A drawing with two images: the circular image on top shows three women and a man in a picture gallery, their backs to the viewer, discussing a painting on the wall. Below, separated by an image of two feathers, is a rectangular, framed still life with a lobster on a plate surrounded by a headless game bird, a jug, a pitcher, and vegetables
Description:
Title written below image. From a quotation from Horace Walpole's letter to 25 March 1761 written from Houghton: A party arrived, just as I did, to see the house, a man and three women in riding-dresses, and they rode post through the apartments. I could not hurry before them fast enough; they were not so long in seeing for the first time, as I could have been in one room, to examine what I knew by heart. I remember formerly being often diverted with this kind of seers; they come, ask what such a room is called, in which Sir Robert lay, write it down, admire a lobster or a cabbage in a market-piece, dispute whether the last room was green or purple, and then hurry to the inn for fear the fish should be overdressed., Signed and dated by the artist in lower right corner of image., Place of production inferred from artist's city of residence during this time period., Page reference for quotation written below title: Page 68., and Bound in as page 144 in volume 3 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world / edited by L. B. Seeley ... London : Seeley, Jackson, and Halliday, 1884.
Leaf 11. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
A foppishly dressed young man, intended to represent a starving Frenchman, is begging for a "letel bite" from a boy in a butcher's apron. The boy is holding a large bone in his hands and has a slab of beef ribs sticking out of his pocket
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added below image in lower left. For original issue of the plate, see no. 5790 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 11 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publishd. Decr. 1st, 1780, by W. Humphrey, No. 227 Strand [i.e. Field & Tuer]
Subject (Geographic):
England
Subject (Topic):
National characteristics, French, Starvation, Butchers, Dandies, French, Meat, and Clothing & dress
A foppishly dressed young man, intended to represent a starving Frenchman, is begging for a "letel bite" from a boy in a butcher's apron. The boy is holding a large bone in his hands and has a slab of beef ribs sticking out of his pocket
Description:
Title etched below image., Printmaker from British Museum catalogue., 1 print : etching on wove paper, hand-colored ; sheet 18.3 x 14.2 cm., Sheet trimmed within plate mark., and Mounted on leaf 7 of volume 7 of 12.
Publisher:
Publishd. Decr. 1st, 1780, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Topic):
National characteristics, French, Starvation, Butchers, Dandies, French, Meat, and Clothing & dress
A foppishly dressed young man, intended to represent a starving Frenchman, is begging for a "letel bite" from a boy in a butcher's apron. The boy is holding a large bone in his hands and has a slab of beef ribs sticking out of his pocket
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Publishd. Decr. 1st, 1780, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Topic):
National characteristics, French, Starvation, Butchers, Dandies, French, Meat, and Clothing & dress
In a woodland setting Shelburne and Pitt sit smiling behind a cloth-covered table on which are coins and bags of money. A glum-looking Fox stands several feet distant with hands in pockets. A reference to Fox's exclusion from office while Pitt was Chancellor of the Exchequer during the Shelburne ministry. The title is a quotation from Paradise Lost
Alternative Title:
Aside he turned for envy, yet with jealous leer malign, eyed them askance
Description:
Title from text etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching on wove paper ; plate mark 22.5 x 25.3 cm, on sheet 25.4 x 33.6 cm., and Mounted on leaf 49 of volume 1 of 12.
Publisher:
Pubd. Dec. 12th, 1782, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, and Pitt, William, 1759-1806
In a woodland setting Shelburne and Pitt sit smiling behind a cloth-covered table on which are coins and bags of money. A glum-looking Fox stands several feet distant with hands in pockets. A reference to Fox's exclusion from office while Pitt was Chancellor of the Exchequer during the Shelburne ministry. The title is a quotation from Paradise Lost
Alternative Title:
Aside he turned for envy, yet with jealous leer malign, eyed them askance
Description:
Title from text etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Dec. 12th, 1782, by H. Humphrey, New Bond Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, and Pitt, William, 1759-1806
Two men at a shop counter in a tea and coffee retail shop using scales to measure out coffee beans and "Two elderly men, whose family resemblance is pronounced, sit directed to the left, behind a counter running diagonally across the design. They are manipulating small scales; one (left) has his hand in a canister of 'Coffee'. Close behind them is the wall, showing the arrangement of a grocer's shop: deep drawers interspersed with shelves on which are sugar-loaves and canisters of tea. The latter are inscribed respectively: 'Hyson', 'Bloom', 'Hyson', '[Souc]hong', 'Congo', 'Bohea'."--British Museum online catalogue
Alternative Title:
Polite grocers of the Strand
Description:
Title etched below image., Artist attribution to Andrew Bell and printmaker attribution to Edmund Scott suggested in the British Museum online catalogue, registration no.: 1868,0808.7364, Sheet trimmed within plate mark on right side., "While [Dorothy] George identifies the brothers as John and Richard Twining, [Sir Ambrose] Heal identifies them as John and Aaron Trim, grocers and tea-dealers in the Strand. This is backed up by another plate in the Heal collection that names Aaron and John Trim under their portrait (see Heal,Portraits.194)."--Curator's comments, British Museum online catalogue, registration no.: Heal,Portraits.193., and Probably a plate from: Kirby's wonderful and eccentric musuem; or, Magazine of remarkable characters.
Publisher:
Published May 21, 1805, by R.S. Kirby, 11 London House Yard, St. Pauls
Subject (Geographic):
Strand, The (London, England), England, London, and The Strand.
Subject (Name):
Twining, Richard, 1749-1824., Twining, John, 1760-1827., Trim, Aaron, active 1793-1807., and Trim, John, active 1793-1807.
Leaf 9. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
The Devil stands at the center of a mountain top with outstretched wings, dressed in lawyers wig and bands, but with horns on his head and feet with claws. On the left Fox kneels, eagerly receiving from Satan a dice box and dice, an allusion to his notorious gambling habit, while on the right Burke receives a scourge and rosary, a reference to his supposed Catholicism. A satire on the resignation of Fox and Burke after Shelburne's appointment
Alternative Title:
Old-orthodox restoring consolation to his fallen children
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower right corner. For original issue published ca. August 1782, see no. 6027 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 41., and On leaf 9 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806 and Burke, Edmund, 1729-1797
Subject (Topic):
Devil, Gambling, Catholicism, and Clothing & dress
The Devil stands at the center of a mountain top with outstretched wings, dressed in lawyers wig and bands, but with horns on his head and feet with claws. On the left Fox kneels, eagerly receiving from Satan a dice box and dice, an allusion to his notorious gambling habit, while on the right Burke receives a scourge and rosary, a reference to his supposed Catholicism. A satire on the resignation of Fox and Burke after Shelburne's appointment
Alternative Title:
Old-orthodox restoring consolation to his fallen children
Description:
Title etched below image., Printmaker and approximate date of publication from British Museum catalogue., Possible remnants of burnished imprint in lower right, with the publisher name "E. D'Achery" faintly visible., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; sheet 24.0 x 32.5 cm., and Mounted on leaf 46 of volume 1 of 12.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806 and Burke, Edmund, 1729-1797
Subject (Topic):
Devil, Gambling, Catholicism, and Clothing & dress
The Devil stands at the center of a mountain top with outstretched wings, dressed in lawyers wig and bands, but with horns on his head and feet with claws. On the left Fox kneels, eagerly receiving from Satan a dice box and dice, an allusion to his notorious gambling habit, while on the right Burke receives a scourge and rosary, a reference to his supposed Catholicism. A satire on the resignation of Fox and Burke after Shelburne's appointment
Alternative Title:
Old-orthodox restoring consolation to his fallen children
Description:
Title etched below image., Printmaker and approximate date of publication from British Museum catalogue., Possible remnants of burnished imprint in lower right, with the publisher name "E. D'Achery" faintly visible., Sheet trimmed within plate mark., and Mounted to 28 x 37 cm.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806 and Burke, Edmund, 1729-1797
Subject (Topic):
Devil, Gambling, Catholicism, and Clothing & dress
"Fox (left), with a fox's head and brush, directs the rays from the dark-lantern of a conspirator upon Shelburne (right), who is wrapped in a cloak, and carries a small sack inscribed "Treasury". Fox, who is out at elbows, his breeches unbuttoned at the knee, his stockings ungartered, his shoes dilapidated with his bare toes protruding, is saying, "Ah! what I've found you out, have I? Who arm'd the high Priests & the People? Who betray'd his Mas------" Shelburne, with a smile of complacent triumph, is saying, "Ha! Ha! - poor Gunpowder's vexed! - He, He, He! - Shan't have the Bag I tell you, Old Goosetooth!" (Cf. BMSat 5843, &c.) The background is shaded to suggest night, Shelburne's head and shoulders being brilliantly lit by the rays of the dark lantern."--British Museum online catalogue
Alternative Title:
Guy Vaux and Judas Iscariot
Description:
Title etched below image., Printmaker from British Museum catalogue., Questionable publication information from British Museum catalogue, which supplies the publication line from a probable earlier state: Pubd. Augt. 14th, 1782, by E. D'Achery, St. James's Street., Text following title: Dialogues of the dead: page 1782., Sheet trimmed within plate mark., 1 print : etching & engraving on wove paper, hand-colored ; sheet 24.8 x 34.8 cm., and Mounted on leaf 40 of volume 1 of 12.
Publisher:
E. D'Achery?
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806 and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Politics and government, Lanterns, Foxes, and Clothing & dress
"Fox (left), with a fox's head and brush, directs the rays from the dark-lantern of a conspirator upon Shelburne (right), who is wrapped in a cloak, and carries a small sack inscribed "Treasury". Fox, who is out at elbows, his breeches unbuttoned at the knee, his stockings ungartered, his shoes dilapidated with his bare toes protruding, is saying, "Ah! what I've found you out, have I? Who arm'd the high Priests & the People? Who betray'd his Mas------" Shelburne, with a smile of complacent triumph, is saying, "Ha! Ha! - poor Gunpowder's vexed! - He, He, He! - Shan't have the Bag I tell you, Old Goosetooth!" (Cf. BMSat 5843, &c.) The background is shaded to suggest night, Shelburne's head and shoulders being brilliantly lit by the rays of the dark lantern."--British Museum online catalogue
Alternative Title:
Guy Vaux and Judas Iscariot
Description:
Title etched below image., Printmaker from British Museum catalogue., Questionable publication information from British Museum catalogue, which supplies the publication line from a probable earlier state: Pubd. Augt. 14th, 1782, by E. D'Achery, St. James's Street., Text following title: Dialogues of the dead: page 1782., Sheet trimmed within plate mark., and Mounted to 30 x 41 cm.
Publisher:
E. D'Achery?
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806 and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Politics and government, Lanterns, Foxes, and Clothing & dress
"Extravagantly dressed pedestrians promenade beside (?) the Serpentine. Almost all are arm-in-arm, an exception being an ugly and complacent woman whose face is covered by a long transparent lace veil. The women walk leaning back, as in BM Satires 14438; they point their toes as if at a dancing class, drawing up their skirts, but these are less long. A fashion for stripes for women's dresses and for trousers is apparent, and for patterned materials with scalloped flounces, furbelows, ribbons, and over-trimmed hats. Curled hair frames the face and rests on the shoulders. Waists are still wasp-like for both sexes. Men wear checked neck-cloths with high collars. Much play is made with eye-glasses and canes. Hessian and top-boots are corrugated, spurs are oddly absent. The women wear very flat slippers, tied at the ankle. Beyond the water are trees."--British Museum online catalogue
Description:
Title from caption below image., Numbers "3" and "5" in "1835" in imprint have been overwritten with "24" in ms., and Reissue of no. 14725 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 10; originally published July 8, 1824, by G. Humphrey.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Geographic):
Hyde Park (London, England),, England, and London.
True report of certaine wonderfull overflowings of waters, now lately in Summerset-shire, Norfolke, and other places of England, Of flouds in England, 1607, a true report of certaine wonderfull ouerflowings of waters, now lately in Summerset-shire, Norfolke, and other places of England, 1607, a true report of certaine wonderfull overflowings of waters, now lately in Summerset-shire, Norfolke, and other places of England, and True report of certaine wonderfull ouerflowings of waters, now lately in Summerset-shire, Norfolke, and other places of England
Description:
BEIN Elizabethan Club 287: Imperfect: leaves A1,2 and D4 mutilated, with some loss of text; some loss of text on leaf A1 due to trimming. Ms. correction of running title on leaf A4v., With a title-page woodcut., Printer's name from STC., Signatures: A-D⁴., Running title reads: Of flouds in England., and In this edition the catchword on C3r is "recouered."
Publisher:
by W[illiam]. I[aggard]. for Edward White and are to be solde at the signe of the Gunne at the north doore of Paules
Subject (Geographic):
England, Norfolk, Somerset (England), and Norfolk (England)
An admission ticket to a performance on 30 November 1789 at Blenheim Palace in Oxfordshire, the residence of the Duke and Duchess of Marlborough. Such private theatricals at country houses became increasingly popular during the eighteenth century, with plays starting in earnest at Blenheim in 1786 and becoming so successful that a greenhouse was converted into a proper theater
Alternative Title:
Fourth night. Blenheim. Monday, November 30, 1789, will be performed ...
Description:
Letterpress ticket on card, printed on recto only. and Traces of glue on verso, probably formerly mounted in an album. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England and Oxfordshire.
Subject (Name):
Conway, Henry Seymour, 1721-1795. and Burgoyne, John, 1722-1792.
Subject (Topic):
Aristocracy (Social class), Social life and customs, and Amateur theater
In the garden of Bagnigge Wells surrounded by hedges, trees, and a fountain, a well dressed lady is plucking a rose, as another woman behind her looks on. The roof of the circular Temple is visible on the left. By the 1770s, the Bagnigge Wells resort was a notorious meeting place for amorous dalliance
Alternative Title:
No resisting temptation
Description:
Title from item., Numbered in plate: 341., Date estimated from Britsh Museum catalogue, v.5, Appendix, "Key to the dates of the series of mezzotints issued by Carington Bowles.", and Publication date erased from this impression.
Publisher:
Printed for Carington Bowles ... No.69 in St. Pauls Church Yard, London
A man wearing laced coat and sword and holding a snuff box leans on an elaborately carved console table of the pump room at Bath, admiring himself in a mirror. An illustration for the "History of Captain S_: or, the Bath Adonis."
Description:
Title from item., Sheet trimmed within plate mark., Date and publication information from British Museum catalogue., and Extended to 26 x 18 cm.
Publisher:
The Matrimonial Magazine?
Subject (Geographic):
Bath (England) and England
Subject (Topic):
Dandies, British, Clothing & dress, Furniture, Mirrors, Wallpaper, and Tables
BEIN 1983 785: Lot number "130" written in manuscript at foot of title page. No. 27 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front. and Signature : A⁴.
BEIN 1983 785: No. 30 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front., The date, in title, is given according to Lady Day dating., Signatures: [A]¹ B-F² G¹ A²., and "An appendix to the catalogue of books in quires": p. 1-4 at end.
BEIN 1983 785: No. 33 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front., Caption title., and Signatures: A-B².
BEIN 1983 785: No. 26 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front. and Signatures: [A] B-K²
BEIN 1983 785: Imperfect: some loss of text due to trimming. No. 6 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front., "The time of sale is from 9 in the morning to 12 at noon and from 3 to 7 in the evening. Catalogues are given by Mr. Gillyflower in Westminster-Hall, Mr. Nott in the Pall-Mall, Mr. Wilkinson at the Black-Boy in Fleet-Street, Mr. William Miller at the Acorn in St. Paul's Church-Yard, Mr. Tho. Hargrave at the King's-Head near the Bars in Holborn, the widow Cooper in Little-Britain, and at Mr. Sam. Croutch's at the corner of Pope'-Head-Alley Cornhill, booksellers; 1689.", and Signatures: [A]²(-A2) B-F² F-G².
Millington, Edward, approximately 1636-1703, author
Published / Created:
1690]
Image Count:
25
Description:
BEIN 1983 785: No. 10 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front., "The sale beginning precisely at three of the clock in the afternoon, to eight.", "Catalogues are given by Mr. William Miller, at the Acorn in St. Paul's Church-Yard, and at the above-mentioned place of sale, 1689/90.", and Signatures: [A]²(-A2) B-M² N²(-N2).
BEIN 1983 785: Manuscript note at head of title: Gratis! No. 11 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front. and Signatures: A-D⁴.
Beinecke copy has blank spaces filled in ms. "Thursday", "3d"., BEIN 1983 785: With blank spaces filled in manuscript "Thursday," "3d." No. 14 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front., Caption title., and Signatures: A-B²
BEIN 1983 785: No. 23 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front. and Caption title.
BEIN 1983 785: With four additional pages bound in at end: "A collection of paintings" listing 103 paintings, and "A collection of prints" listing 61 prints. No. 21 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front. and Signatures: A⁴ B⁵ A².
BEIN 1983 785: No. 7 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front., "The sale beginning precisely at three of the clock in the afternoon. Catalogues of which are destributed by Mr. Gilliflower in Westminster-Hall, Mr. Nott in the Pall-Mall, Mr. Bentley in Russel-Street, Covent-Garden, Mr. Wilkinson in Fleet-Street, Mr. Hargrave, at the Kings-Head, over against Furnivals-Inn in Holborn, Mr. Miller, at the Acorn, in St. Paul's Church-Yard, and Mr. John Harris at the Harrow, in the Poultry, Mr. Bevor by Richards Coffee-House near Temple-Barr, booksellers.", and Signatures: [pi]¹A-D²E¹.
BEIN 1983 785: Imperfect: some loss of text due to trimming. No. 31 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front., "Catalogues whereof are distributed gratis at Mr. Nott's in the Pall-Mall, at Mr. John Weld's at the Crown between the Two Temple-Gates in Fleetstreet, Mr. Joseph Wats at the Angel in St. Paul's Church-Yard, booksellers, and at the Marine Coffee-House in Birchin-Lane, near adjoyning to the place of sale, 1691.", and Signatures: [pi]¹ A⁴ B-E² [F]¹.
BEIN 1983 785: Manuscript note at head of title: Gratis! No. 2 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front., "Catalogues are distributed gratis at Mr. Notts, at the Queens Arms in the Pell-Mell, at Mr. Welds at the Crown betwixt the Two Temple Gates in Fleet-Street, at Mr. Manships, at the Black Bull against the Royal Exchange in Cornhil, and at the place of sale every afternoon.", Signatures: [A]² B-G² [dagger]²., and "Appendix to the former catalogue of miscellany books in all volumes": p. 1-4 at end.
BEIN 1983 785: Manuscript note at head of title: Gratis! No. 22 of 33 titles bound together in volume with bookplate of John Farquhar Fulton and binder's title: Sale catalogues, London, 1689-1690. Manuscript letter on two pages to John Farquhar Fulton from E.B., dated Nov. 21, 1928, bound in at front.
Manuscript, on parchment, in chancery script, produced in London at the beginning of the sixteenth century (during the reign of Henry VII)., The text is an affirmation by King Henry VII of the rights given to the city of London by previous kings, It includes a copy of the charter in Old English presented by William the Conqueror affirming the rights held by the citizens of London under Edward the Confessor, and It also includes a charter granting lands from William I to Deorman
Description:
In Latin and Old English., On the wrapper is written "Thomas Binkheued who sold it to Raph Wilbraham.", The manuscript was originally a roll, as can be seen by the sewing holes extending across the bottom of each page., and Binding: vellum wrapper.
Subject (Geographic):
England, London., England., Great Britain, and London (England)
"A tall, stout fish-wife has seized a fashionably dressed man round the waist and lifted him up; his hat and tasselled cane have fallen to the ground. She is neatly dressed, with a flat hat tied over her cap, a checked apron, clocked stockings, and buckled shoes, but she wears a soldier's coat over her dress. There are three spectators: a woman (right) in profile to the left, gapes with astonishment; a neatly dressed man wearing an apron standing behind a fish-stall looks on with quiet amusement; an apple-woman sits (left) grinning, arms akimbo. Beside her is a large basket heaped with a pyramid of fruit. A fish-stall and a basket have been overturned (right) and the contents lie on the ground. In the background is Billingsgate Dock, with masts and rigging; on the right is one of the market buildings, inscribed 'BILLINGSGATE'."--British Museum online catalogue
Alternative Title:
Cornish hugg
Description:
Title engraved below image., Sheet trimmed to plate mark., and Variant with title and verses. Cf. No. 5932 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Publish'd June 5th 1781 by Wm. Wells no. 132 (opposite Salisbury Court,) Fleet Street, London
A caricature of a Jewish broker, standing full-length on the street outside a door. He uses his kerchief to wipe his spectacles. His walking stick is tucked under his right arm and a roll of papers under his left arm
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Pub. Jany. 1st, 1801, by S.W. Fores, No. 50 Piccadilly
A caricature of a Jewish broker, standing full-length on the street outside a door. He uses his kerchief to wipe his spectacles. His walking stick is tucked under his right arm and a roll of papers under his left arm
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with stipple on wove paper, hand-colored ; sheet 33.3 x 22.9 cm., Printmaker's signature, imprint, and publisher's announcement worn (or partially burnished?) from plate., Publisher's stamp "SWF" in lower right corner of sheet., and Mounted on leaf 59 of volume 7 of 14 volumes.
Publisher:
Pub. Jany. 1st, 1801, by S.W. Fores, No. 50 Piccadilly
"The crowded cabin tilts to the right, to the dismay of a family party dining at a table in the foreground. There is a second table in the background with a meal in progress. The cabin is bordered on left and right by two tiers of berths, apparently for two persons, set in panelling, and with curtains festooned along the upper edge. These are filled by suffering travellers. A bench runs along the front of the berths; other passengers sit on camp-stools. Phases of misery, discomfort, resignation, and (by exception) complacency are realistically illustrated. A sailor pushes a mop-stick through an open hatch in the roof."--British Museum online catalogue
Description:
Title etched below image., Possibly after a design by Captain Frederick Marryat. See British Museum catalogue., Sheet trimmed within plate mark., Watermark: J. Whatman. Watermark '1828' on mounting sheet., and Laid on album paper.
Publisher:
Published by G. Humphrey, 27 St. James's Str., London
Subject (Geographic):
England, Margate (England), England., and Margate.
Subject (Topic):
Packets, Motion sickness, Ocean travel, Description and travel, Travel, and Vomiting
Leaf 83. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A black man, dressed as a macaroni except for his tightly curled natural wool, walks in profile to the right. His right hand holds a cane, his left is on the hilt of a short curved sword or sabre with an ornamental hilt affected by macaronis."--British Museum online catalogue and "Perhaps a caricature of Jeremiah Dyson, always called Mungo after the name had been given him in a debate by Col. Barré, 29 Jan. 1769. Mungo was a negro slave in the comic opera 'The Padlock' by Bickerstaffe, and the name implied that Dyson was kept at dirty jobs for the Government."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. III: Characters, macaronies, & caricatures. [London] : Pubd. by MDarly, 39 Strand, 1773., and Plate numbered "v. 4" in upper left corner and "14" in upper right corner.
Publisher:
Publish'd according to act by MDarly, 39 Strand
Subject (Geographic):
England and England.
Subject (Name):
Dyson, Jeremiah, 1722-1776
Subject (Topic):
Black people, Clothing & dress, Dandies, British, Politicians, Staffs (Sticks), and Daggers & swords
Leaf 83. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A black man, dressed as a macaroni except for his tightly curled natural wool, walks in profile to the right. His right hand holds a cane, his left is on the hilt of a short curved sword or sabre with an ornamental hilt affected by macaronis."--British Museum online catalogue and "Perhaps a caricature of Jeremiah Dyson, always called Mungo after the name had been given him in a debate by Col. Barré, 29 Jan. 1769. Mungo was a negro slave in the comic opera 'The Padlock' by Bickerstaffe, and the name implied that Dyson was kept at dirty jobs for the Government."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. III: Characters, macaronies, & caricatures. [London] : Pubd. by MDarly, 39 Strand, 1773., Plate numbered "v. 4" in upper left corner and "14" in upper right corner., Second of three plates on leaf 83., and 1 print : etching on laid paper ; plate mark 17.6 x 12.8 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Publish'd according to act by MDarly, 39 Strand
Subject (Geographic):
England and England.
Subject (Name):
Dyson, Jeremiah, 1722-1776
Subject (Topic):
Black people, Clothing & dress, Dandies, British, Politicians, Staffs (Sticks), and Daggers & swords
"Satire on the election for County Durham, 14 April 1784: Sir Thomas Clavering and Sir John Upton, one headless, holding a caption labelled 'The Irish Faction for ever' and carrying the other, who has no feet, on his back, who says 'I serv'd you as long as I could stand' and carries captions lavelled 'Coal owners Bill' and 'A command in India'; both seated on an ass facing left, which brays 'Thus I go to Parliament and am not the first Ass that has farted for preferment, but this is dirty work and hard Labour' and which has a collar labelled 'I speak for my Master / Populus me sibilat at plaudo ipse domi' and strips at the saddle labelled 'Curse all Pitts / But a Coal-Pitt'; with the ass' droppings falling on a crest with the motto 'Diem Perdidi'; a mitre, crozier and sword and label 'At rest' on the ground in the centre, playing cards and papers labelled 'Turnpike Speech / Election Speech' to left; a milestone to right labelled 'From Durham / T: C / J: E / 14 April 1784'."--British Museum online catalogue
Alternative Title:
Northern ass
Description:
Title etched below image., Attribution to W. Hutchinson from annotation on verso of British Museum impression. See British Museum online catalogue, registration no.: 1865,1014.456., Date of publication from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., and Watermark in the center of sheet.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Clavering, Thomas, Sir, 1719-1794, Eden, John, Sir, 1740-1812, and Great Britain. Parliament, 1783-1784.
Subject (Topic):
Elections, Donkeys, Defecation, Traffic signs & signals, Miters, Crosiers, Daggers & swords, and Playing cards
"Whole length portrait of a lady, standing in profile to the left. In her right hand she holds a ticket inscribed "PANTHEON admit Lady No. Rep". She resembles portraits of Mrs. Baddeley and appears to be regarding her Pantheon ticket with a complacent smile. She wears a low bodice and a necklace; a train from her shoulders falls over a frilled and flounced petticoat. Her elbow sleeves have wide lace frills, and she wears long gloves. Her hair is dressed high and ornamented with lace."--British Museum online catalogue, description of an earlier state
Description:
Title from caption below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "16" in upper right corner., and For later state, see no. 4998 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Pub. by MDarly, Strand, March 3d, 1772, according to act
Leaf 70. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a lady, standing in profile to the left. In her right hand she holds a ticket inscribed "PANTHEON admit Lady No. Rep". She resembles portraits of Mrs. Baddeley and appears to be regarding her Pantheon ticket with a complacent smile. She wears a low bodice and a necklace; a train from her shoulders falls over a frilled and flounced petticoat. Her elbow sleeves have wide lace frills, and she wears long gloves. Her hair is dressed high and ornamented with lace."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "16" in upper right corner., and First of three plates on leaf 70.
Publisher:
Pub. by MDarly, Strand, March 3d, 1772, according to act
Leaf 99. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man standing in profile looking to the left. He wears his own hair, a plain coat, riding breeches, and spurred boots. His left hand is in his breeches-pocket and under his arm is a riding-whip."--British Museum online catalogue
Alternative Title:
Reverend macaroni
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773., Plate numbered "16" in upper left corner and "v. 6" in upper right corner., Watermark: initials LVG., 1 print : etching on laid paper ; plate mark 17.2 x 12.8 cm, on sheet 19 x 14 cm., and Sheet trimmed to plate mark on left.
Publisher:
Pubd. accorg. to act Octr. 1st, 1773, by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, English, Riding habits, and Whips
Leaf 99. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man standing in profile looking to the left. He wears his own hair, a plain coat, riding breeches, and spurred boots. His left hand is in his breeches-pocket and under his arm is a riding-whip."--British Museum online catalogue
Alternative Title:
Reverend macaroni
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773., and Plate numbered "16" in upper left corner and "v. 6" in upper right corner.
Publisher:
Pubd. accorg. to act Octr. 1st, 1773, by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, English, Riding habits, and Whips
Leaf 99. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man standing in profile looking to the left. He wears his own hair, a plain coat, riding breeches, and spurred boots. His left hand is in his breeches-pocket and under his arm is a riding-whip."--British Museum online catalogue
Alternative Title:
Reverend macaroni
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773., Plate numbered "16" in upper left corner and "v. 6" in upper right corner., First of three plates on leaf 99., and 1 print : etching on laid paper ; plate mark 17.3 x 12.9 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accorg. to act Octr. 1st, 1773, by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, English, Riding habits, and Whips
Leaf 5. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two couples dancing a reel. The ladies wear the monstrous feathered coiffures then fashionable, see British Museum Satires No. 5370, &c. The man on the left is short, ungainly, and very fat, he walks rather than dances. The other man dances with energy, one arm raised. All wear gloves."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., State without plate number. For a variant state with "5" etched in upper left corner, see no. 5374 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Initial letters of publisher's name in imprint form a monogram., and On leaf 5.
"Full-face portrait of a man walking to right. and looking to his right. His right hand is in his coat pocket, his left thrust in his waistcoat. He wears a looped hat, his hair or wig is in a long queue bound with black ribbon. He wears a sword, laced coat, ruffled shirt and cravat, low buckled shoes. A dog of greyhound type walks in front. He resembles portraits of Richard Grenville-Temple, 1st Earl Temple (1711-79)."--British Museum online catalogue
Description:
Title from caption below image., Initial letters of publisher's name in imprint form a monogram., For a later state, see no. 4994 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Plate numbered "11" in upper right corner.
Publisher:
Pub. by MDarly accorg. to act
Subject (Geographic):
England and Great Britain.
Subject (Name):
Temple, Richard Grenville-Temple, Earl, 1711-1779
Subject (Topic):
Clothing & dress, Dandies, British, Dogs, and Nobility
Leaf 68. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Full-face portrait of a man walking to right and looking to his right. His right hand is in his coat pocket, his left thrust in his waistcoat. He wears a looped hat, his hair or wig is in a long queue bound with black ribbon. He wears a sword, laced coat, ruffled shirt and cravat, low buckled shoes. A dog of greyhound type walks in front. He resembles portraits of Richard Grenville-Temple, 1st Earl Temple (1711-79)."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "11" in upper right corner., Temporary local subject terms: Macaronies -- The Temple -- ?Greyhound -- Queue wig bound with ribbon -- Little cocked hat., and Second of three plates on leaf 68.
Leaf 47. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a stout man standing in profile to the right. His right hand is in his breeches pocket, his left is thrust into his waistcoat; his hat is under his right arm."--British Museum online catalogue
Alternative Title:
Welch knight and Welsh knight
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "V. 3" in upper left corner and "19" in upper right corner., and Second of two plates on leaf 47.
"A fashionably dressed man stands in back view, a round hat in his hand, a bludgeon under his left arm. He wears a tail-coat with a large cape-like collar with revers. Above this appears the high stiff collar at the back of his waistcoat. His hair falls on his coat collar and his shoulders are frosted with hair-powder (a fashion of the day), cf. BMSats 7537, 8192. He wears half-boots and breeches tied below the knee with a bunch of strings."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Companion print to: "Neck or nothing.", Sheet trimmed within plate mark., Temporary local subject terms: Male costume: capes., 1 print : etching & stipple engraving on wove paper, hand-colored ; sheet 27.6 x 21.7 cm., and Mounted on another impression of the same print, which is mounted on leaf 34 of volume 8 of 12.
Publisher:
Pubd. March 23d, 1792, by H. Humphrey, No. 18 Old Bond Street
"A fashionably dressed man stands in back view, a round hat in his hand, a bludgeon under his left arm. He wears a tail-coat with a large cape-like collar with revers. Above this appears the high stiff collar at the back of his waistcoat. His hair falls on his coat collar and his shoulders are frosted with hair-powder (a fashion of the day), cf. BMSats 7537, 8192. He wears half-boots and breeches tied below the knee with a bunch of strings."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Companion print to: "Neck or nothing.", Sheet trimmed within plate mark., and Temporary local subject terms: Male costume: capes.
Publisher:
Pubd. March 23d, 1792, by H. Humphrey, No. 18 Old Bond Street
Volume 2, page 31. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene in a barber's shop during the Westminster Election of 1784. The centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. From the pocket of the boy protrudes a label inscribed 'Hood'; from that of the other, '[Wr]ay'. On the ground projecting from the sheet is '[F]ox'. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper; behind his head is a notice, 'State of the Poll'. Two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. On the extreme right a barber shaves a man whose face is lathered; the barber's apron is inscribed 'Success to the Poll'. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig; one (left) wears a 'Hood & Wray' favour, the other a Fox favour. A large hat on the ground has a 'Hood and Wray' favour. A barber's block has been overturned (left). On another (left) is a wig. Wigs and wig-boxes decorate the back wall."--British Museum online catalogue
Description:
Title etched below image. and Watermark.
Publisher:
Publish'd as the act directs, May 12, 1785, by J. Jones, Great Portland Street, & W. Dickenson [sic], No. 158 Bond Street
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806., Wray, Cecil, Sir, 1734-1805., Hood, Samuel Hood, Viscount, 1724-1816., and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
Volume 2, page 31. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A scene in a barber's shop during the Westminster Election of 1784. The centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. From the pocket of the boy protrudes a label inscribed 'Hood'; from that of the other, '[Wr]ay'. On the ground projecting from the sheet is '[F]ox'. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper; behind his head is a notice, 'State of the Poll'. Two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. On the extreme right a barber shaves a man whose face is lathered; the barber's apron is inscribed 'Success to the Poll'. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig; one (left) wears a 'Hood & Wray' favour, the other a Fox favour. A large hat on the ground has a 'Hood and Wray' favour. A barber's block has been overturned (left). On another (left) is a wig. Wigs and wig-boxes decorate the back wall."--British Museum online catalogue
Description:
Title etched below image., Mounted on page 31 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : stipple engraving and etching with rocker on laid paper ; sheet 50.7 x 66.7 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd as the act directs, May 12, 1785, by J. Jones, Great Portland Street, & W. Dickenson [sic], No. 158 Bond Street
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806., Wray, Cecil, Sir, 1734-1805., Hood, Samuel Hood, Viscount, 1724-1816., and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
Humphrey, William, approximately 1740-approximately 1810, printmaker
Published / Created:
[24 April 1777]
Call Number:
777.04.24.01+
Image Count:
1
Resource Type:
still image
Abstract:
An old man and three fishwives toss a well-dressed young gentleman in a blanket. The latter wears a sword and huge buttons on his coat. Tubs of oysters and fish occupy the background with some large fish in the foreground
Alternative Title:
All fashion, no weight
Description:
Title from item., Trimmed within plate mark with some loss to image., Signed in plate by engraver(?) WH, probably William Humphrey., and Inlaid to 29 x 37 cm.
Publisher:
Pubd. 24 April 1777 by W. Humphrey, Gerrard Street, Soho
Subject (Geographic):
England and London
Subject (Topic):
Dandies, British, Fishmongers, and Clothing & dress
Leaf 4. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
The new ministry is depicted on a large carousel, erected in front of the "Crown and Royal Bob" Inn. The structure is supported by a center pole held in place by pegs labelled "Treasury," "Navy" and "Army" terminating at the top with the head of the King in the form of a wig block. Fox, with a fox's head and tail, leads the procession, holding a bag of money. Behind him, Lord North on a horse with its legs cut short, loses his wig; Burke in Jesuit's habit and on a similarly lame horse, has partially turned into a skeleton due to his economical reform; Admiral Keppel behind him is desperate to remain seated on his donkey. Lastly a Scotsman labelled "President" signifies Scottish influence over the Crown. Watching from a seat before the Inn, a complacent John Bull mouths slogans of liberty, unaware that his house is being plundered behind him
Alternative Title:
New state whirligig
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower right corner. For original issue of the plate, see no. 6227 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 48., and On leaf 4 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. May 5th, 1783, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, and Keppel, Augustus Keppel, Viscount, 1725-1786
Subject (Topic):
John Bull (Symbolic character), Politics and government, Taverns (Inns), Merry-go-rounds, Wigs, Flags, British, Robberies, and Clothing & dress
The new ministry is depicted on a large carousel, erected in front of the "Crown and Royal Bob" Inn. The structure is supported by a center pole held in place by pegs labelled "Treasury," "Navy" and "Army" terminating at the top with the head of the King in the form of a wig block. Fox, with a fox's head and tail, leads the procession, holding a bag of money. Behind him, Lord North on a horse with its legs cut short, loses his wig; Burke in Jesuit's habit and on a similarly lame horse, has partially turned into a skeleton due to his economical reform; Admiral Keppel behind him is desperate to remain seated on his donkey. Lastly a Scotsman labelled "President" signifies Scottish influence over the Crown. Watching from a seat before the Inn, a complacent John Bull mouths slogans of liberty, unaware that his house is being plundered behind him
Alternative Title:
New state whirligig
Description:
Title from item., Printmaker from British Museum catalogue., Text above image in upper left: Poor John Bull's house plunder'd at noon day., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 25.0 x 35.2 cm, on sheet 29.0 x 40.3 cm., and Mounted on leaf 65 of volume 1 of 12.
Publisher:
Pubd. May 5th, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, and Keppel, Augustus Keppel, Viscount, 1725-1786
Subject (Topic):
John Bull (Symbolic character), Politics and government, Taverns (Inns), Merry-go-rounds, Wigs, Flags, British, Robberies, and Clothing & dress
The new ministry is depicted on a large carousel, erected in front of the "Crown and Royal Bob" Inn. The structure is supported by a center pole held in place by pegs labelled "Treasury," "Navy" and "Army" terminating at the top with the head of the King in the form of a wig block. Fox, with a fox's head and tail, leads the procession, holding a bag of money. Behind him, Lord North on a horse with its legs cut short, loses his wig; Burke in Jesuit's habit and on a similarly lame horse, has partially turned into a skeleton due to his economical reform; Admiral Keppel behind him is desperate to remain seated on his donkey. Lastly a Scotsman labelled "President" signifies Scottish influence over the Crown. Watching from a seat before the Inn, a complacent John Bull mouths slogans of liberty, unaware that his house is being plundered behind him
Alternative Title:
New state whirligig
Description:
Title from item., Printmaker from British Museum catalogue., Text above image in upper left: Poor John Bull's house plunder'd at noon day., Sheet trimmed within plate mark., and Mounted to 30 x 41 cm.
Publisher:
Pubd. May 5th, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, and Keppel, Augustus Keppel, Viscount, 1725-1786
Subject (Topic):
John Bull (Symbolic character), Politics and government, Taverns (Inns), Merry-go-rounds, Wigs, Flags, British, Robberies, and Clothing & dress
"The Duchess of Devonshire (right), wearing very wide hooped petticoats, shelters a fox beneath them. Its head projects from a slit which she holds open with her hands, its tail shows between her feet. She says:"Here my dear Reynard when all trouble's past, You'll find a Borrough open at the last."Her hat is trimmed with the usual ostrich plumes and fox's brush, cf. BMSat 6530, &c. North stands facing her, saying "He's IN for a Borrough". Beneath the design is inscribed:"In vain may Wits reprove, and Criticks blame, Nor shall concealment in this cause defame, Reynard in gratitude of such protection, Now pays the devoirs of his Election.""--British Museum online catalogue for original print entitled: Parliment [sic] security or a borrough in reserve
Alternative Title:
Reynards resource and Borough secured
Description:
Title etched above image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., and Reissue of number 6559 with different title and alterations to the plate. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.6.
Publisher:
Pubd. by E. Rich, May 24, 1784, No. 55, opposite Andertons [sic] Coffee House, Fleet Street
Subject (Geographic):
England and London.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Great Britain. Parliament
Image at the heading to printed verses in five stanzas: A bull rampages among broken crockery in a China Warehouse; John Mug inscribed over the door (right). Mug flies in the air, having been tossed out through the shattered window, and is about to descend in a scavenger's cart (left). From British Museum online catalogue
Description:
Title from text etched below image., Text below title, in letterpress: ... written by Mr. C. Dibdin; composed by Mr. Reeve; and sung by Mr. Grimaldi, with unbounded applause, in the new comic patomime, called "Harlequin highflyer, or Off she goes," at the Aquatic Theatre, Sadlers Wells, Printmaker signature in lower left corner of image., Three columns of verse in letterpress below title: You've heard of a frog in an opera-hat, 'Tis a very old tale of a mouse and a rat; O could sing you anothr as pleasant, may hap, Of a kitten htat wore a fine high caul'd cap ..., and Plate numbered in upper left corner: 496.
Publisher:
Publish'd Sept. 5, 1808 by Laurie & Whittle, 53 Fleet Street, London
Subject (Geographic):
England and London.
Subject (Topic):
Bulls, Carriages & coaches, City & town life, Disasters, Show windows, Stores & shops, and Tableware
"A corner of the stage at Drury Lane slants diagonally from left to right, showing part of the orchestra and pit (right) with part of two stage-boxes on the extreme right. The stage manager, Raymond, stands addressing the clamorous audience, while on the left a young man with ass's ears sits on a donkey which flourishes its heels so that they strike the lowered stage-curtain. The donkey brays "Ih ho Ih ho Ih ho," its hind-quarter is branded 'My Pegasus Buz'. Its rider recites: "Nor ever here your smiles would be represt, "Knew you the rival flames that fires our breast, "Flame, Fire and Flame!--sad--woe Neddy! Ladies and Gentlemen, My Papa's Pegasus is so full of fire and spirit that very few are capable of mounting him. for my self I never spoke but once & that was-- Unce logos but if you will give me leave to get on with my Papas Monologue I am positive you will pronounce it the prettiest piece of poetry produced for the purpose." Raymond says: "Ladies and Gentlemen, it was never the intention of the Proprietors to introduce Assess [sic] on these boards but as you seem entertained with their braying if it [is] your wish, we will procure some trainers from the other House as we are really ignorant in the management of thes [sic] Animals." Greeted by derisive cheers from the audience, Dr. Busby, also with ass's ears, leans from the upper stage-box, saying, "Ladies and Gentlemen, only hear My Son speak my Monologue written by myself the only one fit to be heard the committee are as ignorant of good Poetry a[s] I am of true criticism. I am a great writer reviews my sons works very clever indeed--writes my own life--well worth reading--my Life of Lucius Otrigger will astonish you now pray hear my Son speak my Monologue!--." A man behind him shouts: "Bravo! Go on! Go, on," and one in the crowded lower box applauds: "Bravo Apollo go on Go . . ." In the foreground a man in the pit shouts pointing to the ass: "Why don't you come down and get up behind don't you see he wants ballast." Six others address the son: "When you have done there--set those Epigrams to Music young Apollo!"; "Off Off Off Off"; "he will be off presently if Neddy kicks so!"; "Go on Go on"; "Speak out you should have brought your Voice with you"; "hear him hear him." The orchestra is empty of performers, but the music scores are headed 'The Judgement of Midas' [O'Keefe's play]. Three large papers lie on the stage inscribed respectively: [1] 'A Lord [Byron] and a Doctor once started for Fame Which for the best Poet should pass The Lord was cried up on account of his name The Doctor cried down for an Ass--' [2] 'Doctor Buz he assures us on Drury new Stage No Horses or Elephants, there should engage But pray Doctor Buz, how comes it to pass, That you your own self should produce there an Ass' [3] 'Old Buz against Quadrupeds, war did wage, And swore on Drury's board's such Mum'ry ne'er should pass But forcing his own Pegasus on Drurys stage The Critic Audience christen'd Buz an Ass.' Behind Raymond is the lower part of the verd-antique pillar which flanked the curtain, and on the right the large ornate lamp, of quasi-Egyptian design in which three hawk-headed monsters support an inverted tripod, the base of a ring of lamp-jets."--British Museum online catalogue
Alternative Title:
Poet in a pet : with a chip of the block, mounted on Papa's Pegasus
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark., Text following title: vide opening of New Drury Lane Theatre., and Laid-in to a piece of later paper.
Publisher:
Pubd. Octr. 21, 1812, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
England and London.
Subject (Name):
Raymond, James Grant, -1817, Busby, Thomas, 1754-1838, Busby, George Frederick, active 1812, Byron, George Gordon Byron, Baron, 1788-1824., and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Theaters, Interiors, Theater curtains, Theater audiences, and Donkeys
List of the several prisoners to be tried at the next Assizes, to be held at Thetford, in and for the said county, on Friday the 25th day of March, 1757
Description:
Caption title., At head of title, in upper left: Norfolk., Not in ESTC., and Signed beneath printed text by "Israel Long Esq., Sheriff". Contemporary ms. annotations in black ink along left margin of recto; docket title added in ink on verso. For further information, consult library staff.
Catalogue of a part of the household furniture, modern plate, china, fine old port, ...
Description:
From p. 12: J. Smeeton, printer, 148 St. Martin's Lane., The Lewis Walpole Library copy: Catalogue annotated with some sale prices and notes, in an unknown hand., and For further information, consult library staff.
"Frontispiece for 'A Catalogue of News and Useful Maps Curious and Entertaining Prints, Books of Architecture, Great Variety of Drawing Books in all the Branches of Penmanship And the best of each Kind'; title on scroll, surrounded by prints and maps."--British Museum online catalogue
Description:
Title from item., Date of publication from the British Museum online catalogue, registration no.: D,3.524., Sheet trimmed to plate mark., and For further information, consult library staff.
Signatures: pi⁴, A-2A⁴., At foot of titlepage: "No.", the actual number to be inserted in MS.; a variant is without "No." at the foot of the titlepage., LWL 49 3902: With "No." on t.p. with "753" in ms. 2000 catalogues were sold before the sale began., LWL 49 3902: Horace Walpole's copy with his annotations, including a four-page, signed letter providing a history of the collection., and Original marbled boards with calf back, now rebacked. Large Strawberry Hill fleuron used as Bookplate, and fleuron from Anecdotes at end. Press-mark X.7. Not in Manuscript Catalogue of 1763.
Publisher:
Catalogues may now be had on the premises, and of Mr. Skinner and Co ...
Subject (Geographic):
England and London
Subject (Name):
Portland, Margaret Cavendish Holles Harley Bentinck, Duchess of, 1715-1785
Langford, Mr. (Abraham), 1711-1774, auctioneer, publisher
Published / Created:
[1755]
Call Number:
125 L278 755 3/11
Image Count:
172
Resource Type:
text
Description:
Priced., Signatures: A-B⁴., The seller was the physician and antiquarian Dr. Richard Mead, 1673-1754. This sale appears to be the English version of the second part of an earlier sale of the Museum Meadianum, which was printed in Latin.--Lugt, F. Répertoire des catalogues de ventes publiques., MED,HSL 17th cent: Bound with the author's A catalogue of pictures, London, 1755., BAC: British Art Center copy annotated in pen and ink with prices for all lots. Armorial bookplate: Bibliotheca Lindesiana. Bound in contemporary smooth calf. Bound with Bibliotheca Meadiana, sive, Catalogus librorum Richardi Mead, M.D. London, 1754., and With extensive ms. notes recording prices paid throughout. Title pages are ruled in red.
Publisher:
Abraham Langford
Subject (Geographic):
England, London, Great Britain, and England.
Subject (Name):
Mead, Richard, 1673-1754
Subject (Topic):
Art collections, Art auctions, Art, Private collections, Decorative arts, Prices, Private libraries, and House furnishings
Holograph catalogue of Philip Stanhope, Earl of Chesterfield's library at Ethrope. The manuscript begins with an explanation of the shelving system at the library, followed by an index to the volume which divides the work by book size and language. The entries for each book include information about their shelving position and date published, and include historical, scientific, artistic, and literary works, as well as works on law and architecture. Holdings include biblical commentaries; John Dryden's plays; poems by Stephen Duck; numerous collections of prints and drawings, including William Hogarth's Collection of Prints and Darly's Collection of Caricatures; dictionaries in English, Italian, and French; Thomas Betterton's History of the English stage; and Horace Walpole's History of the royal and noble authors. The manuscript also includes several collections of musical works, including Cervetto's 6 Solos for the violincello and bass
Description:
In English., A note in the preface declares that "this Catalogue was taken in June 1778 by A. Edwards, no. 79 New Bond St. London.", Title from title page., Marbled endpapers., Binding: full red morocco. In gilt on spine: Catalogue Of The Library At Ethrope., and For further information, consult library staff.
Subject (Geographic):
Great Britain and England
Subject (Name):
Betterton, Thomas, 1635?-1710., Cervetto, Giacobbe, 1682-1783., Chesterfield, Philip Stanhope, Earl of, 1755-1815., Darly, Matthias., Dryden, John, 1631-1700., Duck, Stephen, 1705-1756., Edwards, A., Hogarth, William, 1697-1764., and Walpole, Horace, 1717-1797.
Subject (Topic):
Collectors and collecting, Nobility, Books and reading, Private libraries, and Intellectual life
Gulston, Eliza B., 1749 or 1750-1779 or 1780, printmaker
Published / Created:
May 19th, 1772.
Call Number:
Folio 72 771 D37 v.3 plate 7
Image Count:
1
Resource Type:
still image
Abstract:
"A man standing in profile to right, apparently caricatured for his old-fashioned dress and straight lank figure. His left hand is outstretched, his right holds a sword of which only the hilt is visible. He wears a wide flat hat and bag-wig. His long narrow coat hangs well below his knees."--British Museum online catalogue
Description:
Title from caption below image., Printmaker identified in British Museum online catalogue., Initial letters of publisher's name in imprint form a monogram., Verse in two columns below image: "An Ugly Face & Staring Hat, A Carcase which has lost its Fat. An ill shap'd Coat, too bad for shew Yet Hides the Aukward Legs below. The Sword a Thing not meant for Harm And Therefore Hug'd betwixt the Arm. Whene'er at Court he shews his Face The Breeding Ladies Quit the Place Take him in short from Top to Toe And set him down the Queer Old Beau.", Plate from vol. III: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, 39 Strand, 1772., and Plate numbered "7" in upper right corner.
Gulston, Eliza B., 1749 or 1750-1779 or 1780, printmaker
Published / Created:
May 19th, 1772.
Call Number:
Folio 724 776D
Collection Title:
Leaf 74. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man standing in profile to right, apparently caricatured for his old-fashioned dress and straight lank figure. His left hand is outstretched, his right holds a sword of which only the hilt is visible. He wears a wide flat hat and bag-wig. His long narrow coat hangs well below his knees."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Printmaker from the British Museum catalogue., Initial letters of publisher's name in imprint form a monogram., Ten lines of verse in two columns below title: An ugly face & staring hat, a carcase which has lost its fat ..., Plate numbered "v. 3" in upper left corner and "7" in upper right corner., For an earlier state, see no. 5009 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Macaronies -- Male costume: Macaroni hats., and First of three plates on leaf 74.
A father and son of African descent, drawn full-length and holding hands are dressed identically: long blue coats, black hats with the brim pulled down just above the eyes, yellow gloves, and holding brown umbrellas
Description:
Title from caption inscribed in black ink below drawing., Drawing after (?) a character in series of prints issued by S.W. Fores: Hyde Park; The little unknown (Plate 2) and The honey-moon (Plate 3)., and For further information, consult library staff.
A fashionably dressed young woman (left) stands before a very large bear (left) dressed in a military uniform, wig, and tricorne hat. She strokes his chin with her left hand as she gently clasps the tip end of the spear that the bear holds in his left hand
Description:
Title from caption etched below image., Sheet trimmed to plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. as the Act directs Jany. 10, 1782 by T. James, No. 14 Castle Strt. Oxford Market
Subject (Geographic):
England
Subject (Topic):
Bears, Clothing & dress, Couples, Military uniforms, British, and Wigs
In an outdoor setting, Lord North and Charles Fox are shown embracing. Fox, taller of the two, his face expressing satisfaction, nearly lifts the perplexed-looking North off the ground in an attempt to kiss him on the mouth saying, "I perfectly agree with your Lord Ship." To their right, under a tree, a fox and a clumsy-looking dog with a collar inscribed "North" sniff at each other. In the background on the left stands a small figure of Lord Shelburne saying "Risum teneatis Amici."
Alternative Title:
Coalition betwixt the fox and the badger and Honey moon of their happy union
Description:
Title etched below image., 1 print : etching with engraving & stipple engraving on laid paper, hand-colored ; sheet 24.3 x 34.3 cm., Sheet trimmed within plate mark., and Mounted on leaf 51 of volume 1 of 12.
Publisher:
Pubd. according to act by W. Humphry [sic], No. 227 Strand
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Kissing, Dogs, Foxes, Clothing & dress, and Politics and government
In an outdoor setting, Lord North and Charles Fox are shown embracing. Fox, taller of the two, his face expressing satisfaction, nearly lifts the perplexed-looking North off the ground in an attempt to kiss him on the mouth saying, "I perfectly agree with your Lord Ship." To their right, under a tree, a fox and a clumsy-looking dog with a collar inscribed "North" sniff at each other. In the background on the left stands a small figure of Lord Shelburne saying "Risum teneatis Amici."
Alternative Title:
Coalition betwixt the fox and the badger and Honey moon of their happy union
Description:
Title etched below image.
Publisher:
Pubd. according to act by W. Humphry [sic], No. 227 Strand
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Kissing, Dogs, Foxes, Clothing & dress, and Politics and government
Head-and-shoulder portraits in profile to the left of Lord North and Charles Fox, as if in relief on a round medallion, with Fox's head superimposed on North's. Inscribed at the top, "Par nobile Fratrum." Below the title is added a note, "NB. The Reverse may be expected in a few days."
Description:
Title etched below image., Signed with the monogram of James Sayers., and Watermark: E & P 1801.
Publisher:
Published 3d March 1783 by Edwd. Hedges
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Head-and-shoulder portraits in profile to the left of Lord North and Charles Fox, as if in relief on a round medallion, with Fox's head superimposed on North's. Inscribed at the top, "Par nobile Fratrum." Below the title is added a note, "NB. The Reverse may be expected in a few days."
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 25 with one other print.
Publisher:
Published 3d March 1783 by Edwd. Hedges
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Head-and-shoulder portraits in profile to the left of Lord North and Charles Fox, as if in relief on a round medallion, with Fox's head superimposed on North's. Inscribed at the top, "Par nobile Fratrum." Below the title is added a note, "NB. The Reverse may be expected in a few days."
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : stipple engraving with etching on wove paper ; plate mark 25.2 x 18.5 cm, on sheet 27.2 x 20.4 cm., and Mounted on verso of leaf 14 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 3d March 1783 by Edwd. Hedges
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Lord North and Charles Fox, with a fox's head and hands folded as in prayer, hang from a post finished at the top with a large oval shield with a double St. George's cross. Each noose is suspended from a nail driven into the cross
Alternative Title:
Give Justice her claims
Description:
Formerly attributed to James Gillray. See British Museum catalogue., Reissue of no. 6178 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, with additional border line bisecting the imprint., and Mounted to 46 x 31 cm.
Publisher:
Pub. E. D. Achery Feb 28. 1783 St. James St.
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806. and North, Frederick, Lord, 1732-1792.
Lord North and Charles Fox, with a fox's head and hands folded as in prayer, hang from a post finished at the top with a large oval shield with a double St. George's cross. Each noose is suspended from a nail driven into the cross
Alternative Title:
Give Justice her claims
Description:
Title from item. and Formerly attributed to James Gillray. See British Museum catalogue.
Publisher:
Pub. E. D. Achery Feb 28. 1783 St. James St.
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806. and North, Frederick, Lord, 1732-1792.
A collection of six gaming counters or monetary tokens from the gambling houses and clubs of Georgian London. Four were made by John Milton (signed "J. Milton f." or "J.M" on the smaller pieces) with an ace of spades encircled with the quote "Honi soit qui mal y pense", wreathed and crowned. The two others by Milton have on the obverse the initials "S.F." (S. Fiuri, in Bury Street St. Mary Axe) and the date "1 May 1792" and a value of "XII" or "VI". The two other Milton counters are marked "S&L" indicating Smith & Lockwood and the other "JL" for John Lister in Haymarket. Another small token in white metal issued by the "Cocoa Tree" with the value on the obverse "One guinea". The last counter in gilt-brass issued by "Free Mason Tavern" and marked "462' in the center and on the obverse "M. Richold Guina." with laurels above and below
Mounted on 34 leaves, a collection of 197 hand-written notes addressed to "the door keeper of the House of Lords" or specifically to Sir Thomas Tyrwhitt, requesting that the bearer of the ticket or the person named be admitted to the House of Lords in August 1820 for the trial of Queen Caroline, all signed and with wax seals. The collector has mounted on some of the tickets cropped portraits from prints, some trimmed from a mezzotint by John Charles Bromley published in 1832 after the painting of the trial by Sir George Hayter, View of the House of Peers During the Trial of Queen Caroline 1820 (now in the National Portrait Gallery, London). Other portraits have been trimmed from an engraving by John Murray and John Porter also after the same Hayter painting. Still other portraits have been trimmed from the engraving "View of the interior of the House of Lords, during the important investigation in 1820" after the painting by J. Stephanoff and engraved by John George Murray. The collection also includes later tickets for admission to the House of Lords in October and November 1822 and on the final leaf, a collection of autographs of other persons associated with the trial of Queen Caroline, such as Thomas Denman, the Lord Chief Justice or William Vizard, Solicitor to the Queen and Also mounted on the sheets are nine subscription forms for various prints published by R. Bowyer, with the signatures of many of the persons associated with the trial of Queen Caroline. Some of the subscription cards have been annotated to indicate a request for a print other than the one indicated on the form. All of this suggesting that the creator of this collection was associated with Robert Bowyer’s business as they had access to the subscription tickets
Description:
In English., Title devised by cataloger., The subscription ticket for "View of the interior of the House of Lords during the trial" signed by "Stafford" with two trimmed portraits., and For further information, consult library staff.
Subject (Geographic):
England
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bowyer, Robert, 1758-1834., and Great Britain. Parliament. House of Lords.
MS in unknown hand(s). Contains political verse and humour
Description:
Mostly in English with some French and Latin., Perhaps the third volume in a collection as pagination begins with p.858., and Film: 4x5 negatives of p. 1012 and 1013.
Subject (Geographic):
England
Subject (Topic):
Satire, English, Ballads, English, Proverbs, English, and English poetry
Manuscript, on paper, in cursive bookhand, produced in England and dated May 27, 1582
Description:
In English., A note on f. 18v reads: "A verry tratoroos Worke pretended to bee the answers of Peyres Plowman to the prynted interrogatores of alleageaunce. Butt in treuthe a Waye to instruct papists how to answer tratorooslye & defende the trators for Martyrs that dyed at Tyburne in August 1582.", and Binding: vellum wrapper, with front cover cut away.
Subject (Geographic):
England
Subject (Name):
Langland, William, 1330?-1400?
Subject (Topic):
Catholic Church and Tyburn gallows (London, England).
"A lady stands in profile to the left removing her gloves; her head is turned to the spectator. Against the wall of the room, which appears from the carpet and an oval mirror in a carved frame to be a drawing-room, stands a commode, which if the lid were closed would resemble an ordinary chair. She wears the projections at bust and waist which were the subjects of caricature c. 1786-7 (cf. BMSats 6874, 7099, &c). Her hat, poised sideways, has a steeple crown."--British Museum online catalogue
Description:
Title etched below image. and Suggested attribution to Kingsbury in the British Museum catalogue.
Publisher:
Pub'd March 6 1788, by S.W. Fores, No. 3 Piccadilly
Caption title., Dated: Arlington-Street, March 13th, 1767., Signed: Horace Walpole., An electioneering handbill issued before the King's Lynn election of 1767., and For further information, consult library staff.
"An elderly man, bent to deformity, thin and shambling, in profile to the left, follows two flamboyant prostitutes who walk arm-in-arm, looking behind them. He supports himself on a walking-stick; from his pocket protrudes a book: 'Modest Prints'. The women's dresses trail on the pavement, but one lifts her skirt to display her legs. The background is formed of the massive stones at the corner of a high building."--British Museum online catalogue
Alternative Title:
Example for fathers
Description:
Title etched below image., Plate numbered "428" in upper right corner., Printed on verso: Gillray, James. Georgey a'cock-horse. London: Pubd. Novr. 23d 1796 by H. Humphrey, New Bond Street., and Bohn's "Supressed plates"; restrike of no. 9083 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. Sept. 26th, 1797, by H. Humphrey, No. 27 St. James's Street
An attractive young woman in country attire is shown arriving in the yard of the Bell Inn, London. An old woman approaches as a man watches from the doorway of the inn, his servant peaking out from behind him. A wagon with other country girls under the canvas pulls away; a country clergyman on horseback following behind
Alternative Title:
Harlot's progress. Plate 1
Description:
Title from caption above image., Printer's statement engraved in the lower right corner of the image., Copy in reverse of Hogarth's print published in 1732; Bowles at the Mercer's Hall address 1725-1731., Verses engraved below image, in three columns, six lines each: See there but just arrived in town, The country girl in homespun gown. Tho plain her drress appears, how neat, Her looks how innocent and sweet ... Ah Polly! thou hadst happy been, If thou his face hadst never seen., No. 1 of a series of 6 pirated copies of Hogarth's engravings of "A harlot's progress". Imprint varies from the Bowles copy described as no. 2036, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.3., Sheet trimmed within plate mark., Below text, written in a contemporary hand: Frances Chartres, Esq, who deserv'd hanging for what he had done & was sentenced to die for what he could not do., and For further information, consult library staff.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
Leaf 80. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two whole length figures. A woman (left) walks away from the man but looks round over her left shoulder. She wears a high conical cap trimmed with lace and ribbons, a hooded cloak over a voluminous skirt ornately embroidered at the hem. The man in profile to the left walks after her. His left hand holds a tasselled cane which rests on his shoulder, his right is thrust under his waistcoat. He is fashionably dressed with a laced hat, and his coat appears to have epaulettes."--British Museum online catalogue
Alternative Title:
Courtezan and frizeur, Courtesan and friseur, and Courtesan & friseur
Description:
Title etched below image; the letters "z" in the words "courtezan" and "frizeur" are etched backwards., Initial letters of publisher's name in imprint form a monogram., Year of publication from the British Museum catalogue., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "v. 4" in upper left corner and "5" in upper right corner., Temporary local subject terms: Macaronies -- Bag wig -- Canes., 1 print : etching on laid paper ; plate mark 17.6 x 12.8 cm, on sheet 19 x 14 cm., Imperfect; volume and plate numbers mostly erased from sheet., and Watermark: Strasburg bend with initials LVG below.
Publisher:
Pubd. accordg. to act August 9th by MDarly, 39 Strand
Leaf 80. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two whole length figures. A woman (left) walks away from the man but looks round over her left shoulder. She wears a high conical cap trimmed with lace and ribbons, a hooded cloak over a voluminous skirt ornately embroidered at the hem. The man in profile to the left walks after her. His left hand holds a tasselled cane which rests on his shoulder, his right is thrust under his waistcoat. He is fashionably dressed with a laced hat, and his coat appears to have epaulettes."--British Museum online catalogue
Alternative Title:
Courtezan and frizeur, Courtesan and friseur, and Courtesan & friseur
Description:
Title etched below image; the letters "z" in the words "courtezan" and "frizeur" are etched backwards., Initial letters of publisher's name in imprint form a monogram., Year of publication from the British Museum catalogue., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "v. 4" in upper left corner and "5" in upper right corner., and Temporary local subject terms: Macaronies -- Bag wig -- Canes.
Publisher:
Pubd. accordg. to act August 9th by MDarly, 39 Strand
Leaf 80. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two whole length figures. A woman (left) walks away from the man but looks round over her left shoulder. She wears a high conical cap trimmed with lace and ribbons, a hooded cloak over a voluminous skirt ornately embroidered at the hem. The man in profile to the left walks after her. His left hand holds a tasselled cane which rests on his shoulder, his right is thrust under his waistcoat. He is fashionably dressed with a laced hat, and his coat appears to have epaulettes."--British Museum online catalogue
Alternative Title:
Courtezan and frizeur, Courtesan and friseur, and Courtesan & friseur
Description:
Title etched below image; the letters "z" in the words "courtezan" and "frizeur" are etched backwards., Initial letters of publisher's name in imprint form a monogram., Year of publication from the British Museum catalogue., Plate from vol. IV: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, No. 39 Strand, 1772., Plate numbered "v. 4" in upper left corner and "5" in upper right corner., Temporary local subject terms: Macaronies -- Bag wig -- Canes., Second of three plates on leaf 80., and 1 print : etching on laid paper ; plate mark 17.4 x 12.6 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accordg. to act August 9th by MDarly, 39 Strand
"Whole length portrait of a man walking (right to left) with a mincing gait, left toe turned out. He looks through an eye-glass with a frowning grimace. His left hand, holding a bludgeon, is on his hip. His hair is cropped and he has side-whiskers, and is dressed in the manner adopted by the rakes and bloods of 1791, wearing a high-crowned hat, a waistcoat with a high collar at the back; his coat is slipped off his shoulder, showing the upper part of his shirt-sleeve. He wears long breeches or pantaloons and very short top-boots, see BMSat 8040, &c. In the background is a piece of water, trees, and buildings. He resembles Lord Barrymore. In the background is indicated a house (right) with a park wall and trees reflected in water."--British Museum online catalogue
Description:
Title etched below image. and Watermark: I Taylor.
Publisher:
Pub. Sepr. 1st, 1791, by S.W. Fores, No. 3 Piccadilly
"Interior of St Paul's; elegantly dressed figures strolling across tiled floor in foreground"--British Museum online catalogue
Alternative Title:
Perspective intérieure de l'eglise Cathédrale de St. Paul : qui fait voir le dome, les piédroits et les arcs qui le supportent, ainsi que les entrées du choeur et des aîles de la nef
Description:
Titles in English and French engraved below image., Date of publication from British Museum online catalogue., Sheet trimmed to plate mark., and Window mounted to 35 x 48 cm.
Publisher:
Printed for Robert Wilkinson, 58 Cornhill, & Bowles & Carver, 69 St. Paul's Church Yard
"A man, whole length, playing a violin. He faces right but looks over his right shoulder, his mouth open as if speaking. He is doing dancing steps. He wears a rather short coat, and a ruffled shirt. His hair is in an exaggerated macaroni club."--British Museum online catalogue
Description:
Title from text below image., Initial letters of publisher's name in imprint form a monogram., Year of publication from the British Museum catalogue., Plate from vol. III: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, 39 Strand, 1772., and Plate numbered "13" in upper right corner.
Publisher:
Pub. according to act of Parlt. June 7th by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dance, Dandies, British, Hairstyles, Teachers, and Violins
Leaf 76. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man, whole length, playing a violin. He faces right but looks over his right shoulder, his mouth open as if speaking. He is doing dancing steps. He wears a rather short coat, and a ruffled shirt. His hair is in an exaggerated macaroni club."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Year of publication from the British Museum catalogue., Plate numbered "v. 3" in upper left corner and "13" in upper right corner., For an earlier state, see no. 5014 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Macaronies -- Male costume -- Exaggerated club wigs -- Dancing masters., and First of three plates on leaf 76.
Title from text above images., Date of publication from citation in: Imagining the penitentiary : fiction and the architecture of mind in eighteenth-century England / John Bender. Chicago: University of Chicago Press, 1987., Design consists of three individually-titled images on one plate., Description based on imperfect impression; sheet trimmed within plate mark., Window mounted to 37 x 48 cm., and Watermark.
"A design partly bisected by a vertical line. The same lady sits (left) directed to the left at her dressing-table, wearing only a long chemise or petticoat, and slippers. On the right she sits, in the same attitude but directed to the right, fully dressed at the same dressing-table. In undress she is almost bald; a wig of naturally-dressed hair is on a stand on the table. She has an over-long neck and skinny arms. On the the table (left) are her fan, a locket suspended on a ribbon, cosmetic-boxes, and a bottle labelled 'Wrinkles'. When dressed her neck is concealed by a lace ruffle on a chemisette, she has long rucked sleeves, in her gloved hand is her fan. She wears a high-waisted gown under which her legs are defined; she wears elaborately embroidered stockings with flat slippers. Her wig seems to be luxuriant natural hair; she wears an ear-ring. On the dressing-table are boxes, a bottle of 'Lavender', and tickets inscribed 'Opera' and 'Cards'. She looks young and handsome, the dress (not exaggerated) effectively concealing her weakest points."--British Museum online catalogue
Alternative Title:
Fashionable lady in dress and undress
Description:
Title etched below image. and Watermark: J Whatman 1805. check
Publisher:
Robert Dighton
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dressing tables, Wigs, and Cosmetics
"A design partly bisected by a vertical line. The same lady sits (left) directed to the left at her dressing-table, wearing only a long chemise or petticoat, and slippers. On the right she sits, in the same attitude but directed to the right, fully dressed at the same dressing-table. In undress she is almost bald; a wig of naturally-dressed hair is on a stand on the table. She has an over-long neck and skinny arms. On the the table (left) are her fan, a locket suspended on a ribbon, cosmetic-boxes, and a bottle labelled 'Wrinkles'. When dressed her neck is concealed by a lace ruffle on a chemisette, she has long rucked sleeves, in her gloved hand is her fan. She wears a high-waisted gown under which her legs are defined; she wears elaborately embroidered stockings with flat slippers. Her wig seems to be luxuriant natural hair; she wears an ear-ring. On the dressing-table are boxes, a bottle of 'Lavender', and tickets inscribed 'Opera' and 'Cards'. She looks young and handsome, the dress (not exaggerated) effectively concealing her weakest points."--British Museum online catalogue
Alternative Title:
Fashionable lady in dress and undress
Description:
Title etched below image., Leaf 14 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 29.7 x 19.7 cm, on sheet 31.1 x 25.5 cm.
Publisher:
Robert Dighton
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dressing tables, Wigs, and Cosmetics
A satire on the new fashion of Jean Debry coats: A tailor holds a mirror to a customer who looks at his image with horror. The customer complains that he has put a hump upon each shoulder. The tailor replies that the coat has been made to his wife's specifications
Description:
Title etched below image., Series title and number etched above print., Earlier state, with imprint. Cf. No. 9625 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Earlier state described by Joseph Grego in Rowlandson the caricaturist, v. 2, page 15., 1 print : etching on laid paper, hand-colored ; plate mark 21.6 x 19.4 cm, on sheet 23.9 x 21.6 cm., and Mounted on leaf 6 of volume 7 of 14 volumes.
Publisher:
Pubd. Oct. 1st, 1799, by R. Akerman, No. 101 Strand
