines) with long extensions in the upper and left margins; in the lower margin partial border in white vinestem, containing three medallions: the two outer ones feature the initials “I” and “M” in gold on a blue background; the larger, central one contains the coat of arms of Girolamo Michiel on a purplish red background in a green wreath., and Unbound.
Subject (Geographic):
Connecticut, New Haven., Asolo (Italy), and Venice (Italy)
Subject (Name):
Vendramin, Andrea, 1392-1478.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Politics and government
