Six drawings mounted on a single leaf disbound from a 19th century album. One of the pencil drawings shows a vase that was in the Long Gallery at Strawberry Hill; the drawing is possibly by Paul Sandby sketched for his drawing of the view of the Long Gallery. Two other drawings in pen and ink with wash depict vases or urns. Two other pen and ink drawings with wash at the top of the sheet depict architectural ornaments, though one may be a design for jewelry. At the bottom of the sheet is a drawing of a sarchophagus, in pen and ink with pencil; on the front panel is a drawing in pencil of city view, a classical-style building on the left, a forum in the middle, and two columns on the right. The drawing of the sarchophagus is tentatively attributed to James Gibbs
Description:
One of four sheets from a 19th century album. To view other sheets, see Lewis Walpole Library: Drawings Un58 nos. 73, 74, and 75., Note below image, written in pencil in unknown hand, "The vase in long gallery, now in Waddesdon Coll. Brit. Mus, perhaps i Sandby/or his [ ] of long gallery. ms.", Numbered 706 on sheet., and Title devised by curator.
Subject (Name):
Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Architectural decorations & ornaments, Art collections, Sarcophagi, Urns, and Vases
Hogarth shows Harpagon, the miser, at left, taking time out from the play's climactic scenc to snuff a candle (one is sufficient). Valère (putting on his hat) and Anselm (leaning on the table) are about to discover that they are son and father
Description:
Title, state, publisher, and date from Paulson., Second state with "Act 5. Scene 5" etched below image., Used as a frontispiece to: Select comedies of Mr. de Molière (London : John Watts, 1732)., Sheet trimmed to plate mark., and With ms. note in ink in Horace Walpole's hand(?) below image.
Caption title., Text at bottom of page: Bank, India, and South Sea stocks with their several annuities, and all sorts of government securities, bought and sold by commission., The Lewis Walpole Library copy: Address to "Madam" and annotated as number "28998"., With contemporary manuscript notes in ink filling in the blanks in ticket., and For further information, consult library staff.
"(To be continued annually)"--Following imprint., With an engraved frontispiece showing two fashionably dressed couples walking in a park: The most elegant desses upon the Ton / Dighton del. ; Cook sculp., and With the original blind-ruled limp sheep. For further information, consult library staff.
Publisher:
Printed for S. Bladon, No. 13, Paternoster Row
Subject (Geographic):
London (England), England, London., and London
Subject (Topic):
Men, Recreation, Sexual behavior, and Social life and customs
Title from annotation on verso., Probably a proof state., Date of publication from unverified data in local card catalog record., Sheet trimmed to plate mark., and Annotated by Horace Walpole in pencil on verso: Abbè de Marolly.
A satirical print rebuking the many writers who profited by writing memoirs of Samuel Johnson. On the left, Mrs. Piozzi is seated at her writing desk in her study. With a look of astonishment. she looks behind her at the ghost of Samuel Johnson in a night shirt who with his right hand points to the portraits of James Boswell and Sir John Hawkins on the wall and in his left hand holds a money purse. Another portrait on the far right depicts John Courtenay with a pen in his hand looking toward a bust of Prisian. On her desk is a letter "D Johnson ... Letters Dear Lady", implying that she has been concoting Johnson's letters to her. Immediately above her desk in the middle of the wall of books, a violin, an allusion to her second husband a musician, obscures the portrait of her first husband Henry Thrale
Alternative Title:
Frontispiece for the 2d edition of Dr. Johnson's letters
Description:
Title etched below image., Signed with the monogram of James Sayers., Twenty-four lines of verse in two columns below title: Madam! my debt to nature paid, I thought the grave with hallow'd shade would now protect my name ..., and Mounted on page 57 with one other print.
Delicate cucumbers to pickle, Concombres a confire, and Cocomeri per mettere in composta
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 59 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Maquereux quatre pour six sols and Quatro sgombri per sei soldi
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 42 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 7 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
Qui a des vieux taffetas a vendre and Chi ha robbe di seta da vendere
Description:
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 36 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
