"Sinclair, tall and thin, stands full-face, holding up in his right hand a balance (steelyard, or stilliard) inscribed 'Vive le Egalité'. A large British flag at the right end of the beam much outweighs a bunch of objects at the other; three documents: [1] 'Navy of England to be retaind viz: 50000 Seamen & half a Dozen Ships of War - 500000 Sailors to be sent to plant Potatoes.' [2] '10 000 heavy reasons for giving the Enemy a fair chance of getting out of their Ports.' [3] 'Advantages of cold oeconomy'. Below these are bunches of turnips, carrots, a cabbage, the whole terminating in a pendent bonnet-rouge. Sinclair is fashionably dressed, wearing a hat, half-boots, ill-fitting coat, and overcoat almost to the ankles. On a heavily draped writing-table (right) are three large volumes: 'Improvements in the Art of Political Dunging and Pursuits of Agriculture.' A paper: 'The Apostate Laird - a Parliamentary Romance - together with Loss of the Agricultural Arm' Chair. On the wall (right) is a picture of three pigs feeding at a trough of 'Democratic Verbosity'; this is 'Pigs Meat: or new method of feeding the Swinish Multitude' [see BMSat 8500, &c.]. Beside it is a placard: 'Table of Weights & Measures laid down upon the true democratic Principle of the Stilliards of Egalité'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
"Improvement in weights and measures" and Sir John Seeclear discovering the ballance of the British flag
Description:
Title etched below image., Temporary local subject terms: Scales -- Flags: British flag -- Food: vegetables -- Bonnet rouge -- Pictures amplifying subject -- Writing materials: inkstand., 1 print : etching on wove paper, hand-colored ; plate mark 36.6 x 25.9 cm, on sheet 40.3 x 28.9 cm., and Mounted on leaf 76 of volume 4 of 12.
Publisher:
Pubd. Decr. 1st, 1798, by H. Humphrey, 27 St. James's Street
"Sinclair, tall and thin, stands full-face, holding up in his right hand a balance (steelyard, or stilliard) inscribed 'Vive le Egalité'. A large British flag at the right end of the beam much outweighs a bunch of objects at the other; three documents: [1] 'Navy of England to be retaind viz: 50000 Seamen & half a Dozen Ships of War - 500000 Sailors to be sent to plant Potatoes.' [2] '10 000 heavy reasons for giving the Enemy a fair chance of getting out of their Ports.' [3] 'Advantages of cold oeconomy'. Below these are bunches of turnips, carrots, a cabbage, the whole terminating in a pendent bonnet-rouge. Sinclair is fashionably dressed, wearing a hat, half-boots, ill-fitting coat, and overcoat almost to the ankles. On a heavily draped writing-table (right) are three large volumes: 'Improvements in the Art of Political Dunging and Pursuits of Agriculture.' A paper: 'The Apostate Laird - a Parliamentary Romance - together with Loss of the Agricultural Arm' Chair. On the wall (right) is a picture of three pigs feeding at a trough of 'Democratic Verbosity'; this is 'Pigs Meat: or new method of feeding the Swinish Multitude' [see BMSat 8500, &c.]. Beside it is a placard: 'Table of Weights & Measures laid down upon the true democratic Principle of the Stilliards of Egalité'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
"Improvement in weights and measures" and Sir John Seeclear discovering the ballance of the British flag
Description:
Title etched below image., Temporary local subject terms: Scales -- Flags: British flag -- Food: vegetables -- Bonnet rouge -- Pictures amplifying subject -- Writing materials: inkstand., Watermark: 1794 J Whatman., and Subject identified in contemporary hand below title.
Publisher:
Pubd. Decr. 1st, 1798, by H. Humphrey, 27 St. James's Street
"Alboin and Rosmunda; the queen on the right, refusing to drink wine from a cup made from her father's skull, which the king holds on the left; three female courtiers, two soldiers, two child servants watching them; gothic windows in background; after Cipriani."--British Museum online catalogue
Alternative Title:
Alboin et Rosmunda
Description:
Title from image., Added title from Calabi and de Vesme: Alboin et Rosmunda., Sheet trimmed to plate mark., and On page numbered 52 in an album of 116 prints: [Bartolozzi and his pupils].
Four pair for a shilling, Holland socks, Achetez des chaussons, and Chi uuol scapini d'Holanda
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 44 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
"Six men, seated and standing behind a table on which are decanters, punch-bowl, &c, drink a treasonous toast. This is given by Priestley (left) who stands in profile to the right, holding up an empty Communion dish and a brimming chalice, saying, "The------ [King's] Head, here!" Fox sits in the centre, raising his glass, his right hand on his heart; he looks up ecstatically, saying, "My Soul & Body, both, upon this Toast!!!" On his right. sits Sir Cecil Wray, saying, "O Heav'ns! why I would empty a Chelsea Pensioners small-beer barrel in such a cause!!" [see BMSat 7892]. On the extreme left Sheridan bends forward, avidly filling his glass from a decanter of Sherry; he says, "Damn my Eyes! but I'll pledge you that Toast tho Hell gapes for me." On Fox's left sits Horne Tooke, saying, "I have not drank so glorious a Toast since I was Parson of Brentford, & kept it up with Balf & McQuirk!" (He had tried to secure the execution of these two 'bludgeon men' for murder at the Middlesex Election of 1768; though convicted they were pardoned, see BMSats 4223-4226.) He grasps a decanter of 'Holland[s]' (perhaps indicating attachment to Fox, after previous hostility, cf. BMSat 7652). On the extreme right sits Dr. Lindsey, with (like Sheridan) a drink-blotched face; he drinks, saying, "Amen! Amen!" Before him are two decanters of 'Brandy'. Behind Horne Tooke and Lindsey stands a group of sanctimonious dissenters, with lank hair, much caricatured; three say respectively: "Hear our Prayers: & preserve us from Kings & Whores of Babylon!!!"; "Put enmity between us & the ungodly and bring down the Heads of all Tyrants & usurpers quickly good Lord - Hear us good Lord". and "O! grant the Wishes of thine inheritance". On the wall above Foxs head is a picture of St. Paul's Cathedral; from the façade emerge the heads of three pigs feeding from a trough. This is 'A Pig's-Stye \ a View from Hackney' (an allusion to Priestley's congregation at the Gravel Pit chapel. Hackney, where he had succeeded Price)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on three edges., 1 print : etching on laid paper, hand-colored ; sheet 27.4 x 50.1 cm., Sheet trimmed within plate mark., The dash preceding "Revolution Society" in title has been clipped from sheet, with a replacement dash written in ink on the piece of laid paper used to mend the hole. Below this is written in a contemporary hand: These are the Friends of the Constitution., and Mounted on leaf 71 of volume 2 of 12.
Publisher:
Pubd. July 23d, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Lindsey, Theophilus, 1723-1808
"Six men, seated and standing behind a table on which are decanters, punch-bowl, &c, drink a treasonous toast. This is given by Priestley (left) who stands in profile to the right, holding up an empty Communion dish and a brimming chalice, saying, "The------ [King's] Head, here!" Fox sits in the centre, raising his glass, his right hand on his heart; he looks up ecstatically, saying, "My Soul & Body, both, upon this Toast!!!" On his right. sits Sir Cecil Wray, saying, "O Heav'ns! why I would empty a Chelsea Pensioners small-beer barrel in such a cause!!" [see BMSat 7892]. On the extreme left Sheridan bends forward, avidly filling his glass from a decanter of Sherry; he says, "Damn my Eyes! but I'll pledge you that Toast tho Hell gapes for me." On Fox's left sits Horne Tooke, saying, "I have not drank so glorious a Toast since I was Parson of Brentford, & kept it up with Balf & McQuirk!" (He had tried to secure the execution of these two 'bludgeon men' for murder at the Middlesex Election of 1768; though convicted they were pardoned, see BMSats 4223-4226.) He grasps a decanter of 'Holland[s]' (perhaps indicating attachment to Fox, after previous hostility, cf. BMSat 7652). On the extreme right sits Dr. Lindsey, with (like Sheridan) a drink-blotched face; he drinks, saying, "Amen! Amen!" Before him are two decanters of 'Brandy'. Behind Horne Tooke and Lindsey stands a group of sanctimonious dissenters, with lank hair, much caricatured; three say respectively: "Hear our Prayers: & preserve us from Kings & Whores of Babylon!!!"; "Put enmity between us & the ungodly and bring down the Heads of all Tyrants & usurpers quickly good Lord - Hear us good Lord". and "O! grant the Wishes of thine inheritance". On the wall above Foxs head is a picture of St. Paul's Cathedral; from the façade emerge the heads of three pigs feeding from a trough. This is 'A Pig's-Stye \ a View from Hackney' (an allusion to Priestley's congregation at the Gravel Pit chapel. Hackney, where he had succeeded Price)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark on three edges.
Publisher:
Pubd. July 23d, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Lindsey, Theophilus, 1723-1808
"Six men, seated and standing behind a table on which are decanters, punch-bowl, &c, drink a treasonous toast. This is given by Priestley (left) who stands in profile to the right, holding up an empty Communion dish and a brimming chalice, saying, "The------ [King's] Head, here!" Fox sits in the centre, raising his glass, his right hand on his heart; he looks up ecstatically, saying, "My Soul & Body, both, upon this Toast!!!" On his right. sits Sir Cecil Wray, saying, "O Heav'ns! why I would empty a Chelsea Pensioners small-beer barrel in such a cause!!" [see BMSat 7892]. On the extreme left Sheridan bends forward, avidly filling his glass from a decanter of Sherry; he says, "Damn my Eyes! but I'll pledge you that Toast tho Hell gapes for me." On Fox's left sits Horne Tooke, saying, "I have not drank so glorious a Toast since I was Parson of Brentford, & kept it up with Balf & McQuirk!" (He had tried to secure the execution of these two 'bludgeon men' for murder at the Middlesex Election of 1768; though convicted they were pardoned, see BMSats 4223-4226.) He grasps a decanter of 'Holland[s]' (perhaps indicating attachment to Fox, after previous hostility, cf. BMSat 7652). On the extreme right sits Dr. Lindsey, with (like Sheridan) a drink-blotched face; he drinks, saying, "Amen! Amen!" Before him are two decanters of 'Brandy'. Behind Horne Tooke and Lindsey stands a group of sanctimonious dissenters, with lank hair, much caricatured; three say respectively: "Hear our Prayers: & preserve us from Kings & Whores of Babylon!!!"; "Put enmity between us & the ungodly and bring down the Heads of all Tyrants & usurpers quickly good Lord - Hear us good Lord". and "O! grant the Wishes of thine inheritance". On the wall above Foxs head is a picture of St. Paul's Cathedral; from the façade emerge the heads of three pigs feeding from a trough. This is 'A Pig's-Stye \ a View from Hackney' (an allusion to Priestley's congregation at the Gravel Pit chapel. Hackney, where he had succeeded Price)."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on three edges., 1 print : etching, hand-colored, on laid paper ; sheet 280 x 496 mm., Sheet trimmed within plate mark on three edges, and two holes have been cut from sheet and repaired., Added in contemporary hand in lower right of sheet: These are the Friends of the Constitution., and Watermark.
Publisher:
Pubd. July 23d, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Lindsey, Theophilus, 1723-1808
Hogarth shows Sganarelle coming up behind his wife, who is admiring a miniature portrati of a young man which she had innocently discovered on the ground. Sganarelle is making the cuckold's sign with his right hand over his head
Description:
Title etched at top of image., Date based on other work by Van der Gucht., Quotation from book I, line 203 of Virgil's Aeneid etched below image: Forsan et haec olim meminisse juvabit. Virg., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: Scots opera / 171., and On page 52 in volume 1.
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 6 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Three men in a tavern with three pictures on the wall with images of pugilists, a portrait of Buckhorse and two images of fights. The one man has his head on the table, presumably passed out and asleep. The other man sits in a chair looking out at the viewer, a club in his hand and a dog at his feet. The third man stands behind him, his fists postitioned ready for a bout, although he holds a smoking pipe in his left hand. On the mantel are glasses and flasks of liquor
Description:
Title etched below image., Sheet trimmed within plate mark., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., 1 print : aquatint and etching on wove paper, touches of color ; sheet 35.4 x 23.2 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., and Mounted on leaf 12 of volume 12 of 14 volumes.
Publisher:
Pubd. as the act directs, June 20, 1789, by Mrs. Lay on the Steine, Brighthelmstone
Subject (Name):
Morland, George, 1763-1804 and Rowlandson, Thomas, 1756-1827
Three men in a tavern with three pictures on the wall with images of pugilists, a portrait of Buckhorse and two images of fights. The one man has his head on the table, presumably passed out and asleep. The other man sits in a chair looking out at the viewer, a club in his hand and a dog at his feet. The third man stands behind him, his fists postitioned ready for a bout, although he holds a smoking pipe in his left hand. On the mantel are glasses and flasks of liquor
Description:
Title etched below image., Sheet trimmed within plate mark., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., and Identifications of the two figures added in ink in a contemporary hand -- Morland and Rowlandson; secondary border line around design also added in ink.
Publisher:
Pubd. as the act directs, June 20, 1789, by Mrs. Lay on the Steine, Brighthelmstone
Subject (Name):
Morland, George, 1763-1804 and Rowlandson, Thomas, 1756-1827
Rabiller les poelles, les marmites, et les chaudrons and Concia caldare, candelieri, e padelle
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 54 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
List of the several prisoners to be tried at the next Assizes, to be held at Thetford, in and for the said county, on Friday the 25th day of March, 1757
Description:
Caption title., At head of title, in upper left: Norfolk., Not in ESTC., and Signed beneath printed text by "Israel Long Esq., Sheriff". Contemporary ms. annotations in black ink along left margin of recto; docket title added in ink on verso. For further information, consult library staff.
Signatures: [A]⁴ B-2L⁶., First leaf is blank., With final contents leaf., First edition 1619., Printed by William Stansby. See E.E. Willoughby. A printer of Shakespeare, 1934., Title page variant: author's name incorrectly spelled "Raphe"., Title-page inscribed: G. Dury, Esq. [17th century hand?], Imperfect: Preliminary blank leaf A₁ wanting., and Formerly laid in: William Roberts Gichard "Commemorative English and French heraldry keepsake". See Lewis Walpole Library 53 C67B B79x
Langford, Mr. (Abraham), 1711-1774, auctioneer, publisher
Published / Created:
[1755]
Call Number:
125 L278 755 3/11
Image Count:
172
Resource Type:
text
Description:
Priced., Signatures: A-B⁴., The seller was the physician and antiquarian Dr. Richard Mead, 1673-1754. This sale appears to be the English version of the second part of an earlier sale of the Museum Meadianum, which was printed in Latin.--Lugt, F. Répertoire des catalogues de ventes publiques., MED,HSL 17th cent: Bound with the author's A catalogue of pictures, London, 1755., BAC: British Art Center copy annotated in pen and ink with prices for all lots. Armorial bookplate: Bibliotheca Lindesiana. Bound in contemporary smooth calf. Bound with Bibliotheca Meadiana, sive, Catalogus librorum Richardi Mead, M.D. London, 1754., and With extensive ms. notes recording prices paid throughout. Title pages are ruled in red.
Publisher:
Abraham Langford
Subject (Geographic):
England, London, Great Britain, and England.
Subject (Name):
Mead, Richard, 1673-1754
Subject (Topic):
Art collections, Art auctions, Art, Private collections, Decorative arts, Prices, Private libraries, and House furnishings
Final page blank., Signatures: [A]-D²., Not in ESTC., Lewis Walpole Library 49 3885.2 v.1: No. 19 in a bound collection of catalogues, owned by Horace Walpole, with notes in an unidentified hand. Also with a drawing of a man playing a violin, possibly by Horace Walpole, in pen and ink over graphite., LWL: Ms copy, laid in Graves' collection of catalogues., and Bound to 25 cm.
publish'd according to the act of Parliament 1754.
Call Number:
Folio 75 H67 800 v.3 (Oversize)
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand at bottom of print: These Connoisseurs were suspected to be a work of Hogarth. They were placed, with some of his undisputed designed, in the background of the Author runs mad, which is known to be one of Mr. Sand[b]ys satirical productions., and On page 290 in volume 3.
A collection of prints and one drawing (tentatively attributed to Samuel Collings), mostly portraits of Samuel Johnson and James Boswell, mounted in Walpole's copy of James Boswell's The journal of a tour to the Hebrides, with Samuel Johnson (London : Henry Baldwin, for Charles Dilly, 1785).
Description:
Title devised by cataloger. and Also bound in are three prints described in the Catalogue of prints and drawings in the British Museum; these are cataloged separately.
Subject (Name):
Johnson, Samuel, 1709-1784,, Boswell, James, 1740-1795,, Boufflers, Marie Charlotte Hippolyte, countess of, 1725-1800,, Macpherson, James, 1736-1796,, and Boswell, James, 1740-1795.
Volume of etchings, engravings, and four drawings by amateur artists, collected and heavily annotated by Horace Walpole and assembled and bound by him around 1774. Artists included are: C.W. Bampfylde, Lady Beaumont, Miss C.S. Blake, the Earl of Buchan, the Countess of Burlington, Hon. Richard Byron, Emma Crewe, Lady Cunynghame, the Countess of Drogheda, Lord Grantham, Eliza Gulston, E. Haistwell, Sir William Hamilton, Mary Hartley, Georgina Keate, Ellis Cornelia Knight, Lady Elizabeth Montagu, the Duchess of Newcastle, Viscountess of Polwarth, Sir Thomas Reeve, Catherine St. Aubyn, the Earl of Sunderland, J. Tobin, Caroline Yorke (engravings from drawings by her mother Mrs. Agneta Yorke), and others; some of the engravings are after the work of Lavinia Countess Spencer and Lady Diana Beauclerk
Description:
Title from item., Bound in red morocco, gilt, with Horace Walpole's coat of arms on sides. Bookplate of John Waldie, Hendersyde., and With three additional title pages, formerly thought to have been printed at Strawberry Hill Press: Etchings by Isabella Byron, daughter of William Lord Byron, and second wife of Henry Harcourt, fourth Earl of Carlisle; Etchings by Lady Louisa Augusta Greville, eldest daughter of Francis Earl of Brooke and Warwick; Etchings by George Simon Harcourt Viscount Nuneham, eldest son of Simon Earl of Harcourt.
Volume of etchings, engravings, and four drawings by amateur artists, collected and heavily annotated by Horace Walpole and assembled and bound by him around 1774. Artists included are: C.W. Bampfylde, Lady Beaumont, Miss C.S. Blake, the Earl of Buchan, the Countess of Burlington, Hon. Richard Byron, Emma Crewe, Lady Cunynghame, the Countess of Drogheda, Lord Grantham, Eliza Gulston, E. Haistwell, Sir William Hamilton, Mary Hartley, Georgina Keate, Ellis Cornelia Knight, Lady Elizabeth Montagu, the Duchess of Newcastle, Viscountess of Polwarth, Sir Thomas Reeve, Catherine St. Aubyn, the Earl of Sunderland, J. Tobin, Caroline Yorke (engravings from drawings by her mother Mrs. Agneta Yorke), and others; some of the engravings are after the work of Lavinia Countess Spencer and Lady Diana Beauclerk
Description:
Title from item., Bound in red morocco, gilt, with Horace Walpole's coat of arms on sides. Bookplate of John Waldie, Hendersyde., and With three additional title pages, formerly thought to have been printed at Strawberry Hill Press: Etchings by Isabella Byron, daughter of William Lord Byron, and second wife of Henry Harcourt, fourth Earl of Carlisle; Etchings by Lady Louisa Augusta Greville, eldest daughter of Francis Earl of Brooke and Warwick; Etchings by George Simon Harcourt Viscount Nuneham, eldest son of Simon Earl of Harcourt.
Satirical handbill offering a reward for the apprehension of the "said Coachman," said by Narcissus Luttrell to be an attack on Sir Robert Walpole. and Ms. notes (unidentified calculations) on verso. For further information, consult library staff.
An attractive young woman in country attire is shown arriving in the yard of the Bell Inn, London. An old woman approaches as a man watches from the doorway of the inn, his servant peaking out from behind him. A wagon with other country girls under the canvas pulls away; a country clergyman on horseback following behind
Alternative Title:
Harlot's progress. Plate 1
Description:
Title from caption above image., Printer's statement engraved in the lower right corner of the image., Copy in reverse of Hogarth's print published in 1732; Bowles at the Mercer's Hall address 1725-1731., Verses engraved below image, in three columns, six lines each: See there but just arrived in town, The country girl in homespun gown. Tho plain her drress appears, how neat, Her looks how innocent and sweet ... Ah Polly! thou hadst happy been, If thou his face hadst never seen., No. 1 of a series of 6 pirated copies of Hogarth's engravings of "A harlot's progress". Imprint varies from the Bowles copy described as no. 2036, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.3., Sheet trimmed within plate mark., Below text, written in a contemporary hand: Frances Chartres, Esq, who deserv'd hanging for what he had done & was sentenced to die for what he could not do., and For further information, consult library staff.
Publisher:
Printed for Iohn Bowles at Mercer's Hall in Cheapside
Answer to the apologetical preface and Defence of the answer and arguments of the synod, met at Boston in the year 1662
Description:
BEIN Pequot Z96: Imperfect: side-notes bled. 19 cm. Autograph at head of title page: Edw. Rawson. Scant manuscript annotations in text. Manuscript note on page 102: Walker's book. Number 6 of 6 titles bound together in brown, blind tooled leather binding with manuscript call number label on spine., BEIN College Pamphlets 13 2: 19 cm. Imperfect: Part 2, the 102 pages of the second count, 'Defence of the answer and arguments of the synod, met at Boston in the year 1662,') and [2] pages (a blank leaf) at end wanting. Title page mutilated with loss of the first letter of the word 'defence' in title., BEIN College Pamphlets 13 3: 19 cm. Imperfect: Part 1, the [2] and 46 pages of the first count and [2] pages (a blank leaf) at end wanting., By R. Mather and Jonathan Mitchel., The apologetical preface was written by Increase Mather, and the answer to it by Jonathan Mitchel., The words "The subject ... of churches." are bracketed together on title page., Part 1, "An answer to the apologetical preface" (caption title) is by Jonathan Mitchel and is a reply to the preface (by Increase Mather) of "Another essay for investigation of the truth" by John Davenport. Part 2, "A defence of the answer and arguments of the synod, met at Boston in the year 1662" (caption title) is by Richard Mather; it has separate pagination and register., Errata on page 46 (first count)., Errors in paging: (second count) page 39 misprinted as 25., Signatures: A-F⁴ ²A-N⁴ (²N4 blank)., and Head-pieces, initials; printed marginalia.
Publisher:
Printed by S. Green and M. Johnson for Hezekiah Vsher of Boston
Subject (Geographic):
Massachusetts and Massachusetts.
Subject (Name):
Davenport, John, 1597-1670., Davenport, John, 1597-1670, Mather, Increase, 1639-1723., and Boston Synod
Subject (Topic):
Congregational churches, Infant baptism, Congregationalism, and Covenants (Church polity)
Horace Walpole's extra-illustrated copy available as in a pdf., Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 9., Inscribed copy: "Bequeathed to Mary Dickenson by her valued friend the Earl of Orford." Numerous notes by Miss Anne Clark. Half calf, with worn marble boards., and For further information, consult library staff.
Horace Walpole's extra-illustrated copy available as in a pdf., Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11., Extra-illustrated with 100 original drawings, chiefly by G.P. Harding, and numerous engravings. Copy of "The disaster" inserted; also inserted is a ms. account of the occasion for the poem, written in 1871 by Bawtree's grandson. Inlaid to folio, russia, rebacked., and Title page printed in red, black and blue, with Gothic style architectural border in watercolor and watercolor vignette resembling Mary Berry's bookplate with strawberries. Attributed to G.P. Harding. Printed 1797? Trimmed to: 29 x 22.5 cm.
Horace Walpole's extra-illustrated copy available as in a pdf., Horace Walpole's copiously extra-illustrated copy, folio (65 x 48 cm), with Walpole's arms stamped on covers and with notes by Walpole and Thomas Kirgate. Drawings or proofs before letter are substituted for many of the original plates. Plates wanting - entrance of Strawberry Hill (Drawings removed from framing?). See W.S. Lewis's notes., Items removed from volume are shelved in two solander boxes., Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and For further information, consult library staff.
Horace Walpole's extra-illustrated copy available as in a pdf., Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., Copiously extra-illustrated by Richard Bull with prints, drawings by John Carter, and Strawberry Hill Press detached pieces. Inlaid to folio probably before 1790, with letterpress pages and illustrations decorated with ruled edges, on fronts and backs of pages. Autograph memoranda by Walpole inserted. Coat of arms of Richard Bull painted inside cover. Formerly bound in russia, now in green morocco., and For further information, consult library staff.
Horace Walpole's extra-illustrated copy available as in a pdf., Bound in are 2 copies of: Harding, S. Epitaph on a canary bird., Russia by C. Lewis, rebacked; on spine: Walpole's Villa. Extra-illustrated with numerous plates and Strawberry Hill Press Detached pieces and original drawings by G.P. Harding and John Carter; ms. notes by Horace Walpole and Thomas Kirgate; name, perhaps S. Boyce, partially erased on the t.p. Probably from Kirgate's library. For further information, consult library staff., and Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 10.
Half length portrait of Henry Angelo as a fencer, directed towards the right, facing and looking towards the left, with long hair and a double-breasted fencing jacket (formerly misidentified as a Guernsay jacket). He holds a foil in his right hand
Description:
Title from caption below image., After a portrait by Mather Brown in the National Portrait Gallery, London, oil on canvas, NPG 5310?, Questionable date of publication from ms. annotation preceding imprint: Oct. 1st, 1791., Sheet trimmed within plate mark on upper edge., and Mounted to 29 x 23 cm.
Publisher:
Publish'd by B.F. Scott, No. 18 Broad Court, Long Acre
Genealogical table starting with Guerin or Warin de Waldegrave, a Norman through to John Waldegrave, third son born Nov. 27, 1756
Description:
Title from item., Plates numbered '233' and '234' respectively, in upper right corner of plates., Plate engraved for volume 1 of: Segar, William. Baronagium genealogicum. London, 1764., Plates numbered '232', 233' and '234' attached to one another. With manuscript annotations, newspaper clippings, and scraps with manuscript notes pasted on or tipped in, in multiple hands., and For further information, consult library staff.
Genealogical table starting with Guerin or Warin de Waldegrave, a Norman through to John Waldegrave, third son born Nov. 27, 1756
Description:
Title from item., Plates numbered '233' and '234' respectively, in upper right corner of plates., Plate engraved for volume 1 of: Segar, William. Baronagium genealogicum. London, 1764., Plates numbered '232', 233' and '234' attached to one another. With manuscript annotations, newspaper clippings, and scraps with manuscript notes pasted on or tipped in, in multiple hands., and For further information, consult library staff.
Genealogical table starting with Guerin or Warin de Waldegrave, a Norman through to John Waldegrave, third son born Nov. 27, 1756
Description:
Title from item., Plates numbered '233' and '234' respectively, in upper right corner of plates., Plate engraved for volume 1 of: Segar, William. Baronagium genealogicum. London, 1764., Plates numbered '232', 233' and '234' attached to one another. With manuscript annotations, newspaper clippings, and scraps with manuscript notes pasted on or tipped in, in multiple hands., and For further information, consult library staff.
Genealogical table starting with Guerin or Warin de Waldegrave, a Norman through to John Waldegrave, third son born Nov. 27, 1756
Description:
Title from item., Plates numbered '233' and '234' respectively, in upper right corner of plates., Plate engraved for volume 1 of: Segar, William. Baronagium genealogicum. London, 1764., Plates numbered '232', 233' and '234' attached to one another. With manuscript annotations, newspaper clippings, and scraps with manuscript notes pasted on or tipped in, in multiple hands., and For further information, consult library staff.
Genealogical table starting with Guerin or Warin de Waldegrave, a Norman through to John Waldegrave, third son born Nov. 27, 1756
Description:
Title from item., Plates numbered '233' and '234' respectively, in upper right corner of plates., Plate engraved for volume 1 of: Segar, William. Baronagium genealogicum. London, 1764., Plates numbered '232', 233' and '234' attached to one another. With manuscript annotations, newspaper clippings, and scraps with manuscript notes pasted on or tipped in, in multiple hands., and For further information, consult library staff.
Pairs of elegantly dressed and coiffed ladies and gentlemen sit around a long table drinking champagne. On a dais sits 'Perdita' (Mary Robinson) who assures the Prince of Wales of her undying love. He looks at her adoringly and says, "Now what care I for Mom and Dad, let 'em scold and bellow." His left hand rests on books piled up on the table (the titles of which are also listed in the publisher's advertisement). Another lady on his left looking at him may be Elizabeth Armitstead (later Mrs. Fox) who succeeded Mrs. Robinson as his mistress. Other members of this group include Lord Derby and his actress wife, Elizabeth Farren, and Charles James Fox. The location appears to be the Schomberg House where James Graham established his 'Temple of Health and Hymen' famous for its 'Celestial Bed' (cf. British Museum catalogue no. 6325). Allusion to George IV's coming of age
Alternative Title:
Old gigg shop revived
Description:
Publisher's advertisement below the text of the song: "At No. 66 Drury Lane, may be had the following publications. Hal's looking-glass; or, The Royal exhibition, price 2s. 6d. Madame Birchini's dance, price 2s. 6d. Apollo and the Muses inflicting penance on Dr. J-----n round Parnassus, price 1s. The wanton jesuit, an opera, price 1s. 6d. An epistle from Sir Roger Sugar-Cane to Lady Maria B--n, price. The celestial bed, price 1s. 6d. and Matted to 47 x 52 cm. With a key identifying the characters stamped around the window. Contemporary annotations identifying the names alluded to in the list of prints following the printer's address.
Publisher:
Publis'd [sic] as the act directs by W. Holland, No. 66 Drury Lane
Subject (Geographic):
London (England) and England
Subject (Name):
George IV, King of Great Britain, 1762-1830., Robinson, Mary, 1758-1800., Fox, Charles James, 1749-1806., Fox, Elizabeth, 1750-1842., Derby, Edward Smith Stanley, Earl of, 1752-1834., and Derby, Elizabeth Farren Stanley, Countess of, 1759?-1829.
Subject (Topic):
Social life and customs, Eating & drinking, Hairstyles, Chairs, and Clothing & dress
Pairs of elegantly dressed and coiffed ladies and gentlemen sit around a long table drinking champagne. On a dais sits 'Perdita' (Mary Robinson) who assures the Prince of Wales of her undying love. He looks at her adoringly and says, "Now what care I for Mom and Dad, let 'em scold and bellow." His left hand rests on books piled up on the table (the titles of which are also listed in the publisher's advertisement). Another lady on his left looking at him may be Elizabeth Armitstead (later Mrs. Fox) who succeeded Mrs. Robinson as his mistress. Other members of this group include Lord Derby and his actress wife, Elizabeth Farren, and Charles James Fox. The location appears to be the Schomberg House where James Graham established his 'Temple of Health and Hymen' famous for its 'Celestial Bed' (cf. British Museum catalogue no. 6325). Allusion to George IV's coming of age
Alternative Title:
Old gigg shop revived
Description:
Publisher's advertisement below the text of the song: "At No. 66 Drury Lane, may be had the following publications. Hal's looking-glass; or, The Royal exhibition, price 2s. 6d. Madame Birchini's dance, price 2s. 6d. Apollo and the Muses inflicting penance on Dr. J-----n round Parnassus, price 1s. The wanton jesuit, an opera, price 1s. 6d. An epistle from Sir Roger Sugar-Cane to Lady Maria B--n, price. The celestial bed, price 1s. 6d. and 1 print : etching, b&w ; sheet 34.8 x 35.2 cm.
Publisher:
Publis'd [sic] as the act directs by W. Holland, No. 66 Drury Lane
Subject (Geographic):
London (England) and England
Subject (Name):
George IV, King of Great Britain, 1762-1830., Robinson, Mary, 1758-1800., Fox, Charles James, 1749-1806., Fox, Elizabeth, 1750-1842., Derby, Edward Smith Stanley, Earl of, 1752-1834., and Derby, Elizabeth Farren Stanley, Countess of, 1759?-1829.
Subject (Topic):
Social life and customs, Eating & drinking, Hairstyles, Chairs, and Clothing & dress
Volume 2, page 55. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A strip design of ten couples in different stages of the minuet, All dance in silence; the expressions of the male dancers denote anxiety, determination, or complacency. All are intended to be ugly, or awkward, or both, but the figures have charm, and even in some cases a certain grace. ... None of the men suggests a parson, most are lean and none corpulent by eighteenth-century standards."--British Museum online catalogue, description of a variant state
Description:
Title etched below image on second and third plates., Variant state, lacking the text "Bos, Fur, Sus, atque Sacerdos" above image on second plate. Cf. No. 7229 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheets trimmed within plate mark., A single design on four plates., Text in Latin below title, etched on second and third plates: Longa Tysonum Minuit Quid Velit et possit rerum concordia discors. Horace., Mounted on page 55 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Sheet annotated by Horace Walpole in ink beneath Latin text: Tyson was Master of the Ceremonies at Bath.
Publisher:
Publish'd June 25th, 1787, by W. Dickinson, engraver, Bond Street
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., Numbered "13" in lower right corner., No. 13 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Unidentified manuscript note and number (in another hand) on verso, giving detailed histories of the people depicted.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., Numbered "13" in lower right corner., No. 13 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Unidentified manuscript note and number (in another hand) on verso, giving detailed histories of the people depicted.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
"Fox, dressed as a woman, scowling ferociously, holds up a knife in his right hand to strike the King (right), who calmly pushes him away. A beefeater (left) seizes Fox's right arm in both hands. In the background the garden front of St. James's Palace is suggested; on the right is the side of the King's coach, seen from behind. Beneath the title is etched: 'Four presumtive Reasons- Because no two Faces in the world are so much alike! - Because the Political Proteus was seen in a Miliners shop (where no doubt he bought the Cloak and bonnet) about a month ago! Because he was seen by a Grenadier of the Guards coming out of a Cutler's shop (where no doubt he bought the knife) yesterday morning! - But the strongest reason to suppose him ye Assassin is because he was an hundred miles from London at the time!!!'"--British Museum online catalogue
Alternative Title:
Squib of the first day
Description:
Title from item., Imprint has been written by a contemporary hand in ink over the erasure from the plate., Six lines of text below title: Four presumtive reasons -- Because no two faces in the world are so much alike ..., Temporary local subject terms: Beefeaters -- Assassins -- Royal carriage., and Part of a watermark in upper left corner.
Publisher:
Pub. August 2, 1786 by W. Holland No. 66 Drury Lane
Subject (Name):
George III, King of Great Britain, 1738-1820, Nicholson, Margaret, approximately 1750-1828., and Fox, Charles James, 1749-1806
Title from caption below image., Publication date from watermark and manuscript note on verso of mount., Mounted to 37 x 56 cm., Watermark: 1824., and Numerous manuscript notations in ink on mount.
Publisher:
Printed for Carington Bowles, in St. Pauls Church Yard
"A whole length satirical portrait of the Duke of Norfolk, directed to the right; in his left hand is the baton of Earl Marshal; his right hand is in his waistcoat pocket. He wears top-boots, a slouched hat, and his hair is closely cropped. Earlier caricatures show the Duke wearing his own hair without powder, hanging on his neck."--British Museum online catalogue
Alternative Title:
Norfolk dumpling
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Food: allusion to dumplings -- Hair fashion: cropped hair -- Obesity., 1 print : etching on wove paper, hand-colored ; plate mark 18.3 x 14.5 cm, on sheet 27.0 x 20.8 cm., and Mounted on leaf 11 of volume 8 of 12.
Publisher:
Pubd. Sepr. 21st, 1791, by H. Humphrey, No. 18 Old Bond Street
"A whole length satirical portrait of the Duke of Norfolk, directed to the right; in his left hand is the baton of Earl Marshal; his right hand is in his waistcoat pocket. He wears top-boots, a slouched hat, and his hair is closely cropped. Earlier caricatures show the Duke wearing his own hair without powder, hanging on his neck."--British Museum online catalogue
Alternative Title:
Norfolk dumpling
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Food: allusion to dumplings -- Hair fashion: cropped hair -- Obesity., and Mss. annotations below title.
Publisher:
Pubd. Sepr. 21st, 1791, by H. Humphrey, No. 18 Old Bond Street
A medley of images with a portrait of John Gay; half length, to the right, wearing a cap and plain jacket; in oval; in a medley of prints, set on background of a letter; the prints titled 'The Spell', 'The Judgement', and 'Bumkinet's Advice'; two further panels, one with a coin of George II, the other lettered 'A new Deceptio Visus. Engrav'd and sold by Geo. Bickham, in London' [part of address erased].
Description:
Title from print in upper right., Sheet trimmed within plate mark with loss of docket title and associated text. Perimeter of the design has been heavily inked in black, obscuring all but the images of the prints. The gold coin has been decorated with gold lead and the background of this print is also heavily inked in black., A composite of images and verses to form a greeting card, folded for mailing as advertisement for Bickham's engravings. With docket title: With docket title: A new Deceptio Visus, or A guinea for a shilling : being a curious medley, by way of letter / engrav'd and sold by Geo. Bickham, at his drawing school, at Hatten Garden near Holburn, London. See impression in the Library of Congress, PC 3 - 1729 - Near deceptio., See also working proof (?) at the British Museum online catalogue, no. 1980,U.861., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Geo. Bickham
Subject (Geographic):
Greece.
Subject (Name):
Dennis, John, 1657-1734., Congreve, William, 1670-1729., Curll, Edmund, 1675-1747, George II, King of Great Britain, 1683-1760, Gay, John, 1685-1732, Pope, Alexander, 1688-1744., Prior, Matthew, 1664-1721., Swift, Jonathan, 1667-1745., and Harte, Walter, 1709-1774.
Subject (Topic):
Pegasus, Coins, Columns, Musical instruments, Puzzles, Ruins, and Wells
Ministre nonconformiste and Ministro o'sacerdote calvinista
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 73 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Genealogical table of the Walpole family starting with Edward I and Reginald de Walpole, and ending with descendants born by January 1776
Description:
Title from item., Mounted on page 9 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., With the names of the quarterings and the coat of arms hand-colored; sheet 45.6 x 59 cm., and For further information, consult library staff.
Publisher:
Horace Walpole
Subject (Geographic):
Great Britain
Subject (Name):
Walpole family. and Strawberry Hill (Twickenham, London, England)
Genealogical table of the Walpole family starting with Edward I and Reginald de Walpole, and ending with descendants born by January 1776
Description:
Title from item., Mounted on page 199 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and With Horace Walpole's manuscript notes and with the quarterings and coat of arms elaborately hand-colored.
Publisher:
Horace Walpole
Subject (Geographic):
Great Britain
Subject (Name):
Walpole family. and Strawberry Hill (Twickenham, London, England)
Title from text at top of plate., Date of publication based on printseller's street address. See British Museum online catalogue., Print based on an illustration by William Sherwin to Francis Sandford's The history of the coronation of the Most High, Most Mighty, and Most Excellent Monarch, James II (London, 1687). See British Museum online catalogue., Two images on one plate, separated by four columns of text serving as a key to the upper image; upper image shows the coronation, lower image shows the implements used for the coronation., and Sheet numbered "232" in a contemporary hand in upper right corner.
Publisher:
Printed for Robt. Sayer, at No. 53 in Fleet Street
Subject (Geographic):
England, London., and England.
Subject (Name):
James II, King of England, 1633-1701. and Westminster Abbey,
"This engraving represents a circular building, with conical roof of tiles, shown in two sections, and partly in perspective. Within the building is a large wheel turned by a horse and giving motion to a considerable number of spindles, to which are attached disks; on each of the disks are several razors, which are thus set in action on the faces of the men who apply their cheeks to openings in the inner wall of the building. Exterior to this inner wall is a gallery where stand the men who are thus expeditiously shaved; their hats hang on pegs, each over the hole to which the owner has applied himself. In the gallery several men are finishing or preparing for their toilettes. The operation of dressing a wig is shown below the wheel, on our right, where many combs are placed on a drum which revolves like a water-wheel before a man's wig, placed on a block near it."--British Museum catalogue, description of an earlier state
Description:
Title engraved below image., Text following title: See the explanation., "Price 6d."--Bottom of plate, centered., For an earlier state published in 1745, see no. 2687 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, and English short title catalogue no. T42881., and With watermark of fleur-de-lis. Ms. note on verso in black in ink: Mr. Freeman, Arlington Street.
Publisher:
Publish'd according to act of Parliament Novr. [the] 2, 1749, and sold by J. Dubois at [the] Golden Head [the] corner of Burleigh Street near Exeter Chanc[...]
Subject (Topic):
Horses, Shaving, Razor blades, Machinery, and Wigs
