"Pitt sits astride a huge pile of bundles strapped to the back of a bull (John Bull); he is about to enter a high archway inscribed 'Trea[sury]'. His pose and expression combine jauntiness with dignity. His head is in profile to the right, his right hand on his hip, he wears a large bag to his wig, and while pressing his hat under his left arm holds the (slack) reins of the bull; his long thin leg hangs considerably above the bull's back, owing to the height of the bundles. The sturdy bull, though with downcast head and closed eyes, is not weighed down with his burden. Dundas (right), in Highland dress, marches grinning in front of the bull, playing the bagpipes which are inscribed 'Union Pipes' and have a transparent bag filled with coins. The bull's burden consists of ten superimposed bundles, inscribed with figures relating to the Loyalty Loan. Some of these are '50 000!, 30 000!, East India Company 2 000 000!!!, Duke of Queensbury 100-000!, 100 000!, Pit[t] D. dass 10000 [partly obscured by Pitt's foot], 50000, Duke of Bridgewater 100 000!, Corporation of London 100 000!' Behind the bull and on the extreme left are crowded together four British Jacobins, much caricatured, wearing bonnets-rouges and looking up at Pitt with anger and dismay. Their heads rise vertically one behind the other; the foremost and lowest is Fox, clenching his fist, next Sheridan in profile; then Stanhope, the fourth a mere scrawl."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Watermark: Strasburg bend with date 1798?, and Mounted to 42 x 29 cm.
Publisher:
Pubd. by W. Holland, Oxford St.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Stanhope, Charles Stanhope, Earl, 1753-1816, Bridgewater, Francis Egerton, Duke of, 1736-1803., and East India Company.
Subject (Topic):
Finance, Public, Economic conditions, John Bull (Symbolic character), Debts, Public, Loyalty Loan, and Musical instruments
Title derived from caption below image., Place of publication derived from publisher's street address., Complete caption: The quintessence of quackism, founded principals truly chimerical aetherial magnetical, electrical, & immaterial, & the four quarters of the globe ransak'd to make it ingeniously rediculous. Dedicated to the emperor of quacks, by myself., Description from British Museum: Beneath the design is engraved a musical score with the words of a song. A burlesque representation of the quack doctor James Graham (1745-94), who opened his 'Temple of Health' in the Adelphi in the autumn of 1779. Graham stands full-face; he holds in his mouth the end of the tail of a monkey which sits on his head. The monkey holds out a duck by one leg, which is saying "Quack Quack". Graham holds out in his right hand a circular box inscribed "Æthereal Pills". A medallion hangs round his neck, on which is a woman's head, inscribed "Female Historian". She is Mrs. Catherine Macaulay (see index) whom he treated at Bath, so gaining his first start. He stands between two gigantic men wearing large laced hats and long coats; one, "Gog" (left), in back view, the other, "Magog" (right), stands full-face holding a paper inscribed "Sketch of the Plan of the Temple of Health". These represent the gigantic footmen or porters who were among the attractions of the 'Temple' and who distributed bills advertising the establishment, see BMSat 6346 and Angelo, 'Reminiscences', 1904, i. 97. Between them, and above Graham's head, the words "Hail Wonderous Combination!" are etched. By the left margin of the print, two men are gazing at the spectacle, one clasps his hands in admiration or supplication. On the opposite side is a man grinning with two small boys who laugh and point, one of them a little chimney-sweep with brushes and sack., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Publish'd as the Act directs. Oct 30th. 1780. P. Mitchel North Audley St. Grosvenor Sq.
Subject (Name):
Graham, James, 1745-1794.
Subject (Topic):
Quacks and quackery, Physicians, Porters, Monkeys, Chimney sweeps, Musical notation, Childrens, Ducks, and Medals
Title etched below image., Series title and number etched above image., and Temporary local subject terms: Publicans -- Squires -- Interiors: publican's parlor -- Smoking -- Dishes: tankards -- Pictures: Rowlandson's 4 Horse accomplishments prints on wall.
Caption title engraved below image., Engraved throughout., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Song in five stanzas, printed below title. The first stanza printed with music, the following four without music in two columns below., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Reference to Methodists -- Furnishings: wig-stands -- Furniture: round-back chair., and Watermark: Strasburg bend with initials G R below.
Publisher:
Publish'd 1st Sept. 1798 by Laurie & Whittle, 53 Fleet Street, London
A fat elderly citizen, solidly seated, is beset by two pretty young women who offer him fruit. His wife (left) says "You must have some apricots my love." The woman on his right adds, "Just taste these grapes brother in law you never eat finer." He shouts up with angry suspicion to the latter, "Won't eat anything more I tell you. I shall be choaked. Got an eye to the estate I suppose."
Description:
Title etched below image., Series title and number etched above image., Earlier state, with dated imprint, of no. 9624 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Earlier state of print described in Grego, v. 2, page 15., and Watermark: Strasburg bend with date 1798 below.
Title etched below image., Plate from: Granger, W. The new wonderful museum, and extraordinary magazine. London : Printed for R.S. Kirby, v. 1 (1802), opposite page 491., "Wonderful museum"--Above image., Sheet trimmed within plate mark on three edges., and Watermark: 1798.
Publisher:
Pub. June 1 - 1803 by Alex. Hogg, 16 Paternoster-Row
Title etched below image., Series title and number etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Excisemen -- Barrels -- Writing implements: tax collector's ink bottle.
Publisher:
Pubd. Septr. 10th, 1799, by R. Akerman, No. 101 Strand
Title etched below image., Series title and number etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Doctors -- Medicine bottles -- Food: reference to beans & bacon., 1 print : etching, hand-colored ; sheet 245 x 194 mm., and Sheet trimmed to plate mark.
Publisher:
Pubd. Septr. 10, 1799, by R. Akerman, Strand
Subject (Topic):
Drugs, Pulse, Diet, Physicians, Medicines, and Bottles
Title etched below image., Series title and number etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Doctors -- Medicine bottles -- Food: reference to beans & bacon.
Publisher:
Pubd. Septr. 10, 1799, by R. Akerman, Strand
Subject (Topic):
Drugs, Pulse, Diet, Physicians, Medicines, and Bottles
Title from item., Other prints in the Laurie & Whittle Drolls series were executed by either Isaac Cruikshank or Richard Newton., Unaccompanied melody., and Song in six stanzas, printed below title. The first stanza printed with music, the following five without music in three columns below.
Publisher:
Published 4th October 1798 by Laurie & Whittle, 53 Fleet Street, London
"A lank barber, holding his customer by the nose and negligently slicing at it with his razor, reads from 'The London Gazette' which his victim holds: They write from Amsterdam (cf. BMSat 9412). The enraged customer shouts "Hallohl you Sir - what are you about? are you going to cut my nose off."--British Museum online catalogue
Description:
Title etched below image., Series title and number etched above image., and Temporary local subject terms: Reference to Amsterdam -- Containers: jugs.
Publisher:
Publishd. Augt. 30, 1799, by R. Akerman, No. 101 Strand
An angry wife confronts her astonished husband with a letter from his paramour in which she suggests a rendezvous in the garden after the wife has gone to bed
Description:
Title etched below image., Series title and number etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Earlier edition of print described by Joseph Grego in Rowlandson the caricaturist, v. 2, page 14., and Watermark: Strasburg bend with date 1798 below.
Publisher:
Pubd. Octr. 1, 1799, by R. Akerman, No. 101 Strand
"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine. London, 1798, v.1, opp. p. 574., Temporary local subject terms: Interiors: painter's studio -- Paiting materials -- Paintings: portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat., 1 print on wove paper : etching, hand-colored ; plate mark 19.4 x 26.2 cm., on sheet 25 x 36 cm., and Watermark: 1798.
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.
"Horne Tooke, not caricatured, sits at an easel on which are juxtaposed two canvases, three-quarter length [Horne Tooke described his portraits as 'not whole lengths, and left for some younger hand hereafter to finish . . .', p. 7.] portraits of Fox (Ieft) and Pitt (right); he holds palette and brushes, but looks over his right shoulder at the spectator, saying: ""Which two of them will you chuse \ "to hang up inyour Cabinets; \ "the Pitts, or the Foxes? - \ "Where, on your Conscience, \ "should the other two be hanged?" [Op. cit., final words.] Fox's left hand rests on a pedestal inscribed 'Deceit', on which the head of a fox holding a mask is just discernible. Pitt's right hand rests on a similar but rather higher pedestal inscribed 'Truth'; Truth's head and a hand holding a mirror are just discernible. Their expressions support the two inscriptions. From the painter's pocket projects a pamphlet: 'Sketches of Patriotic Views - a Pension, a Mouth Stopper a Place.' On the ground, resting against a table, is the other pair of portraits, juxtaposed, Lord Holland (left) and Chatham (right), bust portraits, in peer's robes, the family likenesses to their sons, especially in the case of the Foxes, being stressed. Each holds a document: Holland, 'Unaccounted Millions' (he had been styled the public defaulter of unaccounted millions in the City petition of 1769, see BMSat 4296, &c, and cf. BMSat 8622); Chatham, 'Rewards of a Grateful Nation'. On the table is a portfolio of 'Studies from French Masters' from which protrude sketches inscribed 'From Robertspierre, from Tallien, from Marat'. (Cf. BMSat 8437, &c.) The wall, which forms a background, is covered with prints, &c. (left to right): [1] (partly visible) a dagger about to be plunged into a prostrate figure, inscribed '3d Sept [1792]', see BMSat 8122. [2] 'A Sketch for an English Directory', four members of the London Corresponding Society (see BMSat 9189, &c.) seated at a table, the chairman a butcher holding a frothing tankard. (The figures are not quite the grotesque denizens of the underworld represented in BMSat 9202.) [3] A framed half length portrait of Wilkes, squinting violently and clasping two large money-bags: 'Mr Chamberlain Wilkes ci-devant', 'Wilkes & Liberty' (see BMSat 6568); it is labelled: 'The Effect in this Picture to be copied as exact as possible'. [4] A profile in silhouette: 'Shadow of the Abbe Seyes' (see BMSat 9509). [5] A framed picture: 'view of the Windmill at Wimbleton' (from Horne Tooke's house, near Caesar's Camp). The two upper sails are 'Divinity' and 'Politicks', the lower 'Treason' and 'Atheism'. [6] A placard: 'just publish'd The Art of Political Painting, extracted from the works of the most celebrated Jacobin Professors - Pro bono publico.' [7] A bust of 'Machiavel', looking reflectively towards Horne Tooke. [8] Part of a landscape with a small house: 'Parsonage of Brentford' (cf. BMSat 4866, &c)."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Anti-Jacobin review and magazine. London, 1798, v.1, opp. p. 574., Temporary local subject terms: Interiors: painter's studio -- Paiting materials -- Paintings: portraits -- Busts -- Placards -- Pictures amplifying subject -- Windmills -- Containers: flagon -- Chamberpots -- Reference to Robespierre -- Reference to Tallien -- Reference to Marat., and Mounted to 31 x 35 cm.
Publisher:
Publishd. December 1s [sic], 1798, by J. Wright, Piccadilly, for [the] Anti Jacobin review
Subject (Name):
Tooke, John Horne, 1736-1812, Fox, Charles James, 1749-1806, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Machiavelli, Bernardo, ca. 1426-1500, and London Corresponding Society.